Author: GETAWAYTHEBERKSHIRES

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Hey, I’m Farah! And the first thing you need to know about me is that I’m obsessed with exploring the world, traversing unforgettable landscapes, and experiencing food from all over the globe—through other people’s Instagram stories.

I like to take no days off from sitting on my couch with the air-conditioner on high and sightseeing anywhere from the coasts of Vietnam to the island of Capri, mostly through the IG account of my friend Hannah who got a lot of money when her grandpa died and has a lovely boyfriend, Mark.

I highly recommend the penne pomodoro at Mercato Centrale in Florence. It’s incredibly authentic. You can really sense the unique depth of flavor through the pic. Don’t cheat yourself—get the tiramisu. They bring it out on a chocolate-lined plate! Seriously, it looked so good, I ordered some for myself via Seamless.

You simply cannot miss the Edinburgh Fringe Festival, the largest arts festival in the world, and a fantastic way to catch up-and-coming artists showcasing their work in the U.K. I know this because two people I met while doing an open mike in 2012 are there right now and keep posting about it.

If you’re travelling with children, you’re going to want to check out Melbourne, Australia. Extremely family-friendly. Marcia’s kids were blown away by the Scienceworks museum. I didn’t feel like I really needed to see every exhibit, but she posted them all and I have a deadline I’m avoiding.

Eyjafjallajökull, Iceland, should be added to your bucket list immediately. The active volcano is unlike anything I have ever encountered. I got an especially detailed view, because Sean and his girlfriend are going through a rough patch, so he posted a lot of closeups of the lava. Usually, he includes his girlfriend in every photo and you can’t see the nature that well. I hope they don’t break up.

I recently had the privilege of spending two weeks in Seville through watching Jayne’s story. The culture was exquisite. The classic façades are juxtaposed with the modern architecture in a truly spectacular way, and there are beautiful secret courtyards to be found around every corner. I feel like I learned a lot about myself on this trip.

Feel free to skip Melissa Solomon’s stories. She was a bitch back in high school and nothing has changed. The trips she goes on are really underwhelming. Last week, she was in Maine. . . .

If you enjoy venturing off the beaten path, may I suggest giving Drew a follow? I went to the urgent-care center on my block and got a yellow-fever shot before the long weekend I spent intently following his trip to Ecuador. You can never be too safe. Ecuador has always been a dream destination for me, and Ben & Jerry’s just released a new core flavor.

When it comes down to it, don’t underestimate the amazing adventures right at your fingertips, thanks to modern technology. I always yearned for a life of travel without having to walk too much or at all. I want incredible experiences without spending one minute in an airport. I absolutely live for breathtaking views on a screen. I think it’s fair to say that travel is my life and my life is sad.

Rugby AU and Waratahs to meet with Folau

September 18, 2019 | News | No Comments

Rugby AU CEO Raelene Castle and NSW Rugby CEO Andrew Hore will meet with Israel Folau over his social media use.

Folau caused a social media stir on Wednesday, over a now delted Instagram comment in which he suggested that God’s plan for gay people was ‘HELL…Unless they repent of their sins and turn to God.”

It’s the second time in six months the devout Christian has created controversy with his comments on social media, after tweeting his opposition to same sex marriage in September last year.

That tweet prefaced his opposition with the comment, ‘I love and respect all people for who they are and their opinions’.”

His most recent post created polarising reactions, with some commenters agreeing with his religious views, but most criticising his stance and the public nature of the message.

Rugby Australia and the Waratahs had been criticised for not taking a stronger stance on the matter, after a spokesperson on Wednesday night said the national organisation did not agree with Folau’s views, reinforcing the principles 2014 Social Inclusion Policy.

Folau’s club and national teammate Nick Phipps, speaking on FOX SPORTS’ Kick and Chase on Wednesday night, echoed the organisation’s stance, saying the team as a whole did not necessarily agree, but respected his beliefs on the topic.

Major Wallabies sponsor Qantas, whose CEO Alan Joyce is gay and is a vocal supporter of marriage equality and inclusion, reportedly said on Thursday they found the comments ‘disappointing’. 

Rugby Australia was one of the founding signatories on an anti-homophobia in sport policy back in 2014, and the Waratahs fined one of its players, Jacques Potgieter, $20,000 for a homophobic slur in a game in 2015.

Rugby AU CEO Castle reiterated  the views of Folau did not align with Rugby AU and NSW Rugby, promising to ‘discuss the matter with him as soon as possible’.

“Israel’s comment reflects his personal religious beliefs, however it does not represent the view of Rugby Australia or NSW Rugby,” Castle said in a statement.

“We are aligned in our view that rugby is a game for all, regardless of sexuality, race, religion or gender, which is clearly articulated in Rugby’s inclusion policy.

“We understand that Israel’s comment has upset a number of people and we will discuss the matter with him as soon as possible.” 

Folau has previously appeared on the cover of gay publication the Star Observer, as a supporter of the 2014 Bingham Cup, a global tournament for gay rugby teams, started in Sydney.

