Month: July 2019

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Acosta Agonistes

July 13, 2019 | News | No Comments

Alexander Acosta was doing just fine
In his comfortable Cabinet post.
Lucky for him, the Department of Labor
Got far less attention than most.

Dumpty’s first pick for Acosta’s position
Could hardly have been more obtuse:
Andy Puzder, renowned for his cheeseburger porno
And rumors of spousal abuse.

Puzder was dumped in a clumsy debacle
That pummelled the bumbling POTUS.
So Acosta, an amiable U.S. Attorney,
Drew virtually no public notice.

Scaramucci, Reince Priebus, Sean Spicer, and Bannon
Were fired or forced to resign.
Fifty others all shared the same infamous fate,
Yet Acosta was doing just fine.

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But a ten-year-old story leaked out from his past
And yanked him from placid obscurity.
His name was attached to a sickening scandal
that shook his serene job security.

The law had caught up with a Palm Beach roué,
A man of luxurious means,
Charged with trafficking, pimping, procuring, and rape
Of dozens of underage teens.

He’d concocted a sexual pyramid scheme
Of unspeakable breadth and perversity,
Promising vulnerable, penniless girls
A route out of brutal adversity.

The perp, Jeffrey Epstein, deserved to be crushed
By Justice’s ruthless iron fist,
But the priciest lawyers that money could buy
Got him off with a slap on the wrist.

Life in prison? Oh, no. A mere thirteen months
In his own private wing of a jail,
With work-release privileges twelve hours a day
To relax and catch up on his mail.

In the history of flagrant miscarriage of justice,
No case is as lurid and stark.
And the terms of the deal were kept under seal
So the victims were kept in the dark.

Was a rigorous U.S. Attorney in charge?
Or a grovelling, feckless imposter?
In fact, he heads up your Department of Labor:
The amiable Alex Acosta.

A predator wed to a fawning enabler
Is a fellowship forged by the Devil.
Who would have thought such a partner in crime
Would ascend to the Cabinet level?

We are living, alas, in the Dumptyan Era
Where scandals erupt by the hour.
They stir a recurring and queasy sensation
A virus infecting the health of the nation,
Brought on by a toxic and foul combination
Of money, perversion, and power.

From “Dumpty: The Age of Trump in Verse,” by John Lithgow, to be published by Chronicle Prism.

When Roger Federer and Rafael Nadal walked onto Centre Court at Wimbledon on Friday, the sight was at once familiar and strange—strange, in part, for seeming so familiar. The two men were meeting for the fortieth time, the fourteenth at a major. They had met only five weeks before, in the semifinals of the French Open. Nadal had run away with that one, but that was to be expected, given that the match was happening on clay. The win improved Nadal’s record against Federer to 24–15—though Federer had won their previous six matches. And now they were meeting at Wimbledon, where Federer has won eight titles to Nadal’s two. The last time they had faced each other there was in 2008, in what many consider the greatest match ever played. Federer was twenty-six then, and Nadal twenty-two; now they are thirty-seven and thirty-three, respectively. They were seeded two and three in this tournament, behind Novak Djokovic, rather than one and two, as they had been then. They have less hair than they used to. In 2008, the match had seemed to represent a passing of the torch or a changing of the guard—pick your favorite cliché. Except the torch wasn’t passed, and the guard didn’t change: instead, what we got, in the years to come, was a long, incredible rivalry. One that has gone on so long that, these days, it can seem that tennis is caught in a time warp.

In the days leading up to Friday’s match, there was a great deal of talk about that match in 2008—the replays of old points on TV seemed, at times, to overwhelm the coverage of tennis that was actually happening in the present. It was irresistible: old footage of the early rain on that day, and then the fade into twilight; the dramatic rallies and momentum swings. As for any new analysis, it was mostly halfhearted. What was there left to say? Federer, after he won on Wednesday and knew who his next opponent would be, said, “Well, we have a lot of information on Rafa, and so does he about us. You can either dive into tactics and all that stuff like mad for two days, or you’re just going to say, ‘You know what? It’s grass-court tennis, and I’m going to come out there and play attacking tennis.’ And, if he can defend that, that’s too good. And, if he can’t, well, then, that’s good for me.”

Nadal’s and Federer’s careers are intertwined now—they form a tiny ecosystem, in which each of them has forced the other to change. It was once easy to caricature the stylistic differences between them, and, although the contrast remains, there has also been convergence. Nadal hits that heavy hooking forehand and can still run for days, but he comes into net more often, and, in the past couple of years, he has developed a brutal serve. Federer still floats into that fluid forehand with the long extension, serves with perfect precision, and plays with invention. But, assisted by a bigger racquet face, he drives his backhand hard, making it less of a liability.

