Month: January 2020

Home / Month: January 2020

When Las Vegas’ longest-running pool party reopens this spring, visitors will find a new multimillion-dollar playground.

A top-to-bottom reboot of Wet Republic Ultra Pool at MGM Grand will introduce new plunge pools, reimagined artist performance spaces and cabanas, a revamped culinary program and an audio-visual experience that insiders promise will be without equal on the Strip — a bold forecast in a city known for excess. The face-lift should be completed in time for the opening of pool season in March.

Day clubs popped up more than a decade ago, promising high-wattage pool parties with the feel of a nonstop college spring break. Dress codes are strictly enforced (no street clothes or jeans, for example, and generally the less clothing, the better).

Swimming isn’t the point of these saltwater pools. Filled with waist-high water, they’re intended for sloshing, dipping and mingling. Champagne showers pop up unexpectedly, well-known DJs turn the music up to beyond loud, and food and beverage menus go far beyond burgers and bottle service to include lobster rolls, sushi, keto bowls and margaritas made with watermelon juice and aged tequila.

Wet Republic is the granddaddy of them all, a 54,000-square-foot Sasquatch of Vegas pool parties spread across an area larger than an NFL football field. It has three main pools, a dance floor, cabanas, day beds, DJs and outsized cocktail bars.

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Designers are installing whiz-bang audiovisual tech to amp up the party. The performance space will soon be surrounded by 4,000 square feet of high-contrast video displays, including a 13-foot interactive, pixel-mapping cube. Workers are also installing the same sound technology used inside Omnia Nightclub (like Wet Republic, part of Hakkasan Group), which borrows heavily from Tomorrowland and Coachella music festivals.

The lineup of artists already includes Tiësto, Zedd, Martin Garrix, Steve Aoki and Illenium. One of the goals of the overhaul is to deliver clearer sight lines from any angle in the venue, said Krystle Anttonelli, a Hakkasan spokeswoman.

Tickets to Wet Republic’s summer party series go on sale Feb 4.


Stand-up comic and actor Pauly Shore has put a house in Hollywood Hills West up for sale at $9.5 million.

The single-story house, built in 1959 and since remodeled, is gated from the street and takes in sweeping views of downtown Los Angeles, the ocean and the surrounding mountains.

Designed for indoor-outdoor living, the house features glass walls in the living and dining rooms that connect to patios and terrace space. The updated kitchen is outfitted with an island and stainless steel appliances. The master suite — one of four bedrooms — has glass walls that connect to a wrap-around deck. There’s also a dry sauna.

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

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Stand-up comedian Pauly Shore has remodeled a home he owns in Hollywood Hills West and put it up for long-term lease at $27,500 a month.  

(Mark Singer)

Outside, grounds of more than half an acre center on an infinity-edge swimming pool with a spa. A two-car garage and additional parking fill out the estate.

The 51-year-old Shore is known for his film roles in “Encino Man” (1992), “Son in Law” (1993) and “In the Army Now” (1994). He currently hosts the Random Rants video podcast on YouTube.

Shore bought the property in 1996 for $1.15 million, public records show. In recent years, he has had it up for lease in recent years for as much as $27,500 a month.

Marcie Hartley and Rick Hilton of Hilton & Hyland hold the listing.


Visa has agreed to acquire Plaid, a group that connects financial-technology companies with their customers’ bank accounts, for $5.3 billion in the latest large tech-focused deal by the payments company.

The acquisition of the Silicon Valley company, which is backed by high-profile tech investors including Mary Meeker and Andreessen Horowitz as well as Goldman Sachs, comes less than two years after it was valued at $2.65 billion.

Announced Monday, the transaction is Visa’s latest effort to make a push into the fast-growing fintech sector. In 2017 it acquired a minority stake in Sweden’s payments provider Klarna, which became Europe’s most valuable fintech company in the summer.

Plaid provides “aggregator” software that allows fintechs and other financial services companies to access clients’ bank account information. Its clients include the financial planning apps Mint and Acorns and the money transfer app Venmo.

“This acquisition is the natural evolution of Visa’s 60-year journey from safely and securely connecting buyers and sellers to connecting consumers with digital financial services,” said Al Kelly, chief executive and chairman of Visa.

“The combination of Visa and Plaid will put us at the epicenter of the fintech world, expanding our total addressable market and accelerating our long-term revenue growth trajectory.”

A year ago, Plaid bought rival aggregator Quovo for about $200 million. Other aggregators include California’s Yodlee, which was bought by Envestnet for $660 million in 2015, and Utah-based Finicity.

