Month: November 2019

Home / Month: November 2019

Man killed in downtown L.A. in apparent homicide

November 16, 2019 | News | No Comments

A man was killed in an apparent homicide Friday evening near a Burger King in downtown Los Angeles, officials said.

Law enforcement responded to a call for backup from the city Fire Department about 6 p.m. at the intersection of Grand and Cesar Chavez avenues, at the border of Chinatown, officials said.

Police found a man in his 40s who had been stabbed multiple times, officials said. The man appeared to have been driving a taxi cab.

“There was one suspect seen fleeing from the location,” LAPD Sgt. Anthony Costello said.

Police are investigating the death and searching for the suspect. Officials described him as a 6-foot-tall, 200-pound Latino male with a dark beard and wearing a black hoodie.

According to the Homicide Report, The Times’ online database, 17 other people have been killed in the downtown area within the past 12 months.


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Good morning, and welcome to the Essential California newsletter. It is Saturday, Nov. 16.

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Here’s a look at the top stories of the last week:

Top stories

Santa Clarita shooting. Thursday’s deadly shooting at Saugus High School unfolded over 16 seconds in which a student pulled out a gun in the quad area and opened fire, killing two classmates, wounding three others and fatally shooting himself, authorities said. As students were led off the grounds, one asked aloud a question surely on the minds of many others: “What kind of a world is this?”

“Go back to California.” A wave of newcomers from California to Boise, Idaho, is fueling a backlash among locals. One mayoral candidate even ran on the platform: Stop the California invasion.

Two L.A. MVPs. Cody Bellinger of the Dodgers won the NL MVP award on Thursday, while Mike Trout of the Angels won the AL award. The individual honors are wonderful, writes columnist Bill Plaschke, but they also highlight the teams’ failures to capitalize on them.

More UC students. The University of California plans to enroll 1,400 more California undergraduates next year with no tuition increase under a 2020-21 budget approved Thursday by the board of regents.

EV transformation. In an unlikely marriage of classic car culture and green technology, sophisticated hot-rodders — mostly men, mostly Californians — are cannibalizing crashed electric cars and using their batteries to create electrified sports cars and muscle cars.

High-speed divide. Even after a decade of abrupt U-turns for California’s high-speed rail project, state leaders are now split like never before. The argument boils down to where the project money can do the most good.

More USC deaths. Faced with the deaths of nine students since Aug. 24, USC administrators are engaged in a delicate balancing act as they notify students, offer mental health resources and try both to quell rumors and avoid triggering students in the midst of mental health crisis. Police investigators are looking into drug overdoses as a potential cause.

L.A.’s biggest problem. Homelessness is now an all-consuming issue in Los Angeles County, with 95% of voters calling it a serious or very serious problem, according to a new poll conducted for the Los Angeles Times. The near-unanimous opinion marks a sharp change from earlier surveys.

Sidelining the WGA. As Hollywood’s biggest labor dispute in a decade continues with no end in sight, some talent agencies have found a workaround: building shows around popular books, podcasts and English-language adaptations of foreign-language shows.

24 tiny faults. New research shows that the Ridgecrest earthquakes that began in July ruptured at least two dozen small faults. It’s the latest evidence of how small faults can join together to produce a large earthquake, and how those quakes can cover a wider area than expected.

Sports betting’s future. 18 Native American tribes have proposed an initiative to legalize sports betting in California. The filing of papers, led by the Pechanga Band of Luiseño Indians, comes just four months after state Sen. Bill Dodd (D-Napa) and Assemblyman Adam Gray (D-Merced) introduced a bill that would also put a sports betting measure on the 2020 ballot.

This week’s most popular stories in Essential California

1. A community in mourning. The Daily Trojan

2. How liberal or conservative is your community? Search every California city here. Sacramento Bee

3. Sir Rod Stewart has finally revealed the fruits of his other great passion — model railways. BBC News

4. Mysterious “high velocity” projectiles pepper cars in California. What’s going on? SLO Tribune

5. Decoding Devin Nunes’ opening statement at the impeachment hearing. Fresno Bee

ICYMI, here are this week’s great reads

Can a woman who is an artist ever just be an artist? The lives of two painters tell very different stories about what it takes to thrive in a medium historically dominated by men. New York Times

Meet the scientist who’s been counting California butterflies for 47 years and has no plans to stop: “Art Shapiro stands on the edge of a Chevron gas station in the north-central Sierra, sipping a large Pepsi and scanning the landscape for butterflies.” Los Angeles Times

From the archives: Why did the harrowing personal essay take over the internet?” In a 2015 piece, Laura Bennett explores the rise of she calls the “First-Person Industrial Complex.” Slate

Please let us know what we can do to make this newsletter more useful to you. Send comments, complaints, ideas and unrelated book recommendations to Julia Wick. Follow her on Twitter @Sherlyholmes. (And a giant thanks to the legendary Diya Chacko for all her help on the Saturday edition.)


He was the oldest of four brothers, a football player with a goofy grin. “A little guy with a big heart,” a friend said.

She was a cheerleader who loved fashion and brought out the best in other people. A friend remembered: “You would just smile looking at her.”

Dominic Blackwell, 14, and Gracie Anne Muehlberger, 15, were killed this week when a gunman opened fire at their high school in Santa Clarita. The two are now united by a tragedy that has become all too common on school campuses nationwide.

