Month: October 2019

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#gettyfire @lafdfoundation I personally will be going to supportlafd.org to make a donation. I urge you to do the same if you please. Again, so thankful to the men and women in uniform who risk it all, working around the clock to save our lives, homes and city. #GodBeWithYou

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On Twitter, DuVernay shared a video taken by someone driving on the 405, showing the hillside engulfed in flames. She captioned the footage with well-wishes for those living in her “beloved home state” who have been threatened by the inferno.

“This video shocked me this morning. Taken just a few hours ago on a route I drive often,” the “When They See Us” mastermind said. “So scary. Blessings and safety to all those touched in any way by the fires in my beloved home state of California. Stay safe, folks. Be prepared and take precautions.”

The Times is offering coverage of the Getty fire for free today. Please consider a subscription to support our journalism.

DuVernay’s “A Wrinkle in Time” collaborator Witherspoon also expressed her concern, sending her prayers and sharing info about the fire to her nearly 3 million followers.

“So worried about all these fires in CA,” she tweeted. “Thank you to all the incredible firemen and first responders for working so hard to keep families safe. Praying for these fires to die down. Stay safe everyone.”

Schwarzenegger and James were among the first to evacuate, documenting their situations on social media. The “Terminator: Dark Fate” star updated his Twitter followers this morning, confirming that he fled his residence at 3:30 a.m., and advised others in evacuation zones to do the same. His ex-wife Maria Shriver also tweeted her thanks to emergency responders.

“If you are in an evacuation zone, don’t screw around,” Schwarzenegger wrote. “Get out. Right now I am grateful for the best firefighters in the world, the true action heroes who charge into the danger to protect their fellow Californians.”

James also hopped on Twitter to share his experience, which involved transporting his family to safety. Even for the NBA superstar, finding shelter wasn’t easy.

“Man these LA [fires] aren’t no joke,” he said. “Had to emergency evacuate my house and I’ve been driving around with my family trying to get rooms. No luck so far!”

The basketball phenom later reported that his family had successfully “found a place to accommodate” them after their “crazy night” and joined the chorus of residents thanking firefighters for their service.

Also among the evacuees were Marvel actor Clark Gregg, “Scrubs” alum Christa Miller and former “Mayans” showrunner Kurt Sutter. The evacuation zone, described by fire officials as a box, covers Mulholland Drive on the north side, the 405 on the east, Sunset Boulevard on the south and Temescal Canyon Road on the west.

See more Hollywood reactions to the blaze below.


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Most orchestra-going Angelenos can be expected to know Zubin Mehta, Esa-Pekka Salonen and Gustavo Dudamel. They are the three living Los Angeles Philharmonic music directors, encompassing 57 years of the orchestra’s history. They also happen to be three of the biggest names in the business and celebrities in town.

Many of us grew up with one of them. They all have had affectionate L.A. nicknames, although Mehta has long outgrown the 1960s Zubie Baby and Dudamel, more recently, The Dude. Salonen’s is E-P. Mehta (now conductor emeritus) and Salonen (conductor laureate) never severed connections with the orchestra and remain loyal to the community. We may easily kid ourselves into thinking we have a good idea of what to expect from them.

There was no kidding possible, however, at Walt Disney Concert Hall this past weekend when each conductor spent an evening with his orchestra as part of the L.A. Phil’s 100th birthday party. For the gala on the big night Thursday, Mehta, Salonen and Dudamel each led a work or two, followed by the premiere of “From Space I Saw Earth” for three conductors, which Icelandic composer Daníel Bjarnason wrote for the occasion. Then it was time for the maestros to come down from the clouds and show what they really can do.

On Friday night, Mehta picked Mahler’s 80-minute Second Symphony (“Resurrection”). There are recordings of him conducting it with the Vienna Philharmonic in 1975, the New York Philharmonic in 1982 and the Israel Philharmonic in 1994. They are all quite similar, showing off potent orchestral attacks, knife-sharp edges. Instrumental colors are neon-lit. Everything is geared toward climaxes, which come with devastating force. Just whose resurrection is this anyway, you might ask? Godzilla’s?

The recordings are compulsively listenable, as was Friday’s bigger, grander and more gripping performance. After a two-year battle with cancer, the 83-year-old conductor got onstage using a cane, which he then cavalierly dropped on the floor before taking a seat to conduct.

It turns out all those attention-getting old Mehta gestures were just that. The integrity of the music-making came from elsewhere, and never was that more apparent in the sheer intensity of sound — deep, rich, all-suffusing — he could get from the L.A. Phil, with his two vocal soloists, Golda Schultz and Mihoko Fujimura, and the Los Angeles Master Chorale equally meeting Mehta on his own exulted level. He’ll be back conducting the “Resurrection” with the L.A. Phil in January. Your Christmas shopping may have just gotten easier.

Like Mehta, Salonen was in very familiar territory Saturday night. Between two pieces by his fellow Finnish composer Sibelius, Salonen sandwiched the premiere of a piece that the L.A. Phil commissioned from him for its past centennial season but which Salonen only now finished.

