Author: GETAWAYTHEBERKSHIRES

Home / Author: GETAWAYTHEBERKSHIRES

This image features the intersection of 1st Street and Broadway in downtown Los Angeles. In the background is the historic Los Angeles Times building, opened in 1935. At right is the 10-story Mirror Building, opened in 1948.

A branch of Citizens National Bank occupies the opposite corner. Next door is the Redwood Restaurant. In 1973, the William Pereira-designed Times-Mirror headquarters replaced those buildings.

Click Here: liverpool mens jersey

Turns out, this unpublished image may have been taken for a business story. The Nov. 2, 1963, Los Angeles Times business section reported the merger of Crocker Bank and Citizens National Bank.

Current development plans call for the removal of the former Times-Mirror headquarters building. It is to be replaced by two apartment buildings.


‘Terminator: Dark Fate’ suffers franchise fatigue while ‘Harriet’ opens solid. ‘Motherless Brooklyn’ and ‘Arctic Dogs’ both fail to crack $5 million.

While Paramount’s “Terminator: Dark Fate” won the box office, opening in first place with $29 million, the result is well below analyst projections of $35 million to $40 million, according to estimates from measurement firm Comscore. The previous series installment, “Terminator: Genisys,” also opened poorly with $27 million in 2015, and on an extended Fourth of July weekend.

The overall box office took another hit, down 20.9% from the same weekend a year ago when “Bohemian Rhapsody” opened with $51 million. The year-to-date is now down 5.2% from 2018.

The $185-million “Dark Fate” is the sixth entry in the “Terminator” franchise and the third attempt to revive the series in a decade. Although the sequel generated buzz at Comic-Con for being the first entry since 1991’s “Terminator 2: Judgment Day” to reunite series creator James Cameron and stars Linda Hamilton and Arnold Schwarzenegger, moviegoers failed to turn up for it.

“The box office fate of many long-running franchises has been mixed,” said Paul Dergarabedian, a senior media analyst at Comscore. “Some rely heavily on their box office outside of North America to recoup their often sizable production costs. ‘Terminator: Dark Fate’ has been embraced by the fans and has enjoyed solid reviews so it could enjoy long-term playability in the coming weeks.”

He added: “The current marketplace is extremely crowded and competitive, and ‘Joker’ has become such an unbelievable long-running juggernaut that it has essentially cut into almost every other new film’s audience and has dominated the fall movie season in a way that could not have been predicted just a couple of months ago.”

“Dark Fate” was also reportedly plagued with production issues, including a bloated budget, script problems, creative battles between Cameron and director Tim Miller (“Deadpool”) and a set that went dark for days.

“Dark Fate” earned so-so reviews with a B-plus CinemaScore and a 69% “fresh” score on review aggregation site Rotten Tomatoes.

In second place, Warner Bros.’ “Joker” continued its autumn success, adding $13.9 million in its fifth weekend for a cumulative $299.6 million. Globally, the film stands at an impressive $934 million.

At No. 3, Disney’s “Maleficent: Mistress of Evil” added $12.2 million in its third weekend for a cumulative $84.3 million.

In fourth place, Focus Features’ Harriet Tubman biopic “Harriet” opened with $12 million, slightly above analyst projections of $10 million.

Directed by Kasi Lemmons (“Eve’s Bayou”), the film stars Cynthia Erivo as the titular freedom fighter. It was well-received with an A-plus CinemaScore and a 73% “fresh” rating on Rotten Tomatoes.

Rounding out the top five, United Artists Releasing’s “The Addams Family” added $8.5 million in its fourth weekend for a cumulative $85.3 million.

In sixth place, Sony’s “Zombieland 2: Double Tap” added $7.3 million in its third weekend for a cumulative $59.3 million.

Click Here: liverpool mens jersey

At No. 7, STX Entertainment’s “Countdown” added $5.9 million in its second weekend (a 34% drop) for a cumulative $17.8 million.

In eighth place, Sony’s “Black and Blue” added $4.1 million in its second weekend (a 52% drop) for a cumulative $15.4 million.

At No. 9, Warner Bros. opened the crime drama “Motherless Brooklyn” with $3.7 million, well below analyst projections of $10 million.

Edward Norton serves as writer, director, producer and star of the $26-million movie, an adaptation of Jonathan Lethem’s novel about a ‘50s-era private investigator with Tourette syndrome who is on the hunt to solve his mentor’s murder.

The film, which earned a 62% “fresh” rating on Rotten Tomatoes, also features Bruce Willis, Gugu Mbatha-Raw, Alec Baldwin and Willem Dafoe.

Rounding out the top 10, Entertainment Studios Motion Pictures’ animated “Arctic Dogs” opened with $3.1 million, well below analyst projections of $10 million.