While the rest of his teammates are in Tokyo to face the Sunwolves, Folau will remain in Sydney, sidelined for four weeks with a hamstring injury.

Folau is off-contract this year and currently in negotiations with Rugby AU over a new deal to take him through to the 2019 Rugby World Cup,with his retention one of Rugby AU’s highest priorities.

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The Reds backrow plans have been thrown into turmoil with Caleb Timu unavailable for their clash with the Rebels after a send-off in club rugby.

For the most part,  Timu responded perfectly to his Super Rugby omission with a double for Souths in Queensland Premier Rugby  in a first-up win.

The backrower crossed twice for the Magpies in a clash with Sunnybank but was embroiled in a to-and-fro with Sunnybank centre Nick Kepu, with both players sent off.

With his judiciary hearing not until next Monday, Timu will not be available to play Super Rugby this weekend as the Reds host the Rebels.

Timu’s absence compounds news that Angus Scott-Young was cited in their win over the Brumbies for a punch on  prop James Slipper. 

Scott-Young faced a SANZAAR hearing via videolink on Monday night with the result of that hearing yet to be confirmed.

If he is suspended, Lukhan Salakaia-Loto would likely come into blindside flanker with Harry Hockings able to start at lock.

Reds squad hooker Efi Maafu made his presence felt for Wests as the Bulldogs made a round one statement in Brisbane, beating Norths 49-0.

Aidan Toua was at fullback for Brothers as they nabbed a 26-20 win over Bond Uni on Saturday afternoon.

Reds duo Jock Campbell and Adam Korczyk crossed for UQ as last year’s runners-up opened their year with a big win over Easts, going up against recent Reds debutant Jack Hardy, who was at fullback for Easts.

RESULTS

Brothers 26 – Bond Uni 20

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Sunnybank 14 – Souths 26

Norths 0 – Wests 49

UQ 38 – Easts 12

NSW Rugby boss encourages SANZAAR to keep Sunwolves

September 18, 2019 | News | No Comments

NSW Rugby CEO Andrew Hore has encouraged SANZAAR to retain the Sunwolves in Super Rugby as the joint venture partners met in Dublin overnight.

The future of the Sunwolves has reportedly been under question as SANZAAR’s bosses continue to debate the format of Super Rugby in the next broadcast deal, starting in 2021.

SANZAAR’s executive met in Dublin over the weekend to continue those talks, ahead of Thursday’s World Rugby meeting around the proposed World League, set to kick off in 2022.

All of Australia’s Super Rugby franchises have sponsorship arrangements with Japan and both the Brumbies and Waratahs travelling to Japan for showcase matches in the past two years.

The Rebels recently signed a partnership with the Sunwolves, with the Japanese side visiting Melbourne to train against the Aussies.

While Hore said NSW Rugby weren’t concerned about commercial backlash in the absence of a Japanese franchise per se, but rather felt their presence presented a crucial chance for Australian rugby to benefit financially as well.

“It’s not so much repercussions but opportunity, we want to maximise opportunity,” he said.

“We’re a global game, not kicking around in a tiddly wink competition like the NRL that’s only played in this part of the world, we’re a global sport.

“And so, ultimately that means there’s opportunity for global revenue and that now that we’re one Waratahs and NSW means that we can feed the game using that commercial revenue.

“That’s our biggest opportunity with Japan. Any new territories hold opportunities.”

It is believed that South Africa are the biggest opponent to a Japanese side, concerned about the travel load for their players in the current competition.

Hore said he hoped there was some middle ground able to be reached, but that the teams were ultimately at the behest of the SANZAAR partners.

“You can’t comment not being in the room, you can only hope that a decision, might even have to be a compromise, is reached so that we can do what we need to do.

“It doesn’t mean, you might do everything from blowing it up to adhering to what they want to a middle ground, isn’t it?  That’s their job in the room to sort it out.”

Hore admitted that there had to be a balance between commercial revenue and the quality of competition but pointed to the Sunwolves’ apparent improvement in 2019 as a reason for patience.

“We’ve always said our issues are more around the governance model which allows the competition to thrive no matter where you have a team,” he said.

“Sixty-two per cent of respondents that were surveyed said they wanted close fixtures.

You could play it on the moon and if it’s a good fixture people want to watch it. So, it’s how do we create a competition like when we had Super 12 that has that balance.

“I think Jamie’s (Japan director of rugby Jamie Joseph) done a great job this year with the Sunwolves, they’re going toe to toe home and away aren’t they? And so, like Super W, you’ve just got to sometimes give things time.”

“We’re excited by the Japanese and we enjoy going up there but there’s a lot of things they need to consider.”

Hore reiterated his support for a commission-style governance model that gave Super Rugby teams a seat at the table.

“There’s discussions always ongoing in and around the various aspects of Super Rugby from laws to governance and so I think we’ve just got to keep talking and I think there’s opportunities coming with these milestones around broadcasting that opens the door for more discussion,” he said.

