Invité de Matthias Gurtler dans La semaine des médias sur i>TELE, le présentateur d’Enquête exclusive sur M6 est revenu sur les critiques auquel lui et son émission sont souvent confrontés.

Régulièrement pris pour cibles sur les réseaux sociaux et autres émission de décryptages médias, Bernard de la Villardière a tenu à s’expliquer sur cette situation sur l’antenne de la chaîne d’information en continu i>Télé.

« Quand on vous met une étiquette, il faut l’accepter et il faut fermer sa gueule. Il faut en jouer et en rire. En fait, je m’en suis pris une notamment sur Paris Première chez Laurent Baffie (lors de l’émission 17eme sans ascenseur). J’ai fait du second degré en répondant à une provocation de Baffie et j’ai répondu par une autre provocation ». (…) Vous savez, il y a des snipers du Net. Ces sites d’infos ou de pseudo infos des médias sur le Net qui font travailler des forçats de l’information qui pondent quinze papiers par jour et qui reprennent au premier degré ce que vous avez dit au second degré sachant que ça va faire du buzz. Ils ne prennent d’ailleurs pas la peine de vous téléphoner. Vous êtes en fait de la chair à canon pour ces sites d’information à partir du moment où vous avez une petite célébrité”.

Motif de satisfaction pour l’un des journalistes vedette de M6, son « Enquête exclusive Soirée spéciale Cannabis: Attention danger » diffusé hier soir a réalisé une belle audience avec 1,7 million de personnes pour une part d’audience de 16,4 %. Un très bon score relayé ce matin par ceux qu’il a qualifié sur i>Télé de « sites d’infos ou de pseudo infos des médias sur le Net ».

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Plus original que les vidéos de soutien à Barack Obama ou à Mitt Romney, Joss Whedon, le réalisateur d’”Avengers” a posté sur son site Internet une vidéo de soutien à Mitt Romney comme “Président de l’apocalypse zombie”.

Joss Whedon, le réalisateur d’Avengers a posté sur son site Internet une vidéo de soutien à Mitt Romney comme Président de l’apocalypse zombie. Cette vidéo est, bien évidement, une blague ayant pour but d’appeler à voter pour le Président Barack Obama. Débutant par un discours laissant penser que le metteur en scène est déçu par l’actuel président, celui-ci enchaîne très rapidement “Mitt Romney est un candidat différent, un de ceux dont la vision et la détermination tranchent avec le business politique habituel, pour engager le pays vers l’apocalypse zombie.”… Joss Whedon nous offre ici un spot plus original que ceux de Clint Eastwood (pour Mitt Romney) et Samuel L. Jackson (pour Barack Obama).

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La Grande journée pour les enfants, c’est ce dimanche 18 novembre dans les cinémas Gaumont Pathé. Au programme, des ateliers, des cadeaux et trois films dont deux en avant-première !

Listes des salles concernées et horaires de diffusion ici !

La Grande journée des enfants, c’est ce dimanche dans 33 salles du réseau Gaumont Pathé ! Au menu, trois films pour le jeune public dont deux en avant-première, Niko le petit Renne 2 et Les Cinq légendes 3D. Deux longs métrages d’animation dont la sortie en salles est prévue pour le 28 novembre et qui s’afficheront ce dimanche aux côtés du grand classique de Charlie Chaplin, Le Kid. Egalement au programme, de nombreux ateliers à découvrir et tout plein de cadeaux à gagner ! À noter que le tarif réduit sera pratiqué sur les enfants et leurs parents durant toute cette journée ! Pour un dimanche en famille et au ciné, c’est ce week end dans les cinémas Gaumont Pathé !

Les bandes-annonces de Niko le petit Renne 2 et Les Cinq légendes

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A peine est elle devenue maman qu’elle a déjà repris ses engagements sur les tapis rouges. Et, alors qu’elle foule le pavé de la capitale avec Kanye West depuis quelques jours pour la fashion week, Kim Kardashian était une fois de plus le centre de l’attention des photographes mardi. Elle s’est présentée très décolletée à la soirée de projection de Mademoiselle C, un documentaire à la gloire de Carine Roitfeld, son amie et ancienne patronne de Vogue France.