On Thursday morning, a 16-year-old student pulled a pistol from his backpack and began firing in the quad at Saugus High School. He wounded five students, then turned the gun on himself, officials said.

The shooter was pronounced dead Friday. The other three teenagers who were shot are expected to recover, doctors say.

By late Friday afternoon, the horror and shock of another school gave way to mourning in Santa Clarita.

Dozens gathered at a makeshift memorial at the city’s Central Park, just a short walk from the high school. Candles and teddy bears piled up on the grass around a pole from which an American flag flew at half-staff.

Sebastian Martinez, 12, placed a football on the grass in honor of Dominic, whom he played football with in a youth program.

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The boy arrived at the park just before nightfall with his father, Xavier Martinez, who had grown to know Dominic’s family through their sons’ friendship. Martinez said he spent most of Thursday with Dominic’s family.

“He was always smiling and laughing,” the older Martinez said of Dominic. “It’s so unfair.”

Dominic was remembered by friends and family as a jokester with a huge grin. His Instagram page includes the name “comedian,” a clear nod to his budding comedic persona.

Anthony Martinez, a student at Canyon High School, called Dominic not just his teammate, but his brother.

“He was always smiling, making people laugh, always positive, he was the sweetest kid ever,” Anthony wrote on Twitter. “We need more people like you.”

On a GoFundMe page, Dominic’s family remembered his “goofy laugh, cheesy smile, a huge, caring heart.”

“This world lost a bright, shining light,” the page reads. “He was taken from his family and friends in the most senseless of ways. His three brothers will miss their big brother greatly.”

On Thursday, Saugus High, home to 2,500 students, joined a long list of schools that have doubled as sites of mass shootings. Police said the shooting started and ended in just 16 seconds.

One victim, a 14-year-old boy, was treated at a hospital and released Thursday afternoon.

Two girls, 15 and 14, remain at Providence Holy Cross Medical Center in Mission Hills and are now in the same room, surrounded by their families.

The 15-year-old was shot below the navel, authorities said. The bullet lodged in her hip and was removed by doctors. The 14-year-old had wounds to her left shoulder and lower abdomen, doctors said Friday. Both girls are expected to be released within the next few days.

Investigators think the attack was planned but said they do not believe specific students were targeted.

Gracie had celebrated a birthday on Oct. 10. She was described by classmates as sweet and fun, someone who had a momentous impact in her short life. Alexa Olsen, a freshman at Saugus High School who was in a dance class with Gracie, remembered her as a goofy, fun girl who cheered her on.

When the girls made eye contact in the middle of practice as they danced to jazz, Gracie would make funny faces and the two would burst out laughing, Alexa said. When they made a mistake, the two would laugh together and keep on dancing.

“She was so nice and kind to everyone,” said Alexa, 14. “You would just smile looking at her.”

Chloe White, 17, who helped coach the girls cheerleading team, said Gracie had a bright personality and always looked as if she enjoyed being onstage. She was quick to throw out encouragement to her teammates as they got ready to perform.

“She was always telling people they could do it,” Chloe said. “ ’You got this, guys, you’re going to be great.’ ”

Gracie’s parents said in a GoFundMe campaign that they are searching for a way to memorialize their daughter. The account raised more than $9,000 in its first hour.

“It is with the most unexplainable brokenness that we share our Gracie went to be with Jesus on Thursday morning,” the page reads. “Our vivacious, funny, loyal, light of our lives, Cinderella, the daughter we always dreamed to have, fiercely strong and lover of all things fashionable — was our best friend. She is going to be missed more than words will ever be able to express.”

The Muehlbergers concluded the post with a message to Gracie: “We will love you always Sweetpea.”

Times staff writer Hannah Fry contributed to this report.


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The crisis was over, the danger had passed, and Saugus High students were wandering bewildered through a sea of squad cars and news vans, trying to wrap their minds around what had just transpired on the campus quad.

I never thought this would happen in Santa Clarita.” That familiar refrain was all many students could think of to say when a newscaster stuck a microphone in their face.

They’d felt safe in the cosseted security of their close-knit suburban community, the hometown of so many law enforcement officers.. Now, they were those kids who’d lived through a campus shooting. They were suddenly swathed in vulnerability.

“It doesn’t seem like this is something that should happen here,” a sophomore named Adriana told a reporter. She’d heard the gunshots from her home, as she was setting off for campus. Hours later, I could hear the mix of fear and outrage in her voice.

“I’m honestly terrified to go to school. You never really know if something like this could happen again.” She didn’t feel prepared for this, she said.

But how on earth do you prepare for the prospect that one of your classmates — an ordinary kid, a Boy Scout who played chess, ran cross country, had a girlfriend, took AP classes — would begin the school day by pulling a gun from his backpack and shooting into a crowd on the quad?

How do you protect yourself from something you can’t predict and don’t understand?

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***

That’s a question we’ve been asking ever since the shocking massacre 20 years ago at Colorado’s Columbine High School. The murder of a teacher and 12 students by a pair of misfit classmates on a deadly rampage jangled us free from the notion of school as a safe space.

That tragedy is blamed by experts for sparking a wave of school shootings that have taken more than 350 lives, shows no sign of ending and spawned an industry of school-shooter protection programs to prepare for what was once unthinkable.