Rugby Australia CEO Raelene Castle was not commenting publicly on the latest SANZAAR meeting but last month reinforced Australia’s support for the Japanese side.

“We see enormous value in the Japanese market,” she said.

“There’s not that many countries in the world that have an interest in rugby and are in the top four economies in the world so that for us, to make sure we take a base that’s established, they’ve got player development systems and structures in place.

“To help them grow and develop to become competitive on the world stage is an important part of what we see SANZAAR’s role in and Rugby Australia supporting that.

“We saw the success of that happening with Argentina so bringing Argentina into Super Rugby and the improvement that they’ve had on the world stage with their international team with the Pumas because of that so we see there’s that same opportunity with Japan.”

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Lealiifano not rushing call on future

September 18, 2019 | News | No Comments

Christian Lealiifano may ride off into the sunset at the end of this Super Rugby season, with a decision on his playing future in Australia yet to be made.

The Brumbies skipper has signed with Toyota Shokki for the upcoming Top League season but as far as Australian farewells go it would be fitting for Lealiifano to disappear with little fanfare given he is the leader of the head down, bum up attitude which shapes the Brumbies.

The desire to add to his 19 Test caps remains, though, having been overlooked for the 2015 World Cup squad.

That has been a tough one,” Lealiifano said.

“Obviously I’m getting on a bit now – I’ll be 32 next year – and a World Cup would be the biggest drawcard.

“It’s definitely something that I have been chatting to my family about and something that interests me.”While Saturday’s clash against the Hurricanes may well be his last match at GIO Stadium, the 30-year-old isn’t approaching the game in that light.

Every game I get to play for the Brumbies is special – especially after the illness – so tomorrow is no different,” Lealiifano said.

“You never really think if this will be your last game because it could be every week.

“It’s not about rushing or pressuring myself to make a decision.

“I’ve been at this club long enough to not worry about farewelling or anything like that.“It’s about doing what is best for my family and hopefully getting a win tomorrow.”

Lealiifano’s future may be up in the air but Joe Powell has put pen to paper on a fresh deal which will keep him in Canberra until the end of 2020.

The 24-year-old never entertained playing anywhere else, such was his desire to stay in the nation’s capital.

There was never any other way – I was never going anywhere else,” Powell said.

I’ve really enjoyed my rugby here – the setup and the system is really good.

“I’ve been playing good rugby here and I wouldn’t want to try and play somewhere else.”

The Brumbies take on the Hurricanes at GIO Stadium on Saturday night, kicking off at 7:45pm AEST, broadcast LIVE on FOX SPORTS and RUGBY.com.au radio.Click Here: habitat tord boontje

The Reds have swum against the tide and named all but one of their returning Wallabies to play against the Chiefs in their final trial of the pre-season at Ballymore on Friday night.

In a World Cup year, the Waratahs and Brumbies decided to rest their big names ahead of round one but the Reds have included four players from last year’s spring tour.

Samu Kerevi, Taniela Tupou, Sefa Naivalu and Jordan Petaia have been named in the starting side for the Ballymore clash, while Alex Mafi, will come off the bench in his first appearance back from Japan.

Izack Rodda (rested) is the only member of the Reds’ sprint tour contingent missing in a match the Reds believe is crucial to their Super Rugby preparations.

Attack coach Jim McKay said with Queensland facing a round one bye, it was vital the Wallabies be involved in the trial to gain momentum ahead of the Reds’ opening Super Rugby clash against the Highlanders.

“We respect the national program but for our program it was critical they play this week,” McKay said.

“They’ve been training with us for a couple of weeks now but they’ve got to play with us and get some combinations and synergy with the other guys.

“We have a bye in the fist round of the competition, so it was really important they play with us this week.”

The Reds lost their opening trial in Ballarat last week to a Rebels fightback after the siren.

And while there were some positive signs, McKay expected the team would build on that showing against the Chiefs.

“We’re expecting some growth from last week from the Rebels game and we’re in the (early) stage of building our game,” he said.

“We’re expecting from the Chiefs, a good game, and it suits us entering the season because our first two games are against the Highlanders and Crusaders, so I think they’ll have a similar style.

“So it’s an important game for us and a really important game for where we’re at.

“And in the context of the opposition, it’s ideal preparation for us.”

Reds coach Brad Thorn agreed that engaging a New Zealand side before facing Kiwi teams back-to-back in the competition proper provided his team with a perfect preparation.

“It’ll be the Chiefs’ last hitout before they play the following week, so they’ll be coming with real intent,” Thorn said.

“It’s also our last (pre-season) hitout, so I’m looking for the guys to step up from last week.”

The Chiefs have named a familiar face in the form of Jack Debreczeni, the former Rebels and Australian under 20s fly-half.

