Month: February 2020

Home / Month: February 2020

In December, we traveled 5,454 miles to save our relationship. What led to this point was six months of anger (on both our parts), a sudden leaving (on his part), and complete bewilderment and heartbreak (on my part). What had led to that is another story.

This story begins with a flight to Copenhagen.

Denmark’s capital seemed ideal: English-proficient, a flight that wasn’t too long; good food; safe; easy. This was supposed to be a trip during which we reconnected, found each other again, tried one more time. I valiantly hoped that if I could just get him on the plane, get him to Copenhagen, we could fix things in this land of hygge.

I was hopeful as the trip began. The year was coming to a close, and I was ready to wash off the mistakes and hurt from the year and start 2020 with renewal and love.

Copenhagen in late December was picturesque, the ideal place to cuddle up with a loved one and drink glogg. Public transportation was easy, seemingly made for travelers wanting to get lost in themselves instead of the train system. Tivoli Gardens was delightful, and we were able to visit the original Mikkeller bar. I loved the San Francisco version but loved the Copenhagen original even more.

Our hotel was modern and sleek, and it had a sauna where I could meditate.

But the thing I learned about traveling to a new country with someone: There’s nowhere to hide from the hard truths about the relationship. So many miles from home and all I could feel was the distance between us. Surrounded by another language, all I could comprehend was the silence between us.

I had my first Aquavit sour alone at the hotel bar and contemplated the fact that my best friend and partner of seven years had become a stranger.

We spent the next few days in Kokkedal, and stayed in a castle. We ate our fill of smoked and pickled fish, napped in the spa and played rounds of gin rummy in the lounge. On one day we took the train to Kronborg so I could fulfill my dream of visiting Hamlet’s castle, then visited the stellar Louisiana Museum of Modern Art. We spent the afternoon strolling around the exhibits. “To be or not to be,” I kept thinking to myself.

All of it would have been wonderful except I was still walking on eggshells, scared of triggering a fight, uncomfortable in my own skin, acutely aware of the unhappiness that lingered in every pore of my being. This man who used to waltz me around the kitchen could barely look at me. On the train back to Copenhagen from Kokkedal, I actively wondered whether I could find the person I loved buried under the hurt of the past months.

When he told me at the last minute he had decided to stay in Europe for two more weeks, I realized that Copenhagen wouldn’t be where we found each other again but where we went our separate ways.

That night as I was packing for my solo flight home, we finally unpacked some our pain from the last six months. I stared at the flickering lights of the city and cried over the man who seemingly had disappeared overnight. In that corporate, sterile hotel room, we completely broke apart.

The next and last day was strangely wonderful, reminiscent of our former fire. I’m not sure if the fact that we had finally ended things had taken the pressure off, but for the first time in a long time he was the sweet and kind partner I had fallen for.

He suggested doing a biking architecture/food tour ourselves. We mapped out the sights, then biked from place to place: Torvehallerne food hall, the Royal Danish Library, Kulturhuset Islands Brygge cultural center. At lunch he held my hand over a smorrebrod (open-face sandwich) as we exchanged memories of better times.

We walked along the Nyhavn waterfront, and I remembered with a jolt that seven years ago we finished a puzzle of the same brightly colored houses lined up in front of us. We were young, poor and in love back then, dreaming of visiting a place we could access only through a puzzle. Yet here we were now. On a bridge with love locks all along it, he held me as I cried.

As midnight came upon us and the New Year’s countdown began, I looked at my former partner with a smile and tears in my eyes. We kissed chastely as fireworks erupted over Copenhagen Harbor. And as the new year began, my old dreams came to an end.


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Amtrak has launched a limited-time Valentine’s Day sale so you can save on your next train vacation. The sale offers two tickets for the price of one, from long-distance trips to shorter hops, for spring and summer. Free companion fares must be purchased from Feb. 13 through 17.

With the sale, coach seats for two from Los Angeles start at:

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  • $66 to San Francisco
  • $86 to Albuquerque and
  • $126 to Seattle.

The sale is good for travel between March 9 and Aug. 30, with no blackout dates. Use the code “V214″ when buying tickets at amtrak.com/valentines-day-sale.

Sale fares apply to journeys aboard the Coast Starlight, which travels along the Pacific coast; the Southwest Chief, through the Midwest and Southwest; and Acela service on the East Coast. It doesn’t apply to trips on the Pacific Surfliner between San Diego and San Luis Obispo.

Info: Amtrak’s Valentine’s Day Sale


“It wasn’t exactly the Ritz,” people sometimes quip about a less-than-stellar hotel stay. Well, this time, I can say, yes, it was.