The $50-million movie features Jeremy Renner as the voice of Swifty the Arctic fox, a mailroom delivery service worker. John Cleese, Anjelica Huston, James Franco, Heidi Klum and Alec Baldwin also lend their voices to the film, which earned a dismal B-minus CinemaScore and did not screen for critics.

Also new this week, Netflix released the Martin Scorsese crime drama “The Irishman” in eight locations in New York and Los Angeles. Netflix does not report its box office grosses.

Starring Robert De Niro, Al Pacino and Joe Pesci, the 3.5-hour mob drama cost $160 million to $200 million to produce. It boasts a 97% “fresh” score on Rotten Tomatoes and will debut on the streaming service Nov. 27.

Limited releases continued to do well, including Neon’s “Parasite,” which added $2.6 million in its fifth weekend for a per-screen average of $5,705 and a cumulative $7.5 million.

Fox Searchlight’s “Jojo Rabbit” added $2.4 million across 256 locations (up from 55) in its third weekend for a cumulative $4.3 million.

A24’s “The Lighthouse” added $2 million in its third weekend for a cumulative $7 million.

101 Films’ “The Current War: Director’s Cut” added 60 locations and $1.2 million in its second weekend for a cumulative $5 million.

Sony Pictures Classics expanded “Frankie” into 11 screens (up from four) to $26,259 for a per-screen average of $2,387 and a cumulative $52,360.

Utopia released Errol Morris’ documentary on Stephen K. Bannon, “American Dharma,” exclusively at Film Forum in New York. It earned $7,522 and opens Friday in Los Angeles.

This week, Warner Bros. opens the Stephen King adaptation “Doctor Sleep,” Universal releases the romantic comedy “Last Christmas,” Lionsgate reveals the action drama “Midway” and Paramount debuts the family comedy “Playing With Fire.” In limited release, Amazon opens the Shia LaBeouf drama “Honey Boy.”


Fans and celebrities took to Twitter to mourn the loss of LGBTQ and Latino icon Walter Mercado, who died Saturday.

Stars and fans of the late Puerto Rican astrologer and television personality Walter Mercado took to Twitter on Sunday morning to mourn the LGBTQ and Latino icon.

Mercado, who never publicly stated his sexuality, was an icon in the gay community for never conforming to traditional gender roles and challenging Latin America’s conservative television culture.

In an emotional thread, comedian Gabe Gonzalez shared his personal connection to the astrologer, who died Saturday of kidney failure.

“He was weird and beautiful and eccentric and dressed in extravagant capes I’d try to imitate using my grandmother’s sheets,” said Gonzalez in a tweet. “He defined everything I’d been taught about how I ‘should’ act as a Puerto Rican man.”

“He never identified as queer, but it felt like he refused to be constrained by gender norms and antiquated ideas of masculinity,” he continued. “When an interviewer once asked his age, Walter Mercado responded ‘Soy ageless.’ Ageless never dies, bebé.”

“Orange Is the New Black” actress Dascha Polanco also tweeted about the fallen star, lamenting the fact that she’d never had a chance to meet him.

The Kid Mero, one half of the comedy duo Desus & Mero, also shared the news on social media, saying he watched Mercado “my entire life.”

In their remembrances, several fans shared Mercado’s signature catchphrase “Above all, lots and lots of love.”


Click Here: liverpool mens jersey

The full sustaining power of composer Andrew Norman’s mind-bending, enchanting orchestral piece “Sustain” first became evident about 9:30 p.m. Oct. 4, 2018. That would be about 20 minutes, just over halfway, into its Los Angeles Philharmonic world premiere at Walt Disney Concert Hall.

At that point, a hooked listener had no choice but to go along for the marvelous ride as the score chaotically burst its seams, releasing sonic shards into the environment that would fall back to Earth as audible cosmic dust.

This was one of the first of dozens of commissions for the L.A. Phil centennial season, and it instantly became the talk of the new music community and beyond. Lo-fi recordings of Gustavo Dudamel’s spectacular performance, taken from a KUSC-FM (91.5) broadcast, were circulating. Not all of us came to the concert hall intending to have our hair stand on end, so there were walkouts, and I got an angry letter or two about the piece. But by and large, the sense was that the popular L.A. composer, still in his 30s, had come up with a masterpiece.

On Saturday afternoon, Dudamel repeated “Sustain” at Disney, this time as a prelude to Bruckner’s mighty Fourth Symphony, a program he will take on an L.A. Phil tour to Mexico City and London later this month (but not inexplicably to New York, where the orchestra will play only the Bruckner). In the meantime, Deutsche Grammophon has released an L.A. Phil recording in superb sound. Still, “Sustain” had not been played since the first performances, and its sustainability as a masterpiece needed confirmation.

