Month: December 2019

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3.4 quake registered near Avalon

December 26, 2019 | News | No Comments

A magnitude 3.4 earthquake was reported Wednesday afternoon at 3:15 p.m. 44 miles from Avalon, according to the U.S. Geological Survey.

The earthquake occurred 63 miles from Rancho Palos Verdes, 64 miles from Los Angeles and 67 miles from Long Beach.

In the last 10 days, there have been no earthquakes of magnitude 3.0 or greater centered nearby.

An average of 234 earthquakes with magnitudes between 3.0 and 4.0 occur per year in California and Nevada, according to a recent three-year data sample.

The earthquake occurred at a depth of 6.2 miles. Did you feel this earthquake? Consider reporting what you felt to the USGS.

Even if you didn’t feel this small earthquake, you never know when the Big One is going to strike. Ready yourself by following our five-step earthquake preparedness guide and building your own emergency kit.

This story was automatically generated by Quakebot, a computer application that monitors the latest earthquakes detected by the USGS. A Times editor reviewed the post before it was published. If you’re interested in learning more about the system, visit our list of frequently asked questions.


Whenever they meet, Graciela Elliott listens to her son’s heartbeat in the chest of David Ponder. ‘I am happy my son lives in his body,’ she said

SAN DIEGO — 

A singer, songwriter and guitarist, David Ponder knows the importance of a strong, steady beat. But this was ridiculous.

“My heart now, it’s so strong,” said Ponder, 60, a Poway resident who in August 2016 underwent a successful heart transplant at Sharp Memorial Hospital. “The first night home, it was beating so hard it woke me up.”

This Christmas, David Ponder is dazzled by the gifts he’s received from strangers: a life-sustaining organ and a life-enhancing relationship. He’s alive because a car wreck killed a man he’d never met, Coronado’s Juan Carlos Lopez, 26. When surgeons removed Lopez’s heart and transplanted it in Ponder’s chest, two families were stitched together in sorrow and joy.

Months after the surgery, Ponder visited Lopez’s mother. The bond was instant.

“Both of us were crying and crying and crying, hugging each other,” said Graciela Elliott, Lopez’s mother. “After that, I listened to his heartbeat.”

In life, Juan Carlos Lopez was a doting father and co-owner of a landscaping company. As Elliott reminded Ponder between his sets at House of Blues last weekend, Lopez was a vibrant personality with numerous passions.

“When I listen to David’s music, I can’t help but be happy,” she said. “My son loved music when he was alive.”

‘His death brought me here’

Ponder was 5 when he first strummed a bass guitar, 12 when he first performed professionally. A North Carolina native, he settled in Nashville and carved out a career as a session musician, a headliner, a songwriter and sound engineer. While he worked with the greats — Dolly Parton, Alabama, the Oak Ridge Boys — his longest association has been with his own trio, Ponder, Sykes & Wright.

For more than 45 years, that group has specialized in country-tinged Christian music. Part of their repertoire is “Holding Things Close,” a ballad that begins with a loved one driving away, perhaps forever, before focusing on a prodigal’s return to the fold. “His death brought me here,” the song continues, focusing on the redemptive nature of Jesus Christ’s sacrifice on the cross.

That, at least, was the songwriter’s original intent.

When the trio reunited last year to record several songs, Ponder found “Close” too close for comfort.

“When I got to the lyrics,” Ponder said, “it meant something different. I’m bawling in the studio.”

On Sunday, July 31, 2016, Graciela Elliott was in church when her phone rang. Her husband, James Elliott, was calling to say that her son was in a hospital, near death.

Juan Carlos had been driving home from his cousins’ house early that Sunday morning, when he fell asleep and crashed into a tree. He died Aug. 1, a month short of his 27th birthday, leaving behind a 4-year-old daughter, Vida Mía, and the landscaping business he had just opened.

“He had two jobs already scheduled,” his mother said. “He was so proud.”

While renewing his driver’s license, Juan Carlos had agreed to be an organ donor. The accident destroyed his pancreas, but doctors were able to harvest the man’s heart, liver, kidney, tissue and other organs. Graciela, herself an organ donor, took comfort in the fact that her son’s death may have saved several lives. In her sorrow, this mother kept coming back to a nagging question.

“I wanted to know who had his heart,” she said.

A new family

Ponder had his first heart attack at 39. Heart disease has killed generations of Ponders, so the resulting quadruple bypass surgery seemed more of a delaying action than a cure.

He resumed performing — an Eagles tribute band here, playing behind Ricky Skaggs there — but he was living on borrowed time. Six years ago, his doctor ordered him to stop working and go on disability.

In 2014, when he and his wife moved to San Diego County, Ponder hoped to revive his career. First, though, he needed an aortic valve replacement. In April 2016, he wheeled into a Sharp Memorial operating room and was sedated.

“When I woke up, I felt the same,” he said.

He needed more than a new valve. He needed a new heart.

The transplant came on Aug. 5, 2016. Ponder seemed to recover quickly, leaving the hospital only two weeks after surgery, but medications and anxiety wore him down. In the first month, post-transplant, he lost 50 pounds. His bank account also was becoming dangerously thin, as he was too weak to perform for months, and he fretted that his career might never recover.

