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A New Captain Marvel Trailer Is Coming Tonight

March 20, 2019 | Story | No Comments

It's time once again to turn on The Monitor, WIRED's roundup of the latest in the world of culture, from box-office news to announcements about hot new trailers. In today's installment: Captain Marvel readies for lift-off; Stephen King signs up for HBO; and Marvel breaks new ground.

She Is the Captain Now

Marvel will debut the next and perhaps final, full trailer for Captain Marvel tonight during ESPN's Monday Night Football game between the San Junipero Jawas and the Trouble City Tribbles (those are actual sports teams, right?) The movie, which stars Brie Larson as the titular good-doer, arrives next year. Watch for the trailer on WIRED later today. And speaking of all things Marvel…

'Master' Plan

…the studio has announced a big-screen stand-alone film following Shang-Chi, the Asian-American superhero (and occasional Avenger) who was introduced in the 1970s, and hailed as "The Master of Kung Fu." The Shang-Chi script will be written by Dave Callaham, who wrote next year's Wonder Woman 1984, and is basically working on every movie you'll be watching in the next two years. No release date or plot details for Shang-Chi are known yet, but Marvel is reportedly fast-tracking the film so expect more updates soon.

Because the Internet

It wasn't quite a slaughter race at the box office last weekend, with Disney's Ralph Breaks the Internet easily topping the chart once again, earning more than $25 million. The hit animated film was followed by such weeks-old hits as The Grinch, Creed II, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody, the latter of which has now made half a billion worldwide. But the perch wasn't Ralph's only weekend victory: It was also nominated in the Best Animated Feature category for the year's Annie Awards, alongside such films as Isle of Dogs and Spider-Man: Into the Spider-Verse.

King's Things

HBO is turning Stephen King's recent horror-procedural hit The Outsider into a series. The author's 7,863rd bestseller—about a Midwest murder investigation that bleeds into the realm of the supernatural—is being overseen for the small screen by Jason Bateman, who will direct two episodes and produce. Emmy winner (and WIRED favorite) Ben Mendelsohn will star, adding to his roster of dark-hearted tales, which includes everything from Animal Kingdom to Netflix's Bloodline to Rogue One: A Star Wars Story, in which he stared down a deadly Darth Vader pun.

This story originally appeared on CityLab and is part of the Climate Desk collaboration.

If you want an unusual but punchy telling of the world’s explosion of climate-warping gases, look no further than this visualization of CO2 levels over the past centuries soaring like skyscrapers into space.

2A Brief History of CO2 Emissions” portrays the cumulative amount of this common greenhouse gas that humans have produced since the mid-1700s. It also projects to the end of the 21st century to show what might happen if the world disregards the Paris Agreement, an ambitious effort to limit warming that 200 countries signed onto in 2015. (President Donald Trump still wants to renege on it.) At this point, the CO2-plagued atmosphere could see jumps in average temperature as high as 6 to 9 degrees Fahrenheit, the animation’s narrator warns, displaying a model of Earth looking less like planet than porcupine.

“We wanted to show where and when CO2 was emitted in the last 250 years—and might be emitted in the coming 80 years if no climate action is taken,” emails Boris Mueller, a creator of the viz along with designer Julian Braun and others at Germany’s University of Applied Sciences Potsdam and the Potsdam Institute for Climate Impact Research. “By visualizing the global distribution and the local amount of cumulated CO2, we were able to create a strong image that demonstrates very clearly the dominant CO2-emitting regions and time spans.”

The visualization begins with a small, white lump growing on London around 1760—the start of the Industrial Revolution. More white dots quickly appear throughout Europe, rising prominently in Paris and Brussels in the mid-1800s, then throughout Asia and the US, where in the early 1900s emissions skyrocket in the New York region, Chicago, and Southern California.

By the time the present day rolls around, the world looks home to the biggest construction project in existence, with spires that’d put the Burj Khalifa to shame ascending in the US, China, and Europe—currently the worst emitters in terms of volume of CO2.

For this project, the team pulled historical data from the US Department of Energy-affiliated Carbon Dioxide Information Analysis Center. The “CO2 emission estimates are deduced from information on the amount and location of fossil-fuel combustion and cement production over time,” says Elmar Kriegler, the viz’s scientific lead. “Therefore, the visualization also tells the history of the Industrial Revolution which started in England, spread across Europe and the United States, and finally across the world.”