On Friday, then, it was no surprise when the first set favored both servers: aces and classic 1–2 patterns. There were forays to net, and long rallies—most notably on Federer’s break point at 4–3, which lasted twenty-one shots, with Nadal’s topspin forehand bouncing higher and higher, and Federer fighting it off with his one-hander up around his shoulders, until finally the Swiss player blinked. It was the only real opening on either man’s serve in the first set, which went to a tiebreaker. There were more fireworks: Nadal running down a Federer volley and flicking his backhand to drop deep in the corner, an impossible get; Federer flying in on his forehand. When there were errors, they were of the smallest margins—lines missed by millimetres, ground strokes rolling off the tape.

Federer came away with the first set, and the match seemed on its way to becoming another classic. As the second began, each player ratcheted up the pressure on the other’s serve. Federer exploited his superior timing to take the return early and put Nadal on his back foot; Nadal’s intensity rose to a pitch that only he seems capable of. Federer was hitting about twice as many winners as Nadal, following his aggressive game plan, but Nadal was an unbreakable force; he came away with the match’s first break.

Then something unfamiliar happened: Federer fell apart. The errors came fast, and Nadal started toying with him. He took the set, 6–1. Federer had won only fifteen of the set’s forty-five points. But another swerve was in store. Federer regained his form on his serve and rediscovered his forehand, and Nadal struggled to break. Federer took the third set, 6–3. In the fourth and final set, Federer’s ground strokes, unexpectedly, allowed him to outlast Nadal in rallies. He took the final set, 6–4. Was it revenge for 2008? Not really. But that wasn’t the point.

Meetings between Federer and Nadal were once almost crude in their symbolism: brute force versus elegance, right versus left, passion versus cool. Now those old story lines feel a little silly. Even the debate over which player is the greatest of all time can seem a little off point (and, besides, Djokovic may have something to say about that). The more they play, and the more they distance themselves from almost everyone else, the more they seem to share. Most notably, they have in common a calmness under incredible pressure, a mental fortitude that others can’t match, and an ability to recover, physically and emotionally, even mid-game. On Friday, they even shared in the ebbs and flows of the match.

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However high the level was for stretches of the match, it wasn’t a classic—not quite, no matter how much we may have wanted or expected it to be. But, like all the matches between these two men, it offered a chance to watch two players who have made each other, improbably, almost impossibly, improve, in order to keep pace with the other. The pressure, at this point, is off, or should be. Their semifinal was one more data point in their long rivalry, not a definitive showdown. It didn’t decide who is the best ever, or even who is the best in the world right now. (That title belongs to the man whom Federer will play in the final, on Sunday, Djokovic.) Toward the end of the fourth set, as I watched Nadal fend off four match points—in an astonishing stretch that matched the level that he and Federer showed more than a decade ago—I found myself simply submitting to each shot, without worrying what it meant in a larger sense. They were just playing grass-court tennis, and we had the privilege just to watch.

A scene from The Holiday. Image credit: Universal Pictures

Some days (every day?), all you want in the world after a long day of whatever you fill your nine-to-five with, is to watch a laugh-out-loud, heartwarming, love story that combines both comedy and romance on film.

Luckily, there are a raft of options in the rom-com category to choose from because this is one genre that is enduringly popular. Even when your indie movie-loving buddies and peers are voicing their disdain for the rom-com genre because, let’s be honest, rom-coms aren’t typically the highest form of filmmaking “art”, it’s totally fine, because we know studios are going to keep on making them because they fulfil a very basic movie-making purpose: entertainment.

Pure escapist heart-eyes emoji entertainment is one of the glorious reasons watching a rom-com is such an uplifting, soul-filling delight. It’s not an endurance watch like so many brutally tough and scarily close-to-reality dystopian dramas that are landing on our screens these days, it’s fun, funny and lovely.

After all, who doesn’t want a happy ending whether it’s on the screen in front of us or in our own lives? No one.

Of course, not all rom-coms are created equal. There’s a familiar formula, which as we’ve written about previously follows the narrative arc of: two people meet, there’s chemistry, movie Cupid prevents the twosome from getting together, an eccentric co-worker/friend/family member provides comic relief and questionable advice and then the fairytale comes to a happy conclusion when the couple finally get together. 

But, some rom-coms are an elevated version of this heartwarming cinematic formula, whether it’s because the lead actors have incredible chemistry (hello, Matthew McConaughey and Kate Hudson in ), or the story is just so gorgeous it’s impossible not to fall in love with, like in the case of (above). 