Four years ago, Salonen led a force-of-nature performance of Sibelius’ Fifth Symphony with his London orchestra, the Philharmonia, in Orange County. He gave the premiere of the first part of his own “Gemini” with the L.A. Phil last season. Salonen finally finished the second part in time to give that premiere the week before introducing a less well-balanced program featuring an excellent, if hardly necessary, conventional performance of Tchaikosvky‘s ubiquitous Violin Concerto, featuring sumptuous young soloist Daniel Lozakovich. Bartók’s Concerto for Orchestra was the highlight.

Salonen originally dubbed the two sections of “Gemini” after twins from Greek mythology, “Pollux” and “Castor.” The movements are held together by a postgrunge bass line Salonen heard in a Paris restaurant and wrote down on a napkin. Two tympani beat it out, dramatically slowed down. The rest of the piece is airy, slow, moody, harmonically hazy. When I first heard “Pollux” last year, it entranced but didn’t feel finished — because it wasn’t.

Now there is “Castor,” which is an adrenaline rush, spectacularly orchestrated and rhythmically exhilarating. It is a conductor’s piece, meant to dazzle. During rehearsals of “Castor,” Salonen replaced bass drums with Japanese taiko drums, and on Saturday he made the same change with “Pollux.” There is also a very brief new transition between the two, creating a just-under-24-minute whole, a satisfying two-parter of anticipation and release full of never-predictable twists and turns.

Salonen began the program with Finnish myth, the seldom-heard “Luonnotar.” A dramatic tone poem for soprano and orchestra, this 10-minute sketch of an opera Sibelius never wrote is a visceral account of an incident in the Finnish epic poem “Kalevala.” Schultz was again the imposing soloist. Still, for all of his evocative theater music, Sibelius wasn’t an opera composer. His Fifth is fluid music, rather without a dramatic road map to follow, instead setting symphonic waves in motion that take you where they will. Salonen’s overwhelmingly vivid performance, visionary and Romantic at the same time, had what virtual realty can only thus far dream of — the grandiosity of sense of place without the artificiality.

Sunday afternoon Dudamel conducted Beethoven’s Ninth Symphony, the “Ode to Joy” being one of his calling cards. He’s led big, big Ninths here reflecting big, big moments, such as the 2009 free Hollywood Bowl concert to begin his music directorship. He also has conducted the symphony with two big orchestras together, the L.A. Phil and his Simón Bolívar Symphony Orchestra of Venezuela. He has experimented, as well, with what to introduce the symphony, usually trying to find a piece that deals with Beethovenian brotherhood from a different angle.

This time he commissioned Mexican composer Gabriela Ortiz, who came up with a startlingly original idea: a piece that could also become a sketch for an opera, “Yanga,” for percussion ensemble, orchestra and chorus. Gaspar Yanga is a forgotten 16th century freedom fighter, a Mexican slave and former African prince who became a Robin Hood, stealing from the rich to buy his people liberty. With a text by Santiago Martín Bermúdez along with Congo chants sung by the Master Chorale, the score included solos for African percussion instruments, which were played by Tambuco Percussion Quartet.

Like Salonen, Ortiz has a slow, atmospheric and harmonically arresting introduction, though a brief one, before her rhythmically compelling evocation of Yanga, an operatic hero if there ever was one. I hope Ortiz, who does seem to have an opera in her, actually writes one.

Dudamel’s Beethoven Nine was the last surprise. In the past he’s dwelt on the monumental nature of the score. Now, he’s exchanged that for speed, relying on spine-tingling orchestral virtuosity in a suave, streamlined performance unlike any Beethoven he has conducted here in the past.

The rethinking offered new emphasis on interior lines and a velocity that expected Beethoven’s heaviest symphony to fly on insect’s wings. In so doing, it became practically a matter of life and death that the Master Chorale and vocal soloists Schultz, Tamara Mumford, Mario Chang and James Rutherford had to keep up with an unstoppable L.A. Phil, and they managed. Freedom, Dudamel demanded with “Yanga” and this “Ode to Joy,” can’t wait.


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SERIES

The Voice Taylor Swift continues as a mega-mentor on the second night of the knockout rounds. 8 p.m. NBC

The Flash In a Halloween episode Barry (Grant Gustin) tries to get Cisco (Carlos Valdes) prepared for the upcoming Crisis. Meanwhile, Ramsey Rosso (guest star Sendhil Ramamurthy) uses his new abilities to skirt death but sacrifices his humanity in the process. Candice Patton and Danielle Panabaker also star. 8 p.m. CW

The Conners Halloween brings nothing but horror for Jackie (Laurie Metcalf) after she uncovers a shocking secret when trying to reopen the Lunch Box. Also, Darlene (Sara Gilbert) continues to deal with her complicated love life. John Goodman also stars. 8 p.m. ABC