“Students today should be as familiar with active shooter protocols as they are with fire drills or protocols for earthquakes and other natural disasters,” says USC professor Erroll Southers, a former FBI agent and director of the university’s Safe Communities Institute. For the last 20 years, he’s been visiting schools across the country, assessing everything from where the classroom windows are to how many kids sit alone in the lunchroom.

In some ways, protecting students has become its own sort of arms race, with schools going to such extremes that school-shooter training might actually traumatize the students it’s intended to protect.

“There’s a school of thought that you have to enact sensorial training drills — firing blank guns and tackling individuals — to make it a real life experience,” said Melissa Reeves, a Winthrop University professor who helped write a national curriculum for school crisis interventions. “But we don’t light a fire in the hallway to do fire drills.”

In fact, that kind of visceral experience can provoke such an intense emotional response that students wind up more scared than prepared.

Most schools prepare teachers and students as Saugus High did, with routine “lockdown” drills, often built on a hierarchical mantra of survival options: Run, hide, fight.

Critics worry that’s not enough to equip young people; that students will panic and freeze when a real crisis occurs.

But the response of Saugus High students and teachers to Thursday’s crisis suggests otherwise. They married instinct with preparation and did their campus and community proud.

I watched their stories unfold in news interviews on a day of relentless television coverage. Their presence of mind astounded me.

Students who could, fled the campus at the sound of gunshots and shouted warnings to others. There was panic and confusion, but there was no stampede.

Teachers guided kids away from danger, yanked them into classrooms, shoved them into safe spaces, and calmly issued orders — turn those cellphones off — that teenagers efficiently obeyed.

Behind locked doors, desks became barriers, fire extinguishers were marshaled as weapons, and students armed themselves with scissors, “just in case you have to fight back,” one boy told reporters.

And in the eerie quiet of a choir practice room, an injured student who’d stumbled in bloody from the quad assured worried schoolmates that she would be OK — as a teacher dressed her two bullet wounds with supplies from the classroom’s gunshot wound kit, lamenting only that she didn’t have a second kit.

***

The mere idea that classrooms today need gunshot wound kits makes me want to cry.

But that’s our new reality in this country. And no neighborhood can expect to be immune.

I could sense the students’ soul-searching as they tried to answer the question that virtually every reporter asked: How do you feel?

This was unfamiliar territory for them. They’d grown up in a community considered one of the safest cities for children in America. They went to school with kids they’d known all their lives.

And there they were, walking off campus in a single-file line, many in tears, with their arms above their heads like criminals on TV, being herded away from a crime scene.

They felt scared, confused, grateful, angry, stunned. And all the grown-ups had to offer them in the moment were hugs and refrains of “Thank God you are OK.”

I couldn’t stop thinking about Adriana casting about for some sign that things could be made OK, longing for the kind of protections that urban schools are trying to get rid of.

“We have open gates,” she complained. “We don’t check IDs. There’s no metal detectors. Maybe we need metal detectors.”

But who wants schools to look like penitentiaries?

“You could put all the physical protectors in place … and still there’s no way we can stop everything bad from happening,” said Reeves, a former president of the National Assn. of School Psychologists. “The more you make it like a fortress, the more they feel unsafe.”

Her advice has nothing to do with searches or equipment: “We’ve got to deal with this on the front end with kids, so they’re not feeling so hopeless and angry and desperate.”

It seems to me we’re all feeling a little desperate right now, wishing there was one right answer — just do this and you will be safe.

But that doesn’t really exist, inside or outside of school, in our world today.


The Academy of Motion Picture Arts and Sciences announced Friday that it has tapped Lynette Howell Taylor and Stephanie Allain to produce the next Oscars.

Howell Taylor and Allain both have deep movie résumés, particularly in the world of independent film, and have been strong supporters of bringing new and underrepresented voices to cinema, an issue that has been central to the academy’s mission in recent years. But they are newcomers to the task of producing the Oscars telecast — a high-stakes, high-profile job that has grown ever more challenging as the entertainment landscape continues to fracture.

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Howell Taylor’s credits as a producer include 2018’s “A Star Is Born,” for which she received a best picture nomination, as well as “The Accountant,” “Captain Fantastic,” “Blue Valentine” and “Half Nelson.” Allain, who has been an outspoken advocate of increased diversity in cinema, has produced such films as “Hustle & Flow,” “Black Snake Moan,” “Beyond the Lights” and “Dear White People.” She formerly served as the director of the Los Angeles Film Festival and her production company, Homegrown Pictures, focuses on content by and about women and people of color.

“The combined producing talents of Lynette and Stephanie will bring dynamism and excitement to the 92nd Oscars show,” academy president David Rubin said in a statement. “Their vast production experience ranges from groundbreaking independent film to global blockbuster. We look forward to collaborating with them to bring an unforgettable Oscars event to movie fans around the world.”

“We have both watched the Oscars for as long as we can remember, and to be given the opportunity to produce the show is a dream,” Howell Taylor and Allain said in a joint statement. “It’s an honor and a thrill to join forces to deliver an entertaining show that celebrates the artistry of this year’s best films.”

In an effort to stem the steady decline in ratings for the Oscars telecast, the academy vowed last year to limit the ceremony’s often bloated running time to three hours. Viewership for February’s telecast, which was produced by Donna Gigliotti, was up roughly 12% from the all-time low reached in 2018.