The aggregators have long had uneven relationships with banks, which have expressed reservations about the aggregators’ ability to protect customers’ personal information. Of particular concern is “screen scraping,” where consumers provide their bank login details to third-party fintechs, rather than using secure APIs (application programming interfaces) that can transmit data from the bank without the release of passwords.

JPMorgan Chase recently said it would ban fintechs from using its customers’ passwords to access their accounts. API connections require banks to come to explicit agreements with aggregators and fintechs, which screen-scraping does not.

Visa’s move to take over Plaid could help strengthen relations with larger banks. In the news release announcing the deal, JPMorgan’s head of consumer banking endorsed the deal as “an important development in giving consumers more security and control over how their financial data is used.”

“Protecting customer data and helping them share that information safely has long been a top priority for Chase. We look forward to partnering with Visa to continue building a great experience for our shared customers,” said Gordon Smith, co-president of JPMorgan Chase and chief executive of consumer and community banking.

Goldman Sachs served as the sole advisor to Plaid.

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Technology companies led stocks on Wall Street to broad gains Monday, driving the Standard & Poor’s 500 and Nasdaq composite indexes to more record highs.

Financial, communications services and industrial stocks also notched solid gains. Healthcare stocks were the only decliners. Bond prices fell, sending yields higher, and the price of gold fell — signs that investors were favoring higher-risk holdings.

The rally, which added to the market’s gains from last week, came as investors looked ahead to the signing of an initial trade deal with China and the potential for future talks.

The world’s largest economies are expected to sign the “Phase 1” trade agreement Wednesday. It is being viewed as an opening to future negotiations that will deal with more complicated trade issues.

Even a partial deal should remove much of the uncertainty that has weighed on companies and investors, at least until after the U.S. presidential election, said Scott Ladner, chief investment officer for Horizon Investments in Charlotte.

“We don’t think the tariff overhang is going to be very relevant over the next nine months,” Ladner said. “Acting tough with China and imposing tariffs two years before an election is a very different story than doing it … months before an election.”

The S&P 500 index rose 22.78 points, or 0.7%, to 3,288.13. The Nasdaq composite, which is heavily weighted with technology stocks, climbed 95.07 points, or 1%, to 9,273.93. The S&P and Nasdaq previously set new highs on Thursday.

The Dow Jones industrial average ticked up 83.28 points, or 0.3%, to 28,907.05. The Russell 2000 index of smaller-company stocks rose 11.96 points, or 0.7%, to 1,669.61.

Electric car maker Tesla leaped 9.8%, closing above $500 for the first time.

Chipmakers were among the gainers in the technology sector. Nivida climbed 3.1%, and Micron Technology rose 1.4%. The sector is particularly sensitive to developments in trade relations because many of the companies rely on China for sales and supply chains. Apple rose 2.1%.

Industrial and communication services companies also made solid gains. General Electric rose 3.9%. Facebook added 1.8%.

Healthcare stocks slumped, with insurance companies among the sector’s biggest decliners. Cigna fell 3.2%, UnitedHealth Group slid 3.1%, and Anthem dropped 3.6%.

The yield on the 10-year Treasury rose to 1.85% from 1.82%. The pickup in yields helped lift financial stocks, as higher yields make it possible for banks to charge higher interest rates on mortgages and other consumer loans. Goldman Sachs shares rose 1.3%. Citigroup shares gained 1.8%.

Netflix climbed 3% as the streaming video service earned two best picture nominations for the 92nd annual Academy Awards. Martin Scorsese’s “The Irishman” and Noah Baumbach’s “Marriage Story” are both contenders.

Hexcel jumped 9.6% after the company said it is being bought by rival Woodward in a deal that will create one of the largest suppliers in the aerospace and defense industry. Woodward rose 4.8% and would own the majority of the combined company when the deal closes.

Wall Street was also gearing up Monday for a busy opening week of corporate earnings being kicked off by major banks. JPMorgan Chase, Wells Fargo and Citigroup will report fourth-quarter earnings Tuesday, and Bank of America will follow suit Wednesday.

Analysts predict corporate profits slid by 2% during the fourth quarter, which would mark the first time that earnings for S&P 500 companies have fallen four quarters in a row since the period ending in mid-2016, according to FactSet. Companies typically outperform forecasts and temper expectations for sharp declines by the time the bulk of financial reporting is done.

“The management outlooks for this quarter are probably going to be as much, if not more important, than the actual numbers themselves,” Ladner said.

Delta Air Lines will be the first major airline to report financial results Tuesday. The nation’s largest health insurer, UnitedHealth Group, will report earnings Wednesday. Railroad operator CSX will report Thursday.