So, if you’re looking for a film or three that will remind you exactly why watching a rom-com is always a good idea, we’ve got the viewing list for you. Read on as we chart a curated list of the most iconic rom-coms of all time. 

Image credit: Paramount Pictures

How to Lose a Guy in 10 days, 2003

Image credit: Walt Disney Studios 

The Proposal, 2009

Image credit: Paramount Pictures

Clueless, 1995

Image credit: Warner Bros. Pictures 

Crazy Rich Asians, 2018

Image credit: Universal Pictures

Love Actually, 2003

Image credit: Miramax Films

Bridget Jones’s Diary, 2001

Image credit: Netflix

To All the Boys I’ve Loved Before, 2018

Image credit: MGM Distribution Co. 

Legally Blonde, 2001

Image credit: Buena Vista Pictures

Sweet Home Alabama, 2002

Image credit: TriStar Pictures

My Best Friend’s Wedding, 1997

Image credit: Buena Vista Pictures 

10 Things I Hate About You, 1999

Image credit: Warner Bros. Pictures

Crazy, Stupid, Love, 2011

Image credit: Columbia Pictures

50 First Dates, 2004

Image credit: Universal Pictures

Notting Hill, 1999

Image credit: Columbia Pictures 

13 Going on 30, 2004

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Image credit: Columbia Pictures

Just Go With It, 2011

Image credit: Paramount Pictures

Coming to America, 1988

Image credit: 20th Century Fox

27 Dresses, 2008

Image credit: 20th Century Fox

The Princess Bride, 1987

Image credit: Buena Vista Pictures

Pretty Woman, 1990

Image credit: Rank Film Distributors

Four Weddings and a Funeral, 1994

Image credit: Universal Pictures

Forgetting Sarah Marshall, 2008

Image credit: Paramount Pictures

Roman Holiday, 1953

Image credit: Miramax Films

She’s All That, 1999

Image credit: TriStar Pictures

Sleepless in Seattle, 1993

Image credit: Universal Pictures

Knocked Up, 2007

Image credit: New Line Cinema

The Wedding Singer, 1998 

Image credit: Columbia Pictures 

When Harry Met Sally…, 1989

Image credit: 20th Century Fox

There’s Something About Mary, 1998 

Image credit: IFC Films

My Big Fat Greek Wedding, 2002

Image credit: Warner Bros. Pictures

Something’s Gotta Give, 2003

Image credit: Warner Bros. Pictures

You’ve Got Mail, 1998

Image credit: Columbia Pictures

Maid in Manhattan, 2002

Early next week, according to a D.H.S. official, the Trump Administration is expected to announce a major immigration deal, known as a safe-third-country agreement, with Guatemala. For weeks, there have been reports that negotiations were under way between the two countries, but, until now, none of the details were official. According to a draft of the agreement, which The New Yorker has obtained, asylum seekers from any country who either show up at U.S. ports of entry or are apprehended while crossing between ports of entry could be sent to seek asylum in Guatemala instead. During the past year, tens of thousands of migrants, the vast majority of them from Central America, have arrived at the U.S. border seeking asylum each month. By law, the U.S. must give them a chance to bring their claims before authorities, even though there’s currently a backlog in the immigration courts of roughly a million cases. The Trump Administration has tried a number of measures to prevent asylum seekers from entering the country—from “metering” at ports of entry to forcing people to wait in Mexico—but, in every case, international obligations held that the U.S. would eventually have to hear their asylum claims. Under this new arrangement, most of these migrants will no longer have a chance to make an asylum claim in the U.S. at all. “We’re talking about something much bigger than what the term ‘safe third country’ implies,” someone with knowledge of the deal told me. “We’re talking about a kind of transfer agreement where the U.S. can send any asylum seekers, not just Central Americans, to Guatemala.”

From the start of the Trump Presidency, Administration officials have been fixated on a safe-third-country policy with Mexico—a similar accord already exists with Canada—since it would allow the U.S. government to shift the burden of handling asylum claims farther south. The principle was that migrants wouldn’t have to apply for asylum in the U.S. because they could do so elsewhere along the way. But immigrants-rights advocates and policy experts pointed out that Mexico’s legal system could not credibly take on that responsibility. “If you’re going to pursue a safe-third-country agreement, you have to be able to say ‘safe’ with a straight face,” Doris Meissner, a former commissioner of the Immigration and Naturalization Service, told me. Until very recently, the prospect of such an agreement—not just with Mexico but with any other country in Central America—seemed far-fetched. Yet last month, under the threat of steep tariffs on Mexican goods, Trump strong-armed the Mexican government into considering it. Even so, according to a former Mexican official, the government of Andrés Manuel López Obrador is stalling. “They are trying to fight this,” the former official said. What’s so striking about the agreement with Guatemala, however, is that it goes even further than the terms the U.S. sought in its dealings with Mexico. “This is a whole new level,” the person with knowledge of the agreement told me. “In my read, it looks like even those who have never set foot in Guatemala can potentially be sent there.”