For the first time in 30 years, that telecast went on with no host after Kevin Hart dropped out amid controversy over past homophobic jokes. It remains to be seen whether the next Oscars will be similarly hostless or mark the return of a traditional emcee. Allain and Howell Taylor were unavailable to comment.

The 92nd Oscars will be held on Feb. 9 at the Dolby Theatre in Hollywood and will air on ABC.


SERIES

Sesame Street The venerable children’s series returns for its 50th season. 9 a.m. HBO

California Cooking With Jessica Holmes A Thanksgiving episode features a charcuterie board-inspired grilled cheese, gold and red endive salad with butternut squash; Grandma Debbie’s cranberry relish and kale stuffed acorn squash. 8 p.m. The CW

Crikey! It’s the Irwins Bindi swims alongside whale sharks, assisting with research efforts on the world’s largest fish. 8 p.m. Animal Planet

Saturday Night Live Singer-songwriter Harry Styles is host and musical guest in this new episode. 8:29 and 11:29 p.m. NBC

Planet Earth: Blue Planet II In the new episode “Blue Planet Now: Shark Paradise” scientists to study how temperature increases are affecting reefs, and how plastic is putting the future of the planet’s turtles at risk. 9 p.m. BBC America

Ghost Adventures This paranormal investigation series opens a new season with an episode set in a Pasadena home that Zak Bagans and his team believe was home to a self-proclaimed satanist. 9 p.m. Travel

Christmas Cookie Challenge Host Eddie Jackson asks five of America’s best cookie makers to create two cookies on sticks. 10 p.m. Food Network

MOVIES

Christmas Under the Stars When Nick (Jesse Metcalfe) loses his all-consuming corporate job as the holidays approach, he resorts to working at a Christmas tree lot owned by a warm-hearted widower (Clarke Peters) and meets an astronomy teacher (Autumn Reeser) who is being hounded by a ruthless financial institution in this new holiday romance. Anthony Bolognese also stars. 8 p.m. Hallmark

Little At age 14, Marsai Martin (“black-ish”) became the youngest executive producer ever to hold that title on a Hollywood production with director and co-writer Tina Gordon’s 2019 comedy fantasy, which Martin first pitched in 2014 after seeing the classic comedy “Big.” Regina Hall (“Girls Trip”) stars as a ruthless tech mogul who bullies everyone around her until a child’s wish turns her into a 13-year-old (Martin). Issa Rae, Justin Hartley, Tone Bell, Rachel Dratch and Mikey Day also star. 8 p.m. HBO

Christmas in Louisiana When a former Miss Christmas pageant winner (Jana Kramer) comes home for the holidays and the town’s Sugarcane Christmas Festival, she rediscovers the magic of the season with her mother (Moira Kelly) and grandparents (Dee Wallace, Barry Bostwick). Percy Daggs III and Brian McNamara also star in this new holiday romance. 8 p.m. Lifetime

An Acceptable Loss Writer-director Joe Chappelle’s 2019 political thriller stars Tika Sumpter (“mixed-ish”) as a former national security expert to Vice President Rachel Burke (Jamie Lee Curtis) being stalked by a graduate student (Ben Tavassoli). Jeff Hephner also stars. 9 p.m. Showtime

WEEKEND TALK

SUNDAY

CBS News Sunday Morning Ornithologist David Sibley (“Sibley Guide to Birds”). Author John Le Carré. Tom Brokaw. Golfer Renee Powell. (N) 6 a.m. KCBS

Good Morning America (N) 6 a.m. KABC

State of the Union With Jake Tapper House Intelligence Committee member Mike Turner (R-Ohio). Impeachment inquiry: Sen. Chris Murphy (D-Conn.). Panel: Rep. Pramila Jayapal (D-Wash.); Mia Love; Jen Psaki; Scott Jennings. (N) 6 and 9 a.m. CNN

Fox News Sunday With Chris Wallace Rep. Steve Scalise (R-La.). House Intelligence Committee member Rep. Jim Himes (D-Conn.). Musician Toby Keith. Panel: Jonah Goldberg; Marie Harf; Gillian Turner; Juan Williams. (N) 7 a.m. KTTV; 11 a.m., 4 and 11 p.m. FNC

Fareed Zakaria GPS Ukraine: Philip Gordon. Ukrainians discuss U.S.-Ukraine relations and the impeachment inquiry: Svitlana Zalishchuk. Mustafa Nayyem. Conspiracy theories: Crowdstrike, Russian disinformation, and the impeachment inquiry: Nina Jankowicz. Hong Kong: Nathan Law. Global warming: Author Andrew McAfee (“More from Less: the Surprising Story of How We Learned to Prosper Using Fewer Resources-and What Happens Next”). (N) 7 and 10 a.m. CNN

Face the Nation House Speaker Nancy Pelosi (D-San Francisco). House Intelligence Committee members Rep. Jim Jordan (R-Ohio); Rep. Mike Quigley (D-Ill.). Polls: Anthony Salvanto. Panel: Ed O’Keefe; Rachael Bade, the Washington Post; Ramesh Ponnuru, National Review; Molly Ball, Time. (N) 7:30 a.m. KCBS

Meet the Press Presidential candidate former Gov. Deval Patrick (D-Mass.). Sen. Ron Johnson (R-Wis.). Sen. Chris Murphy (D-Conn.). Panel: Jeff Mason, Reuters; Peggy Noonan; Danielle Pletka; Eugene Robinson. (N) 8 a.m. KNBC; 3 p.m. MSNBC