The Reds take on the Chiefs on Friday at Baltimore, February 8 at 7pm local, 8pm AEDT.  The game will be live streamed on Redsrugby.com.au

Queensland team

1 Feao Fotuaika 

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2 Brandon Paenga-Amosa 

3 Taniela Tupou 

4 Harry Hockings 

5 Lukhan Salakaia-Loto

6 Angus Scott-Young 

7 Liam Wright 

8 Scott Higginbotham 

9 Moses Sorovi 

10 Hamish Stewart 

11 Jordan Petaia 

12 Samu Kerevi 

13 Chris Feauai-Sautia

14 Sefa Naivalu 

15 Bryce Hegarty 

 

Bench

16 Alex Mafi 

17 Harry Hoopert 

18 Ruan Smith 

19 Angus Blyth 

20 Caleb Timu 

21 Tate McDermott 

22 Duncan Paia’aua 

23 Isaac Lucas 

24 Adam Korczyk 

25 Teti Tela 

26 Jack Hardy 

27 Filipo Daugunu 

Chiefs team

1. Atu Moli

2. Samisoni Taukeiaho 

3. Jeff Thwaites 

4. Michael Allardice (C) 

5. Tyler Ardron 

6. Mitchell Brown

7.Lachlan Boshier

8. Taleni Seu

9. Brad Weber

10. Jack Debreczeni

11. Etene Nanai-Seturo

12. Alex Nankivell

13. Bailyn Sullivan

14. Malo Tuitama

15. Shaun Stevenson

Reserves

16. Sekope Moli

17. Aidan Ross

18. Tevita Mafileo

19. Laghlan McWhannell

20. Jesse Parete

21. Jack Stratton

22. Tyler Campbell

23. Orbyn Leger

24. Sosefo Kautai

25. Mitchell Jacobson

26. Pita Gus Sowakula

27. Quinn Tupaea

Chiefs edge hard-working Reds in final trial

September 18, 2019 | News | No Comments

Reds coach Brad Thorn has found genuine depth in his squad but a dominant forward showing could not propel Queensland to a pre-season win against the Chiefs at Ballymore on Friday night.

A quartet of returning Wallabies was not enough to get the Reds past the visitors, who won 21-19 in front of 4812 fans at Queensland’s spiritual home of rugby after a two-try blitz in the opening 10 minutes.

Thorn summed up his side’s entire pre-season when he said they “worked hard for a loss” – unable to convert a dominant scrum into points in a messy first half in which the visitors scored two early tries against the run of play.

The returning Taniela Tupou helped the front row dominate the Chiefs in the opening stanza and there were further good signs when the Reds lost nothing as Thorn rolled his bench forwards into the game.

“Obviously the scrum had some dominance, I thought our conditioning, I was pleased with the body language of the guys on a muggy sort of night,” Thorn said.

“It’s competitive and that’s where we’ve been aiming to get to.

“Ideally, we’re competitive across all positions and we’re getting, I feel, closer to that.

“You saw the second front row come on and do well, and some other guys.

“JP (Smith) wasn’t playing, the locks changed, they did reasonably well, the loose forwards, so across the team you’re looking for that depth and that competition and you’re hoping that helps your standards to be high.”

The night started poorly for the Reds, who conceded a try in the second minute to Chiefs fullback Shaun Stevenson after a loose pass from Wallabies winger Sefa Naivalu led to an early turnover.

And things improved little in the opening 10 minutes, with Stevenson again in the thick of the action, putting through a neat grubber for outside centre Bailyn Sullivan to pounce.

The Reds held their own for the next 20 minutes and while they dominated the scrum, they were unable to convert that pressure into points.

“Just with our attack, there wasn’t much going on and then finally, some life started to get breathed into our attack and we started to get to have some structures and play out some footy,” Thorn said.

“It was good to finally see some footy played.

“The first half, I imagine, would have been a tough one for the fans.”

Things opened up more in the second term, with the Reds finally finding some space but they squandered possession through turnovers and poor kicking options.

Harry Hoopert opened Queensland’s account in the 50th minute as the Reds barged over following after Caleb Timu rumbled his way forward off the back of the scrum.

Timu was outstanding in the second half and his efforts helped lead to a penalty from which Tate McDermott darted over after playing on quickly.

But the Reds’ efforts to get back into the game were in vain after they conceded a third easy try to Tyler Campbell from a neat Sullivan cross kick.

“It was disappointing because if someone’s going to score against you, you want it to be an absolute tussle to get that try. They were two easy ones,” Thorn said of the opening stages.

“And then we spent the rest of the game getting back to that space and then (we conceded) another easy one there.

‘It’s a little bit frustrating but there was good stuff to take out of the game and there were bigger, more stuff to learn for the future.”

Kerevi, who had 40 minutes in his return, was pleased with his hitout and while disappointed with the backs’ inability to keep the ball in hand, felt standards had been set, particularly in defence.

“The lungs are ticking over, it felt good out there with the boys, the boys are really fit, so (there are) just little lessons for us in attack and holding on to the pill, especially down their end, especially in Queensland where it’s pretty dewy with the humidity,” he said.