At this point, there are still more questions than answers about what the agreement with Guatemala will mean in practice. A lot will still have to happen before it goes into force, and the terms aren’t final. The draft of the agreement doesn’t provide much clarity on how it will be implemented—another person with knowledge of the agreement said, “this reads like it was drafted by someone’s intern”—but it does offer an exemption for Guatemalan migrants, which might be why the government of Jimmy Morales, a U.S. ally, seems willing to sign on. Guatemala is currently in the midst of Presidential elections; next month, the country will hold a runoff between two candidates, and the current front-runner has been opposed to this type of deal. The Morales government, however, still has six months left in office. A U.N.-backed anti-corruption body called the CICIG, which, for years, was funded by the U.S. and admired throughout the region, is being dismantled by Morales, whose own family has fallen under investigation for graft and financial improprieties. Signing an immigration deal “would get the Guatemalan government in the U.S.’s good graces,” Stephen McFarland, a former U.S. Ambassador to Guatemala, told me. “The question is, what would they intend to use that status for?” Earlier this week, after Morales announced that he would be meeting with Trump in Washington on Monday, three former foreign ministers of Guatemala petitioned the country’s Constitutional Court to block him from signing the agreement. Doing so, they said, “would allow the current president of the republic to leave the future of our country mortgaged, without any responsibility.”

The biggest, and most unsettling, question raised by the agreement is how Guatemala could possibly cope with such enormous demands. More people are leaving Guatemala now than any other country in the northern triangle of Central America. Rampant poverty, entrenched political corruption, urban crime, and the effects of climate change have made large swaths of the country virtually uninhabitable. “This is already a country in which the political and economic system can’t provide jobs for all its people,” McFarland said. “There are all these people, their own citizens, that the government and the political and economic system are not taking care of. To get thousands of citizens from other countries to come in there, and to take care of them for an indefinite period of time, would be very difficult.” Although the U.S. would provide additional aid to help the Guatemalan government address the influx of asylum seekers, it isn’t clear whether the country has the administrative capacity to take on the job. According to the person familiar with the safe-third-country agreement, “U.N.H.C.R. [the U.N.’s refugee agency] has not been involved” in the current negotiations. And, for Central Americans transferred to Guatemala under the terms of the deal, there’s an added security risk: many of the gangs Salvadorans and Hondurans are fleeing also operate in Guatemala.

In recent months, the squalid conditions at borderland detention centers have provoked broad political outcry in the U.S. At the same time, a worsening asylum crisis has been playing out south of the U.S. border, beyond the immediate notice of concerned Americans. There, the Trump Administration is quietly delivering on its promise to redraw American asylum practice. Since January, under a policy called the Migration Protection Protocols (M.P.P.), the U.S. government has sent more than fifteen thousand asylum seekers to Mexico, where they now must wait indefinitely as their cases inch through the backlogged American immigration courts. Cities in northern Mexico, such as Tijuana and Juarez, are filling up with desperate migrants who are exposed to violent crime, extortions, and kidnappings, all of which are on the rise.This week, as part of the M.P.P., the U.S. began sending migrants to Tamaulipas, one of Mexico’s most violent states and a stronghold for drug cartels that, for years, have brutalized migrants for money and for sport.

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Safe-third-country agreements are notoriously difficult to enforce. The logistics are complex, and the outcomes tend not to change the harried calculations of asylum seekers as they flee their homes. These agreements, according to a recent study by the Migration Policy Institute, are “unlikely to hold the key to solving the crisis unfolding at the U.S. southern border.” The Trump Administration has already cut aid to Central America, and the U.S. asylum system remains in dire need of improvement. But there’s also little question that the agreement with Guatemala will reduce the number of people who reach, and remain in, the U.S. If the President has made the asylum crisis worse, he’ll also be able to say he’s improving it—just as he can claim credit for the decline in the number of apprehensions at the U.S. border last month. That was the result of increased enforcement efforts by the Mexican government acting under U.S. pressure.