Astute observers will notice a couple of troubling things, such as the huge amount of emissions pouring out of urban areas like London, New York, and Tokyo. Cities and the power plants that keep them humming remain the world’s largest source of anthropogenic greenhouse gases. Also notable: the relative absence of emissions in some parts of the planet. That isn’t necessarily a good thing. “Some regions, in particular Africa, still do not show a significant cumulative CO2-emissions signal,” says Kriegler, “highlighting that they are still in the beginning of industrialization and may increase their emissions rapidly in the future, if they follow the path of Europe, the U.S., Japan, and recently China and Southeast Asia.”

How likely is it the worst-case scenario portrayed in this viz is nearing our doorstep? The viz’s creators argue that some current damage is here to stay. But they have some cause for optimism, too. “Reducing CO2 emissions to zero in the second half of the century can be achieved with decisive, global-scale emissions-reductions policies and efforts,” Kriegler says. “The Paris Agreement can be an important [catalyst] for this development if embraced fully by the world’s leading emitters and powers. But as we say in the movie, the time to act is now.”

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Welp, 2018 is going out with a bang. In the last week, America got a reminder that Russia hacked the 2016 US election by hijacking social media; acting attorney general Matthew Whitaker rejected legal advice to recuse himself from overseeing Special Counsel Robert Mueller's probe; drones attacked British airports; and California dealt with potential UFOs. Actually, considering how the rest of the year has gone, that's not much of a bang at all—just a standard week in 2018. But what else are people talking about on this wreck that is the internet? Let's find out, shall we?

Trump's Big Move

What Happened: President Trump announced the US would be pulling troops out of Syria, leading to some instability, to say the least.

What Really Happened: Trump's surprise holiday gift to the Middle East arrived early Wednesday, as reports surfaced suggesting that the United States was about to withdraw troops from Syria. Those reports were soon confirmed via Twitter, because of course.

No, wait; I mean these tweets—but please remember that Trump announced that the US has defeated ISIS all the same.

It was, to put things mildly, not a popular decision, even within Trump's own, traditionally kowtowing-no-matter-what party.

The decision came as a surprise to many, with a lot of people unsure how, exactly, the decision had been reached, especially considering the president’s own national security team was apparently against it. Others believed that he had a pretty good idea.

So, if his own defense secretary had no say, who exactly was consulted?

OK, sure; for any other administration, that would seem like a wild conspiracy theory. However, when you look at who benefits from this decision, you do start to wonder just a little

Funny thing about those actually arguing in favor of this move: the president doesn’t seem to be aware that it's happening, judging by his public statements.

Wait. They have to fight ISIS? Wasn't ISIS defeated, according to a tweet made by exactly the same person just a day before? Man, international politics moves so quickly these days.

The Takeaway: An unexpected casualty of the decision might point to larger problems with Trump's attitude towards geopolitics: Defense Secretary Jim Mattis resigned Thursday over the matter, penning a letter that makes his feelings on the matter clear.

The Incomplete Sentencing of Michael Flynn

What Happened: Just in case anyone forgot: There's still an investigation into potentially illegal activity surrounding the presidential campaign of the man currently in the White House, and it's continuing to bear strange, surreal fruit.

What Really Happened: As if anyone could forget the ongoing legal trouble surrounding the Trump administration, this week saw a sentencing hearing for one of the president's former advisors—in this case, former National Security Advisor Michael Flynn. If it seems like it was just last week that one of Trump's former advisors had a sentencing hearing, that's because it was. But like the seasoned pro he is, the president was eager to get out in front of the story.

Still, it's just a sentencing. How exciting or surprising could that be, unless you’re Michael Cohen making statements about being free once you get three years in jail? Turns out, the answer was "very surprising."

These would be the circumstances alleged by Flynn’s lawyers that he was, essentially, hoodwinked into confessing because no one at the FBI told him that lying to the FBI was a crime. Things only continued from there.

Well, yeah; that sounds pretty wild, especially the whole not hiding disgust thing. But that was just the start.

So, that was a surreal event. Who saw an abrupt postponement coming? Definitely not Flynn’s attorneys, who were judged to have badly miscalculated by the media. But, at least it ended well, at least in regards to the irony of the whole thing.

Roll on, March, I guess?

The Takeaway: When it comes to the surreal developments in a legal case like this, there’s a sensible response and a non-boring response. Guess which one this is.

Paul Ryan's Retirement Party

What Happened: Paul Ryan is just days away from retiring as Speaker of the House, so clearly it's time for a farewell tour that perhaps doesn't get the response he'd like.

What Really Happened: We're not saying that some politicians have an exaggerated sense of their own importance, but outgoing Speaker of the House Paul Ryan had a "farewell address" at the Library of Congress last week, and the invitation looked like this:

Actually, never mind the invitations, the actual speech didn't look too much better—

—but let's not think about the optics. Let's focus on the substance, shall we? Ryan complained about the "broken politics" of Washington, while congratulating himself on a tax bill that hurts the poor. So, you know, pretty much what you might expect, all things considered.