Wall Street will also have several economic reports to consider this week, including government reports on consumer prices, retail sales and home construction.

Benchmark crude oil fell 96 cents to settle at $58.08 a barrel. Brent crude oil, the international standard, slid 78 cents to close at $64.20 a barrel.

Wholesale gasoline was unchanged at $1.66 a gallon. Heating oil declined 3 cents to $1.90 a gallon. Natural gas fell 2 cents to $2.18 per 1,000 cubic feet.

Gold fell $9.10 to $1,548.40 an ounce. Silver fell 10 cents to $17.93 an ounce. Copper rose 4 cents to $2.86 a pound.


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The U.S. Supreme Court signaled interest in giving companies a broader shield from lawsuits by victims of overseas atrocities, asking the Trump administration for advice on a case stemming from child slavery on cocoa farms in Ivory Coast.

Nestle’s U.S. unit and Cargill Inc. are urging the court to end a suit that accuses them of complicity in the use of forced child labor in the African country. The Supreme Court on Monday asked U.S. Solicitor General Noel Francisco to advise whether the justices should hear the companies’ appeals.

The case would test a centuries-old law, the 1789 Alien Tort Statute, that became a favorite tool of human-rights activists before the Supreme Court started scaling it back. The court decided in 2013 that the law generally doesn’t apply beyond U.S. borders, and in 2018 that foreign corporations can’t be sued in that context.

But a federal appeals court said the allegations against Nestle and Cargill might have enough of a U.S. connection if the plaintiffs amended their lawsuit to provide more specifics.

“The allegations paint a picture of overseas slave labor that defendants perpetuated from headquarters in the United States,” the San Francisco-based appeals court said.

The case, filed by six former slaves who were kidnapped from their native Mali, has been moving up and down the federal court system since 2005. The companies are accused of aiding and abetting slave labor by giving Ivory Coast farmers financial assistance in the expectation that cocoa prices would stay low. The suit alleges the companies were fully aware that child slavery was being used.

The ex-slaves say children were forced to work as much as 14 hours a day, given only scraps to eat, and were severely beaten or tortured if they tried to escape.

In its appeal, Nestle USA said the plaintiffs “have not even alleged that their injuries can be traced to the domestic conduct of a defendant.” The company said it “unequivocally condemns child slavery.”

Cargill said the plaintiffs “do not allege they worked on a farm from which Cargill purchased cocoa or to which Cargill provided any form of assistance.”

Combined, Ivory Coast and Ghana produce almost 60% of the world’s cocoa, according to the U.S. Labor Department’s Bureau of International Affairs.

“Latest estimates found 2 million children engaged in hazardous work on cocoa farms in these two countries,” the bureau says on its website.

In 2001, several chocolate giants — including Nestle — entered into an agreement to eliminate by 2005 “the worst forms of child labor” in the growing and processing of the cocoa beans they use. The deadline has been extended multiple times. There’s now a target of reducing such labor 70% by this year, but the Washington Post has reported that the companies probably won’t meet that timeline either.

Last year, two U.S. senators — Democrats Sherrod Brown of Ohio and Ron Wyden of Oregon — asked customs officials to block Ivorian cocoa imports unless the shipments could be certified as free of child labor. A federal investigation into the matter started in October.

Multinational companies have faced dozens of suits accusing them of playing a role in human rights violations, environmental wrongdoing and labor abuses.


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That CLOSE UP.

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She placed nail tape in various, alternating directions. A layer of gel couture top coat (also $11.50) sealed the miniature wearable art.

How to do a modern take on Old Hollywood-style lashes

Lashify lash extensions were Nicole Kidman’s secret weapon at the Globes. Makeup artist Kate Synnott used Lashify’s Gossamer lashes in the medium length of A12 along Kidman’s top lash line.

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At the outer corners of the lashes, she placed three B14 lashes. Before and after applying each lash, she swiped the Whisper Light single-sided adhesive to blend the natural lashes with the extensions.

The process was easy, Synnott said, considering it was her first time using the $145 Lashify kit. “I cannot get over how realistic they look — and so lightweight,” she said.

How to draw a winged eye

Awkwafina’s winged eyeliner got a huge lift when she made history as the first woman of Asian descent to win as lead actress in a film comedy or musical at the Globes. Makeup artist Kirin Bhatty focused on Hollywood glamour with glowing skin, a winged eye and a striking lip shaded with Lorac’s matte pencil in Currant.

She created a sharp, angled wing along Awkwafina’s top lash line with Lorac’s Front of the Line Pro Liquid Eyeliner ($23). “It creates a more accurate line and allows you to be precise with your angles,” Bhatty wrote in an email to The Times.