“People forget you if you are not around,” he said. “When you keep saying no, it’s not too long before they stop calling you.”

Another worry nagged at him. He had filled out the paperwork, asking to meet with his donor’s family, but there had been no response. Most families decline this offer — “It’s too hard,” Ponder said — but he had hopes. When months passed in silence, he called Lifesharing, the nonprofit that supervises transplants. They had lost his letter; it had never gone to the donor’s family.

A new letter reached its destination. In July 2017, David and Jadie Ponder pulled up outside Graciela Elliott’s home in Coronado. There was a banner outside: “Welcome, David!”

“It was so emotional,” said Jadie Ponder, David’s wife. “It was a beautiful moment, mixed with many different emotions. Sometimes I can’t look at them without crying — I’m crying right now.”

“We embraced for about 15 minutes,” Ponder said, “both bawling like babies.”

And it wasn’t just Graciela Elliott who immediately adopted the Ponders. The dead man’s little daughter, now 7, wrapped these strangers in bear hugs. Lopez’s sister, meanwhile, came forward with a little surprise.

“I want you to meet my son,” Amy Lopez said, holding out a month-old infant. “David Juan Carlos.”

‘It’s a trip’

Graciela and James Elliott left town this Christmas, so the Ponders won’t spend the holiday with them. They were together the previous two Christmases and celebrate birthdays, Thanksgivings and other special occasions as one surgically constructed family. Graciela, 48, always puts her ear to Ponder’s chest, listening to a younger man’s strong, steady beat.

Because the families are apart this Christmas, on Saturday they attended the House of Blues. For the past few months, Ponder and Sam Hosking perform in the House’s Country Brunch Live. His schedule is pretty full, with gigs around the county and in Las Vegas, and he’s also recording again. The title of a recent Ponder-penned Christian song: “He Was The First Donor.”

“It just took off,” he said of his post-transplant career. “I’m working five, six times more than ever in San Diego.”

The powerful ticking of his new ticker no longer awakens Ponder, but there are still nights when he lies in bed, marveling at life. “Man,” he tells himself, “I’ve got somebody else’s heart in my body, keeping me alive. It’s a trip.”

And while beating in a new body, that heart is still attached to the original owner’s family.

“He’s a wonderful man,” Graciela Elliott said of Ponder. “I am very happy my son lives in his body.”

Rowe writes for the San Diego Union-Tribune.


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More than two years after the Los Angeles and Beverly Hills police departments launched sexual assault investigations into Harvey Weinstein, the Los Angeles County district attorney’s office has escalated its review into the disgraced filmmaker and is considering filing criminal charges against him, law enforcement sources said.

In all, eight cases are under review by the district attorney’s office, a spokesperson for the agency said. Four of the cases are from the Los Angeles Police Department and four are from the Beverly Hills Police Department, sources said.

The office could act in the new year, before Manhattan prosecutors complete their criminal trial of the once high-flying movie producer, set to begin in January, said people familiar with the investigation who were not authorized to comment.

Sources have confirmed to The Times that the district attorney’s sex crimes division has intensified contact with at least two accusers and has also broadened its review to include several other women across the country who have accused Weinstein of sexual misconduct.

This stepped-up investigation could open up a second plank of prosecution for the embattled mogul, who faces four criminal sex crimes charges involving three women in New York.

A spokesperson for Weinstein declined to comment. The former film producer has pleaded not guilty to the charges. He has denied all allegations of nonconsensual sex.

A spokesman for the Los Angeles district attorney’s office declined to comment.

Two of the key cases prosecutors are weighing involved separate alleged sexual assaults that occurred at two hotels during the same week in February 2013.

In October 2017, Los Angeles Police Capt. Billy Hayes confirmed that the department had opened an investigation into Weinstein after an Italian model-actress filed a report, alleging that Weinstein raped her at the Mr. C Beverly Hills hotel in 2013.

This was the first case related to Weinstein to be reported in Southern California.

The actress said she met and briefly spoke with the producer during the Los Angeles Italia Film, Fashion and Art Fest that year, after which he “bullied” his way into her hotel room.

The actress described the alleged incident in an earlier interview with The Times. “Once inside, he asked me questions about myself, but soon became very aggressive and demanding and kept asking to see me naked.” She said that she showed him pictures of her children as she cried and begged him to go away. “He grabbed me by the hair and forced me to do something I did not want to do,” she said, saying that Weinstein forced her to perform oral sex on him. “He then dragged me to the bathroom and forcibly raped me.”

According to law enforcement sources, the actress did not immediately report the alleged incident. But she did tell three people what happened to her, including her priest. Investigators traveled to Italy, where she lived at the time of the alleged assault, and independently verified their accounts.

Since the allegation surfaced, Weinstein’s attorneys have vigorously denied that he was at Mr. C Beverly Hills that night. He has also denied ever being alone with the accuser.

“My client is fully cooperating with law enforcement and the D.A.’s office,” said David Ring, the attorney for the Italian actress. “She will appear and tell the jury how Weinstein raped her in a Beverly Hills hotel room in 2013. … It will be difficult and stressful for her, but she knows it must occur in order to convict Weinstein, who continues to buy time with delaying tactics.”