This Week With George Stephanopoulos Intelligence Committee members Rep. Sean Patrick Maloney (D-New York); Rep. Chris Stewart (R-Utah). Panel: Chris Christie; Barbara Comstock; Rahm Emanuel; Yvette Simpson; Maggie Haberman, the New York Times. (N) 8 a.m. KABC

Reliable Sources With Brian Stelter A new study about local news: Jennifer Preston, Knight Foundation. Impeachment narratives: Bianna Golodryga; author Nicole Hemmer (“Messengers of the Right”); Abigail Tracy, Vanity Fair. A historic week: Dan Rather. The “How to stop a civil war” issue of the Atlantic: Jeffrey Goldberg. Outrage over the Daily Northwestern’s apology: Charles Whitaker. (N) 8 a.m. CNN

MediaBuzz Kristen Soltis Anderson, the Washington Examiner; Jeanne Zaino, Iona College; Emily Jashinsky, the Federalist; Rich Lowry, National Review; Mara Liasson; Hank Sheinkopf. (N) 8 a.m. and midnight FNC

60 Minutes The debate over “Red Flag” laws; mining metals from the ocean floor; Syrian refugee children. (N) 7 p.m. KCBS

SPORTS

College Football UCLA visits Utah, 5 p.m. Fox; USC visits California, 8 p.m. FS1. Also: Florida visits Missouri, 9 a.m. CBS; Indiana visits Penn State, 9 a.m. ABC; Michigan State visits Michigan, 9 a.m. Fox; Alabama visits Mississippi State, 9 a.m. ESPN; TCU visits Texas Tech, 9 a.m. ESPN2; Kansas visits Oklahoma State, 9 a.m. FS1; Alabama State visits Florida State, 9 a.m. FS Prime; Navy visits Notre Dame, 11:30 a.m. NBC; Georgia visits Auburn, 12:30 p.m. CBS; Wake Forest visits Clemson, 12:30 p.m. ABC; West Virginia visits Kansas State, 12:30 p.m. ESPN; Memphis visits Houston, 12:30 p.m. ESPN2; Texas visits Iowa State, 12:30 p.m. FS1; Virginia Tech visits Georgia Tech, 12:30 p.m. FS Prime; Minnesota visits Iowa, 1 p.m. Fox; LSU visits Ole Miss, 4 p.m. ESPN; Air Force visits Colorado State, 4 p.m. ESPN2; Oklahoma visits Baylor, 4:30 p.m. ABC; Arizona State visits Oregon State, 4:30 p.m. FS1; New Mexico visits Boise State, 7:15 p.m. ESPN2; Arizona visits Oregon, 7:30 p.m. ESPN

College Basketball Cornell versus DePaul, 10 a.m. Fox Sports Net

NHL Hockey The Vegas Golden Knights visit the Kings, 1 p.m. Fox Sports Net; the Anaheim Ducks visit the St. Louis Blues, 5 p.m. Fox Sports Net

NBA Basketball The Atlanta Hawks visit the Clippers, 7:30 p.m. FS Prime

For more sports on TV, see the Sports section.


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A stage version of the movie “Key Largo,” John Huston’s 1948 classic film noir starring Humphrey Bogart, Lauren Bacall and Edward G. Robinson, is asking for trouble. To begin with, who can compete with the soul-weary charisma of Bogie and Bacall?

But the production of “Key Largo” that opened Thursday at the Geffen Playhouse, featuring a world premiere adaptation by Jeffrey Hatcher and actor Andy Garcia, takes a different route to success. The staging by director Doug Hughes, making the most of John Lee Beatty’s Florida hideaway hotel set, keeps the atmosphere tense and roiling with dramatic interest.

The story of a GI who travels to meet the widow and father of a fallen comrade, only to discover that the Florida hotel they operate has been temporarily taken over by mobsters, has the kind of gun-toting plot that’s more familiar to the screen than to the stage. Hatcher and Garcia cut the cinematic finale on the high seas, but they preserve the screenplay’s dramatic drive. This “Key Largo” never stalls for a moment.

Garcia’s high voltage portrayal of mobster Johnny Rocco infuses the play with crackling vitality. Taking on the role that Robinson played with his imitable tough guy swagger, Garcia paints a gangster portrait more along the lines of those created over the years by Al Pacino and Robert De Niro. The entrance applause that Garcia is showered with, an embrace for an actor who received an Academy Award nomination for his performance in “The Godfather: Part III,” is more than earned by his commanding, stage-shaking turn. Mixing menace and flamboyant humor, sleaze and sophistication, he makes Rocco live anew.

Danny Pino brings a different kind of smoldering energy than Bogart did to the role of Frank McCloud, the World War II major who has traveled to this tropical locale to greet the father and wife of a soldier killed under his command. Pino’s eyes are less darkly hooded than Bogart’s. His Frank is similarly scarred by his experiences on the battlefield, but he doesn’t seem to be living a posthumous existence.

The problem with the character is genealogical. Frank McCloud derives from Maxwell Anderson’s play “Key Largo,” a poetic drama in which Frank is a deserter of the Spanish Civil War haunted by his own cowardice. Although Hatcher and Garcia’s adaption claims to be based on both Anderson’s original and the subsequent Warner Bros. film, their version hews more closely to the movie.