How to twist hair into an easy but polished ponytail

Mara Roszak twisted Ana de Armas’ thick brown hair into a low ponytail that the hairstylist said “feels timeless but it also feels cool.”

Using all Leonor Greyl products, Roszak put a center part in de Armas’ towel-dried hair. Next, she applied a golf ball-sized amount of Mousse au Lotus Volumatrice ($46) to de Armas’ roots and raked it through to the ends before roughly drying it with a blowdryer and a paddle brush. With her fingers, Roszak created two 2-inch pin curls about 2 inches behind the “Knives Out” star’s hairline and sprayed them with Voluforme styling spray ($36) to amplify the volume at the top of the hair.

From there, Roszak pulled the hair back into a low ponytail at the nape of de Armas’ neck for the Globes. Instead of securing it with an elastic, she twisted the hair and used U-shaped pins at the base to keep it in place. To give polish and dimension to the ends, she used a small amount of Eclat Naturel styling cream ($46). Laque Souple hairspray ($36) held the look together.

How to create a strong brow

James Kaliardos framed the rose- and gold-tinted glow on Sienna Miller’s face by strengthening her brows with the Diorshow Brow Styler in #001 Universal Brown ($29).

The key, he said, is “drawing hairs and then blending them with the attached brow comb.”

How to shape soft waves in hair

Hairstylist Bryce Scarlett worked with an array of Moroccanoil products on Margot Robbie for the Globes to create what he described as “slept-in, textured, soft waves.”

He started by running a dime-size amount of Treatment Light ($44) on the “Bombshell” actress’ damp hair. He applied Volumizing Mousse ($28) at the roots and a pea-sized amount of Blow Dry Concentrate ($28) at the ends. After spraying Perfect Defense ($18 for 2 fluid ounces) to protect the locks from heat, he blew the hair out with a 2-inch round brush for a smooth and full-bodied finish.

Then, he braided Robbie’s hair in a few large plaits and used a flat iron over them to create S-shaped waves. Once he released the braids and brushed the hair out, he used a flat iron to soften out the waves around the frame of her face and crown. He used Dry Texture Spray ($11 for 1.6 fluid ounces) generously throughout and dabbed Mending Infusion ($32) at the ends. Spritzes of Luminous Hairspray Medium ($10 for 2.5 fluid ounces) held Robbie’s hair in place.


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Although she skipped the red carpet at this year’s Globes, Beyoncé still managed to generate buzz (and not just from the Beyhive, either) thanks to the custom Schiaparelli Haute Couture gown designed by Daniel Roseberry she wore and later posted a photo of to her Instagram account. As someone who has reliably brought her fashion A game to past Oscars (the strapless black velvet Atelier Versace gown she wore to the 2005 Oscars is among the all-time greats), it seemed likely that she’d find a way to top the over-the-top Schiaparelli at this year’s Academy Awards. However, because her song “Spirit” from “The Lion King” wasn’t nominated, the chances of seeing that happen are markedly lower. (On the bright side, chances of a Gucci-clad Elton John being spotted are now hovering near 100%.)

This isn’t to say that the upcoming Academy Awards will be completely devoid of fantastical frocks or wardrobe-related water-cooler moments; only that we can’t rely on the usual suspects to deliver the kind of jaw-dropping, statement-making, meme-generating style spectacles and unattainable levels of glamour we’ve come to expect. To that end, we’re crossing our fingers and pinning our hopes on the following.

Cynthia Erivo

Erivo made her awards-show debut at the Golden Globes in a custom tuxedo-inspired, hand-beaded Thom Browne gown that instantly earned her a spot on our best-dressed list. She was a fashion focus-puller again Sunday night at the Critics’ Choice Awards, arriving in a marble-printed organza mosaic Fendi Couture gown. Now that she has been nominated in the lead actress category — the only person of color on this year’s list of nominated actresses — we’re hoping Erivo (with the help of stylist Jason Bolden) will make a similarly bold sartorial statement.

Greta Gerwig

Gerwig — her film “Little Women” is among the best-picture nominees — was a notable omission from this year’s all-male list of nominated directors (she did, however, get a screenplay nomination for her adaptation of Louisa May Alcott’s classic book). This will make it all the more interesting to see what she wears to the Oscars, because for the Globes and the Critics’ Choice Awards, she opted for outfits that riffed on the traditional trappings of men’s formalwear. For the former, she wore a custom black-and-white crystal-embroidered off-the-shoulder gown by Proenza Schouler that paid homage to the tuxedo. On Sunday, she went with a green velvet double-breasted tuxedo with wide-leg trousers by Alberta Ferretti Limited Edition. Whatever the Oscar nominee ends up wearing to the Academy Awards, it’ll be almost impossible for us not to find symbolism in it.