A second woman who alleges that Weinstein assaulted her on Feb. 19, 2013 — several hours before the Italian actress alleged she was raped, also in Beverly Hills — may testify in the New York trial as a witness to his prior behavior.

According to a source familiar with the investigation, this second victim, who is described in New York court documents, contacted the New York Police Department about a separate incident of sexual assault involving Weinstein at a Beverly Hills hotel.

The NYPD referred the case to Beverly Hills police for investigation, according to the source, who spoke on condition of anonymity in order to discuss the matter candidly.

Beverly Hills police have declined to make public any details of their investigations into Weinstein.

The L.A. County district attorney’s sex crimes unit has ramped up its inquiry into allegations of sexual assault allegations in other jurisdictions against Weinstein in recent months, sources told The Times.

Aaron Filler, the attorney representing actress Paz de la Huerta in a civil suit against Weinstein for sexual battery, said that he received a telephone call from Deputy Dist. Atty. Paul Thompson, head of the sex crimes unit, about a month ago, requesting an interview with his client.

De la Huerta alleges that Weinstein raped her twice in her New York apartment in December 2010.

Filler said that Thompson told him that L.A. was starting its own prosecution of Weinstein.

“My impression was that they are commencing a wide-ranging criminal investigation and at this point are reaching out to every victim they can identify and try and do telephone interviews around the country,” Thompson said. “They have more leeway to reach out to more victims in more jurisdictions and bring them into a courtroom than in New York.”

Unlike New York, California law allows for “me too” evidence of sexual harassment and discrimination described by other employees to be presented at trial. In other words, prosecutors here could have multiple accusers who are not plaintiffs testify against Weinstein.

In addition to the New York criminal case, there is a class-action suit and at least 18 women with individual suits against Weinstein, alleging sexual misconduct, assault or harassment.

According to Filler, De la Huerta, who lives in New York, had a brief telephone conversation with Thompson but would prefer to meet with him in person. To date, they have not scheduled a meeting.

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An attorney representing an accuser in her suit against Weinstein, alleging that the producer raped her, said that he also received a request from Thompson to talk with his client within the last month.

Although his client declined to speak with Thompson, saying the civil suit has “put her through the wringer,” the attorney characterized his conversation with the assistant district attorney saying, “It sounded like they are moving forward.”

In the two years since the New York Times and the New Yorker first detailed decades of sexual misconduct allegations against Weinstein, criminal investigations have opened in Los Angeles, London and New York. However, only the New York district attorney’s office has pursued criminal charges against the fallen movie mogul.

Two years ago, L.A. County Dist. Atty. Jackie Lacey formed a special task force dedicated to investigating allegations of sexual assault roiling Hollywood. She assigned a group of veteran sex crimes prosecutors to “ensure a uniformed approach to the legal review and possible prosecution of any case that meets both the legal and factual standards for criminal prosecution.”

To date, the task force has yet to charge any of the more than two dozen men subject to investigations by law enforcement. Many of those allegations were too old to prosecute and in other cases there was insufficient evidence; they include allegations involving the actors Steven Seagal and Kevin Spacey.

Lacey, who is running for a third term as district attorney, faces a slew of challengers and renewed pressure for declining to prosecute several high-profile sex abuse cases.

Meanwhile, Weinstein’s legal woes continue to mount. A former teen model, Kaja Sokola, filed a lawsuit last week against the producer under the Child Victims Act, alleging the former filmmaker sexually assaulted her at his New York City apartment in 2002 when she was 16.

Sokola was initially part of a federal class-action suit filed in December 2017 against the filmmaker. Weinstein and his former film studio’s board have reached a controversial $47-million settlement with several women who have accused him of sexual misconduct, according to attorneys involved in the negotiations.

About $25 million will be allocated to the accusers, $7.3 million to unsecured creditors and former Weinstein Co. employees and about $12.2 million will be earmarked to pay legal fees of the studio’s directors and officers, according to a copy of the settlement term sheet obtained by The Times. The Weinstein Co. filed for bankruptcy protection in March 2018.

Weinstein, the producer behind such Oscar-winning hits as “Shakespeare in Love,” “Chicago” and “The King’s Speech,” was fired from his company in October 2017 after dozens of women accused him of sexual misconduct.

Last week, Weinstein was widely criticized for calling himself “the forgotten man” in an interview with the New York Post and citing how many women he helped during his career. The comments triggered a swift backlash, including a formal statement signed by 23 of his accusers.