Bless This Mess Mike (Dax Shepard) celebrates Halloween by scaring the wits out of Rio (Lake Bell) all night long, until she turns the tables on him and things take a dark and dangerous turn in this new episode of the comedy. 8:30 p.m. ABC

Mixed-ish The popular girls at school ask Rainbow (Arica Himmel) to join their group Halloween costume as Tootie from “The Facts of Life” in this new episode of the spinoff comedy. 9 p.m. ABC

Empire Lucious (Terrence Howard) tries to make amends with an old friend while Cookie (Taraji P. Henson) vies to assert control in this new episode. Andre 9 p.m. Fox

Retro Report on PBS Topics in the season finale include sex education programs, crime, Ryan White’s legacy, Napster and TV bullying. 9 p.m. KOCE and KPBS

Chopped A five-part tournament draws to a close with three rounds in the season finale of the cooking competition. Alex Guarnaschelli, Marc Murphy and Martha Stewart are the judges, with host Ted Allen. 9 p.m. Food Network

black-ish Halloween is approaching and the Johnson family can’t agree on a family costume theme. Miles Brown, Marcus Scribner, Anthony Anderson and Tracee Ellis Ross star with guest star Aiden Lewandowski. 9:30 p.m. ABC

Frontline: Fire in Paradise The horrifying Camp Fire, the deadliest and most destructive wildfire in the history of California, started on Nov. 8, 2018, in Northern California. Now, a year later, major questions remain over who is to blame for the conflagration and why it was so catastrophic, virtually wiping out a densely populated foothill town known, ironically, as Paradise. 10 p.m. KOCE and KPBS

MOVIES

Any One of Us This moving documentary chronicles the long comeback road that still lies ahead of professional mountain biker Paul Basagoitia, who was at the top of his sport four years ago when a devastating crash left the young athlete paralyzed from the waist down. Despite little encouragement from doctors, Basagoitia threw himself wholeheartedly into his therapy and now is able to enjoy recreational riding on an electric bicycle. 9 p.m. HBO

TALK SHOWS

CBS This Morning Cardinal Timothy Dolan; Allison Moorer; David Chang. (N) 7 a.m. KCBS

Today Author Tom Brokaw. (N) 7 a.m. KNBC

KTLA Morning News (N) 7 a.m. KTLA

Good Morning America Angie Cruz; Emma Thompson and Henry Golding; Tieghan Gerard; “Dancing With the Stars.” (N) 7 a.m. KABC

Good Day L.A. Sheriff Alex Villanueva; Elizabeth Wagmeister, Variety; Alejandra Guzman. (N) 7 a.m. KTTV

Live With Kelly and Ryan Henry Golding (“Last Christmas”); Bear Grylls (“Running Wild With Bear Grylls”). (N) 9 a.m. KABC

The View Crime survivor Kristene Chapa and her mother, Grace Chapa. (N) 10 a.m. KABC

Rachael Ray Reid Scott (“Black and Blue”); Kyan Douglas (“Queer Eye”). (N) 10 a.m. KTTV

The Wendy Williams Show (N) 11 a.m. KTTV

The Talk Edward Norton. (N) 1 p.m. KCBS

The Dr. Oz Show The 1986 “Preppy Killer” case and the death of 18-year-old Jennifer Levin. (N) 1 p.m. KTTV

The Kelly Clarkson Show Chore-Play; Max Greenfield; magician Shin Lim. (N) 2 p.m. KNBC

Dr. Phil A woman’s 11-year-old son is extremely violent and threatened to kill her and a student at his school. (N) 3 p.m. KCBS

The Ellen DeGeneres Show Ewan McGregor (“Doctor Sleep”); guest host Howie Mandel. (N) 3 p.m. KNBC

The Doctors A woman’s fiancé locks all of their sweets in a safe inside the refrigerator; Word of the Day. (N) 3 p.m. KCOP

SoCal Connected An investigation reveals how the state and many cities have let developers get away for decades with not paying their fair share when they replace affordable lodging with luxury hotels up and down California’s coast. (N) 8 p.m. KCET, midnight KCET

Amanpour and Company (N) 11 p.m. KCET; midnight KVCR; 1 a.m. KLCS

The Daily Show With Trevor Noah Rapper Noname. (N) 11 p.m. Comedy Central

Conan Aaron Paul (“El Camino: A Breaking Bad Movie”). (N) 11 p.m. TBS

The Tonight Show Starring Jimmy Fallon Jason Momoa; comedy duo Rhett & Link. (N) 11:34 p.m. KNBC

The Late Show With Stephen Colbert Jennifer Aniston; Thomas Middleditch. (N) 11:35 p.m. KCBS

Jimmy Kimmel Live! Ewan McGregor; Linda Hamilton; Caamp performs. (N) 11:35 p.m. KABC

The Late Late Show With James Corden Hailee Steinfeld; Mallrat performs. (N) 12:37 a.m. KCBS

Late Night With Seth Meyers Emma Thompson; Taran Killam; Jeremy O. Harris. (N) 12:37 a.m. KNBC

Nightline (N) 12:37 a.m. KABC

A Little Late With Lilly Singh 1:38 a.m. KNBC

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SPORTS

NHL Hockey Tampa Bay Lightning visits the New York Rangers, 4:30 p.m. NBCSP; the Ducks host the Winnipeg Jets, 7 p.m. FS Prime

2019 World Series Game 5: The Washington Nationals visit the Houston Astros, 5 p.m. Fox

MLS Soccer Playoffs LAFC hosts the Seattle Sounders FC, 6 p.m. ESPN

NBA Basketball The Lakers host the Memphis Grizzlies, 7:30 p.m. SportsNet

For more sports on TV, see the Sports section.