“But watching the forwards have a go in the scrums was pretty impressive.

“It was an awesome performance from the forwards and us backs have just got to clean it up.”

The pre-season efforts of defensive coach Peter Ryan and the Reds’ fitness team showed, Kerevi said.

“I think (cohesion will come) just knowing our own roles in the team, I think our connection in defence really showed,” her said.

“We held them off at the line for quite a while and that’s the culture that we’ve set.

“We want to back our game on defence first and then our attack will come off the back of that, so I thought that really showed.”

Queensland play the Highlanders in Dunedin in the round two of the Super Rugby season on February 22.

RESULT

Chiefs 21

Tries: Stevenson, Sullivan, Campbell

Cons: Sullivan 2, Stevenson

Reds 19

Tries: Hoopert, McDermott, R Smith

Cons: Hegarty, Daugunu

Why you need to try a kitchari cleanse this spring

September 18, 2019 | News | No Comments

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17th Sep 2019

Spring may have sprung but the nights are still chilly and there are some cool days ahead. While the urge to spring cleanse and get your summer body underway may be strong, it pays to take things slow and steady rather than swing wildly from one season to the next.

Rather than switching abruptly from stodgy heavy winter foods to a full liquid diet (aka juice cleanse), there is a gentler way to transition into the new season and feel lighter.

“Freshness in the air and lightness in the nature brings on also awakening in our body,” says Sydney naturopath and author of Intuitive Eating, Jana Brunclikova. 

“This is the perfect time to prepare your body for cleanse or lighten your digestive system after few months of rich, nourishing comfort food. As nature changes from heavy to light, the same happens in your bodily functions.”

Often our bodies can feel slow and heavy in early spring which is known as the Kapha season in the ancient Ayurvedic eastern medicine system. Some common Kapha symptoms include bloating, sugar cravings, constipation, low energy, bad breath, irritability, mood swings and belly fat. 

“All of this can result in a feeling of not just physical, but emotional heaviness – an unsatisfied feeling of being stuck somewhere. Sometimes there is also an inability to react to the coming of Spring with the get-up-and-go excitement of this renewal period,” Brunclikova says.

She says just as we might clean our houses in spring, we need to clean out the excess Kapha (in the form of mucus, phlegm and dampness) from our bodies.

And that’s where kitchari comes in. Made from mung beans, split or red lentils, rice and spices, this healing Ayurvedic one-pot dish is cleansing, nourishing and easy to digest. Best of all, this restorative Indian water-based curry is warm and you can do it for just one-day or a whole week, depending on your schedule and how you feel.

“Kitchari has long been used to nourish babies, the elderly and sick and during times of detoxification, cleansing and deep spiritual practice,” says Brunclikova, who makes kitchari for Sydney’s Orchard Street juice bars.

Amidst all of the modern no-carb, low-carb and grain-free diet trends happening today, kitchari might seem like an unusual cleansing food. 

However, Brunclikova says the combination of rice and mung dal provides all the amino acids we need to form a complete protein. “The protein content of kitchari supports stable blood sugar levels so that energy and mental clarity are balanced during the cleansing process,” she says. Plus it contains all essential macronutrients: carbohydrate (beans and rice), complete protein (mung dahl), and fat (ghee). 

“Ghee contains butyric acid, a metabolic by-product produced in the gut that helps to maintain a healthy intestinal wall,” she says. “Ghee is packed with omega-3 fatty acids; fat-soluble vitamins plus short, medium and long-chain fatty acids. It helps lubricate and soften the inside of the digestive tract, helping with absorption and regularity.”

Meanwhile, she says the astringent mung dhal helps to remove toxic build-up from the intestinal lining. “But it is much gentler than the harsh or abrasive scraping action that happens with raw or cold foods, especially raw vegetables,” she says.

The kitchari spices – ginger, cumin, coriander and turmeric and a little salt – encourage production of healthy digestive enzymes. And they are ‘tri-doshic” meaning they help balance all three Ayurvedic doshas (Vata, Pitta and Kapha). So you can adjust the spice ratios to suit your dosha and then dial them up or down to suit you.

How long does a kitchari cleanse take? 
“The beauty of this dish is that you can eat it for a single meal to give your digestion a break or do a full cleanse of three to five days where you really begin to release stored toxins and accumulation,” Brunclikova says. 

How do you do a kitchari cleanse?

Plan ahead and decide how many days you want to do it for, making sure it doesn’t clash with other events in your calendar. A few days before your cleanse, begin to eliminate or reduce common foods that cause imbalances such as alcohol, caffeine, sugar, meat, processed foods, unrefined carbohydrates and dairy.

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Make kitchari daily (if possible) and eat it for breakfast, lunch and dinner. See if you can get a friend on board to take turns making batches. Drink warm, herbal teas and water throughout the day and get plenty of rest and take time for self care (oil massage, warm baths, yoga, meditation). 