SERIES

The Great American Baking Show: Holiday Edition The remaining bakers focus on flaky and flavorful pastries and holiday cookies. 9 p.m. ABC

Doctor Who Fans don’t don’t have to wait until the Jan. 1, 2020, season premiere, as the animated lost episode “The Macra Terror,” features the TARDIS arriving on a human colony that appears to be a holiday camp. The Doctor (Patrick Troughton) and his companions (Anneke Wills, Michael Craze, Frazer Hines) are suspicious. The episode uses surviving audio from 1967 accompanied by new animated visuals. 9 p.m. BBC America

Restaurant: Impossible Chef Robert Irvine rolls up to the Southern Grille of Ellendale, Delaware, in the season premiere. 9 p.m. Food Network

SPECIALS

Happy New Year, Charlie Brown When his teacher assigns her elementary-school class the novel “War and Peace” over Christmas break, holiday distractions keep getting in Charlie Brown’s way in this 1986 animated “Peanuts” special. 8 p.m. ABC

MOVIES

The Cincinnati Kid Norman Jewison’s 1965 screen adaptation of Richard Jessup’s novel casts a charismatic Steve McQueen as a cocky young Depression-era poker player who challenges the reigning champion (Edward G. Robinson) to a high-stakes game. Joan Blondell, Ann-Margret, Karl Malden and Tuesday Weld also star. Ring Lardner Jr. and Terry Southern co-wrote the screenplay. 5 p.m. TCM

Dolly Parton’s Coat of Many Colors Alyvia Alyn Lind stars as the nine-year-old Country music superstar and Jennifer Nettles and Rick Schroder play her parents in this 2015 biography. Gerald McRaney also stars. 9 p.m. NBC

TALK SHOWS

CBS This Morning (N) 7 a.m. KCBS

Today (N) 7 a.m. KNBC

KTLA Morning News (N) 7 a.m. KTLA

Good Morning America Nutritionist Maya Feller. (N) 7 a.m. KABC

Good Day L.A. Issa Rae, Hilltop Coffee; “Love Actually.” (N) 7 a.m. KTTV

Live With Kelly and Ryan From Las Vegas: Shania Twain; a tour of the hottest restaurants in town. (N) 9 a.m. KABC

The View Hillary Rodham Clinton; Chelsea Clinton; Ben Platt. 10 a.m. KABC

Rachael Ray NFL players Nick Mangold and Amani Toomer; Sunny Anderson, Food Network. 10 a.m. KTTV

The Wendy Williams Show Mona Scott-Young (“Love & Hip Hop: New York”). 11 a.m. KTTV

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The Talk The hosts take a road trip to Las Vegas for the final “Donny & Marie” show. 1 p.m. KCBS

Tamron Hall Gary Gulman (“The Great Depresh”). 1 p.m. KABC

The Dr. Oz Show Duane “Dog” Chapman discusses losing his wife; the latest on R. Kelly’s sex-crime charges. 1 p.m. KTTV

The Kelly Clarkson Show “The Voice” coaches; the wine down; guessing a famous voice; pregnancy photos. 2 p.m. KNBC

Dr. Phil A woman says there is something demonic in her. 3 p.m. KCBS

The Ellen DeGeneres Show Oprah Winfrey; Lil Nas X performs. 3 p.m. KNBC

The Real Jackée Harry; Tisha Campbell. 3 p.m. KTTV

The Doctors Abby Lee Miller (“Dance Moms”); mental health days for students; eucalyptus in the shower. 3 p.m. KCOP

Amanpour and Company (N) 11 p.m. KCET; midnight KVCR; 1 a.m. KLCS

Conan Rosario Dawson; Dulcé Sloan. 11 p.m. TBS

The Tonight Show Starring Jimmy Fallon Dolly Parton; Kacey Musgraves performs. 11:34 p.m. KNBC

The Late Show With Stephen Colbert Paul Rudd; Adrienne Warren. 11:35 p.m. KCBS

Jimmy Kimmel Live! James Corden; Mena Massoud; Brad Paisley; Ozuna performs. 11:35 p.m. KABC
The Late Late Show With James Corden Angela Bassett; Jim Gaffigan. 12:37 a.m. KCBS

Late Night With Seth Meyers Timothée Chalamet; Cynthia Erivo; Miranda Lambert performs. 12:37 a.m. KNBC

Nightline (N) 12:37 a.m. KABC

A Little Late With Lilly Singh Daisy Ridley. 1:38 a.m. KNBC

SPORTS

College Football Independence Bowl: Louisiana Tech versus Miami, 1 p.m. ESPN; Pittsburgh versus Eastern Michigan, 5 p.m. ESPN

NBA Basketball The San Antonio Spurs visit the Dallas Mavericks, 5 p.m. TNT; the Portland Trail Blazers visit the Utah Jazz, 7:30 p.m. TNT

For more sports on TV, see the Sports section.


Regarding “The Millennium 100” [Dec. 22]: In recognizing Frank Gehry’s Disney Hall, Deborah Borda’s amazing leadership and Gustavo Dudamel’s new directions in both music and community outreach as three of your 100 top cultural moments of the new millennium, you have further cemented the Los Angeles Philharmonic’s status as the best and most influential symphony orchestra in the nation.

Jackie Dooley
San Clemente

::

As much as I enjoyed Lisa Kron and Jeanine Tesori’s “Fun Home” [based on cartoonist Alison Bechdel’s graphic memoir], I’m sorry to see it [at No. 64 on “The Millennium 100″] take the place of Tesori and Tony Kushner’s challenging and heartrending “Caroline, or Change,” the most underappreciated musical of the last two decades. The play and Tonya Pinkins’ towering performance should have taken home their respective Tony Awards in 2004.