We were in a celebratory mood last summer when we decided to ditch our usual midrange hotels for luxe digs in the desert. The Ritz-Carlton fit the bill: the high life high on a hill on Frank Sinatra Drive in Rancho Mirage, redesigned and reopened in 2014 after a multimillion-dollar renovation.

Our adult son joined my husband and me, and our main activity was hanging around the pools in the daytime and the fire pits in the evening. We also ventured down the hill to enjoy meals in the greater Palm Springs area.

The tab: We paid about $650 for two nights (plus about $150 for parking and resort fees) and $450 for food and drink. Note: Room rates vary by season; summer is lowest.

THE BED

We got lucky at check-in and scored an upgrade to a suite as longtime members of the hotel’s rewards program. At 850 square feet, our suite’s two rooms had twice the space of a regular room — and two bathrooms. My son enjoyed having his own room with a pullout sofa, desk and TV. The decor — understated yet ritzy — was a soothing neutral palette with pops of color, and the master bedroom had an oversize tile bathroom with a cavernous open shower and deep soaking tub. Our ground-floor suite, with two patio seating areas, opened to a desert landscape featuring manicured trees, cactus and plants and was close to the resort’s two swimming pools.
THE MEAL

We stopped for lunch at the always crowded Sherman’s Deli & Bakery in Palm Springs and wolfed down the quintessential corned beef and pastrami sandwiches. The sandwiches were piled high and the real deal, as TV host Guy Fieri, who visited Sherman’s Palm Desert location, might say. A late dinner at the stylish Tropicale Restaurant & Coral Seas Lounge in Palm Springs was eclectic and satisfying: a pupu platter (coconut shrimp, chicken satay, beef skewers, spring rolls and ribs), a grilled Yucatán chicken sausage pizza, and Southern fried chicken with mashed potatoes and country gravy. The dining room has a classic supper-club vibe, so we chose a retro booth; the patio had a buzzy party atmosphere. Back at the Ritz, we had lunch our last day at its more casual venue, State Fare Bar & Kitchen. A trio of sandwiches — a club, a brisket and a burger — were standard fare in a pretty setting.

THE FIND

Go take a hike. No, seriously, it’s a treat to wander a desert trail, especially in the morning. In keeping with the weekend’s lazy pace, we stuck to a pair of easy-to-moderate hikes on Chuckwalla Trail and Roadrunner Trail, each near the hotel. Check to see if the hotel is offering guided hikes; if you go on your own, ask for a hiking map and bottled water. It can get toasty even in winter.

THE LESSON LEARNED

Be on the lookout for freebies, even in an upscale resort: A glass of Champagne offered at check-in, free morning coffee in the lobby. If available, bookend your day with a complimentary fitness class in the morning and a nighttime stargazing event. But the sweetest treat for us was the evening Candy Bar in the hotel lobby with glass beakers filled with candy to choose from (M&Ms, Reese’s, Snickers, Tootsie Rolls, Skittles).

Ritz-Carlton Rancho Mirage, 68900 Frank Sinatra Drive, Rancho Mirage; (760) 321-8282. Wheelchair accessible.

Sherman’s Deli & Bakery, 401 E. Tahquitz Canyon Way, Palm Springs; (760) 325-1199. Wheelchair accessible.

Tropicale Restaurant & Coral Seas Lounge, 330 E. Amado Road, Palm Springs; (760) 866-1952. Wheelchair accessible.

State Fare Bar & Kitchen, 68900 Frank Sinatra Drive, Rancho Mirage; (760) 321-8282


LONDON — 

Britain’s financial watchdog is investigating whether Barclays Chief Executive Jes Staley disclosed full details of his relationship with the late convicted sex offender Jeffrey Epstein, the bank said Thursday.

The two men were acquainted when Staley ran the private bank division of JP Morgan before joining Barclays.

In a statement to the London Stock Exchange, Barclays said that “as has been widely reported, earlier in his career Mr. Staley developed a professional relationship with Mr. Epstein.” The bank said Staley had had no contact with Epstein after joining Barclays in December 2015.

Barclays said the Financial Conduct Authority had asked about the relationship, and the company had responded.

But it said the FCA and the Prudential Regulation Authority were now investigating “Mr. Staley’s characterization to the company of his relationship with Mr. Epstein and the subsequent description of that relationship in the company’s response to the FCA.”

Epstein died in a New York jail in August while he was awaiting trial on sex trafficking charges. U.S. authorities ruled the death a suicide.