Other ways to kickstart spring cleansing includes keeping an eye out for the first bitter roots of spring at your farmer’s market – think dandelion root, burdock root, goldenseal, turmeric root and ginger to name a few. These all help scrub the intestinal mucosa and help your liver detox. 

“These roots can be brewed into a tea, added to soups and stews, or taken as a supplement to boost your spring root intake,” Brunclikova says. “This is also the time to start dry skin brushing and vigorous massage to kickstart your lymphatic system and get ready for detoxification and healthy glowing skin.”

In the mornings drink a cup of warm water with lemon followed by another glass of warm water to flush the system. And finally, don’t forget to chew your cleanse. “Digestion and first enzymes production starts in the month,” Brunclikova says. “By proper chewing you also kick start your proper digestion/elimination.”

Ayurvedic healing kitchari

Serves four
Preparation time: 10 minutes
Cooking Time: 40 minutes
Published in Intuitive Eating

Ingredients

½ cup yellow mung beans or split peas (soaked for 24 hours)
½ cup basmati rice (rinsed and uncooked)
2 tbsps of coconut oil or ghee
1 ½ tbsps of cumin seeds
1 ½ tbsps of fennel seeds
½ tbsps of fenugreek seeds
1 ½ tbsps of coriander powder
1 tbsps of ginger (freshly minced)
½ tbsps of garam masala
1 – 2 bay leaves
Pinch asafoetida (optional)
4 cups of vegetable stock or water
1 inch stick of kombu
2 bunches spinach
½ cups of sun-dried tomatoes (chopped)
1 lime
Fresh coriander
Coconut yogurt
Sea salt (to taste)

Method

1. Heat coconut oil in a large heavy-bottomed pot over medium heat. Add the cumin, fennel and fenugreek seeds and cook for a few minutes to release their aromatics, or until the seeds have popped. Add the rest of the spices and stir to combine.
2. Pour in a cup of vegetable stock followed by the mung beans, rice, and kombu. Add the rest of the stock on top. Cover and bring to a boil, then reduce the heat to low and simmer for about 40 minutes.
3. Check the pot and stir periodically to avoid the rice sticking to the bottom. For a soupier consistency add more water, or simmer a bit longer for a thicker stew.
4. Add chopped spinach and sun-dried tomatoes to the pot just before it’s finished cooking.

Serve with fresh coriander folded through, coconut yogurt and a drizzle of lime. Add salt to taste.

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18th Sep 2019

Finally, fashion month has arrived, and with New York Fashion Week officially in full swing the ready-to-wear spring/summer 2020 season is shaping to be one worth keeping tabs on. 

Hot off the heels of the success of autumn/winter ready-to-wear in February, this September, expect to see countless show-stopping collections take centre stage in four of the world’s most fashion-forward cities. 

From Prada to Tommy Hilfiger, this season, some of your favourite fashion houses are slated to give you the opportunity to sit front row alongside the likes of Anna Wintour, Gigi Hadid and a raft of editors, celebrities and models by way of live streams direct from New York, London, Milan, and Paris. To find out how to tune in, read on for more information and all you need to know.

Tommy Hilfiger ready-to-wear spring/summer 2020

Beloved American fashion house, Tommy Hilfiger, is returning home to New York City with its TommyNow show, which is slated to present Tommy x Zendaya live at the Apollo Theater in Harlem on September 8, 2019. In a first for the brand, together with the live stream of the runway show, Tommy Hilfiger is taking fans behind-the-scenes as it switches the view from the runway to the backstage area and even the celebrity red carpet, as the front row make their way to their seats. To make the most of the opportunity, be sure to tune in below for the live stream on Monday, September 9 at 10.30am (AEST).

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Prada ready-to-wear spring/summer 2020

 

On September 19, esteemed fashion designer Miuccia Prada is inviting you to sit front row alongside the likes of Poppy Delevigne, Chiara Ferragni, and Sofia Coppola, to see what the luxury Italian fashion house – best known for producing some of fashion month’s most-loved collections – has to offer for spring/summer 2020. Slated to be a highlight of Milan Fashion Week, the ready-to-wear show will be one you won’t want to miss, so be sure to tune in below for the live stream on Wednesday, September 19 at 12am (AEST).

The career of the French-Canadian writer Marie-Claire Blais had precocious and auspicious beginnings. She published her first novel, “La Belle Bête,” in 1959, when she was just twenty years old. Translated into English by Merloyd Lawrence as “Mad Shadows,” the book is a faintly gothic portrait of a forsaken girl, and her mother’s obsession with her idiot brother—the “beautiful beast” of the title. The novel offers an incisive rendering of family dynamics; it is also disarmingly brutal, with a tragic ending that suggests that all beauty is false and that life’s only truth is suffering. Margaret Atwood, Blais’s exact contemporary, later wrote, “The book made me very uneasy, for more than the obvious reasons: the violence, the murders, suggestions of incest and the hallucinatory intensity of the writing were rare in Canadian literature in those days, but even scarier was the thought that this bloodcurdling fantasy, as well as its precocious verbal skill, were the products of a girl of 19. I was 19 myself, and with such an example before me I already felt like a late bloomer.”