Frank’s character clearly has secrets, but what they are is never adequately elucidated. A vagueness lies at the heart of the story, but Pino fleshes out the part with a sympathetic presence. And the adaptation gives his struggle a political resonance in that his battle against evil forces in Key Largo is an extension of his combat against fascism in Europe. The drama sets out to entertain, but contemporary parallels lurk under the surface.

The greedy bad guys are the greedy bad guys regardless of the color of their passports, but can Frank sustain the fight? That’s where Nora (Rose McIver) comes in. McIver certainly doesn’t have Bacall’s larger-than-life glamour, and consequently her character doesn’t loom as large. But the feisty goodness of her Nora is all that’s needed to awaken Frank from his demoralized torpor. In piquing his romantic interest, she revives his moral sense. The love story is subordinate to the crime thriller, but it is still an essential part of the tale.

The supporting cast brings to the stage the vivid color of classic Hollywood. Joely Fisher invests Gaye Dawn, Rocco’s lush of a mistress, with a kind of louche nobility. Louis Mustillo and Stephen Borrello, part of Rocco’s gang, heighten the foreboding atmosphere with a thugishness that reveals how anxious they are to please the boss. Tony Plana gives Mr. D’Alcala, Nora’s father-in-law who’s now blind (as he was in Anderson’s play) instead of confined to wheelchair, a spirited resolve to stand up for what’s right despite his age and infirmity.

Visually, Hughes’ production is a marvel, demonstrating what designer ingenuity can accomplish. Beatty’s entrancing set is given metaphoric dimension by Peter Kaczorowski’s lighting, Alex Hawthorn’s sound, Arturo Sandoval’s musical contribution and Kaitlyn Pietras and Jason H. Thompson’s projections. The hurricane that hits Key Largo lashes the hotel with a spellbinding fury. The film, with all its technological advantages, seems less real than the stage production.

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But Garcia is the secret weapon in his reworking of “Key Largo.” Whether wandering around in a red robe like a debauched emperor or making an exit in the white suite of a Southern swell (the costumes by Linda Cho are all on the money), he wears Rocco’s intimating demeanor like a second skin. More impressive still, Garcia make us momentarily forget the illustrious precedent of the movie by keeping us completely absorbed in the machinations of this updated moral caper.


Director and costar Elizabeth Banks on the film’s mid-credits scene and positioning girl power at the heart of “Charlie’s Angels.”

In assembling the star-studded cast of trainers and fellow recruits for the playful end credits sequence in Sony’s “Charlie’s Angels” reboot, writer-director Elizabeth Banks sought women at the top of their game.

“I wanted really exceptional women in their fields,” she said before the film’s Nov. 15 theatrical release. “That was first. I also wanted to remind people that women can be exceptional in fields that are typically the purview of men. That’s sort of the DNA of ‘Charlie’s Angels’ in general.”

Banks’ “Charlie’s Angels” stars Kristen Stewart, Ella Balinska and Naomi Scott as new Angels in a decidedly feminist take on the franchise. Banks herself plays Bosley, a former Angel turned liaison to Charlie, whose Townsend Agency has expanded to become a global enterprise.

The film’s mid-credits scene features cameos from Olympians Aly Raisman and Chloe Kim, race car driver Danica Patrick, former mixed martial arts champion Ronda Rousey and actresses Laverne Cox, Hailee Steinfeld and Lili Reinhart. Michael Strahan also briefly appears in the film as a Bosley, and one of the originalAngels, from the ‘70s ABC series that started it all, makes a cameo in a surprising role (which we won’t spoil here).

“We wanted to tell the story of what the Charles Townsend Agency would look like now,” said producer Elizabeth Cantillon. “Who would they bring in to train the Angels that are the best in their class? So that’s how we ended up with Ronda Rousey and Danica Patrick.”

“Ronda and Danica are very revolutionary in their fields and are very representational of the spirit of ‘Charlie’s Angels,’” Banks added.

Raisman, Kim, Steinfeld (“Dickinson,” “Bumblebee”) and Reinhart (“Riverdale,” “Hustlers”) all play Angel recruits who are tested alongside Scott’s character Elena. “Aly of course represents not just an excellent athlete but also an advocate,” Cantillon said. “And Chloe is just a genius snowboarder, so we were super excited about her. Liz [Banks] knew Hailee from ‘Pitch Perfect 2,’ and Lily raised her hand. And we were like, ‘That’s amazing! We love her too!’ So that was just fortuitous.”

“Hailee and Lily, to me, they’re two chameleons,” Banks added. “I felt like that was also something important to ‘Charlie’s Angels.’ Like, we are everywhere. We might even be in a television show or creating your favorite music.”

Emmy-nominated “Orange Is the New Black” star Cox, a friend of Banks’, was tapped to play a detonation expert. And “Good Morning America” co-host Strahan was an ideal Bosley, Banks says, because he already wears so many hats.

“I wanted to plant the seed early on in the movie that the universe of ‘Charlie’s Angels’ is bigger than the story of these women that you’re watching,” Banks said. “It’s a reminder that this is an organization that has access and infrastructure worldwide that touches people everywhere, so we said, ‘Let Michael Strahan be Michael Strahan.’ We didn’t pretend he wasn’t the host of ‘Good Morning America’; we’re just adding this job to the long list of jobs that Michael Strahan already does in life.”