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    U-Haul has an unusual wellness goal for 2020: Hire fewer smokers.

    The truck rental company said in January it would stop hiring people who used tobacco or nicotine products in the 21 U.S. states where it was legal to do so.

    Executives said the new policy, which took effect Feb. 1, was expected to cut company costs by improving the health of U-Haul’s 30,000-person workforce.

    The policy will be enforced only in the 21 states where it is legal to have such hiring restrictions (California isn’t one of them) and won’t apply to people already working for U-Haul, the Phoenix-based company said.

    Screening new hires for tobacco use is rare. But employers have long used monetary penalties and perks to try to reduce the financial toll of tobacco-related diseases, such as cancer, heart disease and stroke.

    Those carrots and sticks are part of most corporate wellness programs, which also typically aim to encourage workers to exercise, lose weight and control diseases like diabetes.

    In recent years, researchers have begun rigorously studying the programs. The results show little evidence that wellness plans improve employee health or lower healthcare costs.

    Smoking-related medical expenses add nearly $170 billion a year to employer and government medical expenses, according to the Centers for Disease Control and Prevention. Employers also suffer $156 billion in lost productivity due to smoking and related health issues.

    Roughly 70% of large employers offer programs to help employees quit smoking as part of their health coverage. The gold-standard approach involves counseling sessions and nicotine gums, patches and medications to control cravings.

    One-fourth of large firms add another penalty to push smokers to quit: an extra charge on their health premiums. The fee usually amounts to about $600 a year for workers, according to survey data from consultant Mercer, which designs corporate health and wellness plans.

    About 10% of employers provide other incentives, such as points that can be redeemed for prizes.

    Despite an estimated $8 billion spent on wellness programs annually, experts say they haven’t been shown to deliver the long-term benefits promised.

    “There isn’t any evidence that these programs actually result in people smoking less or eating less or exercising more,” said Karen Pollitz, who studies insurance and health plans at the Kaiser Family Foundation. “Some studies have picked up short-term improvements but nothing sustained.”

    Although many employers report cost savings from wellness programs, researchers say those results are likely skewed because healthier workers are more likely to participate in the programs, boosting positive results.

    A randomized 4,000-patient study published last year in the Journal of the American Medical Assn. found that employees enrolled in wellness programs showed no major improvements in health status or healthcare spending after 18 months, compared with employees who didn’t participate.

    An earlier study by researchers at the think tank Rand Corp. estimated wellness programs targeting lifestyle improvements generated an average savings of about $157 per employee. Those savings were almost completely wiped out by the programs’ cost: $144 per person.

    Supporters of wellness programs counter that it may take three to five years or more to see a return on investment. For example, tobacco-related diseases can take decades to develop.

    “It takes time to find the benefits of those things and to translate them into avoided healthcare costs,” said Steven Noeldner, a Mercer executive.

    Some researchers have theorized that the savings reported from wellness plans may simply come from shifting insurance costs onto less healthy workers. In this scenario, workers who pay higher premiums due to smoking or obesity subsidize their healthier coworkers.

    Those financial penalties can hit smokers even harder since they tend to make less money and often have less generous health benefits than non-smokers.

    The American Cancer Society recommends employers focus on smoke-free workplaces and comprehensive quit-smoking programs, rather than penalizing smokers with fees or exclusionary hiring practices.

    “It’s helpful for a person who smokes to be in a workplace where they will receive support,” said Cliff Douglas, a vice president with the society. “If they’re not hired, that could be a real missed opportunity.”

    Perrone writes for the Associated Press.


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    Need some space? Here’s a look at some 2,500-square-foot (or larger) homes you can get for $900,000 in El Sereno, Mid-City and Downey in L.A. County.

    EL SERENO: This three-story retreat on a hillside offers what few other properties in L.A. can — sweeping views and no next-door neighbors.

    Address: 2600 Forest Park Drive, Los Angeles, 90032

    Listed for: $889,000 for four bedrooms, 3.5 bathrooms in 2,548 square feet (5,801-square-foot lot)

    Features: Eye-catching exterior; open floor plan; spacious master suite; three balconies

    About the area: In the 90032 ZIP Code, based on 25 sales, the median price for single-family homes in December was $633,000, up 4.5% year over year, according to CoreLogic.

    MID-CITY: This 95-year-old duplex needs some work but boasts a central location right off Interstate 10.