Kim Kardashian n’a pratiquement que des amis dans le monde de la mode. Après avoir posé pour Karl Lagerfeld dans CR Fashion Book début septembre, la bimbo a profité de la fashion week parisienne pour agrandir son réseau. Hier, elle s’est rendue à l’after-party très branchée de sa copine Carine Roitfeld, qui se tenait au Pavillon Ledoyen, après une projection du documentaire -Mademoiselle C- sur les Champs-Elysées. Et, au bras de son cavalier, le créateur de Givenchy Riccardo Tisci, Kim était comme un poisson dans l’eau.

Devenue blonde depuis la naissance de sa petite North West, Kimmy portait pour l’occasion une robe longue noire qui dévoilait ses très gros atouts aux photographes. Une tenue pas vraiment pudique qui a en tout cas suscité le buzz.

Hier soir, l’héroïne de télé était sans doute la plus incontournable des stars du tapis rouge. Pourtant, d’autres belles plantes avaient fait le déplacement, se régalant de petits fours et de coupes de champagne. La chanteuse Katy Perry comptait parmi les chanceuses, tout comme les mannequins Miranda Kerr et Lily Donaldson. A quelques pas, le rockeur Lenny Kravitz n’aurait manqué ce rendez-vous pour rien au monde, après un début de semaine chez Saint Laurent très remarqué auprès de la première dame de France, Valérie Trierweiler.

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Il a beau avoir essayé de se cacher derrière ses lunettes de soleil et sa casquette en tweed, Leonardo diCaprio n’est passé inaperçu dans la tribune présidentielle du Parc des Princes.

« Je suis un peu lessivé. Je vais prendre une très très longue pause. En deux ans j’ai tourné trois films, et je suis complètement vanné.»

Dans une interview au quotidien Bild donnée en janvier dernier, Leonardo DiCaprio donnait un petit aperçu de ce à quoi allait ressembler ses prochains mois.

Jolies filles, sport, soirées entre potes, voyages, Leo a la belle vie. Hier le beau-gosse américain s’est offert une petite virée au Parc des Princes où il a assisté au match nul (1–1) entre le PSG et le Sporting d’Anderlecht.

Smartphone à la main et cigarette électronique à la bouche, Leo (aux côtés entre autres de Jean et Pierre Sarkozy et de Ramzy Bedia) a assisté à un match bien insipide à l’exception du but de la star suédoise Zlatan Ibrahimovic.

Toujours partant pour faire la fête, la star de Gatsby a ensuite poursuivi sa nuit au Matignon (une boîte branchée située au 3 Avenue Matignon dans le VIIIe à Paris) avec ses proches. Ce soir Leo est attendu au Pavillon Vendôme à l’occasion de la soirée événement de la marque Tag Heuer qui fête les 50 ans de sa montre vedette la Carrera.

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Alors qu’elle devait effectuer une tournée l’été dernier, Chimène Badi avait dû annuler à cause de problèmes de santé. Six mois après cette désillusion, la chanteuse revient sur cette période délicate dans une interview donnée à MFM Radio.

Son album Gospel & Soul avait cartonné dans les bacs et c’est tout naturellement que Chimène Badi avait décidé d’entreprendre, en 2013, une tournée sur les routes de France pour promouvoir son disque. Malheureusement, la chanteuse avait été coupée en plein élan l’été dernier. En cause, des problèmes aux cordes vocales. Un souci de santé sérieux qui avait même contraint la jeune femme au repos forcé. Jeudi, sur les antennes de MFM Radio, Chimène Badi est revenue sur ces moments difficiles: «Il y a quelques mois en arrière, j’ai eu de gros problèmes de voix. Quand on ne peut plus monter sur scène, quand on ne peut pas faire son album… c’est dur. C’est le monde qui s’écroule».