The LAX FlyAway bus service to and from Van Nuys will be delayed because of road closures related to the Getty fire, which broke out early Monday. Passengers can expect the southbound trip to the airport from Van Nuys to take between an hour and 45 minutes to two hours, according to an LAX news release issued just before noon. There also are delays on the return service to Van Nuys.

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For up-to-date information, passengers should follow @FlyLAXAirport on Twitter. “Ticket agents at the Van Nuys FlyAway station are advising guests of the delay in case they wish to use alternate means of travel to reach LAX,” the airport statement said.

The FlyAway bus has been rerouted away from the 405 Freeway and onto the 101 and 105 freeways, lengthening the usually 35-minute trip.

The early-morning fire started west of the 405 and has entered neighborhoods on L.A.’s Westside, including near the Getty Center museum, burning some homes and prompting evacuations. About 10,000 structures have been placed under mandatory evacuation orders. As of 12:45 p.m. Monday, the evacuation zone was bordered by Mulholland Drive on the north, the 405 on the east, Sunset Boulevard on the south, and Temescal Canyon Road on the west.

UCLA canceled classes as a result of the blaze. Here are the latest evacuation orders, school and road closures, and shelters.

The Times is offering fire coverage for free today. Please consider a subscription to support our journalism.


Singer-songwriter Martin Johnson of the new wave band the Night Game has put his home in Hollywood Hills up for sale at $2.295 million.

The multilevel home, described as a modern cabin, has been renovated and incorporates charcoal stucco and knotless cedar siding for a fresh new look. Splashes of cedar continue inside, giving the living spaces a cozy feel.

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The front of the home features knotless cedar and charcoal stucco siding. 

(Charmaine David for Sotheby’s International Realty)

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The front door. 

(Charmaine David for Sotheby’s International Realty)

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The entry. 

(Charmaine David for Sotheby’s International Realty)

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The entry. 

(Charmaine David for Sotheby’s International Realty)

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A staircase extends upward to the entry. 

(Charmaine David for Sotheby’s International Realty)

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The library features a sliding ladder and custom bookshelves. 

(Charmaine David for Sotheby’s International Realty)

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The family room has a fireplace and built-in seating. 

(Charmaine David for Sotheby’s International Realty)

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The sunken family room. 

(Charmaine David for Sotheby’s International Realty)

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The kitchen. 

(Charmaine David for Sotheby’s International Realty)

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A balcony. 

(Charmaine David for Sotheby’s International Realty)

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The kitchen has a small island. 

(Charmaine David for Sotheby’s International Realty)

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A balcony. 

(Charmaine David for Sotheby’s International Realty)

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The master bedroom. 

(Charmaine David for Sotheby’s International Realty)

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The master bedroom. 

(Charmaine David for Sotheby’s International Realty)

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Picture windows in the shower and above the bathtup take in sweeping views. 

(Charmaine David for Sotheby’s International Realty)

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A skylight tops the soaking tub in the master bathroom. 

(Charmaine David for Sotheby’s International Realty)

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Floating vanities in the master bathroom. 

(Charmaine David for Sotheby’s International Realty)

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The master suite closet. 

(Charmaine David for Sotheby’s International Realty)

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Balconies overlook the canyon. 

(Charmaine David for Sotheby’s International Realty)

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A bedroom. 

(Charmaine David for Sotheby’s International Realty)

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A bedroom. 

(Charmaine David for Sotheby’s International Realty)

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A bathroom. 

(Charmaine David for Sotheby’s International Realty)

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A bedroom.  

(Charmaine David for Sotheby’s International Realty)

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A bathroom. 

(Charmaine David for Sotheby’s International Realty)

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A bathroom. 

(Charmaine David for Sotheby’s International Realty)

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The view. 

(Charmaine David for Sotheby’s International Realty)

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The rooftop deck has three levels. 

(Charmaine David for Sotheby’s International Realty)

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The view from the rooftop deck. 

(Charmaine David for Sotheby’s International Realty)

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The Hollywood sign. 

(Charmaine David for Sotheby’s International Realty)

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An aerial view. 

(Charmaine David for Sotheby’s International Realty)

The three-bedroom, 3.5-bathroom floor plan includes a new-look kitchen and dining area that opens to a balcony. A sunken family room sits off the home’s library, which has a track ladder for reaching two custom bookshelves.