    Address: 2319 Hillcrest Drive, Los Angeles, 90016

    Listed for: $895,000 for four bedrooms, two bathrooms in 2,856 square feet (6,480-square-foot lot)

    Features: Covered entry; tile kitchen; custom master bedroom; second-story balcony

    About the area: In the 90016 ZIP Code, based on 18 sales, the median price for single-family homes in December was $799,000, up 20.1% year over year, according to CoreLogic.

    DOWNEY: A spacious master suite occupies the second floor of this 1950s home with a detached garage and storage shed out back.

    Address: 9012 Gaymont Ave., Downey, 90240

    Listed for: $859,900 for five bedrooms, 3.5 bathrooms in 3,294 square feet (6,356-square-foot lot)

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    Features: Landscaped frontyard; laminate wood floors; bonus room; fenced backyard

    About the area: In the 90240 ZIP Code, based on seven sales, the median sales price for single-family homes in December was $610,000, down 0.4% year over year, according to CoreLogic.

    EL SERENO: Built in 2018, this custom residence features a balcony in front and a deck out back.

    Address: 5187 Dartmouth Ave., El Sereno, 90032

    Listed for: $950,000 for four bedrooms, four bathrooms in 2,659 square feet (6,418-square-foot lot)

    Features: Hillside setting; open floor plan; master suite with balcony; tiered backyard

    About the area: In the 90032 ZIP Code, based on 25 sales, the median price for single-family homes in December was $633,000, up 4.5% year over year, according to CoreLogic.

    MID-CITY: This gated property off Venice Boulevard holds two buildings, three units and a grassy backyard.

    Address: 1511 S. New Hampshire Ave., Los Angeles, 90006

    Listed for: $899,000 for five bedrooms, three bathrooms in 3,454 square feet (6,288-square-foot lot)

    Features: Landscaped lot; front house with two units; one-bedroom back house with porch

    About the area: In the 90006 ZIP Code, based on six sales, the median price for single-family homes in December was $860,000, up 3% year over year, according to CoreLogic.

    DOWNEY: A variety of trees, including fig, avocado, lemon, guava, jujube and persimmon, dot the grounds around this cul-de-sac home.

    Address: 12145 Anderberg Ave., Downey, 90242

    Listed for: $870,000 for five bedrooms, three bathrooms in 2,984 square feet (5,333-square-foot lot)

    Features: Double-door entry; two master suites; landscaped yard; solar panels

    About the area: In the 90242 ZIP Code, based on 16 sales, the median price for single-family homes in December was $600,000, up 20.2% year over year, according to CoreLogic.


    Last spring, Victoria’s Secret imposed official rules to protect its lingerie models for the first time in its four-decade history.

    The Harvey Weinstein scandal was at that point almost 2 years old, and the MeToo movement that would follow was fostering something of a cultural rejection of the underwear maker’s dated vision of female beauty, accelerating the 75% collapse in the stock price of its parent company L Brands Inc. from a 2015 peak. Management could no longer afford to turn a blind eye to the perils its models faced on the job — being alone with photographers or executives who wielded power over their careers, feeling pressure to bare more of their bodies or participate in private photo shoots.

    The new rules included making sure models have private places to change clothes and that they’re never left alone with a photographer, makeup artist or anyone else. Those guidelines are part of a wave of self-reflection in the modeling and retail industries about the treatment of people whose faces and bodies help sell the clothes we wear.

    The question is whether the rules go far enough to make a difference. Sara Ziff, a former model who now leads a group advocating for more protections in the industry, had been hoping to convince the retailer to sign on to a program she’s designed to combat harassment by requiring more independent oversight. She chose Victoria’s Secret because the nation’s largest lingerie company had come under fresh scrutiny for its treatment of women, in part because of its controlling owner’s ties to convicted sex offender Jeffrey Epstein. Ziff also felt that Victoria’s Secret could be a force for reform as widespread accusations of assault, rape and sex trafficking of models were being levied against executives across the fashion industry.

    As models converge on New York, Paris and Milan, Italy, this month for the spring’s major fashion shows, the industry is teeming with debate about whether companies like Victoria’s Secret can sufficiently police themselves to root out abuse. Models have a tough enough time trusting their agencies to look out for their interests — much less the clients.

    Until last year, Victoria’s Secret didn’t have stringent, formal policies on appropriate workplace behavior during photo shoots, according to a person familiar with the matter. In late 2018, Victoria’s Secret started reviewing its own policies, developing them internally through legal and compliance teams and rolling them out in May with training sessions, said the person, who asked not to be identified discussing internal matters.

    In addition to ensuring models are chaperoned during shoots, Victoria’s Secret’s rules explicitly stated that no one on set could drink or use drugs, or post “lewd, offensive or unprofessional images” on social media that included L Brands products or sets.