Laura Dern

In a November interview with The Times, Dern talked about leveraging the power of the red carpet as a force for change, dropping a few broad hints about future fashion choices along the way. “Stella McCartney, who I love and is a friend, is working on something for me to wear soon that will be completely sustainable,” she said at the time. “And Gabriela Hearst is working on something for me that uses not only recycled materials but previously recycled materials. She’s going to take something I’ve worn before and then make something new out of it. I love the idea of deconstructing something and putting it back together. I’ll be wearing that sometime in the coming months.”

We’re smack in the middle of those coming months now. At the Globes, she accepted her supporting actress award for “Marriage Story” in a floral Saint Laurent dress with a bohemian vibe. On Sunday, it was a sleeveless Emilia Wickstead gown in an eye-catching shade of tangerine. With two more awards shows left to go — her “Marriage Story” role also earned her SAG and Oscar nominations — we’re hoping to see her wear something that helps jump-start the conversation about sustainability.

Scarlett Johansson

OK, so this one is technically more of a wish than a hope. Because Johansson has received two 2020 Academy Award nominations — a lead actress nod for her role in “Marriage Story” and a supporting actress nomination for “Jojo Rabbit” (the first dual acting nods since Cate Blanchett a dozen years ago), perhaps she can be persuaded to make two trips down the red carpet — each in a different dress — or go with a gown that, much like Lady Gaga’s four-in-one Brandon Maxwell gown at the 2019 Met Gala, can be reconfigured on the fly should she be fortunate to take to the stage to accept two statuettes instead of just one.

Michelle Obama

Not quite as far-fetched as a double-dipping Johansson is the prospect that maybe just maybe we’ll tune in to the Oscars telecast on the second Sunday in February and find a familiar fashion focus-puller in the house — former First Lady Michelle Obama. That could happen, given that she and her now-retired-from-politics husband were involved with the film “American Factory,” from directors Julia Reichert and Steven Bognar, which was just nominated for documentary feature.

During her tenure as FLOTUS, Obama helped make household names of designers like Narciso Rodriguez, Naeem Khan and Jason Wu, as well as used her wardrobe choices (particularly at state dinners and other formal, high-profile events) to send symbolic messages.


DUBAI, United Arab Emirates — 

Popular anger swelled Monday in Iran over the accidental shootdown of a Ukrainian jetliner and the government’s attempt to conceal its role in the tragedy, as online videos appeared to show security forces firing live ammunition and tear gas to disperse protests in the streets.

Iranians, already suffering under crippling U.S. sanctions, expressed shock and outrage over the plane crash that killed scores of young people. They also decried the misleading statements from top officials, who only admitted responsibility three days later in the face of mounting evidence.

The country began last week engulfed in mourning after a U.S. drone strike killed Gen. Qassem Suleimani, who led Iran’s regional military interventions. Then on Wednesday, it responded with a ballistic missile attack on two bases housing U.S. troops in Iraq, although there were no casualties. Hours after that barrage, as it braced for a U.S. counterattack that never came, Iranian forces accidentally shot down the Ukraine International Airlines jetliner, killing all 176 people aboard shortly after it took off from Tehran for Kyiv, Ukraine.

For a growing number of critics — from ordinary citizens to notable athletes and artists — the events have revealed a government that is incapable of following through on its incendiary rhetoric and willing to mislead its own people about a national tragedy in order to avoid embarrassment.

Those sentiments first boiled over late Saturday, shortly after the Revolutionary Guard admitted to shooting the plane down by mistake. A candlelight vigil at a university rapidly turned into an antigovernment demonstration.

“They are lying that our enemy is America! Our enemy is right here!” students shouted.

On Sunday night, protesters massed in Tehran’s Azadi, or Freedom, Square.

Videos sent to the New York-based Center for Human Rights in Iran and later verified by the Associated Press show a crowd of demonstrators near Azadi Square fleeing as a tear gas canister lands among them. People cough and sputter while trying to escape the fumes, with one woman calling out in Farsi: “They fired tear gas at people! Azadi Square! Death to the dictator!”

Another video shows a woman being carried away in the aftermath of the violence, a trail of blood visible on the ground. Those around her cry out that she has been shot in the leg.

“Oh my God, she’s bleeding nonstop!” one person shouts. Another shouts: “Bandage it!”

Photos and video after the incident show pools of blood on the sidewalk.

Tehran’s police chief, Gen. Hossein Rahimi, later denied that his officers opened fire.