In the master suite, which has a custom closet and bathroom, picture windows take in views of the canyon area and the Hollywood sign.

The home, designed by Tony Ngai and built in 1978, carves out additional living space with a tri-level rooftop deck.

Johnson, 34, also serves as the frontman for pop-rock band Boys Like Girls. As a songwriter and producer, he has collaborated with artists such as Taylor Swift, Avril Lavigne and Jason Derulo.

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He bought the property two years ago for $1.425 million, records show.

Patricia Ruben of Sotheby’s International Realty holds the listing.


Alphabet Inc.’s quarterly earnings were dented by heavy investment in Google’s cloud-computing business, which is key to future growth but still runs a distant third in the market behind Amazon.com Inc. and Microsoft Corp.

Net income was $7.1 billion, or $10.12 a share, down from $9.2 billion, or $13.06 a share, in the same period a year earlier, the company reported Monday. Analysts expected $12.35 a share, according to data compiled by Bloomberg.

Alphabet shares fell about 1% in extended trading, after closing at $1,288.98.

Google, the world’s largest online search provider, has been building data centers, buying equipment and hiring salespeople to support its cloud unit, which rents computing power and software services over the internet. Former Oracle Corp. executive Thomas Kurian was hired late last year to reinvigorate this effort.

In the latest period, expenses totaled $31.3 billion, up 25% from a year earlier, while revenue rose 20% to $40.5 billion. Capital spending was $6.7 billion, up 27%.

“We continue to invest thoughtfully in talent and infrastructure to support our growth, particularly in newer areas like cloud and machine learning,” Ruth Porat, chief financial officer of Alphabet and Google, said in a statement.

Alphabet is looking for new sources of revenue growth, beyond the main Google digital advertising business, and the cloud may be the company’s biggest opportunity. In July, Google said it expected to pull in $8 billion this year in cloud revenue. That’s still a lot less than Amazon and Microsoft.

Total revenue excluding payments to distribution partners was $33 billion, compared with the average estimate of $32.72 billion. Google’s Other Revenue, which includes cloud and consumer hardware, was $6.4 billion. RBC Capital Markets analyst Mark Mahaney was looking for $6.6 billion.

Google’s ad revenue rose 17% to $33.9 billion, suggesting demand for the company’s search, video and web display ads remains strong, even as regulatory and privacy pressures mount. Alphabet shares hit a record earlier on Monday on optimism about the ad business.

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Sundar Pichai, chief executive officer of Google, said “strong” sales growth was driven by mobile search, YouTube and cloud.


Beyond Meat Inc. fell in late trading despite an increased sales forecast and its first quarterly profit. Investors are bracing for a sell-off on Tuesday, when early backers of the faux meat maker will finally be allowed to cash out.

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The maker of meatless beef and sausages said third-quarter sales rose 250% to $92 million, outpacing analysts’ average estimate. The company now sees full-year revenue of $265 million to $275 million, compared with a July projection that it would surpass $240 million.

Beyond Meat’s shares dropped for a second straight time after reporting earnings even amid increasingly optimistic projections. In July, the stock fell after the company announced a secondary offering. Now, with early backers expected to cash in on the company’s surge since its IPO, market factors are once again outweighing performance.

Regardless of stock market activity, the sales outlook is rosy. Beyond Meat, based in El Segundo, has been steadily adding restaurant partners. The latest, announced earlier Monday, is Denny’s. Dunkin’ restaurants are also taking the company’s plant-based breakfast sausage across the U.S. Retail, restaurant and food service channels have all seen increased volumes, the company said in the release.

Investors are eager to hear about more tie-ins, especially with big restaurant chains. In September, Beyond Meat announced a test in Canada in McDonald’s. On Monday’s call with analysts, Chief Executive Ethan Brown said he is “very optimistic about the long-term relationship” with McDonald’s and has “every expectation” that the test will lead to more work together. But ultimately, it will be up to the restaurant chain to make that announcement, he said.

Beyond Meat shares fell as much as 14% in after-hours trading on Monday before paring much of the loss. The share decline of about 8.7% at 2:53 p.m. PDT may just be a blip on the radar for the company, whose stock has soared more than 320% since its IPO in May.


Elon Musk will have to go to trial in December after a federal judge rebuffed his latest request to throw out a defamation lawsuit filed by a British cave diver Musk referred to as a “pedo guy.”

U.S. District Judge Stephen Wilson in Los Angeles on Monday ruled that a jury will have to decide whether Musk was negligent for failing to check that statements he made in his tweets and “off-the-record” emails were true. The Tesla CEO’s accusations, the judge said, were not germane to any public controversy involving Vernon Unsworth, which might have entitled him to a free-speech defense.

The burden of proof for negligence is lower than that for actual malice, Unsworth’s lawyer Lin Wood said after the hearing. Unsworth will have to persuade the jury by a preponderance of evidence rather than clear and convincing evidence, which will make it easier for the panel to find Musk liable for defamation, Wood said.