There’s also no reason to expect that the Trump Administration will abandon its efforts to force the Mexicans into a safe-third-country agreement, as well. “The Mexican government thought that the possibility of a safe-third-country agreement with Guatemala had fallen apart because of the elections there,” the former Mexican official told me. “The recent news caught top Mexican officials by surprise.” In the next month, the two countries will continue immigration talks, and, again, Mexico will face mounting pressure to accede to American demands. “The U.S. has used the agreement with Guatemala to convince the Mexicans to sign their own safe-third-country agreement,” the former official said. “Its argument is that the number of migrants Mexico will receive will be lower now.”

Crises make and break historical reputations. In our current constitutional emergency, a few unlikely figures, above all the former Attorney General Jeff Sessions, have upheld the rule of law, possibly redeeming their places in history. Many others, above all the current Attorney General, William Barr, seem determined to irretrievably sink theirs. Now the reputation at risk is that of the House Speaker, Nancy Pelosi.

With regard to the debate over the proper response to Donald Trump’s brazen deeds, Pelosi has not taken impeachment off the table, saying, “I don’t think you should impeach for political reasons, and I don’t think you should not impeach for political reasons.” Yet political reasons seem to be preventing her from pursuing constitutional concerns. Her reasoning is clear: if the House were to launch an impeachment without “overwhelming” evidence of high crimes and misdemeanors and strong bipartisan public support, Trump’s inevitable acquittal in the Republican-controlled Senate would only strengthen him, and he could cruise to reëlection. But, in this instance, Pelosi’s normally acute political judgment is failing her, and the historical precedent she is evidently relying on—the impeachment of President Bill Clinton—is not analogous. In fact, based on the past half century of political history, suppressing an impeachment inquiry seems more likely to help insure Trump’s reëlection. If this happens, Pelosi’s formidable reputation, based on a lifetime of public service and her role as the first female Speaker of the House, will suffer.

The basic historical error behind suppressing an impeachment inquiry confuses the genuine crisis surrounding Trump with the manufactured one that engulfed Clinton. In 1998, the House Republicans, lacking public support and all but assured that the Senate, though it was controlled by their own party, would not convict Clinton, impeached him anyway, which only served to win him sympathy and drive up his popularity ratings. Pelosi apparently sees the same thing happening now, but the two cases are very different.

When the scandal involving Clinton and Monica Lewinsky broke, in January of 1998, Republicans had been pursuing both Bill and Hillary Clinton for more than five years, and they had come up with nothing. In the view of most Americans, the Lewinsky story, although pathetic and unnerving, never amounted to a case sufficient to justify Clinton’s removal from office, even when attached to Clinton’s dissembling under oath about the matter. Moreover, Clinton, unlike Trump, was a broadly popular President: when the scandal broke, his approval rating hovered around sixty-six per cent; on the day he was impeached, it rose to seventy-three per cent; the week after his acquittal, it was the same as it had been at the beginning: sixty-six per cent.

Trump, by contrast, is the least popular President of the postwar period, who enjoys a fiercely loyal base but so far has failed to win the support of more than half those Americans polled. More important, the evidence presented in the Mueller report—regarding Trump’s campaign’s expectation that it could benefit from Russian interference and hacking efforts, and numerous contacts with Russians, as well as the President’s subsequent attempts to obstruct justice—is formidable, if, in Mueller’s view, insufficient to “establish” that members of the Trump campaign actually conspired or coördinated with Russia. (The insufficiency, of course, may have been due to the efforts at obstruction that the report describes.) Despite Barr’s efforts to obscure the fact that Mueller’s report does not exonerate the President, only thirty-three per cent of Americans, according to a Quinnipiac poll, believe that the Attorney General has accurately represented the report’s conclusions. That number may fall further after Mueller’s testimony before Congress, which is scheduled for next week.

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The more relevant historical analogy to Trump’s situation is that of President Richard M. Nixon, during the last two years of his Administration. Nixon won reëlection in a historic landslide in 1972, but his public standing eroded during the summer of 1973, when the televised Senate hearings chaired by Senator Sam Ervin, Democrat of North Carolina, began to reveal the extent and the seriousness of the Watergate crimes. Even so, at the start of 1974, less than thirty-eight per cent of the public were in favor of removing the President from office, and support for Nixon among Capitol Hill Republicans remained strong. A major reason for Nixon’s continued support was the effectiveness of his Administration’s stonewalling strategy of denial and redaction—the same strategy that the Trump Administration has pursued in fighting subpoenas from several current House committees. (On Thursday, the Judiciary Committee voted to issue subpoenas to a dozen people associated with the White House, including Sessions and Jared Kushner.) Still, support for Trump’s impeachment stands at forty-five per cent, according to a June Gallup Poll.