When it comes to our very humanity, sustainability itself should to be the biggest concern of our time. We no longer have trust in what, if anything, can or will last. In an interview about music years ago, the Dalai Lama foretold our way of dealing with the future as needing to get over attachment, music in particular, since it is so addictive. Attachment to anything, he insisted, even his to Buddhism, holds us back.

The best thing about “Sustain,” other than its sheer beauty, is that it is by its very nature unattachable. The piece has a very specific structure, although you are not likely to follow it unless you know exactly what to listen for, which then defeats the point. The score operates in cycles that are signaled by an angelic run up the scale on two pianos tuned a quarter-tone apart.

Waves of string constellations rise and fall, interrupted by suppurating winds and consoled by brass chords. Everything is staggered. On paper, this is a riot of intersecting patterns that look like ant colonies on the move or seeds scattering in the wind. There is a motoric section in which the orchestra blows a ferocious wind before returning to mellower otherworldliness. The cycle lasts some 17 minutes before being repeated in a much abbreviated form and sped up several times. By then, you realize you have no way of knowing where you are going or why.

Progress proves unsustainable. Players are eventually left on their own in semi-improvisation, with a rudimentary percussion section attempting to maintain a beat. Two large pieces of suspended plywood are scraped. The pianos ring out irregular, exquisitely broken, off-tuned chords. We’re lost in a new world.

“You will have no idea where the pianists are by this point,” the composer writes in a note to the conductor near the end of the score. “It is up to you to sculpt the moment as you see fit.” Once more the opening signal, ringing as the strings air bow, instructed musicians to “make no sound ‘on’ your highest string.”

In his program note, Norman says “Sustain” is about his and our relation to the Earth. He credits sadness and loss in the music to this critical moment in history when we are not doing enough to sustain our planet. “Sustain” was played Saturday as L.A. and its environs burned. Loss was palpable.

Dudamel sped everything up ever so slightly from a year ago, adding a new sense of urgency. The L.A. Phil played with a remarkable confidence. Music, just vibrations in the air that don’t last, can’t save the world. But it can, and “Sustain” does, give us resolve.

Click Here: liverpool mens jersey

Superficially, Bruckner’s Fourth Symphony suits “Sustain.” Bruckner is a composer for whom sound is a drug. Like Norman, he separates structure from form, from what we actually perceive. Counterpoint is design. You give yourself to string tremolos and to brass outbursts. Repetition solidifies. What Bruckner here hoped to sustain was his own sanity through spirituality, and for him, a massive orchestra is needed to get divine attention.

The Fourth is a staple of the L.A. Phil, which has recorded the symphony four times. Unlike the unstable “Sustain,” the Fourth is meant to leave you not just satisfied but also satiated. Sustaining tradition in an effusive yet propulsive performance under Dudamel, the symphony did just that once more.

Two hours later, at the Shatto Recreation Center on the outskirts of Koreatown, the L.A. Phil made yet another gesture at orchestral sustainability with a performance by the YOLA CDMX Tour Orchestra. The 96-member ensemble — students and alumni ages 10 to 21 from the various Youth Orchestra Los Angeles centers — will travel with the L.A. Phil to Mexico City, where it will perform with 100 Mexican student musicians under Dudamel.

This warmup concert was conducted by a new Dudamel fellow, Enluis Montes Olivar, a 22-year-old Venezuelan. He was a firebrand on the podium who whipped the kids up into a spirited and contagious, yet impressively disciplined, frenzy in short pieces, including Arturo Marquez’s “Danzón No. 2.”

A dozen years old, and growing by leaps and bounds, YOLA has become an example of the arts as an essential agent of sustainability for the future of L.A. Now we need to put out the fires and clean up the air so that the young musicians can properly breathe new life into our environment. Might not this also be a good moment for Norman, who is about to become a father, to write YOLA players a piece? They’re ready.


What's on TV Monday: 'His Dark Materials' on HBO

November 4, 2019 | News | No Comments

SERIES

The Neighborhood As Calvin and Tina (Cedric the Entertainer, Tichina Arnold) near a milestone anniversary, Dave and Gemma (Max Greenfield and Beth Behrs) want to help them have the wedding they missed out on the first time around in this new episode. 8 p.m. CBS

The Voice Taylor Swift continues her role as mentor to all of the teams on the third night of the knockout rounds in this new episode. 8 p.m. NBC

9-1-1. A murder weapon resurfaces from a case in the early ’90s that Athena (Angela Bassett) was close to. Flashbacks show how she joined the LAPD and became the officer she is today. Peter Krause also stars. 8 p.m. Fox