Whether Musk acted with malice could still be used in seeking punitive damages, Wood said.

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“We look forward to the trial,” Alex Spiro, an attorney for Musk, said in a statement. “We understand that, while Musk has apologized, Unsworth would like to milk his 15 minutes of fame.”

Musk started his public spat with Unsworth last year after the caver said in an interview on CNN that a mini-submarine Musk had sent to Thailand to help in a rescue of a group of boys trapped in a cave was a “PR stunt.” Unsworth added that Musk could “stick his submarine where it hurts.”

Musk responded by calling Unsworth a “pedo guy” in a tweet and a “child rapist” in an email to a BuzzFeed reporter.

Wilson wasn’t persuaded by arguments from Musk’s attorney at Monday’s hearing, Robert Schwartz, that any alleged pedophilia was somehow relevant to the question of whether Musk’s submarine might have worked in the rescue or was a public relations stunt.

“You’re saying his being a pedophile is germane to the issue whether Musk had sincere motivation,” Wilson said. “That seems a bit of a stretch.”

The judge said he would issue a written ruling later. However, by throwing out Musk’s 1st Amendment defense that he was engaging with a public figure in a public controversy, Unsworth doesn’t have to prove Musk acted with actual malice to win his defamation claim.

The case took a new twist this month after court documents showed that Musk, after his initial tweets in July 2018, had hired a private investigator to dig up dirt about Unsworth. It turned out the detective was a convicted con man.

Musk then sent an off-the-record email to a BuzzFeed reporter in which he said Unsworth had married a 12-year-old child bride in Thailand. Unsworth says that’s not what the investigator told Musk.

Unsworth said in court filings that he met his Thai wife in London when she was age 32. The caver also scoffed at Musk’s defense that he didn’t intend for his off-the-record email to be published.

Unsworth said Musk “admitted that he wanted the information published whether true or false, and told the reporter that publication is ‘up to you.”’


One day in late August, in the final stretch of summer, Katie Holmes stopped internet traffic when she stepped out in New York City dressed in a sumptuously sleeved cashmere cardigan. Buttoned haphazardly at the navel and draped off of a shoulder, it revealed not just a sweep of collarbone and a peek of midriff but a matching cashmere bralette in the same crisp shade of barley.

The actress’ look caused a social media frenzy. All weekend, international fashion publications from Vogue to Grazia created “shop the look” features. Instagram feeds jammed with the image. “I saw Katie Holmes wearing a cashmere bra so I bought a cashmere bra,” read Dubai-based Savoir Flair’s caption, just after the bra in question, Khaite’s cashmere Eda Bralette, sold out within an hour despite costing $520.

Holmes had unofficially kicked off what the fall runways deemed the season of ambitious knitwear. If sweaters for fall sounds like an eye-rolling suggestion, think again. These are no mere bourgeois crewnecks meant to bolster wardrobes against dipping temperatures but weaves of wool, cashmere and upcycled cotton in constructions so complex and executions so luxurious, they only narrowly meet the categorical requirements of a sweater.

Take, for example, Joseph Altuzarra’s hybrid confections for his 10th-anniversary collection, in which a Fair Isle yoke gives way to a zebra-print coat, cable-knit sleeves flank biker jackets and blazers and fisherman knit vests transform into glistening plissé lamé skirts in silver and gold. Or the sophisticated knits that define Céline alumnus Daniel Lee’s debut for Bottega Veneta. And British designer Jonathan Anderson served unencumbered femininity in sweaters of every weight (heavy-ply austere gray tunics, gossamer-thin ruffled sweater dresses, and paisley and striped sweaters punkishly braided, belted or knotted) at his fall/winter show.

In the midst of political, economic and environmental anxiety, the desire to cloak oneself in temperature-controlled wardrobes of the softest materials seems the most natural self-soothing response. But it’s not the sweater revival’s only impetus. The seemingly unprecedented interest in knitwear has been building in Los Angeles for years.

Among L.A.-bred or -based designers, the groundswell began in 2008, the year Rodarte founders Kate and Laura Mulleavy released cobwebby twin sets made with loose weaves of threads so delicate they threatened to disintegrate on the wearer. It was also the year that fashion outsider Greg Chait shipped his first collection of Baja sweaters upgraded from their head-shop brethren by hand-knit cashmere so exquisite, they would go on to win the designer the CFDA/Vogue award in 2012, beating out the better-known Wes Gordon and Tabitha Simmons.

Launched alongside the financial crash, Chait’s brand, the Elder Statesman, experienced unlikely success, which the designer credits to the unwavering value of his material of choice, cashmere. “It’s measurable! It’s like gold — there are levels,” said Chait. “24 karat gold is a lot more pure than 18 karat gold. Cashmere is measured by micron count.” Chait’s sweaters are hand-knit and hand-dyed at his new 2,000-square-foot downtown L.A. studio with the world’s best cashmere, sourced from India and Italy. The results are seemingly straightforward pieces with familiar themes (tie-dye, the California flag, a head-fake “Marlboro” logo that actually reads “Meditate”) that carry unmatched value you can feel and see — especially in the price tag. An Elder Statesman sweater can cost upward of $2,000. “In a world where everything’s so confusing and you don’t know what anything is, people want something they can understand,” said Chait.