    Underage models were officially barred. And the policies offered specific guidance on how photographers and models should interact with one another on set. Models would get private dressing spaces that photographers couldn’t enter. Before showing up to the workplace, models would be required to receive information about who they’d be working with, the creative plan and the photographer’s vision for the project.

    Finally, the lingerie chain said models should “not be pressured to expose their bodies more than they are comfortable doing” while participating in shoots.

    Anyone working on the set — models, photographers, makeup artists and L Brands associates — had to acknowledge these guidelines, which extended to the making of videos, fashion shows and commercials for Victoria’s Secret. If participants felt uncomfortable, they would be advised to tell the L Brands representative on site or call the company’s ethics hotline, operated by a third party.

    The MeToo movement wasn’t the only reason L Brands was under pressure to make changes. A sense of urgency had been spreading throughout company headquarters in Columbus, Ohio. Victoria’s Secret’s same-store sales, an important metric in retail, had been negative for three years, margins had been hit by discounting and even its youth-targeted line, Pink, was in need of an overhaul. L Brands, which also owns Bath & Body Works, had lost about $22 billion in market value since 2015.

    Victoria’s Secret had also struggled to adapt to competition online, watching as foot traffic in shopping malls began to slow. The brand lost market share to rivals such as American Eagle’s Aerie and Rihanna’s Savage X Fenty that catered to women with more varied body types and skin tones. Last year, Victoria’s Secret canceled its hypersexualized annual fashion show.

    Then in July, Jeffrey Epstein was arrested, and all hell broke loose.

    Federal prosecutors accused the financier of running a sex-trafficking ring, which included girls as young as 14. As Epstein’s past and connections came to light, it became clear how closely affiliated he was with Leslie Wexner, L Brands’ chairman and chief executive officer, serving as his money manager and using his power of attorney. Wexner, 82, denied knowledge of any illegal activity by Epstein, who also backed a modeling agency that worked with Victoria’s Secret.

    Epstein, who died by suicide in his jail cell in August, once claimed to an aspiring model that he was a Victoria’s Secret model scout, according to the New York Times, and used to promise women jobs through his network of powerful men.

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    The same month that Epstein died, Ziff’s organization sent a letter to John Mehas, the Victoria’s Secret CEO, offering a way the company could address its growing problems. The Model Alliance called on Victoria’s Secret to join its Respect program, billed as the only existing anti-sexual harassment code of conduct designed by and for models. Retailers that sign the pact agree that employees, agents, vendors and photographers will follow rules not unlike the ones Victoria’s Secret had already developed. The difference is that under Respect, an independent monitor can access cases where harassment might have taken place, providing a level of oversight outside the company.

    “Victoria’s Secret has the opportunity to be a leader, to use its power and influence to bring about the changes that are urgently needed in our industry,” the Model Alliance said in its letter. “This would go a long way in helping our industry chart a new path forward.”

    That same month — less than half a year after creating its photo-shoot guidelines — Victoria’s Secret decided to further strengthen protections for models in the policy, according to the person familiar with the matter. The revisions added a requirement for an authorized independent monitor to be present for the entire shoot to “provide oversight and ensure compliance with the procedures” and raise red flags, if necessary. Fit models — workers who try on clothes for designers — now also fall under these protections.

    The revisions weren’t part of the initial policy because the legal and compliance team continued its work after the rollout in May, looking for other areas where protections could be strengthened, the person said. The team is still researching other areas, such as casting, where it might add to the policy, the person said.

    The independent monitors at photo shoots are almost all from outside the company. Since they’ve been present, one concern has been raised to the company, which is taking action now, the person said. The rules were already in place when Ziff and her attorney visited Victoria’s Secret’s high-rise office near the Empire State Building in Manhattan in September. Over the course of about an hour, they spoke with Tammy Roberts Myers, the retailer’s top public relations executive, and other staff members about working conditions for models, including protection from sexual misconduct. Mehas, to whom the letter was addressed, wasn’t present for the meeting.

    Ziff walked out with Myers’ business card and an assurance that the Model Alliance was helping Victoria’s Secret executives be better listeners. They haven’t spoken since. Victoria’s Secret hasn’t signed on for the Respect program the Model Alliance proposed, and no other retailer has been announced as a participant.

    Industrywide protections for vulnerable employees are hard to implement, but there is precedent.