Let’s just say that not everyone was impressed with Ryan's speech—or, for that matter, his legacy as a political figure. Headlines like "Good Riddance, Paul Ryan," "So Long, Paul Ryan, You Won’t Be Missed," "Paul Ryan Is the Biggest Fake I've Ever Seen in Politics," and "Paul Ryan Was a Villain and No One Will Miss Him"—all of which are actually real, and from a 24-hour period, amazingly—might give that away.

In fact, we'd go so far as to say that some were particularly unimpressed.

So, uh, happy retirement…? (We'll always have your creepy workout photoshoot, Paul. Nothing will ever take that away from you. Sadly.)

The Takeaway: Meanwhile, the woman who is likely to replace Ryan had perhaps the greatest response to the entire thing.

Shaft the Messenger

What Happened: You weren't being paranoid after all; someone else really was able to get access to all your messages on Facebook. Doesn't that make you feel better?

What Really Happened: In case you thought that things couldn't get much worse for Facebook considering its recent public relation woes, guess what: It could get much worse. Take it away, New York Times.

Yes, you read that right, as unbelievable as it may sound.

Not enough yikes for you just yet? Oh, just keep going, because it gets worse.

Many people were wondering what the solution was. A recurring theme kept popping up.

Meanwhile, the media took a different, and far less surprising, tack, with everyone talking about deleting Facebook a lot.

How serious was this as a threat? Well, Facebook released two different responses to try and clear up rumors … by pretty much confirming the reporting. That's almost a start, kind of?

The Takeaway: On the plus side, at least this was the only PR disaster for Facebook this week related to other people having access to private information on the platform.

The Shutdown Looms

What Happened: It's been teased throughout 2018, but as the year draws to a close, perhaps the US has finally reached the point where the government is going to shut down. Just in time!

What Really Happened: The US government has been wavering around a shutdown for some time now. There have been short-term fixes and last-minute deals for months in an attempt to ensure that there isn't what Rep. Nancy Pelosi memorably called a Trump Shutdown. Last week, for example, with just days to go before funding ran out, there was a move towards one more before-the-buzzer save—not that anyone seemed to think it would work.

Funny story; it never even got a chance to fail in the Senate.

Yes, it’s Paul Ryan again, a day after bemoaning "broken politics," helping politics be that little bit more broken.

So … maybe the shutdown is back on?

Well, perhaps not…

President Trump, at least, spent Friday morning doing what he could. Which is to say, he tweeted about the subject a lot.

People were not incredibly impressed.

At the time of this writing, it's not been voted on by the Senate. But here's a funny story: the president is refusing to sign a bill that doesn't fund the border wall that was, originally, going to be paid for by Mexico (hey, remember those days?), but … what if there was an alternative? What if someone else wanted to pay for the wall so that the government could stay open?

Well, that seems entirely legit.

It's surely a sign of 2018 that it's actually impossible to reject this plan entirely out of hand. Maybe we should just run a GoFundMe to keep the government open? Oh, no, wait; that's called paying taxes.

The Takeaway: Assuming that we are almost certainly going to have a shutdown for the holidays—everyone's favorite gift—let's just take a moment to appreciate what's happening, shall we?

See you all in 2019!

Huntington’s disease is brutal in its simplicity. The disorder, which slowly bulldozes your ability to control your body, starts with just a single mutation, in the gene for huntingtin protein. That tweak tacks an unwelcome glob of glutamines—extra amino acids—onto the protein, turning it into a destroyer that attacks neurons.

Huntington’s simplicity is exciting, because theoretically, it means you could treat it with a single drug targeted at that errant protein. But in the 24 years since scientists discovered it the gene for huntingtin, the search for suitable drugs has come up empty. This century’s riches of genetic and chemical data seem like it should have sped up research, but so far, the drug pipeline is more faucet than fire hydrant.

Part of the problem is simply that drug design is hard. But many researchers point to the systems of paywalls and patents that lock up data, slowing the flow of information. So a nonprofit called the Structural Genomics Consortium is countering with a strategy of extreme openness. They’re partnering with nine pharmaceutical companies and labs at six universities, including Oxford, the University of Toronto, and UNC Chapel Hill. They’re pledging to share everything with each other—drug wish lists, results in open access journals, and experimental samples—hoping to speed up the long, expensive drug design process for tough diseases like Huntington’s.