Bob Hearts Abishola Bob (Billy Gardell) hires Abishola (Folake Olowofoyeku) to take care of Dottie (Christine Ebersole) in his home while she recovers in this new episode of the romantic comedy. 8:30 p.m. CBS

All Rise Mark and Emily (Wilson Bethel, Jessica Camacho) go head to head in court for the first time in this new episode of the legal drama. Simone Missick stars. 9 p.m. CBS

Prodigal Son Bright’s (Tom Payne) hunger to find answers leads him to a junkyard, where he narrowly escapes a hail of gunfire. Later, he and the police discover multiple human remains on the scene, spanning decades. Halston Sage and Michael Sheen also star. 9 p.m. Fox

Holiday Baking Championship In the season premiere of this unscripted competition, host Jesse Palmer asks the 10 bakers to introduce themselves with edible placecards. In a second new episode, each baker takes on a judge’s favorite holiday desserts, then creates holiday centerpiece cakes. 9 and 10 p.m. Food Network

His Dark Materials Philip Pullman’s epic fantasy comes to the small screen as a series set in a world wherein every human being has an animal daemon, a manifestation of their soul. Dafne Keen stars as an orphan who has grown up at Jordan College. Ruth Williams, James McAvoy and Lin-Manuel Miranda also star. 9 p.m. HBO

Rock the Block The designers tackle their great rooms and outdoor living spaces in the two new episodes. 9 and 10 p.m. HGTV

The Good Doctor Sean’s (Freddie Highmore) first solo surgery puts his residency in jeopardy in this new episode of the medical drama. 10 p.m. ABC

Independent Lens In the new documentary “Decade of Fire,” filmmakers Vivian Vazquez Irizarry, Gretchen Hildebran and Julia Steele Allen look back at New York City in the 1970s, when virtually the entire borough of the Bronx burned down, reducing much of the community to rubble. 10 p.m. KOCE and 11 p.m. KPBS

Catherine the Great Catherine and Potemkin (Helen Mirren, Jason Clarke) experience challenges in their relationship, as Potemkin’s push for expansion puts him at odds with Panin (Rory Kinnear) in part three of this four-part miniseries. 10 p.m. HBO

MOVIES

Saving Private Ryan Steven Spielberg won the best director Oscar for this 1998 World War II drama, whose opening portrayal of the Normandy invasion is one of the most powerful war sequences in movie history. Tom Hanks stars as the captain in charge of a platoon assigned to go behind enemy lines and retrieve a private (Matt Damon) whose three brothers have all been killed. Jeremy Davies, Edward Burns and Tom Sizemore also star. 9 p.m. Sundance

TALK SHOWS

CBS This Morning (N) 7 a.m. KCBS

Today (N) 7 a.m. KNBC

KTLA Morning News (N) 7 a.m. KTLA

Good Morning America (N) 7 a.m. KABC

Good Day L.A. Marla Tellez; cast members of “The Morning Show.” (N) 7 a.m. KTTV

Live With Kelly and Ryan Matt Czuchry (“The Resident”); Renée Elise Goldsberry (“Waves”); Loud Luxury and Bryce Vine. (N) 9 a.m. KABC

Click Here: liverpool mens jersey

The View (N) 10 a.m. KABC

Rachael Ray Michael Kelly (“Tom Clancy’s Jack Ryan”). (N) 10 a.m. KTTV

The Wendy Williams Show (N) 11 a.m. KTTV

The Talk Patrick Wilson. (N) 1 p.m. KCBS

The Dr. Oz Show Dog’s latest medical results onstage; Robert Blake’s daughter speaks out. (N) 1 p.m. KTTV

The Kelly Clarkson Show Eric McCormack; Liza Koshy; Mike Posner’s Walk Across America. (N) 2 p.m. KNBC

Dr. Phil (N) 3 p.m. KCBS

The Ellen DeGeneres Show Maya Rudolph (“Bless the Harts”); Dr. Ruth (“Ask Dr. Ruth”); NFL star Jon Dorenbos. (N) 3 p.m. KNBC

The Real Dr. Mehmet Oz (“The Dr. Oz Show”); guest co-host Eva Marcille. (N) 3 p.m. KTTV

The Doctors A mother discusses raising a nonverbal autistic son; another shares her experience with MERT. (N) 3 p.m. KCOP

To the Contrary With Bonnie Erbé (N) 6 p.m. KVCR

Amanpour and Company (N) 11 p.m. KCET; midnight KVCR; 1 a.m. KLCS

The Daily Show With Trevor Noah (N) 11 p.m. Comedy Central

Conan Matt Damon. (N) 11 p.m. TBS

The Tonight Show Starring Jimmy Fallon Chris Evans; Naomi Scott; EarthGang performs. (N) 11:34 p.m. KNBC