    The U.S. hospitality industry, after a barrage of controversy surrounding the mistreatment of cleaning staff, is being forced to take new measures to protect workers. After the MeToo wave began, hotel housekeepers successfully fought for measures in eight major U.S. cities, including Chicago and Miami Beach, requiring businesses to provide panic buttons, handheld fobs used to summon help should a threat arise. The industry’s main trade group resisted the idea at first, saying it wouldn’t address the problem, but by late 2018 big hotel chains including Hilton and Marriott agreed to adopt the systems. As the larger names got on board, the smaller ones began to fall in line.

    The hospitality and modeling industries both largely employ women and have been used as conduits for abuse and sex trafficking. Unlike models, hotel workers have unions to lobby on their behalf. Juliette Gust, president of Ethics Suite, a workplace misconduct and fraud reporting consultancy, said models are more like musicians and actors, largely freelancers who might have more legal recourse if they worked directly for a corporation.

    This means change may have to come from the top down, said Gust. “It is up to these large brands to set the example,” she said. “That would really help to shake up the industry.”

    This month, the New York Times published an investigation of working conditions at Victoria’s Secret, including fresh allegations that former L Brands Chief Marketing Officer Ed Razek had harassed women and that Wexner had ignored complaints about them. Razek denied the allegations, and Wexner didn’t comment to the Times. L Brands is in talks to sell Victoria’s Secret, and Wexner is considering stepping aside as CEO.

    In a letter last week to Mehas, the Model Alliance criticized L Brands, saying the company had refused to act since the September meeting. “The culture of misogyny, bullying, and harassment at Victoria’s Secret is even more egregious and more entrenched than previously understood,” the group said.

    Still, Ziff says she wants to find a way. “I’m genuinely interested in working with Victoria’s Secret,” she said.

    The company remains open to talks and is considering further steps, the person familiar with the matter said. One unanswered question is what an independent observer from the Respect program would do when a problem arises, the person said.

    “We absolutely share a common goal with Model Alliance to ensure the safety and well-being of models,” Myers, the Victoria’s Secret spokeswoman, said in a statement.


    Higher Standards, the upscale smoke-shop concept with two standalone stores on the East Coast, opened the doors of its first West Coast standalone store late last month in the Malibu Village shopping center.

    The 640-square-foot space is tucked between Teressa Foglia and Catch Surf — and just two doors down from Fred Segal. It might easily blend in with its retail neighbors thanks to the wooden-slat awning and minimalist, beach-adjacent vibe of the facade, expect for the candy-colored Volcano vaporizers catching sun in the front window, that is; the tables piled with Keith-Haring-art-adorned water pipes; Marley Natural walnut-wood herb trays and copies of Lizzie Post’s “Higher Etiquette: A Guide to the World of Cannabis, from Dispensaries to Dinner Parties.”

    Other high-end merchandise in the mix includes high-tech dry-herb vaporizers (including the Firefly 2+, and Crafty+, both of which retail north of $250), a colorful counter-top oil-infusing machine called the Levo ($350) that could easily be mistaken for a coffee maker, Otto the joint-rolling robot and an assortment of cannabis-themed gifts and home goods by brands such as Edie Parker (a boxy, pot-green acrylic clutch emblazoned with the word “weed”) and Jonathan Adler (smoldering-joint ash trays, striped stash jars).

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    The most unique items on offer are a range of vintage smoking accessories, most of which are from the 1950s through the 1970s. Showcased in a pair of glass display cases, they include a stainless steel desktop lighter shaped like a motor scooter, Tiffany & Co. trays (in silver or glass), a giant, silver-plated, peanut-shaped Leonard of Italy dish/stash box and an assortment of vintage ashtrays. (The standout of the last is a commemorative ashtray from the 1984 Los Angeles Olympics, complete with the five-ring logo.)

    The elevated take on the old-school head shop — after all, those vaporizers in the window retail for $780 — was first launched in New York’s Chelsea Market in December 2017 by Greenlane, a Boca Raton, Fla.-based distributor of premium smoking accessories. A second bowed in Atlanta’s Ponce City Market in March of last year.

    Real-estate investment firm Jamestown, which sold Chelsea Market to Google in 2018, owns both the Atlanta property and the Malibu Village shopping center. (Interestingly, adult-use recreational cannabis is not legal in either New York or Georgia.)

    That helps explain how the shop came to be in this location specifically, but the retail concept itself has actually been testing the waters in Southern California for a while as temporary pop-up shops inside existing dispensaries, first at the Pottery in Mid-City and later at Cannary West in the Rancho Park neighborhood and Bud and Bloom in Santa Ana.