“Police treated people who had gathered with patience and tolerance,” Iranian media quoted Rahimi as saying. “Police did not shoot in the gatherings since broad-mindedness and restraint has been the agenda of the police forces of the capital.”

The semiofficial Fars news agency reported that police had “shot tear gas in some areas.”

Fars, which is close to the Revolutionary Guard, carried videos purportedly shot Sunday night showing demonstrators chanting: “We are children of war. Fight with us, we will fight back.” Another Fars video showed demonstrators in Tehran tearing down a poster of Suleimani.

On Sunday, authorities deployed forces across Tehran — police, members of the Revolutionary Guard on motorcycles and plainclothes security men. The heavy security presence continued into Monday, when protests were largely confined to universities and there were no reports of clashes.

President Trump has openly encouraged the demonstrators, even tweeting messages of support in Farsi and warning the government not to fire on them. German Foreign Minister Heiko Maas tweeted that “we are following the protests in Tehran very attentively,” adding that Iranians “have a right to free expression without repression and persecution.”

But earlier, larger waves of protests going back to the 1979 Islamic Revolution have been crushed by security forces. Amnesty International says more than 300 people were killed in November during days of protests sparked by an increase in gasoline prices.

Most of the people aboard the Ukraine International Airlines jet were Iranians and Iranian Canadians. For three days, Iranian officials ruled out any attack on the plane, suggesting the crash of Flight 752 was caused by a technical failure. Only on Saturday did authorities acknowledge shooting it down, as evidence mounted and after Western leaders accused Iran of culpability.

Several activists in Ukraine rallied in front of the Iranian Embassy in Kyiv on Monday, expressing solidarity with protesters and condemning Iran’s “dictatorship.”

The European Union’s aviation agency has since advised carriers against overflight of Iran “at all altitudes” until further notice. Several airlines have already canceled flights to and from Iran and rerouted flights to avoid Iranian airspace.

Ali Rabiei, a government spokesman, insisted Iran’s civilian officials learned only on Friday that the Revolutionary Guard had shot down the plane. The Guard answers directly to Supreme Leader Ayatollah Ali Khamenei.

“The point is that we did not lie,” Rabiei said. He went on to blame the U.S. for “spreading the shadow of war over Iran.”

Ebrahim Raisi, the head of Iran’s judiciary, issued a warning to protesters, saying “the agents of America and agents of foreign countries” want to use anger over Flight 752 to “compromise” Iran’s security. Iran often blames antigovernment protests on foreign conspiracies.

On Saturday, Iranian authorities briefly arrested British Ambassador Rob Macaire, who said he went to the candlelight vigil to pay his respects and left as soon as the chanting began.

Iran’s Foreign Ministry summoned the British ambassador Sunday to protest what it said was his presence at an illegal protest. Britain, in turn, summoned Iran’s ambassador on Monday “to convey our strong objections” over the weekend arrest.

Prime Minister Boris Johnson’s spokesman, James Slack, said the envoy’s detention was “an unacceptable breach of the Vienna Convention.”

“We are seeking full assurances from the Iranian government that it will never happen again,” he said.

In addition to the street protests, Iran’s government has also faced harsh criticism from prominent artists, athletes and journalists.

A number of artists, including famed director Masoud Kimiai, withdrew from an upcoming international film festival. Two state TV hosts resigned in protest over the false reporting about what happened to Flight 752.

Taraneh Alidoosti, one of Iran’s most famous actresses, posted a picture of a black square on Instagram with the caption: “We are not citizens. We are hostages. Millions of hostages.”

Saeed Maroof, the captain of Iran’s national volleyball team, also wrote on Instagram: “I wish I could be hopeful that this was the last scene of the show of deceit and lack of wisdom of these incompetents but I still know it is not.”

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He said that despite Iran’s national team qualifying for the 2020 Tokyo Olympics after years of effort, “there is no energy left in our sad and desperate souls to celebrate.”


ASAD AIR BASE, Iraq — 

Cpl. Joel Valdivia scanned the sky. It was a little after 1:30 in the morning on Wednesday; for hours, he and the thousands of other personnel in Iraq’s Asad Air Base had been warned of an impending Iranian attack in retaliation for a U.S. drone strike that killed Gen. Qassem Suleimani.

When, where, what the attack would be, they didn’t know. Nonessential staff had already been evacuated. Others had taken shelter, while several dozen remained to staff the guard towers. Valdivia was one of them, and though “everything was pretty calm,” he said, he was tense in the cold desert night.

Then he saw the lights of the Iranian ballistic missiles streaking toward the base.