The Late Show With Stephen Colbert Country singer Tim McGraw; Sen. Sherrod Brown (D-Ohio). (N) 11:35 p.m. KCBS

Jimmy Kimmel Live! 11:35 p.m. KABC

The Late Late Show With James Corden Jessica Biel; Natasha Lyonne; Chris Garcia. (N) 12:37 a.m. KCBS

Late Night With Seth Meyers Gloria Steinem; Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter; Brendan Buckley. (N) 12:37 a.m. KNBC

Nightline (N) 12:37 a.m. KABC

A Little Late With Lilly Singh Lake Bell; Jason Clarke. (N) 1:38 a.m. KNBC

SPORTS

NFL Football The Dallas Cowboys visit the New York Giants, 5 p.m. ESPN

For more sports on TV, see the Sports section.


LAX adds more buses to beef up LAX-it shuttle runs

November 4, 2019 | News | No Comments

LAX has been forced to add non-custom buses to its LAX-it fleet because of the demand for shuttles to the lot just east of Terminal 1, which debuted Tuesday. As the airport becomes busier as the weekend draws to a close, LAX officials plan to add as many as 44 buses to pick up arriving passengers who need an Uber, Lyft or a taxi ride and take them to the new waiting area. Ride-hails and taxis have been banned from curbside pickups to ease traffic in the airport’s central horseshoe.

“On Sunday, we will have between 42 and 44 buses in circulation,” airport spokeswoman Becca Doten said in an email Friday. “[Twenty-nine] of these current buses are the LAX-it shuttles. The others are airfield buses and circulator buses that have been reassigned … as we wait on delivery of additional LAX-it shuttle buses.”

Passengers may walk or take the free shuttle to the lot. Most of the green LAX-it buses (pronounced “L.A. exit”) are equipped with a luggage rack opposite the double doors in the middle of the bus. But passenger Robert Grenader arrived at LAX and found one without bag space. “After a two-week trip, I was forced to position my 45-[pound] suitcase right next to my seat, which effectively blocked the aisle.”

As of late Friday, only one bus didn’t have a luggage rack, and it will be taken out of the rotation by next week. Three smaller white shuttles have luggage space in the rear, rather than the middle.

Shuttles run every three to five minutes, using a dedicated traffic lane closest to the lower-level terminals. The inner lane used to be the place where drivers picked up friends and family. Now arriving passengers can only be picked up on the outside median in signed areas in front of terminals

Click Here: liverpool mens jersey

LAX’s traffic-easing plan got off to a rocky start Tuesday when passengers waited as long as an hour for their Uber or Lyft ride. The airport apologized and blamed part of the problem on confusion by ride-hail drivers about where they were supposed to go. Arriving passengers can access the LAX-it lot east of Terminal 1 on foot or by taking the shuttle.


Nearly eight months after storms tore it apart, California 243, the most direct route to the popular hiking trails of Idyllwild, reopened Friday.

Click Here: liverpool mens jersey

The alpine community of Idyllwild, about 105 miles southeast of Los Angeles, was partly cut off because of the damage.

The California Department of Transformation, along with Ames Construction company, led the reconstruction effort to remove debris, replace culverts and rebuild sturdier embankments to mitigate any future debris falls on the highway, said Shane Massoud, public information officer at Caltrans.

The reopening was initially scheduled for next year, but favorable weather conditions helped accelerate the process, Massoud said.

Sitting at least 5,200 feet above Palm Springs in the San Jacinto Mountains, the scenic getaway spot is about two hours from both Los Angeles and San Diego. Those traveling to Idyllwild can monitor the traffic and lane closures along the route in real time using Caltrans alerts.


I enjoyed the “On the Spot” article about carrying CBD oil on airplanes in the Oct. 27 Travel section (“You Love Your New CBD Oil. But TSA Officers May Not,” by Catharine Hamm).

I never thought about the different ways it is looked at in various states.

I’m sure it will help many people think twice before they go on an airplane now.

Joel Lupkin
Calabasas

What a pleasant surprise

I was forced to go through the Real ID process because my license was set to expire. I avoided the whole thing as long as possible, of course, but since I have to fly for work, I went to the Department of Motor Vehicles website and began the process.

I eventually managed an appointment at the Glendale office, even though I live in Hollywood. It was the only location available.

Click Here: liverpool mens jersey

I gathered all the documents, thought about packing a lunch and set off to waste my entire day.

I arrived at the DMV office to find a line well out the door and into the parking lot. I asked if they all had appointments and someone told me there was another line inside for appointments.

There was nobody in that line.