Another early fan was the literary critic Edmund Wilson, who, shortly after the book was translated, began work on “O Canada: An American’s Notes on Canadian Culture,” which was published, in three parts, in The New Yorker, and, in 1965, as a book. In it, Wilson describes Blais as “a writer in a class by herself,” and suggests that she is, “possibly,” a genius. While he was still working on “O Canada,” Wilson helped Blais secure a Guggenheim Fellowship that sent her to Massachusetts, in 1963. Having already published two more novels—“Tête Blanche,” in 1960, and “Le Jour est Noir,” in 1962—Blais used her time in the States to write her fourth, “Une Saison dans la Vie d’Emmanuel,” a dark and deeply affecting story about a rural French-Canadian family. “Emmanuel” secured her place among Quebec’s preëminent authors. At the time, Quebec was becoming a more liberal and secular place, undergoing a series of dramatic political and cultural changes that is known as the Quiet Revolution. In a foreword to the English edition, translated by Derek Coltman and published by Farrar, Straus & Giroux, in 1966, Wilson hailed the success of “A Season in the Life of Emmanuel” as not just an artistic achievement but a civilizational milestone. “The intellectual life of French Canada is now reaching a long-retarded maturity,” he wrote.

During the next half century, Blais would publish more than forty works of fiction, nonfiction, poetry, and writing for the stage, and earn many of Francophone literature’s highest international honors. She has been lauded as an heir to Virginia Woolf, nominated as a candidate for the Nobel Prize, and, in French-language literary circles, has become indisputably canonical. Yet she has never attracted a wide readership among her home country’s English-speaking population, and her work is practically unknown in the United States. This is a common problem for French-Canadian writers, who are, as the translator Peter McCambridge once put it to me, “at once too different and too familiar” to interest many English-language readers in North America. But Blais should, by all rights, cross that divide. For one thing, her magnum opus—a cycle of ten short novels, the eighth of which was recently translated into English—is set in Florida, where she has lived for decades. More pertinently, she is, as Wilson was right to proclaim, and as the rest of her career has demonstrated, one of the most distinctive and original living writers of fiction.

Blais grew up the eldest of five children in the working-class neighborhood of Limoilou, in Quebec City. She attended convent schools until the age of fifteen, when she left home to work, and to write. Her first novels, which explore the pain both suffered and caused by children within troubled, complicated families, have a destabilizing and uncanny tone reminiscent of André Breton—or of Dostoyevsky—and they traffic in the same depravities as one finds in the works of André Gide. The books are brilliantly rendered and deeply affecting, but they aren’t for everyone. “The Québec of Marie-Claire Blais’s earlier works may be described as a hellish stage of unreason on which are enacted the horror-filled scenes of human bestiality, rendered in the manner of the Grand Guignol,” a critic for the International Fiction Review once wrote.

Blais has always been prolific: after “A Season in the Life of Emmanuel,” which was published in 1965, she wrote four more novels, a novella, and a play, all before the sixties had ended. She then moved to France for a period, but returned to Quebec in the mid-seventies. Her writing began to change, turning more elliptical and impressionistic, with an increasing focus on interiority. The opening sentence of “Anna’s World,” an incisive study of adolescent friendship that was published in 1982, unfolds over two pages, resisting spatial or temporal location and hewing only to the emotional experience of the novel’s heroine:

The evolution of Blais’s aesthetic approach coincided with a move to Key West, where, in the late eighties, she settled permanently. Her adopted home has inspired two works of nonfiction, “Passages Américains,” from 2012, and a recent study of Trump-era authoritarianism called “À l’Intérieur de la Menace.” (Neither book has been translated.) But the Keys are most vividly present in a ten-book cycle that began, in 1995, with the novel “Soifs.”

The word means “thirstings”—though, when the first book was published in English, in 1997, Sheila Fischman titled her translation “These Festive Nights.” The ten novels in the “Soifs” cycle are less focussed on the horrors of the world than Blais’s earlier books were, and more on the effects of those horrors on human consciousness. The emotional texture of the novels, pitched between anxiety and longing, feels emphatically contemporary, but Blais’s style, in her later years, is mostly indebted to the modernists: the Woolf of “The Waves”; Proust, in his approach to recollection; Faulkner, in his use of polyphony. Blais eschews the fixed point of view that dominates contemporary fiction for a more communal approach to storytelling, and a subjective handling of time and space. The “Soifs” novels, collectively, seem both to encompass entire lives and to take place in the course of a single day; the effect of reading them is not be to be anchored concretely in a fictional universe but to be swept away in a current of language and sensation. In these books, one feels more than one sees.