Rachel Harding, a postdoc at the University of Toronto arm of the collaboration, joined up to study the Huntington’s protein after she finished her PhD at Oxford. In a recent round of experiments, her lab grew insect cells in stacks of lab flasks fed with pink media. After slipping the cells a DNA vector that directed them to produce huntingtin, Rachel purified and stabilized the protein—and once it hangs out in a deep freezer for a while, she’ll map it with an electron microscope at Oxford.

Harding’s approach deviates from the norm in one major way: She doesn’t wait to publish a paper before sharing her results. After each of her experiments, “we’ll just put that into the public domain so that more people can use our stuff for free,” she says: protocols, the genetic sequences that worked for making proteins, experimental data. She’d even like to share protein samples with interested researchers, as she’s offered on Twitter. All this work is to create a map of huntingtin, “how all the atoms are connected to each other in three-dimensional space,” Harding says, including potential binding sites for drugs.

The next step is to ping that protein structure with thousands of molecules–chemical probes–to see if any bind in a helpful way. That’s what Kilian Huber, a medicinal chemistry researcher at Oxford University’s arm of the Structural Genomics Consortium, spends his days working on. Given a certain protein, he develops a way to measure its activity in cells, and then tests it against chemicals from pharmaceutical companies’ compound libraries, full of thousands of potential drug molecules.

If they score a hit, Huber and his consortium collaborators have pledged not to patent any of these chemicals. To the contrary, they want to share any chemical probe that works so it can quickly get more replication and testing. Many times, at other researchers’ requests, he has “put these compounds in an envelope, and sent them over,” he says. Recipient researchers generally cover shipping costs, and the organization as a whole has shipped off more than 10,000 samples since it started in 2004.

Under the umbrella of the SGC, about 200 scientists like Kilian and Rachel have agreed to never file any patents, and to publish only open access papers. CEO Aled Edwards beams when he talks about the group’s “metastatic openness.” Asking researchers to agree to share their work hasn’t been a problem. “There’s a willingness to be open,” he says, “you just have to show the way.”

Is Sharing Caring?

There are a few challenges to such a high degree of openness. The academic labs are involved in which projects they tackle first—but it’s their funders that ultimately decide which tricky proteins everyone will work on. Each government, pharmaceutical company, or nonprofit that gifts $8 million to the organization can nominate proteins to a master to-do list, which researchers at these companies and affiliate universities tackle together.

That list could be a risk for the pharma companies at the table: While it doesn’t specify which company nominated which protein, the entire group can see that somebody is interested in a Huntington’s strategy, for example. But they’re hedging their bets on a selective reveal of their priorities. For several million dollars—a fraction of most of these companies’ R&D budgets—companies including Pfizer, Novartis, and Bayer buy into the scientific expertise of this group and stand to get results a bit faster. And since no one is patenting any of the genes, protein structures, or experimental chemicals they produce, the companies can still file their own patents for whatever drugs they create as a result of this research.

That might seem like a bum deal for the scientists doing all the work of discovery. But mostly, scientists at the SGC seem thrilled that collaborating can accelerate their research.

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“Rather than trying to do everything yourself, I can just share whatever I'm generating, and give it to the people that I think are experts in that area,” says Huber. “Then they will share the information back with us, and that, to me, is the key, from a personal point of view, on top of hopefully being able to support the development of new medicines,” says Huber. Because all the work is published open access, technically anyone in the world could benefit.

Edwards has pushed the SGC to slowly open up new steps of the drug discovery process. They started out working on genes, which is why they’re named a ‘genomics consortium’, then eked their way to sharing protein structures like the ones Harding works on. Creating and sharing tool compounds like Huber’s is their latest advance. “We’re trying to create a parallel universe where we can invent medicines in the open, where we can share our data,” Edwards says.

He hopes their approach will expand into a wider movement, so that other life science researchers get on board with data sharing, and open-source science improves repeatability and speeds up research findings. The Montreal Neurological Institute stopped filing patents on any of its discoveries last year. And there are other groups, like the Open Source Malaria Project, that have made a point of keeping all of their science in the open.

Sharing data won’t necessarily solve the inflating price of certain drugs. But it could certainly speed up understanding of new compounds, and shore up their chances of getting through clinical trials. The drug-making process is so complicated that if data sharing shaved just a bit of time off each step, it could save people years of waiting. The Huntington’s patients are waiting.

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Waking up. Working out. Riding the bus. Music is an ever-present companion for many of us, and its impact is undeniable. You know music makes you move and triggers emotional responses, but how and why? What changes when you play music, rather than simply listen? In the latest episode of Tech Effects, we tried to find out. Our first stop was USC's Brain & Creativity Institute, where I headed into the fMRI to see how my brain responded to musical cues—and how my body did, too. (If you're someone who experiences frisson, that spine-tingling, hair-raising reaction to music, you know what I'm talking about.) We also talked to researchers who have studied how learning to play music can help kids become better problem-solvers, and to author Dan Levitin, who helped break down how the entire brain gets involved when you hear music.