People also want something they can wear — often. For all of the flash-in-the-pan glitz in today’s fashion, it’s the practical pieces that women respond to en masse. Elder Statesman was borne of Chait’s love of cashmere but it’s the sweaters’ relevance to their wearers’ lives that kept him, and soon others, churning them out. “It’s dry here. We’re in the desert. For at least 300 days a year, you need a sweater,” said Chait. “We don’t have overcoats in California, so a sweater is a really versatile piece.”

Catherine Holstein, the designer behind Holmes’ viral “bra-digan,” could be pinned with a similar inspiration point: Year after year, the California-born designer’s collections elevate the staples of a West Coast wardrobe (denim, shirting and sweaters). The cropped V-neck cashmere cardigan the brand launched in 2018 became a similarly viral success when it was worn by fellow Angeleno Bella Hadid.

This is the city that birthed the cashmere sweatsuit, popularized by local designers high and low, including Baja East and Monrow, and the celebrities who fly in them. And the native urge to wear sweaters is not lost on newcomers: When vintage collector and street-style star Natalie Joos arrived in L.A. in 2016, she discovered an insatiable yen for the perfect fitted layering piece. Vintage Courrèges sweaters came close but they were “too short, not stretchy enough, and a little bit scratchy,” said Joos. After a year of searching, she set out to make some for herself under the label JoosTricot: peachskin (a supple blend of silk cotton and nylon plated in Lycra) mock turtlenecks, T-shirts and long-sleeve crewnecks made to stand on their own or sneak beneath a dress, blazer or shirt. “I think those sweaters are perfect for L.A. because it does get chilly — you can still be sexy but you’re covered,” she said.

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“Knitwear is timelessly Californian,” agreed Katherine Kleveland, cofounder of Dôen, the brand favored by Topanga supermodels, celebrity doulas and rock-star royalty. Dôen has come to define the coastal Californian aesthetic to the international style set — particularly with the trademark knubby sweaters they turn out and sell out of each season. This fall’s oversized alpaca cable-knit cardigan in an earthy shade of cinnamon has already sold out, with a cropped, pompom-smattered mint green version set to drop shortly. “We just design what we want to wear,” said Kleveland of Dôen’s design ethos.

Sweaters from Dôen, the Elder Statesman, Khaite, the Row and JoosTricot are interchangeable season to season, with each designer’s collections blending seamlessly into one cohesive aesthetic. It’s an enticing concept in amongst the ugly truths of fast fashion. “I’m so allergic to doing something and moving on from it and never seeing it again,” said Chait, whose point of pride lies in making products that will last aesthetically and physically. “We’re not making clothes for the sake of making clothes,” echoed Dôen cofounder Margaret Kleveland. “It’s this freedom of not having to exist in that trend cycle.”

How they’re made also speaks to their luxury. While big businesses scramble to attract Gen Z consumers with efforts to humanize the production and distribution of their goods, both Elder Statesman and Dôen have set a new bar for transparency. These labels often document and publish every aspect of their production. “We’re super thoughtful and intentional in our sourcing, partnering with sources and producers who share our values,” said Katherine Kleveland. Dôen produces sweaters in Peru, knitted by a group of local women artisans who use alpaca wool from animals that are protected by the government. “It’s only shorn once a year,” added Margaret Kleveland. “The quality of raw materials and integrity of the people doing the work is at the highest level in Peru.”


PARIS — 

For Georges Salines, whose 28-year-old daughter Lola was killed when Islamic extremists went on a bloody rampage in Paris in 2015, the death of the man who inspired the attack brought a welcome “sense of satisfaction.”

But like other survivors and families of victims of the militant group Islamic State, Salines stressed that the death of its leader, Abu Bakr Baghdadi, does not mean the fight against terrorism is over.

“It would have been even better if Al-Baghdadi could have been captured and sent to trial,” Salines told the Associated Press. “That was probably impossible. We knew that for a long time.”

Baghdadi was responsible for directing and inspiring attacks by his followers around the world. In Iraq and Syria, he steered his organization into committing acts of brutality on a mass scale: massacres of his opponents; beheadings and stonings that were broadcast to a shocked audience on the internet; and the kidnapping and enslavement of women.

His death was announced Sunday by President Trump, who said Baghdadi detonated an explosives vest while being pursued by U.S. forces in Syria, killing himself and three of his children. It was another major blow to the Islamic State group, which in March was routed by U.S. and Kurdish forces from the last part of its self-declared caliphate that once spanned a swath of Iraq and Syria at its height.