Daniel Hoskins
Los Angeles

::

“The Clock,” Christian Marclay’s perfection that the Los Angeles County Museum of Art acquired in 2010 [and No. 94 on “The Millennium 100”], should have a dedicated space where it runs 24/7. It is a must for a city founded on film. Why do they keep it out of public display?

David Reid
Hollywood

::

I believe that Kim Kardashian [No. 11 on “The Millennium 100” for her evolution from sex-tape star to criminal-justice-reform advocate] started a subcategory in pop culture that should fittingly be termed sleaze culture. It’s a progressive degeneration from pop culture to further dumb down and coarsen our popular taste.

Giuseppe Mirelli
Los Angeles

::

I hate to burst The Times’ balloon, but the end of the first 20 years of this century and millennium is Dec. 31, 2020. This century [and millennium] began on Jan. 1, 2001. I would have expected that the Los Angeles Times would have realized this before printing two complete sections with “…moments from the first 20 years.” It’s just a year too early.

Gail Ginell
Thousand Oaks

‘Cats’ feelings

Regarding “‘Cats’ Leaps to Film Infamy” [Dec. 23]: Memo to Charles McNulty: Please don’t injure yourself falling off the ladder. You need to get down from your high horse.

Gary Emerling
Westlake Village

::

I feel the same way about “Ford v Ferrari” as movie critic Justin Chang seems to feel about the film version of “Cats” [“Pawfectly Bad,” Dec. 20].

I have needed to repeat “…it’s not a documentary, it’s not a documentary,” almost continually since I saw “Ford v Ferrari” a few weeks ago.

Having known a couple of the people portrayed in that movie, I winced at the off-base characterizations and time-shifting that was apparently needed to make a successful feature film.

On the other hand, I’m sorta glad that more people will hear of (and maybe find out more about) guys like Carroll Shelby, Ken Miles and Phil Remington.

Doug Stokes
Duarte

Oscars’ glass ceiling

Regarding Mary McNamara’s column “Female Push in Oscar Race” [Dec. 23]: As Yoda put it, “Do. Or do not. There is no try.” Hollywood has to do better. Every year around awards season, it is all talk and no action.

Maybe the motion picture academy should consider a category for female director, like there is for female actor and female supporting actor. They say that gender doesn’t matter and that it is the work that really matters, but we know that isn’t always that way. Let’s face it — it is still a man’s world, especially in Hollywood.

Breaking the glass ceiling should be a goal for the new decade.

Sherry Davis
Playa Vista

‘Richard Jewell’ fact check

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Mary McNamara celebrates the push back on sexist writing in “Richard Jewell” and credits the #MeToo movement [“‘Richard Jewell’ Outcry Signals #MeToo Change,” Dec. 17]. Of course this is important, as we have all become aware of through the media.

But if we take inventory of the upside of #MeToo, we must also take inventory of the downside. The absence of Al Franken from the U.S. Senate, the inability to see Woody Allen’s latest movie in the United States, the loss of a cultural environment that would allow for Roman Polanski to continue to work and make excellent films, even the lockdown of much of Garrison Keillor’s work for a time by Minnesota Public Radio.

If anyone doesn’t sense the ghost of McCarthyism and Orwell in #MeToo, that’s because most people don’t tend to see such things in real time. They learn about them later in history classes.

Stan Brown
Claremont

::

I found it ironic that the same day that Mary McNamara in the Calendar section bemoaned Clint Eastwood’s excellent film “Richard Jewell” for its portrayal of the female reporter, The Envelope’s cover story [“A New Look for ‘Women’,” Dec. 17] is all about Greta Gerwig’s revisionist take on “Little Women.” Apparently, it is not acceptable for Eastwood to be allowed his interpretation of a real person, but it is entirely acceptable for Gerwig to completely alter the main character in a classic novel.

Seems like feminism is being employed selectively by The Times to hail the bastardization of a classic novel and at the same time belittle a great actor and filmmaker.

John Zavesky
Riverside

Shocking art or everyday life?

Regarding Leah Ollman’s reivew of Tatiana Trouvé’s two installations at Gagosian Gallery [“A Gasp-Worthy Debut From Tatiana Trouvé,” Dec. 18], what the photo shows is something Southern Californians are all too familiar with: bad roads and sidewalks.

For the critic to go out of her way to overstate the emotional and physical effect this will have on the viewer is an exercise in exaggeration to make this work far more impressive than it is. Is anything thrown on a wall or scattered on the floor today really art?

D. Ohanian
San Diego

TV’s Jewish women

Reading the article about stereotypical Jewish women [“How Jewish Can TV Women Be?” by Whitney Friedlander Dec. 19], you should have gone back to the Jewish female comedians who flourished in the early 20th century. Pioneers like Fanny Brice, Sophie Tucker and Gertrude Berg, who were bigger-than-life stars and carved out a new path that led up to today’s funny ladies. Many got their start on the vaudeville stage, Broadway, then on to radio, films and even a new invention called television. Most of them creating, writing, producing and starring in shows they invented, wanting to get in a profession crowded and dominated by men.

This article made no mention of the original ”Mrs. Maisel character,” Joan Rivers, who was daring, brave and honest when honing her comedic skills. A risk taker and a funny lady who worked so hard at her craft, she deserves so much credit that she seldom gets.