To make a long story short, it took me 30 minutes to complete the process, including an eye exam (not everyone has to).

Having lived in California for the last 50 years, I expected the “traditional” California DMV nightmare.

It turned out to be a quick and really efficient process if you are willing to do some homework first.

P. Olsman
Hollywood


Is it safe to travel to Hong Kong?

November 4, 2019 | News | No Comments

HONG KONG — 

Images of riot police lobbing tear-gas canisters into angry crowds played on the news. Activists were blasted with water cannons and carted away. Thousands of protesters filled the streets, demanding greater autonomy from China.

A proposed bill, since withdrawn, that would have allowed extradition of criminal suspects to mainland China ignited the dessert. What started as peaceful marches had escalated into violent clashes between citizens and the police. The Chinese government has threatened severe consequences.

Into this, I decided to take my family.

The almost daily news of dissent has impacted tourism: There was a 39.1% drop in visitor arrivals in August over the same month a year earlier, according to the Hong Kong Immigration Department. People in the rest of the world declined to visit as increasingly contentious conflicts between pro-democracy citizens and the authorities took place.

But I wasn’t one of them.

Hong Kong is my home. I was born here when it was part of the British empire and lived here, after the handover to China in 1997, until I moved to Los Angeles in 2000.

My family has been in Hong Kong for three generations, my great-grandfather setting off from India in the early 1900s to establish trading outposts in Southeast Asia. My father started working in the Hong Kong branch when he was 18. He never left. He is about to turn 90.

That was one reason I was compelled to return in September, civil unrest notwithstanding. My sons, 14 and 17, had not seen their grandparents in 2½ years. My dad had recently been in the hospital. My mother had just turned 80. We had a brief window before my older son resumed his studies at UCLA.

Sometimes family trips just can’t be put off.

Given the decline in Hong Kong tourism, airfares and hotel rates were reasonable. The chant of “What about the riots?” from people in Los Angeles fell on my deaf ears.

Some insularity comes with being familiar with a place, so even when it is troubled, as Hong Kong is, it still feels safe. I have never known Hong Kong to be anything else.

A woman can walk home at 2 a.m. and not fear for her life. People don’t carry guns in this city where gun laws are extremely tight. (There were 120.5 civilian-held firearms per 100 people in the U.S. In Hong Kong, that number is 3.6., according to a 2017 report from the Geneva-based research group Small Arms Survey.

Before booking my tickets, I called a British journalist friend in Hong Kong who not only follows news of the protests but has marched alongside them in a mix of curiosity and solidarity. She said with some exasperation, “For heaven’s sake, nobody has died. You’re safer here now than on any day in America.” I found it hard to argue with that.

I checked travel advisories and didn’t discover anything that would cause me to cancel. Because there had been showdowns at Hong Kong International Airport leading to flight cancellations, I made sure the travel insurance I bought covered civil disturbance.

I knew that if there was any real threat, my parents and my brother and his family, who also live here, would say, “Don’t come.”

They never did.

Tourist areas affected

The key to visiting Hong Kong now — and I would again, despite the escalation and frequency of the clashes — is planning. Things have taken a turn for the worse; Jimmy Sham, head of the Civil Human Rights Front, the de facto leader of the uprising, recently was attacked. The mood in the city, my friends say, is tense.

Still, Mondays to Fridays, it’s mostly business as usual in this hyper-efficient and industrious city. With rare exception, protests don’t take place during the week. Stand in Central, the financial district, at the intersection of Queen’s Road and D’Aguilar Street at 1 p.m. on a weekday and watch the office buildings disgorge thousands of people out to grab lunch. It was always that way.

I thought people would stay in, given the circumstances. They did not. The places that locals frequent, such as the Chili Club, a Thai restaurant I’ve been patronizing for more than 20 years because of its legendary papaya salad, are still busy.

Where I did see a difference was in areas that tourists frequent. On previous trips to Hong Kong, we would wait at least an hour to board the Peak Tram, the funicular railway that for a few dollars takes you from Central adjacent up a steep hillside to the Peak, the tallest point on Hong Kong Island, where people go for the views.

The harbor has shrunk, the buildings grow taller, but the impact of the view remains, whether on a crisp, sunny day in April or through a veil of mist in frosty (for Hong Kong) February. It’s not surprising people wait an hour or more to see it.

When we drove past the Central boarding station on this visit, however, there was no line.

It’s quiet at tourist havens such as Hong Kong Disneyland, the marine-based theme park Ocean Park and Tian Tan Buddha, a 112-foot-tall bronze statue of Buddha, at Ngong Ping on Hong Kong’s Lantau Island, accessed by a cable car ride over lush green mountains.