Each novel is a breathless two-hundred-or-so-page deluge of text, without paragraph breaks. Sentences ramble across dozens of pages, whirling through a community of writers, musicians, dancers, drug dealers, physicians, clergy members, academics, petty criminals, socialites, and drag queens who inhabit an unnamed island town that bears a strong resemblance to Key West. The novels consist of around two thousand pages altogether, and they are populated by dozens of named characters, but they are most immediately striking not for their vast scope but for their dizzying cascades of language. Rather than employ a fixed point of view or a series of perspectives, Blais uses a kind of shifting communal narration: the novels skip around in space, time, and perspective, often in a single sentence. Pronouns jump assignments among characters—a “he” at the beginning of a given passage might be a different “he” by its end.

The opening of “These Festive Nights” expresses the tension that Blais locates between her idyllic tropical setting and the swirling anxieties of the book’s characters:

The first seven books explore addiction, sexual abuse, and the threat of nuclear annihilation—and also, in some of Blais’s most exquisite passages, love, friendship, and community. If anything provides a narrative backbone to the project, it’s the faintly meta-fictional through line of a middle-aged author named Daniel, who is at work on his own magnum opus, a book he begins early in the cycle, and struggles with through several volumes. In the eighth novel of Blais’s “Soifs” cycle, “Le Festin au Crépuscule”—published in English, last month, as “A Twilight Celebration,” in a translation by Nigel Spencer—he finally seems to have finished it.

Although it’s the eighth book in the series, “A Twilight Celebration” would not be a terrible place to begin reading the “Soifs” novels. Following the plot of these books, such as it is, is hardly the point, and the novels fold into and weave among one another; whole scenes recur. In the fifth novel, “Mai at the Predators’ Ball,” a group of drag queens who dance at a place called the Porte du Baiser Saloon are “lined up in the street . . . all awaiting the last show of the night as if their flowered and feather selves were for rent for a few hours.” About seven hundred pages later, in “A Twilight Celebration,” we meet the same characters, in nearly the same place. Perhaps it’s the same instant, slightly recast, or the repetition of a ritual on a different night. But what is conveyed most strikingly is less the linear chronology of life than something like an eternal present, or the simultaneity of dreams.

“A Twilight Celebration” belongs mostly to Daniel, who is attending a global writers’ conference at which a Poet of the Year award is being presented, along with a memorial for murdered poets. (It is a sure send-up of the somewhat inflated events at which literary prizes are bestowed.) Daniel, accustomed to the teeming and cacophonous tropics, has left his oceanside digs for a “limitless desert of anonymous hotels” and “a home without smells that was not his own.” The novel returns steadily to his conversations with fellow writers about literature’s fading cultural relevance, and to his own private laments; in the face of ecological and social collapse, Daniel worries that he is writing “for some abstract readership and ruminating from afar, or only for himself.” Meanwhile, Daniel’s son Augustino, we learn, has been writing virulent treatises with titles like “Letter to Young People Without a Future.”

Back on the Gulf Coast island, where Daniel lives, an AIDS patient named Angel is convalescing under the care of the magnanimous Dr. Dieudonné, accompanied by a parrot named Orange; an avant-garde composer named Fleur is settling in for a concert of his latest opus; and the aforementioned group of drag queens is readying its nightly cabaret. Numerous other lives are woven through these main threads; sometimes a name zips by, never to return again. The effect recalled, for me, the sculptural installation “Personages,” by Louise Bourgeois—a series of freestanding, humanistic totems through which one wanders like a stranger at a party. The characters seem wistful and nostalgic, yet there’s something urgent about their gathering, shaded as it is with the melancholy of some imminent and possibly catastrophic ending.

Violence looms over every page in “A Twilight Celebration,” which is true of the earlier books, too, though it is more metaphysical there. Here, the peril is literal: a “horde of masked youths” with machine guns, which only Daniel seems to see, gathers menacingly outside the writers’ conference, threatening, “Tonight, maverick writers, join us at the barricades or we will hunt you down.” The escalation of their protest lends the book a story arc, with the threat building toward an inevitable, if surreal, attack. “A Twilight Celebration” might be the most accessible of the “Soifs” series to appear so far in English: it operates with something like a conventional narrative structure, and shifts in perspective and location are signified, helpfully, with periods.

Yet the book is still very much a continuation of the previous “Soifs” novels. Not only Daniel but all the novel’s characters seem to tremble at the edge of annihilation, clinging to one another for lack of anything else to hang on to. And, as with all of the books, the volume ends not with destruction but with a human connection. We leave Daniel behind and return to Angel, the AIDS patient, now accompanied by his friend Kitty, walking with him down to the edge of the Gulf. As the sun sets over the sea, Angel slides “his hand over Kitty’s in the oversize sleeve of her sweater.” Amid the terrors of the novel, the simple gesture feels like an escape into beauty, or refuge—it’s the sort of tenderness that Blais, early in her career, denied her characters. Here, it’s offered not quite as redemption but at least as solace in an otherwise unforgiving world. For now, the last two books in the series remain to be translated.

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