    Eric Hammond, Greenlane’s vice president of retail, said those pop-ups have all proven so successful that they never actually popped down and are all still going strong. Unlike like those in-dispensary locations, though, cannabis can’t be purchased in the new Malibu boutique (though there is a deep bench of products on offer that contain CBD, a non-psychoactive cannabis- and hemp-derived cousin of THC that’s popular in the health and wellness space).

    “This is our first rec[reational] market so it’s going to be super exciting to see how the store performs,” Hammond said a few hours before the Malibu store officially opened its doors on Jan. 23. “We aren’t even open yet, and you can tell from the people who’ve come by that it’s a much more knowledgeable customer base [and] that they’ve seen a lot of these products.”

    Hammond said that makes it all the more important that Higher Standards gets the merchandise mix right in its new neighborhood. “Cannabis has been legal here in some capacity for decades, so it’ll be ultra-important in this setting for us to be experts of the [retail] craft,” he said.

    Higher Standards Malibu, 3826 Cross Creek Road, Malibu, 11 a.m. to 7 p.m. Monday through Saturday, 11 a.m. to 6 p.m. Sunday.


    I’m not sure that Roger Ailes and Kim Kardashian have much in common, but I will say this: The two of them helped foist an extreme feminine aesthetic on women that lately has become a parody of itself.

    I’m talking about false eyelashes.

    Thanks to the hyper-primped women of Fox News, and the overexposed Kardashian clan, fake eyelashes are not just for women who make a living appearing on camera anymore. They are disturbingly ubiquitous.

    Regular Josephines used to don the things for special occasions — if at all. But fake eyelashes have burst out of their traditional habitat of red carpets, wedding aisles and proms and into regular life.

    A few examples of where I have spotted them recently:

    On my middle-aged checker at Gelson’s Market. On a thirtysomething woman in yoga pants leaning against a wall on Speedway in Venice. On a twentysomething customer in ripped jeans buying cigarettes at 10 a.m. at the corner store by my house. On numerous women in line to pick up passports at the Federal Building in Westwood.

    Sometimes, I see subtle but expensive lash extensions, small clumps individually glued on — either on top of the lash line or below it. But usually the women I notice are wearing very obvious strip lashes, affixed by adhesive to the top of their natural lash line.

    I’m not the only observer disturbed by the trend.

    “It’s crazy,” said makeup artist Vivian Baker. “Strip lashes are everywhere. I do think people are misusing them.”

    I called Baker on Monday at her home in Sherman Oaks to discuss the proliferation of this look because she is an expert on the topic. A makeup artist with more than three decades of experience, on Sunday she won an Oscar for “Bombshell,” the film about the Fox News women who exposed Ailes’ rampant sexual harassment. (Baker shared the makeup and hairstyling Oscar with hairstylist Anne Morgan and prosthetics wizard Kazu Hiro.)

    The makeup in “Bombshell” is a striking metaphor for how the women of Fox News — particularly the up-and-comers striving to fit the Barbie doll mold — surrender themselves to a contrived aesthetic that is forced and not particularly beautiful but meant to convey the idea of beauty.

    “The whole Fox look was created to deal with those cameras, and lights,” said Baker. “It was very technical: This is how we look glamorous.” Also, she told the New York Times last year: “It has to fit a predetermined idea of what men think is pretty, more specifically what Roger Ailes thinks is pretty.”

    The idea that women felt they had to contort themselves to be presentable for a man who resembled nothing so much as a toad is tragic.

    Gabriel Sherman, in his Ailes biography, “The Loudest Voice in the Room,” interviewed a former Fox makeup artist, Karem Alsina, who said she grew suspicious when Fox anchors came to have their makeup done before private meetings with Ailes. “They would say, ‘I’m going to see Roger, gotta look beautiful!’” Some would return with their makeup smudged.

    Margot Robbie plays the fictional character Kayla Pospisil, a naïve young woman — religious, conservative and apparently gay — who finds that the price of success at Fox is to pile on the lashes and submit to sexual predation.

    As Kayla descends deeper and deeper into this hellish but potentially remunerative world, her makeup gets heavier and darker, her false eyelashes thicker and longer, until finally, as Morgan put it: “She took the bait and became that [Fox ideal]. I wanted her makeup to be the mask that the real girl was hiding behind.” Her artificial lashes are at their densest during her moment of moral clarity, when she suddenly realizes that other Fox women not only knew about pervasive sexual harassment at the network, but failed to protect each other.

    In fact, said Baker, she and Robbie agreed that Robbie’s makeup would not be designed to enhance her natural beauty; it would be designed to “fit within what people at Fox expect someone to look like,” i.e. fake lashes and glossy lips.