These were places we waited in long lines for rides or refreshments when I took my young children. We didn’t visit them this time, despite the exhortations of friends who said, “There’s nobody there! You should go!”

The decrease in tourism was apparent in other ways. On previous trips, I always set aside an afternoon for the Mongkok Ladies Market, bazaar-like streets jammed with stalls selling knockoff brand-name sneakers, pretty sets of chopsticks, teacups and more.

Bargaining is a hoot, with sellers shouting their best offers as customers walk away: “$100! OK, for you $80! OK, final price $60!” The area is typically packed with tourists. In the past, it’s been hard to move.

This time, Mongkok Ladies Market was almost empty. The contrast between the streets within the market, and the streets outside it, was marked. Mongkok, in Kowloon, across Victoria Harbor from Hong Kong Island, is, according to Guinness World Records, the busiest district in the world, with about 340,000 people living per square mile.

I reckon they were all out that Thursday afternoon. We waited 15 minutes for a $2 glass of fresh watermelon juice and gai daan jai — Cantonese egg waffles that are a typical street snack. But as we approached the actual market, the crowds thinned. Locals don’t frequent it unless they’re with out-of-town visitors.

High alert

On the weekends, however, Hong Kong residents are on high alert. Protests can start on a Friday night and stretch to Sunday afternoon. They take place all over Hong Kong Island, Kowloon and the New Territories, which are on Hong Kong’s outlying islands.

Still, Hong Kong-style efficiency is apparent even in chaos. Protest groups let the public know where they will be, which makes it easy to avoid those areas. WhatsApp groups disseminate minute-by-minute information with photos: Stay away from Kowloon Tong; Pacific Place is closed; there are riot police gathering in Yaumatei.

The closest we came to seeing a protest was on a Friday evening outside our hotel in the west end of Central, and it was small-scale. About 30 students from the University of Hong Kong had gathered to talk to passersby and to invite them to write a few words on a pillar already emblazoned with “Stay Strong, Hong Kong” types of sentiments.

Most people who don’t participate in the protests see them as a hassle rather than as something to fear. They support protesters’ demands for greater autonomy from China. My friends here don’t feel endangered, just inconvenienced. The Mass Transit Railway subway system — a marvel of public transportation — used to stay open till 1 a.m. It now closes at 8 p.m., but even that changes day to day depending on the station.

The Airport Express, a sophisticated high-speed train that travels from the airport’s arrival hall into Central in 23 minutes for about $15, no longer stops along the way. Shops that used to be open until 10 p.m. now close in the middle of the day. The neighborhood 7-Eleven is now dark at 4 p.m. Luxury boutiques are struggling. I used to see lines of mainland Chinese shoppers outside Chanel and Louis Vuitton. They are no longer there.

So should you visit?

According to the U.S. State Department, Hong Kong is a Level 2 destination, which means “Exercise Increased Caution.” The highest is Level 4: Do Not Travel.

“The important thing is for people to avoid areas where protests are happening,” said Brendan O’Reilly, intelligence analyst for Asia at the travel risk management firm WorldAware. “Especially anything near a government facility, a police station or an MTR station where protesters gather. As long as people avoid those venues, Hong Kong as a whole is still typically safe.”

Experts do caution that travel insurance providers may not cover losses incurred as a result of the protests, so if you do go, check those details in your insurance policy carefully.

Some also advise suspending leisure travel. “I would say no,” said Mike O’Rourke, chief executive of global security consultancy Advanced Operational Concepts, who has spent much of the year in Hong Kong. “On recent weekends prime shopping areas have been targeted by the protesters.” Tourists, he said, will be impacted by vandalism at MTR stations, including fires, leading to their closure. “Tourists depend heavily on public transport here.”

But staying away, some said, sends the wrong message.

“I think it’s really important for people to continue to shine a light on Hong Kong, and clearly travel is a part of that,” said Joel Rubin, former deputy assistant secretary of state and adjunct faculty member at Carnegie Mellon University’s Heinz College. “I think if people had planned to travel to Hong Kong, they should travel. For those who care about Hong Kong and whether its democracy movement is going to persist, the last thing they should do is avoid it.”

Hong Kong — its unaffordable housing notwithstanding — does try to take care of its people. It built the world’s longest escalator so those who live in the hilly areas called the Mid-Levels can ride for free to Central. Hong Kong residents can see a doctor for $6 at a government clinic or be admitted to a hospital for $15 a day. Anyone 65 or older gets $165 every month from the government for what is called “fruit money” — essentially an “old-age allowance.” Some years ago, on the back of a budget surplus, every permanent resident received about $800 in a kind of “share the wealth” initiative.

That sort of consideration still prevails even in the face of the dissent.