“It looked like they were a couple of thousand meters away, but I couldn’t tell,” he said.

His training kicked in: He called in the threat and hit the ground. Two minutes later, the sky around him flashed, and the tower shook.

He looked outside the tower’s back door. Scarecrow Compound, living quarters of 39 servicemen, had taken a direct hit, turning into a maelstrom of fire and smoke.

Valdivia recounted that story on Monday. The attack was the start of an hours-long ordeal, a baptism by fire for the approximately 1,500 U.S. service members, almost 500 other coalition soldiers, Iraqi troops and contractors stationed at Asad. By the end of the barrage, which lasted two hours and involved waves of ballistic missiles, there would be no casualties and little more than material damage. It was an outcome that was the result of intelligence, reconnaissance assets of dozens and training but mostly luck.

“It was miraculous,” said Lt. Col. Staci Coleman, 49, who commands the 443rd Air Expeditionary Squadron, in an interview.

Coleman, a onetime meteorologist from New York City’s Washington Heights, was still in the bunker when one of her subordinates gave her the all-clear and told her there had been no losses in the latest encounter between the U.S. and Iran in an increasingly volatile Middle East.

“I thought he was just talking about my guys. But no, he meant, none at all,” she said.

When she heard that, she added, “it was like I just got light.”

Asad Air Base — or Al Asad Air Base, what the Americans here call “Triple A-B” — sits about 120 … sits about 120 miles west of the Iraqi capital, Baghdad, in the heart of the western province of Anbar. Built in 1987 by a consortium of Yugoslavian companies, it was known at the time as Qadisiya, a reference to the site of a historic battle in the time of Muslim conquest, a period frequently evoked by Iraqi strongman Saddam Hussein in his years-long war with Iran.

The base now houses many members of the U.S.-led coalition, which was formed in 2014 to fight Islamic State. The word often used to describe Asad is sprawling, but sparse is a better description. Foreign troops here roam a lunar-esque landscape, with bulldozers, Humvees and bug-like mine-resistant vehicles shuttling among a collection of drab brown Quonset huts, tents, prefabricated structures and Hesco barriers, all bordered by a high berm of rock and sand.

Scarecrow Compound lies slightly to the north of Asad’s runway. It’s a collection of shipping containers bunched together in a corrugated metal-topped structure, put together to form living quarters for the roughly 130 servicemen and contractors involved in flying and maintaining the U.S. Army’s Gray Eagle drones. On the night of the attack, all seven of the “birds” were in flight, monitoring areas across Iraq for enemy activity.

The vigilance was not misplaced. The start of the year had been marked by heightened tensions with Tehran. On Jan. 3, the U.S. had tracked down a flight carrying Suleimani, head of Iran’s Quds Force, an elite branch within the Islamic Revolutionary Guard Corps, and killed him as he left Baghdad airport. Killed alongside him was Abu Mahdi Muhandis, a top Iraqi militia leader. Iran and the dozens of Iraqi paramilitary factions it supports vowed revenge.

Those tensions had already caused the suspension of the coalition’s anti-Islamic State activities as well as the training operations it had run with Iraqi units. On Tuesday afternoon, reports filtered in of a possible attack on Asad. By 11 p.m., the base was in lockdown, while Coleman and other commanders had already activated “a dispersal plan,” in which much of the personnel on base would scatter to reduce the chance of being hit.

Army 1st Sgt. Wesley Kilpatrick, 38, was not one of them.

“The air force took off in planes. Helicopter pilots took off in helicopters. Special ops went in tactical vehicles. We kinda stayed here,” he said, with a slight smile.

“We had the birds out and tried to protect the base,” he added, by way of explanation.

When the first fusillade slammed down at roughly 1:35 a.m., while other members of his company were either in a bunker or some kind of shelter away from the soft-topped confines of Scarecrow Compound, Kilpatrick was still out in the open making last-minute checks.

A veteran of seven tours, including a number in Iraq, Afghanistan and Africa, he said the strike “was stronger than anything I’ve been in.”

“You got hit with the shock wave. It was blowing out doors and windows. Everything was bouncing around … you’re bouncing around,” he said.

The cruise missile drilled into the concrete floor of Scarecrow Compound, leaving a crater. The explosion sent a pair of T-walls crashing on top of a “duck-’n-cover bunker” a scant 10 yards from the blast site. A fire broke out, consuming the service members’ belongings as if they were kindling.

“These are living quarters, so I didn’t expect them to burn so fast. If people were inside…,” said Kilpatrick, his voice trailing off.

Elsewhere on the base was Air Force Capt. Patrick Livingstone. He too was one of the officers who stayed behind and waited for the strikes.