From there, we dove into music's potential as a therapeutic tool—something Gabrielle Giffords can attest to. When the onetime congresswoman was shot in 2011, her brain injuries led to aphasia, a neurological condition that affects speech. Through the use of treatments that include melodic intonation therapy, music helped retrain her brain's pathways to access language again. "I compare it to being in traffic," says music therapist Maegan Morrow, who worked with Giffords. "Music is basically like [taking a] feeder road to the new destination."

But singing or playing something you know is different from composing on the fly. We also wanted to get to the bottom of improvisation and creativity, so we linked up with Xavier Dephrepaulezz—who you might know as two-time Grammy winner Fantastic Negrito. At UCSF, he went into an fMRI machine as well, though he brought a (plastic) keyboard so he could riff along and sing to a backing track. Neuroscientist Charles Limb, who studies musical creativity, helped take us through the results and explain why the prefrontal cortex shuts down during improvisation. "It's not just something that happens in clubs and jazz bars," he says. "It's actually maybe the most fundamental form of what it means to be human to come up with a new idea."

If you're interested in digging into the research from the experts in the video, here you go:

• Matthew Sachs’ research on music and frisson

• Assal Habibi, “Music training and child development: a review of recent findings from a longitudinal study.”

• Daniel Levitin’s research on music and the brain’s internal opioid system, and on music and stress

• Levitin's book, This is Your Brain on Music

• Charles Limb, “Your Brain on Improv” (TED Talk) and “Neural Substrates of Spontaneous Musical Performance: An fMRI Study of Jazz Improvisation”

• ABC News' report on Gabrielle Giffords' music therapy

Every week, two million people across the world will sit for hours, hooked up to a whirring, blinking, blood-cleaning dialysis machine. Their alternatives: Find a kidney transplant or die.

In the US, dialysis is a roughly 40-billion-dollar business keeping 468,000 people with end-stage renal disease alive. The process is far from perfect, but that hasn't hindered the industry's growth. That's thanks to a federally mandated Medicare entitlement that guarantees any American who needs dialysis—regardless of age or financial status—can get it, and get it paid for.

The legally enshrined coverage of dialysis has doubtlessly saved thousands of lives since its enactment 45 years ago, but the procedure’s history of special treatment has also stymied innovation. Today, the US government spends about 50 times more on private dialysis companies than it does on kidney disease research to improve treatments and find new cures. In this funding atmosphere, scientists have made slow progress to come up with something better than the dialysis machine-filled storefronts and strip malls that provide a vital service to so many of the country's sickest people.

Shuvo Roy, UC San Francisco

Now, after more than 20 years of work, one team of doctors and researchers is close to offering patients an implantable artificial kidney, a bionic device that uses the same technology that makes the chips that power your laptop and smartphone. Stacks of carefully designed silicon nanopore filters combine with live kidney cells grown in a bioreactor. The bundle is enclosed in a body-friendly box and connected to a patient’s circulatory system and bladder—no external tubing required.

The device would do more than detach dialysis patients—who experience much higher rates of fatigue, chronic pain, and depression than the average American—from a grueling treatment schedule. It would also address a critical shortfall of organs for transplant that continues despite a recent uptick in donations. For every person who received a kidney last year, 5 more on the waiting list didn’t. And 4,000 of them died.

There are still plenty of regulatory hurdles ahead—human testing is scheduled to begin early next year1—but this bioartificial kidney is already bringing hope to patients desperate to unhook for good.

Innovation, Interrupted

Kidneys are the body’s bookkeepers. They sort the good from the bad—a process crucial to maintaining a stable balance of bodily chemicals. But sometimes they stop working. Diabetes, high blood pressure, and some forms of cancers can all cause kidney damage and impair the organs' ability to function. Which is why doctors have long been on the lookout for ways to mimic their operations outside the body.

The first successful attempt at a human artificial kidney was a feat of Rube Goldberg-ian ingenuity, necessitated in large part by wartime austerity measures. In the spring of 1940, a young Dutch doctor named Willem Kolff decamped from his university post to wait out the Nazi occupation of the Netherlands in a rural hospital on the IJssel river. There he constructed an unwieldy contraption for treating people dying from kidney failure using some 50 yards of sausage casing, a rotating wooden drum, and a bath of saltwater. The semi-permeable casing filtered out small molecules of toxic kidney waste while keeping larger blood cells and other molecules intact. Kolff's apparatus enabled him to draw blood from his patients, push it through the 150 feet of submerged casings, and return it to them cleansed of deadly impurities.