Frances Terrell Lippman
Sherman Oaks

::

It’s not only on “The Marvelous Mrs. Maisel” that Jews are depicted in a stereotypical way. On the various versions of “Law & Order,” Jews are usually shown as diamond merchants, Hasids in full garb, slimy defense lawyers with huge hooked noses or pimps.

In one episode, Linda Lavin played a Jewish grandmother who hired the Israeli mafia to kill her son’s fiancée because she wasn’t Jewish.

Judd Silver
Irvine

Anna Karina’s appreciation

Justin Chang’s piece on the death of Anna Karina was superb [“An Avatar of French Cool,” Dec. 12]. His analysis of her career was heartfelt, and as customary with Chang’s writing, critically incisive. I’m going to save this appreciation.

Chang has become the most important movie critic we have in L.A., and I hereby exonerate him for steering me to “Vox Lux” and “Her Smell.” Wounds do heal, after all.

Michael Jenning
Van Nuys

‘Where the big jet engines roar’

Regarding the “L.A. Songs Hall of Fame” section [of the Dec. 8 “50 Songs for a New L.A.” project by Randall Roberts]: It was the ’60s in Chennai, India, and we were belting out “L.A. International Airport” by Susan Raye without even knowing what L.A. meant. The song still resonates in our family, and we sing it with abandon when we arrive or depart from LAX.

Prem Kishore
Reseda

Picture of the week

Jay L. Clendenin’s “Galaxy’s Edge” photo on the Calendar cover Dec. 9 [with Todd Martens’ story “How Star Wars: Rise of the Resistance May Fix What Ails Disney’s Galaxy’s Edge” ] was a work of art.

The cast member was so focused on the girl, and the girl’s excitement was perfectly captured without showing her face. Please consider this great photo for awards.

Michael J. O’Connor
La Crescenta


When director Chad Stahelski’s third chapter of the “John Wick” saga arrived in theaters this past May, critics and general audiences fell for its amped-up, well-choreographed fights, stunning backdrops and the return of its mysterious protagonist portrayed by Keanu Reeves.

Also playing a crucial part in making Wick’s world come to life was the film’s sound team, which has worked together on all three movies.

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“We know this world pretty well, and we’ve developed a shorthand with Chad over time,” says sound designer Martyn Zub, whose wide-ranging credits include “Frozen,” “Nightcrawler,” “Atomic Blonde” and “Deadpool 2.”

“We know what he likes, and his main directive is to make it bad, cool, angry, mean and loud — and also lots of fun. We also need to keep the mystery around John Wick, because he is the legendary hit man known as ‘The Boogeyman!’”

Here Zub talks about building the soundscapes of “John Wick: Chapter 3 — Parabellum”:

The world of Wick expands dramatically in the third movie. How did that impact the aural tasks?

We had to establish John Wick in a foreign country, which was great fun. For example, when they are running around in Morocco, shooting in a city square, we spent a lot of time building soundscapes off the screen, so while we see the main characters in camera, we can hear a battle going offscreen as well. So we know where John Wick (Keanu Reeves) or Sofia (Halle Berry) are at any given time in the actual sequence. When one of them looks over their shoulder, they can hear the other one shooting and blowing people up.

Our dialogue supervisor also recorded Moroccans who live in L.A. to create an authentic, busy soundscape for the sequence reflecting the hustle and bustle of the street markets. In addition, it rains a lot in the movie, so we had to deal with rain machines. Our dialogue mixer, Andy Koyama, spent a bit of time cleaning up those lines of dialogue because they had rain machine sounds all over them.

It wouldn’t be a “John Wick” movie without dogs. How did you work on the scene with Sofia’s canine friends?

Sofia’s dogs are beautiful, but as soon as they are put into action, they become street killers. The sounds of animals in general are hard to cut, mix and design. When the dogs attack the bad guys, we wanted them to sound as violent as possible. In addition to the dog growls and aggressive barks, we added sweeteners of bears and wolves noises to make that impact more violent. When we mix those elements in, we create a big separation between the actual lunge of the dog and the impact of the dog onto the body, so we have more clarity in the sound. The hardest thing is to get the clarity in such a busy film like this.

The interiors also seem to have a hypnotic atmosphere. What about the Continental hotel where many of the confrontations take place?

Once you are outside the hotel, you hear the city sounds and the chaos around John Wick. But inside the Continental, we have this type of Muzak playing in the background. It’s really a funny juxtaposition because we are in this foyer with a room of killers, and there’s this ambient type of elevator music playing. There’s also a sequence that takes place in the clock room, where we can hear an undercurrent of a wooden clockwork ticking along, which adds another layer of tension.

The “John Wick” movies are famous for their brutal fight scenes. Which scene stands out in your mind because of the sounds you created for it?

One particular scene that is my favorite in the whole franchise is where John Wick is fighting some bad guys in this museum space, and there are all these knives in display glass cabinets. They end up smashing all the glass and throwing knives at each other.

As a mixer you have to make sure each sound plays and creates the impact that you desire to tell the story. Wick has this bad guy in a headlock. Then he grabs a knife and pokes it in the villain’s eye, and you can hear the eyeball pop and slide through the flesh and hit the back of the skull. We needed to get a lot of clarity on all the sounds. It’s so powerful that everyone cringes. The whole fight leads up to that, and that’s the payoff for me.