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L’interprète de Je viens du sud explique avoir eu l’impression de perdre sa raison d’être: «C’est quand même la chose qui compte le plus pour moi dans ma vie. Ma voix. C’est mon moyen de m’exprimer, mon moyen de me libérer, de m’épanouir, de vivre ! Et là, c’est comme si on m’avait tout enlevé. C’est comme si je n’existais plus». Des propos émouvants, qui laissent imaginer ce qu’a dû surmonter la jeune femme de 30 ans pendant plusieurs semaines. Chimène Badi avoue même ne pas être passée loin de la catastrophe: «J’étais fatiguée. Je me suis retrouvée avec des oedèmes dans les cordes vocales. Des cordes vocales anormalement épaissies, avec aucune flexibilité. Si je continuais, j’aurais dû me faire opérer. L’opération, c’était deux ans de rééducation, et ça, ce n’étais juste pas possible. Je ne peux pas rester sans monter sur scène aussi longtemps. Pour moi, c’est inimaginable».
Cet épisode est désormais derrière la jolie brune. Reposée, la chanteuse devrait d’ailleurs rapidement sortir un nouveau disque: «C’est un album dans lequel je m’inspire énormément de cette dernière année. Mais ça sera quelque chose de très solaire, de vivant. Je n’ai pas envie d’être triste à travers cet album» explique-t-elle. Entre nous, sans doute le meilleur moyen de repartir de l’avant.

Congressman-elect Dan Crenshaw (R-TX) spoke with Houston NBC News KPRC affiliate about his relationship with “Saturday Night Live” star Pete Davidson, who posted a suicidal message on Instagram over the weekend.

Crenshaw, who Davidson mocked this season over his eye patch, said it was “devastating” to see Davidson’s message and reached out to the comedian to comfort him.

“Actually, I talked to him personally yesterday and he talked to me for a little bit about it, and you know, we don’t go back very far; we’re not good friends, but I think he appreciated hearing from me. And what I told him was this, everybody has a purpose in this world. God put you here for a reason. But it’s your job to find that purpose,” Crenshaw told KPRC’s Khambrel Marshall.

Follow Trent Baker on Twitter @MagnifiTrent

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Netflix’s new Jesse Pinkman movie, El Camino, has its moments but is missing a key element that allowed Breaking Bad to burrow under your skin, the very thing that made it so compelling, addicting, and unforgettable.

In the brilliant series finale of the equally brilliant Breaking Bad, we left Jesse Pinkman (Aaron Paul) as he howled with traumatic joy after being freed from his harrowing ordeal as a meth-making slave for a sadistic gang of white supremacists. We knew Jesse had no money, we knew he had nowhere to go, we knew he had literal and psychological scars, and that’s all we knew.

It was better that way.

As much as anyone, I was excited over El Camino, over two more hours of Breaking Bad, one of the best television shows ever. There was no reason not to be excited. After all, when the series ended, creator Vince Gilligan did something almost no one in television or movies has ever done before: he charged back into that world and came up with something worthy of his original masterpiece, the prequel series Better Call Saul. Unfortunately, the third time is not the charm.

El Camino (which Netflix released Friday) picks up Jesse’s story from the iconic moment of his escape, and then spends the next 122 minutes removing all the fun that came with wondering what might have happened to him.

***There are minor spoilers, so you might want to watch the movie and then come back…

Things open beautifully. In a flashback (there are a lot of flashbacks, all of them filmed exclusively for El Camino), Jesse and Mike Ehrmantraut (Jonathan Banks) enjoy a contemplative moment in their unlikely friendship we were not privy to during the series. Those familiar with the show will place it as that time when Jesse and Mike thought they had gotten out, believed they were scot-free, were certain they had secured a second chance filled with a pile of money. Looking towards that future, a regret-filled Jesse talks about setting things right. The seasoned Mike sets him straight: You can never set things right, kid, you can only start over.

And while Mike is right, while Mike understands that setting things right is essentially a selfish act that   intrudes on the lives of those who want to move on without you, this sentiment also betrays one of the most compelling themes that drove the show: people justifying their own abhorrent behavior as altruism. That was Walter White’s whole reason for being, and that was what delivered the series to the heights of tragedy no one ever saw coming.

If you’re living in the real world, Mike’s advice is a legitimate piece of wisdom. But because Jesse takes that advice, what it does to El Camino is turn Breaking Bad into something it never was: utilitarian and one-note, devoid of the emotional u-turns that made those characters unforgettable. Will Jesse escape? That’s the only question the series asks, that’s as deep as it gets.