In some ways, dialysis has advanced quite a bit since 1943. (Vaarwel, sausage casing, hello mass-produced cellulose tubing.) But its basic function has remained unchanged for more than 70 years.

Not because there aren’t plenty of things to improve on. Design and manufacturing flaws make dialysis much less efficient than a real kidney at taking bad stuff out of the body and keeping the good stuff in. Other biological functions it can’t duplicate at all. But any efforts to substantially upgrade (or, heaven forbid, supplant) the technology has been undercut by a political promise made four and a half decades ago with unforeseen economic repercussions.

In the 1960s, when dialysis started gaining traction among doctors treating chronic kidney failure, most patients couldn't afford its $30,000 price tag—and it wasn’t covered by insurance. This led to treatment rationing and the arrival of death panels to the American consciousness. In 1972, Richard Nixon signed a government mandate to pay for dialysis for anyone who needed it. At the time, the moral cost of failing to provide lifesaving care was deemed greater than the financial setback of doing so.

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But the government accountants, unable to see the country’s coming obesity epidemic and all its attendant health problems, greatly underestimated the future need of the nation. In the decades since, the number of patients requiring dialysis has increased fiftyfold. Today the federal government spends as much on treating kidney disease—nearly $31 billion per year—as it does on the entire annual budget for the National Institutes of Health. The NIH devotes $574 million of its funding to kidney disease research to improve therapies and discover cures. It represents just 1.7 percent of the annual total cost of care for the condition.

But Shuvo Roy, a professor in the School of Pharmacy at UC San Francisco, didn’t know any of this back in the late 1990s when he was studying how to apply his electrical engineering chops to medical devices. Fresh off his PhD and starting a new job at the Cleveland Clinic, Roy was a hammer looking for interesting problems to solve. Cardiology and neurosurgery seemed like exciting, well-funded places to do that. So he started working on cardiac ultrasound. But one day, a few months in, an internal medicine resident at nearby Case Western Reserve University named William Fissell came up to Roy and asked: “Have you ever thought about working on the kidney?”

Roy hadn’t. But the more Fissell told him about how stagnant the field of kidney research had been, how ripe dialysis was for a technological overhaul, the more interested he got. And as he familiarized himself with the machines and the engineering behind them, Roy began to realize the extent of dialysis' limitations—and the potential for innovation.

Limitations like the pore-size problem. Dialysis does a decent job cleansing blood of waste products, but it also filters out good stuff: salts, sugars, amino acids. Blame the polymer manufacturing process, which can’t replicate the 7-nanometer precision of nephrons—the kidney's natural filters. Making dialysis membranes involves a process called extrusion, which yields a distribution of pore sizes—most are about 7nm but you also get some portion that are much smaller, some that are much larger, and everything in between. This is a problem because that means some of the bad stuff (like urea and excess salts) can sneak through and some of the good stuff (necessary blood sugars and amino acids) gets trapped. Seven nanometers is the size of albumin—a critical protein that keeps fluid from leaking out of blood vessels, nourishes tissues, and transports hormones, vitamins, drugs, and substances like calcium throughout the body. Taking too much of it out of the bloodstream would be a bad thing. And when it comes to the kidney’s other natural functions, like secreting hormones that regulate blood pressure, dialysis can’t do them at all. Only living cells can.

“We were talking about making a better Bandaid,” Roy says. But as he and Fissell looked around them at the advances being made in live tissue engineering, they started thinking beyond a better, smaller, faster filter. “We thought, if people are growing ears on the backs of mice, why can’t we grow a kidney?”

It turned out, someone had already tried. Sort of.

Dialysis, Disrupted

Back in 1997 when Fissell and Roy were finishing up their advanced training at Case Western, a nephrologist named David Humes at the University of Michigan began working to isolate a particular kind of kidney cell found on the backend of the nephron. Humes figured out how to extract them from cadaver kidneys not suitable for transplant and grow them in his lab. Then he took those cells and coated the inside of hollow fibre-membrane filled tubes similar to the filter cartridge on modern dialysis machines. He had invented an artificial kidney that could live outside the human body on a continuous flow of blood from the patient and do more than just filter.

The results were incredibly encouraging. In clinical trials at the University of Michigan Hospital, it improved the mortality rates for ICU patients with acute renal failure by half. There was just one problem. To work, the patient had to be permanently hooked up to half a hospital room’s worth of tubes and pumps.