We used glass smashing and add records of us banging into doors, but we also added other elements, like various synthetizations on those glass elements to make them more impactful. We also mixed in a lot of debris and glass elements that were created by our foley crew.

What would you say makes the “John Wick” world so unique?

It’s such a moody, mysterious world. At any moment, it could turn one way or another and things can get very violent. The beauty of our films is that there are moments that can be very quiet, and once the action gets going, it can get extremely loud, but not too loud. It’s warm and textured and in your face and has a certain energy to it. It’s not quite New York City. It’s a sinister world of killers, bubbling under the surface of the city — a place we don’t get to see every day.


The Disneyland Express bus that takes travelers to and from LAX and John Wayne Airport will stop operations Jan. 7. It’s the second airport shuttle service to recently announce a shutdown. Earlier in December, SuperShuttle said that the company would cease nationwide operations at the end of the year.

Shuttle operator Coach USA Southern California informed Walt Disney Travel that the bus service would be terminated, according to an email from company spokesman Sean Hughes. The airport shuttle offered a convenient way to get to and from airports, stopping at or near more than 60 hotels around the Anaheim theme park.

Round-trip tickets for adults cost $48 from LAX and $35 from John Wayne Airport. Travelers can still make reservations on the shuttle website until Jan. 7.

SuperShuttle’s announcement of its closure came Dec. 12. The company, founded in 1983 to serve LAX, expanded nationwide as well as to Latin America, Canada, Europe and Asia. In recent weeks it had already pulled out of airports serving many cities, including Burbank, Sacramento, Phoenix, Baltimore and Minneapolis.

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The last day of service for the yellow and blue vans is Dec. 31.


Hawaii’s state bird is making a comeback. The nene (prounounced “nay-nay”) dwindled to fewer than 100 birds in the wild; today that number is greater than 3,000. Earlier in December, the native goose was removed from the endangered species list — but that doesn’t mean they’re easy for visitors to see.

“Hawaii Volcanoes National Park does not share nene locations or lead nene watching tours due to the vulnerability of this endemic species,” spokeswoman Jessica Ferracane wrote in an email.

Still, it’s OK for bird-watchers to search on their own. “Our message to visitors is to slow down while driving in the park and look out for nene,” she adds. “Some nene are attracted to roadsides to eat grass, and sometimes they wander into the road and can be hit by cars.” The park, home to roughly 10% of the state’s nene population, posts signs cautioning drivers to be careful.

Hawaii at one time had nine species of geese, likely evolved from the Canada goose, the park’s website says. Only the nene still thrives. Interior Secretary David Bernhardt traveled to Hawaii on Dec. 9 to announce the species was downlisted to “threatened” after a decades-long captive breeding program. “Through collaboration and hard work, the nene is out of intensive care and on a pathway to recovery,” he said.

Not all of Hawaii’s endemic birds are so lucky.

“Hawaii is the endangered species capital of the world, and our birds are feeling it worse than ever,” says Maxx Phillips, the director of Hawaii’s Center for Biological Diversity in Honolulu. “The situation is quite grave for many species.”

“Many … are down to maybe 150 to 300 birds,” says Jack Jeffrey, a wildlife biologist who has studied the Big Island’s birds for more than 30 years.

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Several of Hawaii’s bird species, such as the yellow-and-green-feathered akiapolaau, a species of honeycreeper, live in a single habitat on the slopes of the dormant Mauna Kea volcano.

“It pecks into the wood of dead and dying trees … and finds wood-boring larvae,” Jeffrey says. “It pecks with its lower bill and then uses that long, thin upper bill to reach into the hole, hook the insect and pick it out.”

The akiapolaau spends a full year teaching its young to thrive. “It takes a long time to learn how to use that weird bill,” he says.

Over on Oahu, it’s relatively easy for Honolulu visitors to spot white terns, a sea bird native to Hawaii. The terns love city life, which takes them away from predators such as rats and owls. “It’s safer for them to breed there,” says Rich Downs, an amateur ornithologist who focuses on terns, or Manu-o-Ku in the Hawaiian language.

Once a month, Downs leads visitors and locals on free walking tours on Oahu. He will lead a tour of tern habitats at 9 a.m. Jan. 18 in Waikiki, starting at the Royal Hawaiian Center, 2201 Kalakaua Ave. “We put blue ribbons on trees when we find an egg or a chick in it with information about the terns,” he says. “We connect people who come to town with the terns.”

Downs and others hope the tern, which is not endangered, can serve as a “gateway bird” to draw attention to vulnerable species on the islands, such as the pueo, a type of short-eared owl.

“It really is a sad story when you look at the other native Hawaiian species,” Downs says. “The numbers aren’t good.”


Dumpling art, ice tubing and Pasadena history can all be part of your last weekend of the decade.

Los Angeles

Santa’s North Pole Village has moved from the Arctic to Wisdome.LA, an Arts District event space composed of five domes. Explore the village’s life-size elf houses, collection of nutcrackers and Northern Lights show complete with snowfall and the smell of fresh pine. Also on your to-do list: a bubble wonderland, crafts in Candyland and a 360-degree Snowflake Adventure Ride.