In 1974, the Democrats did not flinch. Based on what was known after the Ervin Committee inquiries—which was nowhere near as conclusive as the evidence amassed against Trump by Robert Mueller—the House Judiciary Committee authorized its chairman, Representative Peter Rodino, of New Jersey, to undertake an impeachment inquiry. That inquiry, alongside the continuing work of the special prosecutor Leon Jaworski, produced the evidence and sustained hearings that decisively turned public opinion—and led to Nixon’s resignation.

In short: Nixon, a popular President who retained public support, finally succumbed to powerful charges once the House fulfilled its constitutional duty. Yet now an unpopular President may get away with acts at least as grievous as Nixon’s because the House will have evaded its constitutional duty. The blame for that evasion would fall on Nancy Pelosi.

Pelosi, more surprisingly, is also ignoring the chief political lesson of the Nixon impeachment. The case against authorizing an impeachment inquiry rests in part on polling, which shows that the public over all remains unconvinced that an impeachment inquiry is warranted—though the number in favor keeps growing. Yet had the House Democratic leadership come to the same conclusion in early 1974—when, it needs remembering, public support for impeachment was actually weaker—Nixon would have finished out his second term. The lesson is simple: on matters as serious as a Presidential impeachment, the opposition must lead, not follow, public opinion; it must examine and develop the evidence in plain view, and not permit the White House to persist in shaping perceptions through concealment and lies.

Another lesson follows from this one. Asserting that a Senate acquittal would allow Trump to claim vindication elides the fact Trump has already claimed vindication, a falsehood which the Democrats’ failure to pursue impeachment would only strengthen. It also overlooks how a Senate trial always reinforces either the severity of the alleged crimes and the persuasiveness of the evidence, or the lack thereof. Nixon resigned only when Senate Republicans told him that his case would not survive a trial. Trump’s domination of the G.O.P. does make it all but impossible that the Senate would vote to remove him. But evidence presented by the House impeachment managers would enrage independents as well as Democrats, on the eve of the election, putting pressure on vulnerable Senate Republicans as well as on Trump. The electorate would, in effect, do the job that the Senate refused to do.

Pelosi, viewing the House and Senate proceedings narrowly, argues that Trump is best contested not with impeachment, which would be divisive, but by replaying the kitchen-table issues that won the Democrats the House majority in 2018—health care, immigration, and climate change. But that strategy would commit the classic military blunder of fighting a war on the basis of the last successful campaign, regardless of the facts and context. It’s one thing to defeat Republicans in congressional races in which Trump’s name does not appear on the ballot. It’s quite another to defeat them when the charismatic Trump heads the ticket and is able to claim that he is exonerated because Democrats did not pursue an impeachment inquiry. In any event, the campaign so far has showcased that Democrats are far from united on a number of kitchen-table issues, from Medicare for All to the Green New Deal.

It’s hard to think of an electorate in modern times any more split than the one that exists today, which Trump is powerfully dividing, on his own anti-liberal terms. Pursuing a fully justified impeachment inquiry, however, would turn Trump’s demagogy against him. It would reframe the division on constitutional terms, not with empty insults but with hard evidence, televised daily—the kind of evidence that could turn crucial independent opinion and energize a Democratic base. The principal issue that truly unites and mobilizes the fractured Democrats, and with them a majority of Independents, is the clear and present danger of Donald J. Trump. To this extent, Trump’s narcissism has succeeded in making American politics revolve around him—but to deny that reality will only perpetuate it and enable him politically. To expose his actions in detail, however, starting with his manifest failure to defend the national security against continuing Russian cyberattacks and Putin’s open support for the evisceration of “obsolete” Western liberal democracy, would put the matter differently—and put him on the defensive.

Such proceedings would also accentuate the now-or-never importance of the 2020 election. Think of Trump in a second term, backed by a compliant Supreme Court, bolstered by a Senate perhaps still led by Majority Leader Mitch McConnell, and guided by an Attorney General set on realizing the dream of a “unitary executive.” The recent Supreme Court ruling giving license to the wholesale gerrymandering of congressional districts, along with Trump’s defiant order to include a citizenship question in the census, are just two indications of where we would be headed.

On May 19th, Nancy Pelosi was the recipient of the Profile in Courage Award, bestowed by the John F. Kennedy Presidential Library. She was rightly given the prize for her advocacy of the Affordable Care Act, the basis of a universal health-care system, which took decades of struggle to enact, and which she defended to help win a Democratic majority of the House in the 2018 midterm elections. The history of the Congress has been filled with profiles in courage, including, in recent times, Senator Margaret Chase Smith, Republican of Maine, standing to censure Senator Joseph McCarthy; Senator J. William Fulbright, Democrat of Arkansas, conducting hearings on the Vietnam War, despite his friendship with President Lyndon Johnson; and Senator Barry Goldwater, Republican of Arizona, telling President Richard Nixon that he must resign or face removal from office.