Thankfully, because Gilligan is a master storyteller, and Paul a superb actor, that’s enough to hold your attention (for the most part). But at its best, Breaking Bad churned your guts, filled you with dread, and piled on the anxiety and suspense to where you considered pausing the show to take a few deep breaths.

Using his complicated, well-defined, and unpredictable characters, Breaking Bad never stopped flooring you with brilliant turning points you never saw coming, even as they ended up making perfect sense.

El Camino offers none of that. At times, it’s clever, and always well-acted and beautifully shot, but it’s too long, draggy in spots, and never shocks or surprises. What you have here is plot-plot-plot-plot as a now-matured Jesse makes the necessary moves to buy his way out of town. And eventually, all of those mostly-unnecessary flashbacks end up feeling like fan service, where you’re simply waiting to see if You Know Who shows up.

Which is not to say there are not some pretty wonderful Breaking Bad moments. I loved the flashbacks with blank-slated psychopath Todd (a superb Jesse Plemmons), and both scenes with “The Disappearer” (the great Robert Forster, who died Friday at age 78) are highlights, thanks primarily to Forster’s second-to-none ability to inhabit men genetically incapable of bullshit.

What Gilligan is primarily interested in, though, is completing Jesse’s arc, from the glorious Yay-Science-Wannabe-Gangsta — the typical spoiled, selfish, precision-crafted American teenager who (had Mr. White not re-entered his life) probably would have grown up to clerk at a mini-mart when not smoking weed in front of the TV — to El Camino’s tortured, mature, and surprisingly-competent (and therefore predictable and never surprising) adult who just wants a second chance.

What’s more, I just don’t buy that this is where Jesse ends up, that he became a man, and if El Camino actually did exist in the TRUE Breaking Bad universe, that would never have been allowed to happen. The fact that it does, though, removes all the potential fun (and delightful anguish) that could have come from a more mature but still misguided Jesse rationalizing that he’s doing the right thing as he lays waste to everyone and everything he touches.

In the wrong way, El Camino is the ultimate piece of fan service in how it fulfills our hope to see Jesse grow up and mature, which is the last thing it should have done. Breaking Bad was all about  investing in characters who disappointed us over and over and over again. We kept waiting for Walt to come to his senses. We kept waiting for Walt to say he had enough money. We kept praying for these characters to stop dancing on a ledge, and then watched in slacked-jaw horror as they went over the side and failed to learn anything on the way down to the next ledge. The human wreckage this wrought… My god, it was magnificent.

El Camino betrays that. What little tension there is never rises above the average 1970’s detective show:  Will Barnaby Jones get caught searching the house! Emotionally, it is a big zero. There are no stakes beyond wondering if Jesse gets his second chance. Sure, we root for him, just like we always did, and that’s where it ends. Now that Jesse’s a good guy, all the conflicted emotions that come with the complicity of empathizing with an immoral anti-hero are gone, as is the off-balance anxiety that came with such an erratic protagonist.

Jesse’s all grown up now. He’s capable and decent and honorable.

Where’s the fun in that?

Follow John Nolte on Twitter @NolteNC. Follow his Facebook Page here.

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The European Commission was the victim of a “large scale” cyberattack, which brought down its internet access for hours Thursday as the institutions braced for more waves.

The Commission’s IT services sent an email to staff around 6 p.m. which described the attack as a “denial of service … which resulted in the saturation of our internet connection.”

“No data breach has occurred,” a Commission spokesperson told POLITICO. “The attack has so far been successfully stopped with no interruption of service, although connection speeds have been affected for a time.”

The loss was in man hours. “No one could work this afternoon, since the internet was gone twice, for several hours,” one staffer said.

What we know

The attack started in the afternoon, around 3 p.m. or a little later.

Millions of requests to access the Commission’s website were sent at the same time, resulting in an overload for the institutions’ servers in what is called a distributed denial-of-service attack. Such attacks aim to take down websites, but can be a diversion to attempt to break into the IT system.

The Commission’s team were still fighting off the attack late in the evening, but a source at the Commission’s DIGIT team said the situation was under control.

The team working to fend off the attack prepared for new waves of requests to their servers, which is often the case in such attacks.

Apart from sending traffic to the EU’s main website, the attackers also targeted network gateways resulting in outages on the internet service of the institution’s staff.