As for cameos from the original big-screen Angels — Drew Barrymore, Cameron Diaz and Lucy Liu — Banks says she’d considered including them but that talks ultimately didn’t pan out. “I’m not going to say what the reason is,” she said. “I considered everything, and I think I ended up exactly in the right places.”

“We had conversations, not with the girls directly, but with the reps,” Cantillon said. “Just giving them a cameo in the end didn’t seem like enough for them. We didn’t have a lot of time to do anything more elaborate, but I hope if we ever got to make another one we could build them into it.”

Despite the stars’ absence in the film, Banks does consider her movie to be in the same canon as McG’s 2000 and 2003 franchise entries.

“I felt like we owed a debt to all of the entire canon,” she said. “I like to say that this movie streamlines the timeline of ‘Charlie’s Angels.’ We are embracing everything that came before. I’m proud of the ‘Charlie’s Angels’ legacy, and my Angels are standing on the shoulders of the Angels that came before them. I know Drew Barrymore [who produced the 2000 and 2003 films] believed the same when she made her movies. Now my hope is that we inspire another filmmaker and another set of Angels in another 10 years.”

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Banks says that her iteration of “Charlie’s Angels” was inspired more directly by the ‘70s series than the early aughts films. Growing up, she and her two sisters considered the Angels to be “wish fulfillment,” she says.

“I wanted to make a movie about women at work,” she said. “That’s one of the things I loved about watching the original show, that those were professional women. The original show was very revolutionary because it’s about women in the ‘70s doing detective work, which was typically done by men. … This [movie] is a portrayal of women who are really good at what they do, love doing it, and when they do it together are even stronger.”

“The messaging for women and girls [in this movie] is not so dissimilar to the messaging of the TV show,” Cantillon said. “Which is: Women can do anything if they’re given the opportunity, and they’re stronger when they work together.”

But the message of women’s empowerment and feminism rings differently in the wake of the Time’s Up and #MeToo movements.

“This story is about a whistleblower who is not supported and believed in her job,” Banks said. “And to me, this is partly a story about a woman who turns to a group of women who say, ‘We believe you and support you and we’ll help you.’ And I think that’s really powerful. And there are really great men helping as well.”

“I think there’s a little bit of a stigma to being a feminist,” Cantillon added. “There is a historical association with that that young women don’t identify with. But, in fact, there’s women cops and astronauts and all of that because of feminism. I think that female empowerment looks like women not being held back, and I think that’s what ‘Charlie’s Angels’’ messaging is. Every girl has the potential to be a great woman if you give them the runway for that. They could be Chloe Kim or Danica Patrick or Elizabeth Banks! They could be anything.”


Maybe your in-laws aren’t such great cooks. Or you’ve run out of ways to disguise the fact that the Brussels sprouts casserole that’s a staple at family gatherings is worse than vile. One solution: Fly your holiday dinner with you.

Can you do that in a carry-on? Yes, but with some restrictions.

Remember, you can’t carry a steamer trunk on an airplane. Carry-ons must adhere to your airline’s size limitations, so check there first. And, of course, consider whether you want your luggage to smell like Thanksgiving for the rest of the year.

Then consider whether the contents of your dinner are allowed.

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What is cleared for takeoff in your carry-on: turkey, dry stuffing, casseroles and desserts such as pies.

What’s not: more than 3.4 ounces of any liquid, which must be packed in a like-sized container. If it’s more than that, it must go in your checked luggage.

The general rule, the Transportation Security Administration said, is if you can “spill it, spread it, spray it, pump it or pour it,” and it’s more than 3.4 ounces, it should be packed in a checked bag. You must carry items of 3.4 ounces or less in a 1-quart plastic bag if you’re taking it in a carry-on bag.

Turkey

Finding a good deal on a bird or one that meets your stringent requirements is perhaps one of the biggest challenges of the holiday season. If you’ve found the one, of course you want to take it with you. Cooking it ahead of time is the easier option, although you can take it uncooked if you follow TSA’s instructions, which urge packing it in ice or solidly frozen ice packs. (Slushy ice will be a nonstarter.) You may use dry ice but not more than 5 pounds, and the container must be properly vented, TSA said.

Vegetables and fruit dishes

If you can’t imagine a holiday meal without homemade green bean casserole and mashed potatoes, there is good news: TSA allows fresh and cooked vegetables and fruits on flights from most locations. But if you are traveling from Hawaii, Puerto Rico or the U.S. Virgin Islands, you may run into some regulatory issues. Laws generally prohibit the transport of most fresh fruits and vegetables — except those that have United States Department of Agriculture’s stamp of approval — from these locations because of the risk of “spreading invasive plant pests.” Travelers from Hawaii, Puerto Rico or the U.S. Virgin Islands can check out USDA’s traveler information webpage to learn what they can or cannot bring.

Gravy

Travelers interested in showing off their version of this rich sauce at the dinner table or carrying leftovers on their flight home can carry gravy in a 3.4-ounce (or smaller) container. If you would like to carry more than this dollop, carefully secure it in an airtight plastic container, wrap it in plastic and pack it in your checked baggage.

Stuffing

The turkey may be the star of the show, but stuffing isn’t far behind. You can take the dressing in your carry-on luggage, inside or outside the bird, as long as it’s dry. If it’s super moist, you are better off packing it in your checked bag.