Nancy Pelosi knows that history. In accepting her Profile in Courage Award, she said, “In my public life, I have seen leaders who understood that their duty was not to do what was easy but what was right.” She added, “In the darkest hours of the American Revolution, Thomas Paine wrote, ‘The times have found us’ . . . and today the times have found us to strengthen America. It is not about politics but about patriotism.” The choice is hers. More than her reputation rests on it.

Image credit: instagram.com/taylorhill

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The outfits, the outings and off-duty styles of actors, models and celebrities are interesting to note, but there’s no other sure-fire way to steal our attentions (and that of the paparazzi) than by stepping out with a furry friend.

Dogs of all breeds, shapes and sizes have long held our fascination (and with good reason). Believed to reflect their owners’ looks, mannerisms and personalities, dogs offer insight into their human companions, which, if they belong to Ariana Grande (whose dog Tolouse just starred alongside the singer on her first American Vogue cover) or Ryan Gosling, makes them important insider sources on upcoming albums or unreleased movies. Just think about what they know.

Effectively stars in their own right, the dogs of celebrity owners are immediately flung to digital fame. Take Colombo, model-cum-actress Emily Ratajkowski’s dog regularly seen stomping the streets of New York City or Nash, Troye Sivan’s most important tour pal that has travelled the world with the Australian singer.

Sensitive, loyal and full of love—not to mention extremely Instagrammable—Vogue has rounded up the most famous four-legged pets to follow, courtesy of their celebrity owners.

Image credit: instagram.com/kaiagerber

Image credit: instagram.com/troyesivan

Image credit: instagram.com/taylorhill

Image credit: instagram.com/nicolekidman

Image credit: instagram.com/arianagrande

Image credit: instagram.com/haileybieber

Image credit: instagram.com/sofiarichie

Image credit: instagram.com/kendalljenner

Image credit: instagram.com/liamhemsworth

Image credit: instagram.com/oliviapalermo

Image credit: instagram.com/mileycyrus

Image credit: instagram.com/bellahadid

Image credit: instagram.com/madisonheadrick

Image credit: instagram.com/themarcjacobs

Image credit: instagram.com/katebosworth

Image credit: instagram.com/mirandakerr

Image credit: instagram.com/maddieziegler

Sydney-based interior designer Greg Natale is known for his opulent style, bright colours and rich textures. He’s no stranger to a high-end project (like this jaw-dropping four-level waterfront home) and his ability to merge classic and modern interiors has seen him succeed in a wide range of residential and commercial projects.

His latest is the Le Plonc wine bar in Melbourne’s Armadale. Located in a 107-year-old building that started its life as a theatre (but has also done stints as a toy factory and indoor ski slope), Natale is up to his old tricks, seamlessly integrating old and new.

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He has created a sumptuous space with rich navy upholstery, black-stained timber floors and fluted wall treatments that add fabulous texture. There are a range of seating options, from casual lounge areas in the bar to a private dining room for special events.

The first Le Plonc wine bar opened in California’s Silicon Valley just over a year ago – one of the original owners is Australian and he is behind the brand coming to Melbourne.

Every light fitting and piece of furniture used in Le Plonc is from James Said luxury furniture – and is available for purchase. In fact, the entire bar and restaurant are actually housed within the James Said showroom, which Natale also designed. Not that you’d ever guess that this warm, intimate bar was a place of commerce – it feels much more like a dusky date venue than a sterile shop.

The bar features custom ombré walls, which start deep blue at floor level and gradually fade into white ceilings. The inspiration behind this bold design choice was the conflicting briefs given to Natale; Le Plonc wanted white ceilings, while James Said made it clear that using navy blue was crucial. “The challenge was giving everyone everything,” says Natale.

“The idea was to deliver something that met both briefs but remained cool, dreamy and minimal,” says Natale. “The idea of this soft ombré gradient presented itself as an impactful, evocative solution.”

“We wanted to tie Le Plonc’s wines and James Said’s furniture together in a chic, instantly Instagrammable way,” says Natale. The result is Insta-glam.

Visit: leplonc.com/melbourne

When it comes to the best of Europe’s sunny weather street style, it’s ironically a rain cloud-shaped clutch bag that’s leading the charge. The Pouch—one of the first releases by Bottega Veneta’s new-ish creative director Daniel Lee—was a style fixture at couture fashion week and Pitti Uomo. If you thought the era of the It bag was over, think again. The Pouch is the buy-now, wear-forever piece that’s re-inspiring how we shop now. Here’s what you need to know about the fiercely coveted It accessory that’s proving so hard to pin down in summer 2019.