We were flying out of Hong Kong on a Sunday to return to Los Angeles. We’d been told to get to the airport earlier than usual as protests were being planned near there and roads might be closed.

We saw riot police and vans lining the approach to the airport. Queues had formed outside the departure terminal as passengers were being asked to show proof of travel.

Outside the terminal, all the luggage carts, destroyed in previous skirmishes with the police, had been removed. We had eight pieces of luggage to check. We needed carts. I found an airport staffer who said, with a smile, “Don’t worry.”

He found two colleagues, grabbed carts from inside, loaded our luggage and patiently waited while we went through security. He apologized for the hassle. He wished us safe travels and said, “Welcome back soon,” the smile never leaving his face.

If you go

  • Check for updates on Facebook’s BeWater HK page (bit.ly/bewaterhk), where schedules of upcoming protests are routinely posted.
  • The South China Morning Post (scmp.com) has a live blog with continuing updates.
  • On Twitter, @mtrupdate posts events at the city’s MTR stations, which can close suddenly.
  • Avoid hotels in Wan Chai, Causeway Bay, Pacific Place and many parts of Kowloon. Central, Sheung Wan and Kennedy Town are better options.


Click Here: liverpool mens jersey

DUBAI, United Arab Emirates — 

Saudi Arabia formally started its long-anticipated initial public offering of its state-run oil giant Saudi Aramco on Sunday, which will see a sliver of the company offered on a local stock exchange in hopes of raising billions of dollars for the kingdom.

An announcement from the kingdom’s Capital Market Authority serves as a starting gun for an IPO promised by Crown Prince Mohammed bin Salman since 2016.

Initial plans call for the company’s shares to be traded on Riyadh’s Tadawul stock exchange, then to later put other shares on a foreign exchange.

Prince Mohammed hopes for a very optimistic $2-trillion valuation for Aramco, which produces 10 million barrels of crude oil a day and provides some 10% of global demand. That would raise the $100 billion he needs for his ambitious redevelopment plans to create new jobs in Saudi Arabia, where unemployment stands at more than 10%.

However, economic worries, the trade war between China and the U.S. and increased crude oil production by the U.S. have depressed energy prices. A Sept. 14 attack on the heart of Aramco already spooked some investors, with one ratings company already downgrading the oil giant.

The announcement by the Capital Market Authority offered no timeline for the IPO.

“The Capital Market Authority board has issued its resolution approving the Saudi Arabian Oil Co. application for the registration and offering of part of its shares,” the authority said in its statement. “The company’s prospectus will be published prior to the start of the subscription period.”

The Saudi-owned satellite channel Al-Arabiya reported last week, citing anonymous sources, that pricing for the stock will begin Nov. 17. A final price for the stock will be set Dec. 4, with shares then beginning to be traded on the Tadawul on Dec. 11, the channel reported. The channel is believed to have close links to the kingdom’s Al Saud royal family.

The kingdom has in the past used the company as a piggy bank for development companies, back when it was still a U.S. company. Since buying a 100% interest in the company by 1980, the royal family as its sole “shareholder” largely hasn’t interfered in the company’s long-term business decisions as its revenue provides about 60% of all government revenue.

But recently, there have been decisions seemingly forced onto Aramco, including the nearly $70-billion purchase in March of the petrochemical company Saudi Basic Industries Corp. just before SABIC announced a plunge in its quarterly profits.

In Aramco’s first-ever half-year results, it reported income of $46.8 billion. Yet analysts say a $2-trillion valuation — Apple and Microsoft separately for instance are $1 trillion — may be a stretch. By announcing the start of the IPO on Sunday, Prince Mohammed may have been convinced to take a lower valuation in order to get the IPO moving. The kingdom probably is pinning its hopes on tremendous local interest to push up the company’s valuation before potentially taking some of the stock abroad.

Analysts believe Aramco will list as much as 3% of the company on the Tadawul, with an additional 2% put abroad.

Saudi Aramco has sought to assure investors, given the questions over its valuation and the potential hazards of future attacks or geopolitical risk. A presentation posted to Aramco’s website last month announced the intent to offer a $75-billion dividend for investors in 2020. That’s the payment per share that a corporation distributes to its stockholders as their return on the money they have invested in its stock.

It also pledged that from 2020-24, any year with a dividend less than $75 billion would see “non-government shareholders” prioritized to get paid.

But beyond the stocks, worries persist that Saudi Arabia could be hit by another attack like the one Sept. 14, which the U.S. blames on Iran. Iran denies it launched the cruise missiles and drones used in the attack. Yemen’s Houthi rebels claimed responsibility, but analysts say the weapons used wouldn’t have the range to reach their targets.


Click Here: liverpool mens jersey