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When: Check website for daily opening times through Dec. 30 (closed Dec. 25)

Cost, info: $30. Family friendly. Dogs OK. (323) 689-6530, bit.ly/wisdomenorthpole

Costa Mesa

Where to begin at Winter Fest at the OC Fair and Event Center? Tubing down a 150-foot ice mountain? Or maybe a sticky pudding with Charles Dickens in London Town? You could also stroll through a candy maze, try your luck at carnival games or ice skate with a view of two Christmas trees. Allow a full day of exploration to see musical performances, fireworks and snowfall.

When: Check website for daily opening times through Jan. 5

Cost, info: Tickets from $8. Family friendly. Only service dogs permitted; winterfestoc.com

Los Angeles

Dumpling and Associates is a series of interactive art installations celebrating the universally beloved food and its “associates,” including garlic, spicy dipping sauce and steamer baskets. Inside the Row DTLA exhibit, you can swing on a giant hanging garlic clove, kick back in a dumpling-filled whirlpool and take pictures in an anti-gravity kitchen. Reservations required.

When: 11 a.m. Check website for available dates through March 5

Cost, info: $32 for one hour. Family friendly. Only service dogs permitted. (424) 324-7911, bit.ly/dumplingassociates

Pasadena

Leading up to Pasadena’s New Year’s Day events is Live on Green, a family festival with six pavilions of games, educational activities and performances at the Pasadena Convention Center. History fans can browse Rose Bowl Game memorabilia, equestrians can learn about the role of horses in the Rose Parade and kids can dabble in meteorology, cooking and gardening.

When: 10 a.m. Dec. 29-31

Cost, info: Free. Family friendly. Only service dogs permitted. (626) 793-2122, liveongreenpasadena.com/

Fullerton

New Year’s Eve in downtown Fullerton means stilt walkers, zip lining and carnival games at the 28th First Night Fullerton. Check out four stages of live music, food booths and a kids zone with inflatable obstacle courses before the fireworks show at midnight.

When: 7 p.m. Dec. 31

Cost, info: Free. Family friendly. Dogs OK at the festival but not recommended during fireworks show. (714) 738-6545, bit.ly/1stnightfullerton

San Pedro

Welcome 2020 with a chilly swim (or quick dip) in the Pacific at the Cabrillo Beach Polar Bears’ annual New Year’s Day Swim. The morning starts with the coronation of the Polar Bears’ new king and queen, who represent the swimming, fitness and community service club at events. Follow the leaders into the ocean, then celebrate with hot chocolate, cupcakes and a commemorative certificate.

When: 11:30 a.m. Jan. 1

Cost, info: Free. Family friendly. No dogs. (310) 548-7554, cabrillobeachpolarbears.com/


The holidays have been good to Southern California ski resorts this year. Thanksgiving brought a weekend of good snowfall, and Christmas is set to do the same. New storms in the local mountains are predicted to bring more than 2 feet of snow through Thursday evening, just in time for the post-holiday rush to the slopes.

Some are resorts already have received 6 feet of snow this season. The largest accumulation of snow predicted by the National Weather Service points to Mountain High Ski Resort in the Angeles National Forest near Wrightwood. It’s set to pick up 7 to 11 inches Wednesday night and up to 16 more inches by Thursday night.

Big Bear Mountain at Big Bear Lake and Snow Valley Mountain Resort in Running Springs are expecting 3 to 7 inches Wednesday night and as much as 22 inches by Thursday night.

If you plan to go, check opening hours and road conditions before you hit the road. Chain restrictions were in effect Tuesday for California Highways 18 and 330, and more roads could be added as the snow falls. Go to Caltrans’ website to find out conditions on individual roadways.

Here are the numbers at local resorts as of Tuesday afternoon:

Snow Valley: Picked up 6 inches of fresh snow Monday night; base of 24 to 36 inches, mostly groomed trails. Skiing and snowboarding hours are 8:30 a.m. to 4 p.m. daily, with night sessions 3 to 8 p.m. through Dec. 30 and Jan. 1 to 4.

Big Bear Mountain (Snow Summit and Bear Mountain): Picked up 8 to 12 inches in the recent storm, with a base of 30 to 36 inches. Bear Mountain is open 8:30 a.m. to 4 p.m. daily; Snow Summit is open 8:30 a.m. to 6 p.m. daily, and 3 p.m. to 8:30 p.m. for night sessions through the end of December.

Mountain High: Received 12 to 16 inches of snow in a two-day period ending Monday; it has a base of 48 inches. The West Resort is open “100% … with terrific powder and packed powder conditions,” the website says. The East Resort is expected to reopen Christmas Day. Hours are 8:30 a.m. to 4 p.m. daily. The West Resort is open until 10 p.m. daily.

Mt. Baldy Ski Resort: The resort’s website says snow pack is “just about there” but wasn’t enough to open runs on the face of the mountain. It received 10 to 15 inches of fresh snow in Monday’s storm, but the lower half of the mountains saw warmer temps and drizzle. More snow, up to 2 feet, is predicted. Check conditions and hours at the resort’s website.