The first time Roy saw Humes’ set-up, he immediately recognized its promise—and its limitations. Fissell had convinced him to drive from Cleveland to Ann Arbor in the middle of a snowstorm to check it out. The trip convinced them that the technology worked. It was just way too cumbersome for anyone to actually use it.

In 2000, Fissell joined Humes to do his nephrology fellowship at Michigan. Roy stayed at the Cleveland Clinic to work on cardiac medical devices. But for the next three years, nearly every Thursday afternoon Fissell hopped in his car and drove three hours east on I-90 to spend long weekends in Roy’s lab tackling a quintessentially 21st century engineering problem: miniaturization. They had no money, and no employees. But they were able to ride the wave of advancements in silicon manufacturing that was shrinking screens and battery packs across the electronics industry. “Silicon is the most perfected man-made material on Earth,” Roy says from the entrance to the vacuum-sealed clean room at UCSF, where his grad students produce the filters. If they want to make a slit that’s 7 nanometers wide, they can do that with silicon every time. It has a less than one percent variation rate.

The silicon filters had another advantage, too. Because Roy and Fissell wanted to create a small implantable device, they needed a way to make sure there wasn’t an immune response—similar to transplant rejection. Stacks of silicon filters could act as a screen to keep the body’s immune cells physically separated from Humes’ kidney cells which would be embedded in a microscopic scaffold on the other side. The only thing getting through to them would be the salt and waste-filled water, which the cells would further concentrate into urine and route to the bladder.

By 2007 the three researchers had made enough progress to apply for and receive a 3-year $3 million grant from the NIH to prove the concept of their implantable bioartificial kidney in an animal model. On the line was a second phase of funding, this time for $15 million, enough to take the project through human clinical trials. Roy moved out west to UCSF to be closer to the semiconductor manufacturing expertise in the Bay Area. Fissell worked on the project for a few more years at the Cleveland Clinic before being recruited to Vanderbilt while Humes stayed at the University of Michigan to keep working with his cells. But they didn’t make the cut. And without money, the research began to stall.

By then though, their kidney project had taken on a following of its own. Patients from all over the world wanted to see it succeed. And over the next few years they began donating to the project—some sent in five dollar bills, others signed checks for a million dollars. One six-year-old girl from upstate New York whose brother is on dialysis convinced her mother to let her hold a roadside garden vegetable sale and send in the proceeds. The universities chipped in too, and the scientists started to make more progress. They used 3D printing to test new prototypes and computer models of hydraulic flow to optimize how all the parts would fit together. They began collaborating with the surgeons in their medical schools to figure out the best procedure for implanting the devices. By 2015 the NIH was interested again. They signed on to another $6 million over the next four years. And then the FDA got interested.

That fall the agency selected the Kidney Project to participate in a new expedited regulatory approval plan intended to get medical innovations to patients faster. While Roy and Fissell have continued to tweak their device, helped along by weekly shipments of cryogenically frozen cells from Humes’ lab, FDA officials have shepherded them through two years of preclinical testing, most of which has been done in pigs, and shown good results. In April, they sent 20 agency scientists out to California to advise on their next step: moving into humans.

The plan is to start small—maybe ten patients tops—to test the safety of the silicon filter’s materials. Clotting is the biggest concern, so they’ll surgically implant the device in each participant’s abdomen for a month to make sure that doesn’t happen. If that goes well they will do a follow-up study to make sure it actually filters blood in humans the way it’s supposed to. Only then can they combine the filter with the bioreactor portion of the device, aka Humes’ renal cells, to test the full capacity of the artificial kidney.

The scientists expect to arrive at this final stage of clinical trials, and regulatory approval, by 2020. That may sound fast, but one thing they’ve already got a jump on is patient recruiting. Nearly 9,000 of them have already signed up to the project’s waitlist, ready to be contacted when clinical trials get the green light.

These patients are willing to accept the risk of pioneering a third option, besides transplants, which are too expensive and too hard to get for most people, and the drudgery of dialysis. Joseph Vassalotti, a nephrologist in Manhattan and the Chief Medical Officer for the National Kidney Foundation says “the more choices patients have the better,” even though he’s skeptical the device will become a reality within the next few years. An implantable kidney would dramatically improve their quality of life and be a welcome innovation after so many years of treatment status quo. “During World War II we didn’t think dialysis would be possible,” Vassalotti says. “Now half a million Americans are being treated with it. It’s amazing the progress just a few decades makes.”

1Correction: 12:50pm ET The Kidney Project is now slated to begin clinical trials in early 2018. A previous version of this article incorrectly stated they would take place later this year. Changes have also been made to correctly identify the size and timing of grants to the Kidney Project.