The EU’s cyber emergency response team (CERT-EU) was provided with details of the threat by the Commission’s IT security team.

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What we don’t know

The identity or origin of the hackers remains unknown or was not revealed. The Commission also did not give further details on their actions to counter the attack, out of precaution.

Denial of service attacks are often executed in waves. Sources said they did not know when to expect a next wave or for how long it would last.

NEW YORK (AP) — In a Golden Globes chock full of upsets, the Freddie Mercury biopic “Bohemian Rhapsody” took best picture, drama, over Bradley Cooper’s heavily favored “A Star is Born” and Glenn Close bested Lady Gaga for best actress.

Few winners were seen as more certain than Lady Gaga as best actress in a drama at Sunday’s ceremony at the Beverly Hilton Hotel in Beverly Hills, California. But the veteran actress Close pulled off the shocker for her performance in “The Wife,” as the spouse of a Nobel Prize-winning author. Close said she was thinking of her mother, “who really sublimated herself to my father for her whole life.”

“We have to find personal fulfillment. We have to follow our dreams,” said Close, drawing a standing ovation. “We have to say I can do that and I should be allowed to do that.”

Minutes later, the surprise was even greater when “Bohemian Rhapsody” won the night’s top award, shortly after Rami Malek won best actor for his prosthetic teeth-aided performance as Mercury.

“Thank you to Freddie Mercury for giving me the joy of a lifetime,” said Malek. “This is for you, gorgeous.”

Politics were largely absent from the ceremony before Christian Bale took the stage for winning best actor in a musical or comedy for his lead performance in Adam McKay’s “Vice.”

Christian Bale and Amy Adams in Vice (Annapurna Pictures, Gary Sanchez Productions, 2018)

“What do you think? Mitch McConnell next?” joked the Welsh-born actor, referring to the Senate’s majority leader. “Thank you to Satan for giving me inspiration for this role.”

Oh and Andy Samberg opened the Globes, put on by the Hollywood Foreign Press Association, on a note of congeniality, including a mock roast of attendees and a string of jokes that playfully commented on critiques of Hollywood. Oh performed an impression of a sexist caveman film executive who casts like the title of Damien Chazelle’s Neil Armstrong drama: “First … man!”

Noting the success of “Crazy Rich Asians,” Oh alluded to films with white stars in Asian roles like “Ghost in the Shell” and “Aloha,” the latter of which prompted Emma Stone, who starred in “Aloha,” to shout out “I’m sorry!” from the crowd.

But Oh, who later also won for her performance on the BBC America drama series “Killing Eve,” and Samberg closed their opening monologue on a serious note explaining why she was hosting.

“I wanted to be here to look out at this audience and witness this moment of change,” said Oh, tearing up and gazing at minority nominees in attendance. “Right now, this moment is real. Trust me, this is real. Because I see you. And I see you. All of these faces of change. And now, so will everyone else.”

Some of those faces Oh alluded to won. Mahershala Ali, whom the foreign press association overlooked for his Oscar-winning performance in “Moonlight,” won best supporting actor for “Green Book.” While the Globes, decided by 88 voting members of the HFPA, have little relation to the Academy Awards, they can supply some awards-season momentum when it matters most. Oscar nomination voting begins Monday.

The biggest boost went to “Green Book,” Peter Farrelly’s interracial road trip through the early ’60s Deep South, which has struggled to catch on at the box office while coming under substantial criticism for relying on racial tropes. It won best film, comedy or musical, and best screenplay. “If Don Shirley and Tony Vallelonga can find common ground, we all can,” said Farrelly, the director best known for broader comedies like “There’s Something About Mary.”

As expected, Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt won best song for the signature tune from “A Star Is Born,” the film most expected to dominate the Globes.

Bradley Cooper and Lady Gaga in A Star Is Born (Warner Bros. Entertainment, Metro-Goldwyn-Mayer, 2018)

“Can I just say that as a woman in music, it’s really hard to be taken seriously as a musician and as songwriter and these three incredible men, they lifted me up,” Gaga said.