    Certainly, without fake lashes, there would be no female Fox News aesthetic, no signature sultry Kardashian eye.

    But why is everyone else trying to look like they’re ready for their close-up?

    Well, said Baker, because they are.

    “It has to do with social media,” she said. “Our faces are constantly on camera. We’ve created our own monster. Is this pressure coming from women, or men? I’m not so sure we can just blame men.”

    Still, she said, the proliferation of false eyelashes “is jarring and misleading.

    “As a makeup artist and a woman, I want us to embrace all types of our beauty, to get up in the morning and have no makeup on and know there is something really beautiful about that really raw look. I want there to be freedom for women. How can we have dignity and love and appreciation, and not this stamp of ‘This is what I must look like to be accepted’?”

    Save the lashes for the red carpet, ladies. You are beautiful just as you are.


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    It’s never been a very good house. We will likely sell it soon, not long after the boy goes off to college. We’ve never been able to get the water pressure right, and the fireplace faces in a funky direction. The walls are too close. Like, right there.

    There are a million things wrong with this house, yet a million things right. There’s a half basement for the Christmas bins and a workbench. Rare in California, the basement is the perfect place to patch a bike tire or putter around with plants. The half basement might be the house’s greatest feature.

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    Oh, and this old house also comes with a pet wolf, blue-eyed and bashful. And some tiny creature active in the attic.

    It’s a fine house for doing laundry and watching the weather roll in. It has a handsome kitchen my wife designed, with cherry cabinets and the most expensive appliances available. They never worked. The appliances are loaded with fussy circuit boards and electronic ignitions that clog with even the hint of yolk.

    By my estimate, we have spent more to repair these appliances than what they initially cost, which as I say was a small fortune. I sold blood. I cashed some options. All so we could buy appliances that didn’t work.

    Welcome to the modern age.

    The floors are oak — thin slats that creak. There is ice cream in some of the grooves. And sea salt. And pickle juice. Where Posh pivoted in front of the fridge, that’s all prematurely worn and gray now, like that spot on a putting green that gets too many feet.

    In the kitchen, the skylight used to leak. The surrounding drywall needs to be gooped with spackle, then painted. I can handle that. I just don’t. If anything, the tragedies of the past two years proved life is too short, which gave me a convenient excuse to dodge unnecessary chores. I will get to them eventually. When the boy moves out and there are no more ballgames to attend. Just before the real estate agent pops in for a quick look, nods her head and thinks to herself: “Good freaking luck.”

    Across this entire house, it’s as if there are all these little codes you need to know — how to dig the sediment out of the kitchen faucet or how to tighten the ceramic shower handle after it falls off every few weeks. Clunk.

    In the hallway, we keep one of my daughters’ old hair scrunchies wrapped around the cabinet knobs, because they won’t close completely. Without the hair band, you’ll rise in the night to use the loo, or check that suspicious sound coming from the den, and clunk your shoulder into the cabinet door, making you more ornery than you already are at 2 a.m., the orneriest time of day.

    What I’m saying: Don’t forget the hair scrunchie.

    The electrical is good though, the roof and AC are new, and the septic guy says the tank seems to be working again now that Rapunzel has moved out with her miles and miles of linguini hair.

    In spring, morning glories spill over the patio wall like an invasion.

    Out back is a wall of olive trees. Like the basement, I love the trees. Basically, we purchased the grove of trees and there just happened to be a house attached. Each fall, the trees produce a billion black olives. We tried to cure them. But like the house, they would not be cured.

    In this common house, we raised four uncommon kids. There were birthdays and proms, bloody knees and Scout meetings. We changed a million diapers here. We matched a lot of socks.

    The garage still contains all sorts of youth soccer gear you can have, should you purchase this silly little house, which you probably won’t.

    Then there’s “The Door.” The Door was used to record the kids’ heights as they grew, in their mother’s swirly handwriting, with 30 different pencils and pens. It is, quite possibly, my most prized possession.

    When I leave this house for the final time, that door goes with me. I will likely use it as the base of a grandchild’s crib or maybe just hang it from a wall like artwork.

    That’s really what this house is: a quirky piece of live art.

    Dear real estate agent, how do you put a price on that?

    For there are hissy fits in the wall paint, and laughter in the floors, and small dimples in the oak where the Christmas tree stood.

    By the way, best to put the tree in the corner, where the lights bounce off the windows, then off the kids’ eyes when they spot the gifts.

    I tell you, there’s a lot of life left in this old family home. Maybe we’ll just keep it.

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