What’s all the fuss about?

Well, Lee is ex-Céline, which means that anyone who’s been pining for a fresh Phoebe Philo-honed piece are taking note. It also helps that Lee enlisted British photographer Tyrone Lebon to shoot his sensuous debut campaign, an ode to sun-drenched holiday style, which cleverly landed in the bleak Northern Hemisphere midwinter (January 2019) and got fashion editors dreaming of their August vacations. Lee is also a master of the tight, in-store product edit, which is currently stoking the appeal of faithfully investing in a handful of uncompromisingly sumptuous building blocks by just one designer among fashion insiders. The beauty of the Pouch is that it goes with pretty much everything you already own and works for any occasion.

OK, who’s wearing it?

Every fashion editor you follow on Instagram, plus international buyers including MyTheresa’s Tiffany Hsu, entrepreneur Pernille Teisbaek and influential style star Linda Tol.

How do they style it?

With head-to-toe leather, crisp oversized shirting or those equally hard-to-source Bottega Veneta Bermuda shorts.

I’m sold. Is it hard to get hold of?

Pretty much. Our advice: ‘add to shopping bag’ ASAP. Good luck.

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11th Jul 2019

Charlotte Smith probably owns the wardrobe of every girl’s dreams. Referred to as a “fashion anthropologist”, Smith, holds more than 8000 pieces of vintage, which span over 250 years of fashion. After inheriting over 3000 pieces of exquisite vintage fashion from her godmother, Smith took on the challenge to preserve not only the fabrics, but the stories they tell about the women who wore them. 

Smith’s collection, aptly titled The Charlotte Smith Fashion Collection, is now one of the largest and most comprehensive international private fashion collections in the world. The unique focus on the cultural relevance and storytelling make the collection an obvious and exceptional choice for museum exhibitions. And on July 18, Smith in collaboration with the Australian Fashion Council and the Billy Blue School of Design, will present a selection of the collection, and for the first time, offer a number of the garments for sale.

“A significant fashion collection is a priceless archive of fashion and social history, as well as an invaluable source of inspiration and education,” Smith told by email.

Read on for more fashion wisdom from Smith, as she talks her collection, what a fashion anthropologist is, and the importance of fashion.

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“As an anthropologist, my role is to discover the history behind the culture of fashion, the inspiration, the catalysts, the innovations, social history as well as fashion history, and the stories of the people who wore (and wear) the clothes. I like the idea that my role as a fashion anthropologist takes me away from the immediateness of fashion, although understanding and being aware of the physical act of making a garment, illustration, pattern making, textiles, and so on are important. Personally, I am more interested in the source, the origins of fashion.
To be honest, I find my role of looking after a collection of 8000 pieces representing 250 years of fashion history — many pieces are so fragile and valuable they are stored in museum textile boxes — more stressful than my work as an anthropologist.” 

“I realise how much respect I have for fashion because of my collection. I respect fashion for being a barometer of our time, it reflects society, values, women’s roles in society, world events, showcases technology and so on. It’s historical, which means it’s played an important part in shaping who we are as a society today. Looking at fashion from a social history point of view gives fashion integrity and relevance. I am inspired to share this respect for fashion with others, so that they respect fashion too.
I love my 1970s hostess gowns, designed by Danica of Double Bay and worn by Margreta Elkins, a famous mezzo soprano opera singer from Brisbane, when she sang at some of the most famous concert halls in the world including the Sydney Opera House. I love knowing the history behind the women who are the clothes. That brings them to life.”

“What you wear is your identity. If you feel great wearing something you exude confidence. What you wear also has the power to transform you as a person, your situation, your career, even your future. I think it’s incredibly exciting to think that what you wear has the power to change your life.” 

“I have decided to reduce the collection by hundreds of items. This means more people can enjoy owning something special from a major collection. I am also choosing items for sale that are perfect for restoration and conservation, inspiration, education and wearing. There will be 18 garments on display. I chose them to fit the theme: .
Quite a few of the garments in the exhibition have never been seen before and include a sequinned Martin Margiela sheath dress, a Rodarte embroidered gown and an incredible cream silk satin wedding dress from the 1930s.” 

You can view pieces from The Charlotte Smith Collection at the Billy Blue College of Design in both Melbourne and in Sydney. In Sydney the exhibition will be held July 18-20 at Billy Blue College of Design, Ultimo. In Melbourne, the exhibition will be held July 26-27 at the Billy Blue College of Design, Melbourne.