Cranberry sauce

Beloved cranberry sauce can be transported in your carry-on luggage in a 3.4-ounce bottle. That’s a pretty small serving for a crowd, so if you want to snag more of your mother’s leftover cranberry sauce, secure it carefully in a plastic tub and pack it in your checked bag.

Pumpkin pie

TSA gives pumpkin pie the green light. You can pack it as a carry-on or in checked luggage. In case your flight is delayed, keep a fork handy.

Travelers who still have questions about food items can check out TSA’s “What can I bring?” webpage that lists what items are allowed or not in your carry-on.


If you (or a loved one) are flying and have a disability, brace yourself. Such a trip is rarely hassle-free.

At LAX, construction continues on the $14-billion upgrade to the airport. which means more obstacles than usual on your trip to the gate. When you come home, if you need a taxi or a ride-hail car, you’ll have a new system to navigate to get to the LAX-it (pronounced LA-exit) lot, where those vehicles await. It is, LAX officials said, fully accessible to travelers with disabilities.

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Knowing first-hand the drama of traveling with a disability, I wondered how navigating the nation’s second busiest airport plays out for a traveler with mobility needs.

Ryan Easterly, a colleague, traveled on the first leg of a business trip from San Francisco International to LAX on Nov. 4.

“Bad news/good news about #LAX and #LAX-it,” he said in a Facebook post. “Bad news: It took 25 minutes to get wheelchair assistance upon arrival at LAX. (Mind you, they had my request on file, and I was the next-to-last person to exit the plane.)

“Good news … there was zero wait time for the shuttle [to LAX-it] and it only took about 17 minutes from boarding the shuttle to being in a Lyft vehicle. So it went much better than expected.” The day Easterly traveled was just a week after the switch away from curbside pickup by taxis and ride-shares, which initially was plagued with confusion and delays.

Easterly, who uses crutches for mobility but always requests wheelchair assistance at the airport, said he found no shortage of helpful staff at the LAX-it lot, which is just east of Terminal 1.

On his return flight, Easterly said he waited 35 minutes for a wheelchair attendant to meet him at United Terminal 7 and take him to his gate.

Here’s some advice on how to plan for your access needs.

Wheelchair assistance

At LAX or any airport, the best way to request a wheelchair and someone to push it for you is to prearrange this service at least 72 hours in advance with your airline and confirm a day before you travel.

Holiday caveat: Do this earlier, at least a week ahead, during busy holiday periods.

If you forget this step or find you need service on demand, that’s usually OK. Immediate assistance at the airline check-in counter is available, but be prepared to wait, depending on demand.

“Though we normally ask that our guests give themselves two hours before departure for a domestic flight and three hours [before] departure for an international flight, those requesting wheelchair assistance should try to plan for an additional half-hour on top of normal recommendations,’’ Heath Montgomery, LAX spokesman, said in an email.

Holiday caveat: You may need even more time. Better to err on the side of caution.

People who assist passengers with wheelchairs are contractors who work for the airlines. The scope of service is limited.

What they will do: push you through the airport, through Transportation Security Administration checkpoints, take you to food trucks or shops if you request it, drop you off or pick you up at the gate.

What they will not do: provide any personal care, such as toileting or feeding. They are not trained for this, Montgomery said. If you need this type of access support, you’ll need to bring someone with you.

If you’re making travel arrangements for someone who requires assistance with personal care, has difficulty following directions or may become confused in the busy airport, such as a person with Alzheimer’s or other dementia, arrange for a family member to travel with that person or hire a travel companion. (Google “travel companion” and you will find several organizations that offer this service.)

For a February column about how people living with dementia can travel safely, experts offered excellent advice, including these nuggets:

• Consider the person’s optimal time of day and try to make flight arrangements for those hours. Also be sure that neither the person living with dementia nor the travel companion is hungry.

• Make sure the companion and the person living with dementia carry identification at all times.

• Someone, whether it’s the caregiver or a family member, should speak with airline staff, Transportation Security Administration agents and the airline’s gate and on-board crew, to alert them about the person’s condition.

• Airports can be noisy and disorienting (sometimes chaotic, especially at the holidays), so consider packing reading material or electronic devices (music or movies appropriate to the person’s age are a good idea).

Dealing with hailing a taxi or a ride

If you need a cab or ride-share service once you land, you’ll need to make your way to the LAX-it lot using a new, bright green shuttle bus.

Shuttles are free, run every three to five minutes and have ramps for wheelchair boarding, but the buses are also low enough so you can easily step on if you’re not using a chair. Accessible seating is near the front of the bus.

“If a passenger needs additional assistance, the guest should ask staff to call for a special ADA bus in which the drivers are trained to assist people with disabilities,” Montgomery said.

The LAX-it lot has four accessible restrooms with adult changing stations. Crosswalks are at grade, so there are no ramps to maneuver.

Wheelchairs also are available upon request when arriving at LAX-it, and the LAX-it shuttle driver can call for one to be waiting for the guest upon arrival at LAX-it, Montgomery said.

Have more questions?

More information about LAX is available at bit.ly/LAXdisabilitytravel.

The Alzheimer’s Assn. helpline is (800) 272-3900 and is staffed by clinicians around the clock and accommodates 200 languages. If a crisis occurs during a trip, don’t hesitate to call. More information: alz.org. For holiday-specific concerns: bit.ly/alzheimersholiday