Islamic State claimed responsibility for the Nov. 13, 2015, attacks on Paris cafes, the national stadium and the Bataclan concert hall that left 130 people dead, including Lola Salines and Thomas Duperron, 30.

Duperron’s father, Philippe, who is president of the French victims association 13onze15, which takes its name from the date of the attacks, said Baghdadi’s death was “not bad news.”

“One major player of the Islamic State group’s actions has disappeared,” he told AP, although he said that his group would not express joy at any death.

A trial of suspects in the Paris attacks is expected to begin in 2021. French prosecutors said this month that the judicial investigation of the attacks has ended and that 1,740 plaintiffs have joined the proceedings. Fourteen people have been charged in the case, including Salah Abdeslam, the only surviving suspect of the group of assailants.

French magistrates had recently issued an international arrest warrant for Baghdadi in a counter-terrorism investigation for “heading or organizing a criminal terrorist conspiracy.”

Arthur Denouveaux, a Bataclan survivor and president of the Life for Paris victims group, told the French newspaper Le Parisien that we, “the victims, are not seeking revenge … but a desire for justice.”

Baghdadi’s death is “symbolically is a major blow to the operational capacities” of Islamic State, he said.

“It is essential to continue the fight for the security of the region and also of European countries,” Denouveaux added.

Islamic State claimed responsibility for three suicide bombings in Brussels on March 22, 2016, that killed 32 people at its airport and in a metro station. Philippe Vansteenkiste, who lost his sister in the airport bombing and went on to become director of V-Europe, an association of victims of those attacks, said he knows the fight is not over.

“This is a new step in the fight against Daesh, but I’m not naive,” Vansteenkiste said, using a derisive Arabic acronym for the militant group. “Their spiritual leader has been hit, but Daesh and many sleeping cells still exist, either in Syria or in our country.”

The parents of Steven Sotloff, an American-Israeli journalist who was killed by Islamic State, thanked Trump and the U.S. forces that conducted the raid that led to Baghdadi’s death.

“While the victory will not bring our beloved son Steven back to us, it is a significant step in the campaign against ISIS,” Shirley Sotloff told reporters at their Florida home, using another acronym for the militant group.

In 2014 and 2015, the militants held more than 20 Western hostages in Syria and tortured many of them. The group beheaded seven U.S., British and Japanese journalists and aid workers and a group of Syrian soldiers. Sotloff was among them.

In Jordan, Safi Kasasbeh, whose son was slain by Islamic State after being captured in 2014, said he was “very happy” to learn of Baghdadi’s death.

“I wished that I killed him with my bare hands,” Kasasbeh said. “This was one of my dreams, if not to be the one who kills him, at least to witness the moment when he gets killed. But Allah didn’t want that to happen.”

Moaz Kasasbeh was a fighter pilot who was captured by Islamic State militants after being shot down while fighting in a U.S.-led coalition in Syria. The militants locked him in a cage and burned him to death, and later broadcast video of his death on the internet.

In Syria and Iraq, among the main victims of Baghdadi’s organization, residents expressed relief at the demise of the man who presided over the self-styled caliphate.

In the Iraqi city of Mosul, still in ruins two years after it was liberated from Islamic State, there was no closure.

“His death is a fraction of the sins and misdeeds he inflicted on the victims who lost their lives in the Old City area and whose bodies until now are still under the rubble. All because of him and his organization,” said resident Mudhir Abdul Qadir.

“We hope that the culture of Al-Baghdadi’s and Daesh is killed forever…. Killing this culture is the real victory,” said Mehdi Sultan, a government employee in the Iraqi capital, Baghdad.

Like others, however, he was not optimistic. “One Al-Baghdadi goes out, another comes in. It’s the same old story.”

Perhaps nowhere is Baghdadi more reviled than among Iraq’s Yazidis, who are still unable to return home or locate hundreds of women and children kidnapped and enslaved by Islamic State five years ago. The Yazidis are followers of an ancient religion with ties to Zoroastrianism.

The militants rampaged through northern Iraq’s Sinjar region in August 2014, destroying villages and religious sites, kidnapping thousands of women and children, and trading them in modern-day slavery. The United Nations called the attacks genocide.

Nadia Murad, a Yazidi woman who was among those kidnapped and enslaved, welcomed the news of Baghdadi’s death.

“Al-Baghdadi died as he lived — a coward using children as a shield. Let today be the beginning of the global fight to bring ISIS to justice,” she tweeted.

Murad, who won a Nobel Peace Prize for her activism against genocide and sexual violence, called for all those Islamic State members captured alive to be brought to justice in an open court for the world to see.

“We must unite and hold ISIS terrorists accountable in the same way the world tried the Nazis in an open court at the Nuremberg trials,” she wrote.

Associated Press writers Samuel Petrequin in Brussels; Josef Federman in Jerusalem; Omar Akour in Al-Karak, Jordan; Salar Salim in Irbil, Iraq; and Ali Abdul-Hassan in Baghdad contributed to this report.


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