Though the Globes are put on by foreign journalists, they don’t including foreign language films in their two best picture categories (for drama and musical/comedy). That left Netflix’s Oscar hopeful, Alfonso Cuaron’s memory-drenched masterwork “Roma” out of the top category. Cuaron still won as best director and the Mexican-born filmmaker’s movie won best foreign language film.

“Cinema at its best tears down walls and builds bridges to other cultures. As we cross these bridges, these experiences and these new shapes and these new faces, we begin to realize that while they may seem strange, they are not unfamiliar,” Cuaron said accepting the foreign language Globe. “This film would not have been possible without the specific colors that made me who I am. Gracias, familia. Gracias, Mexico.”

Netflix also won numerous awards for the series “The Kominsky Method,” which won both best actor in a comedy series for Michael Douglas (he dedicated the honor to this 102-year-old father, Kirk Douglas) and for best comedy series over favored nominees like “The Marvelous Mrs. Maisel” (whose star, Rachel Brosnahan still won) and “Barry.”

“Netflix, Netflix, Netflix,” said series creator Chuck Lorre.

Olivia Colman, expected to be Lady Gaga’s stiffest competition when the two presumably go head-to-head at the Oscars, won best actress in a comedy/musical for her Queen Anne in the royal romp “The Favourite.” ″I ate constantly throughout the film,” said Colman. “It was brilliant.”

Best supporting actress in a motion picture went to the Oscar front-runner Regina King for her matriarch of Barry Jenkins’ James Baldwin adaptation “If Beale Street Could Talk.” King spoke about the Time’s Up movement and vowed that the crews of everything she produces in the next two years will be half women. She challenged others to do likewise.

Stephan James and KiKi Layne in If Beale Street Could Talk (2018, Annapurna)

“Stand with us in solidarity and do the same,” said King, who was also nominated for the TV series “Seven Seconds.”

A year after the Globes were awash in a sea of black and #MeToo discussion replaced fashion chatter, the red carpet largely returned to more typical colors and conversation. Some attendees wore ribbons that read TIMESUPx2, to highlight the second year of the gender equality campaign that last year organized the Globes black-clad demonstration. Alyssa Milano, the actress who was integral in making #MeToo go viral, said on the red carpet that in the past year a “really wonderful sisterhood has formed.”

“Spider-Man: Into the Spider-Verse” won for best animated film. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” won for both best limited series and Darren Criss’ lead performance.

For its sixth and final season, FX’s “The Americans” took best drama series over shows like Amazon’s conspiracy thriller “Homecoming” and Oh’s own “Killing Eve.” Richard Madden, the breakout star of the terrorism suspense series “Bodyguard,” won best actor in a drama series. Ben Wishaw took best supporting actor in a limited series for “A Very English Scandal.”

The press association typically likes having first crack at series that weren’t eligible for the prior Emmys. They did this year in not just “The Kominsky Method” and “Bodyguard” but also the Showtime prison drama “Escape at Dannemora.” Its star, Patricia Arquette, won for best actress in a limited series.

Usually the Hollywood Foreign Press Association’s ceremony is known for its freewheeling frivolity and fun. The free-flowing booze helps. But the 2018 Globes were the first major televised awards in Hollywood following the downfall of Harvey Weinstein and the subsequent push for greater gender equality in the film industry.

Last year’s show, like a lot of recent awards shows, saw ratings decline. Some 19 million tuned in to the Seth Meyers-hosted broadcast, an 11-percent decline in viewership. This year, NBC has one thing in its favor: an NFL lead in. Ahead of the Globes, NBC broadcast the late afternoon wild card game between the Chicago Bears and the Philadelphia Eagles, which proved to be a nail-bitingly close game — likely delivering the network a huge audience.

Jeff Bridges received the Globes’ honorary Cecil B. DeMille Award. In remarks about everything from Michael Cimino to Buckminster Fuller and, of course, to his “Big Lebowski” character the Dude, Bridges compared his life to a great game of tag. “We’ve all been tagged,” said Bridges. “We’re alive.” He ended by “tagging” everyone watching. “We can turn this ship in the way we want to go, man,” said Bridges.

A similar television achievement award was also launched this year, dubbed the Carol Burnett Award. Its first honoree was Burnett, herself.

“I’m kind of really gob-smacked by this,” said Burnett. “Does this mean that I get to accept it every year?”