“Honestly it’s hard to describe: You don’t want to overreact until something is imminent, so you don’t spin yourself up for no reason,” said Livingstone, 30, from South Carolina.

“It’s kind of like a long-distance run, checking everyone is there. And once the attack starts, you’re sprinting.”

It was different for 26-year-old Staff Sgt. Costin Herwig. He had been too preoccupied with flying his drone in a command center near the runway to even realize the attack had begun. He described the moments after the initial strike as something from “a movie scene.”

“There was smoke everywhere,” he said, his voice recounting the night’s events with tired wonder.

The initial strike burned through the drone’s fiber-optic uplink, meaning Herwig had no way to communicate with his machine but could still receive its video feed. That too soon went out. He scrambled to get his colleagues away from the scant shelter of the command center and hurried them into bunkers.

“I accepted I was going to die. My mind was trying to play catch-up,” he said.

The barrage continued, separated by 15 to 30 minutes of calm in which commanders scrambled to take account of their personnel.

“It was absolutely a tense moment,” Livingstone said. “We had an initial round of answers, but then it took minutes to get answers from others. Those were the posts closer to the hits.”

Two hours and five fusillades later, the all-clear signal came through. Minutes after a check, troops were again staffing the towers in a show of force; Herwig and his colleagues raced to restore their uplink and get the drones to land. The rhythm of Triple A-B started up quickly, surveying the damage.

“It was incredible. I’m finding shrapnel peppering everything around. Cars. Buildings. All this stuff. But not a single soldier got a cut,” said Kilpatrick.

By dawn, much was already back in place. Even the contractors had started to clear the debris. More than 30 hours after lockdown, Herwig went back to his barracks.

It had been a long day, but he looked around him. No one was missing.

“Seeing all their faces,” he said, pausing for a moment as he searched for the word, “it was nice.”


PORT WASHINGTON, Wis. — 

A Wisconsin judge on Monday ordered the state’s elections commission to immediately begin removing up to 209,000 names from the state’s voter rolls or face hundreds of dollars in fines for each day they don’t do so.

Judge Paul Malloy said in his ruling that time was of the essence and the case could not wait for a decision by an appeals court or the state Supreme Court. He also appeared peeved that commissioners hadn’t already begun purging voters.

“I cannot be clearer on this,” Malloy said. “They need to follow the order.”

The state Justice Department asked Malloy to stay his order of contempt pending an appeal of his ruling, but the judge denied the request. Malloy held in contempt the six-person commission and its three members who dissented in the case. But only the three dissenters will each face the $250 fine every day they don’t comply, not the other three members. The commission as a whole, however, faces $50 fines every day the purge doesn’t happen.

The commission asked appeals courts to put the ruling on hold while the legal fight continued, but none of the courts has done so. Malloy said that’s irrelevant to his ruling.

“You have this court order, you have an appeal, and a petition to the Supreme Court. But nothing has told this court that it can’t act,” Malloy said.

The case is being closely watched, as Wisconsin is a battleground state that President Trump won by fewer than 23,000 votes in 2016. Democrats are fighting the lawsuit, saying the purge would unfairly affect their voters. Republicans say they merely want to ensure that people who have moved are not able to vote from their old addresses.

Those bringing the lawsuit argue that the state elections commission, which includes an equal number of Republicans and Democrats, broke the law when it did not remove voters from the rolls who did not respond within 30 days to a mailing in October, indicating they might have moved.

The commission wanted to wait until after the November presidential election before it removed anyone because of inaccuracies with a previous round of data identifying voters who had potentially moved. Even if a voter has their registration deactivated, they can register again later or on election day when they show up at the polls, assuming they have the required documentation.

Malloy last month sided with conservatives who filed the lawsuit and ordered that the voters have their registrations deactivated. The elections commission has deadlocked on when to do that, however.

The appeals court said it wouldn’t take action because of the pending request before the state Supreme Court that it take the case. The high court has not said what it will do.

The affected voters come more heavily from Democratic areas of Wisconsin, including Milwaukee and cities with college campuses. Democrats fear forcing voters whose registration is nullified to re-register will create a burden on them and hurt turnout. Republicans argue that removing the voters would ensure that the rolls are not full of people who shouldn’t be voting.

The League of Women Voters of Wisconsin also filed a federal lawsuit to stop the purge. That lawsuit argues that it would be a violation of constitutional due process rights to deactivate the registrations of the voters without proper notice. The Wisconsin Institute for Law and Liberty and the Republican-controlled Legislature are both seeking to intervene in that lawsuit and have it dismissed.