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A Star is Born: Lady Gaga's Most Iconic Roles

March 20, 2019 | Story | No Comments

Let’s get this out of the way: Lady Gaga's greatest performance is her portrayal of Lady Gaga. Stefani Joanne Angelina Germanotta has always treated music, and her place in it, like performance art, a Warhol-ian tribute to every creature of the zeitgeist who came before. And her depiction of the turn-of-the-millennium pop star known as Lady Gaga will always be some of her best work.

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That's not to say she's inauthentic, but as anyone who read the recent New York Times Magazine profile of the singer knows, Gaga is an evolving being, constantly consuming and repurposing culture to make a statement. It's hard work, and while the person of Gaga and the persona of Gaga may be similar, at least some of it is a character.

But what about Gaga's other roles? The ones that don't involve a spending 72 hours in a giant egg? Most of them have been in genre work—but with A Star Is Born, which features her most prominent screen role to date, opening tomorrow, we thought we'd comb through them to establish just what are Lady Gaga's best performances, ranked from maybe-not-so-best to best.

6. La Camaleón, Machete Kills

How do I say this? Machete Kills is not a good movie. Danny Trejo could not save it, no matter how many sleeveless leather vests he wears. Lady Gaga's killer-in-disguise isn't in it that much (possibly a blessing, for her), but she's a sight for sore eyes when she shows up—even if just makes you wish you were watching the "Telephone" video instead.


5. Bertha, Sin City: A Dame to Kill For

Gaga's part as diner server Bertha in Robert Rodriguez's Sin City sequel is fairly small. She wears a great wig and big eyebrows, but only has about four lines, including "times are tough all over," which is how a lot of people feel about this movie. That said, she's charming, and gets to turn her New York accent up to 11.


4. Scáthach, American Horror Story: Roanoke

Gaga may not have had that much to do in Roanoke—probably for the best, considering she was recording an album, prepping for a Super Bowl halftime performance, and dealing with chronic pain—but she excelled at all of it, mentally manipulating Kathy Bates (who played The Butcher in Season 6 of AHS) into doing unspeakable acts and turning Cuba Gooding Jr. into her zombified sex slave. There's also the possibility that Gaga could get to bring her back: Scáthach was the original Supreme (the No. 1 Witch in the AHS world), and since the other Coven witches are returning for the currently-airing AHS: Apocalypse, there's a chance she will too.


3. The Countess, American Horror Story: Hotel

Lady Gaga—like Sarah Paulson, like Angela Bassett, like Darren Criss, like Evan Peters and Kate Mara—is a core member of the Ryan Murphy Collective. Murphy may be one of TV's busiest writers, but he knows how to do great things with Gaga—like turning her into The Countess, vampiric proprietor of the Hotel Cortez. The character gave Gaga the opportunity to hit every campy note she was capable of (as well as the chance to wear approximately 10,001 great looks). Full disclosure: I switched this role and her part in AHS: Roanoke in the ranking many times, and while it feels precarious to deny top billing to a super-powerful witch of the woods, the Countess stole the show and cinched Gaga a Golden Globe, so…


2. Herself, Gaga: Five Foot Two

In this documentary, about the chaotic period leading up to the release of Gaga's fifth studio album Joanne and her now-iconic Super Bowl performance (remember the drones?), Germanotta is, theoretically, not acting at all. But it's still riveting to watch the artist work, like seeing the Wizard of Oz before getting a full face of makeup. Going through a break-up, recording an album, dealing with fibromyalgia—it's a testament to the sheer perseverance pop stardom takes. It also contains her brilliant exegesis on the reasoning behind her many personas: They are, she reveals, each funhouse-mirror visions of what the music industry wants female performers to be, grotesque and "bleeding" symbols of what fame did to many women before her. (Be sure to stick around for the mid-credits scene where she jokingly tells producer Mark Ronson about her fear that she's always giving Beyoncé panic attacks with her antics.)


1. Ally, A Star Is Born

Unlike many of the other roles on this list, which in one way or another riff on Lady Gaga’s persona, this role—if anything—pulls from her life pre-Gaga, or from her life if Gaga had never taken off. At the beginning of director/star Bradley Cooper's remake, her Ally is already performer, but she’s doing a drag performance of "La Vie En Rose," not singing her own songs; she’s an artist who hasn't had the opportunity to build herself into a juggernaut yet. A lot has already been made of her role in A Star Is Born, and a lot more will undoubtedly be made in the future (practice the phrase "Oscar-winner Lady Gaga" just in case), and all of it is deserved. The possibility that Lady Gaga could play an aspiring musician was never a stretch, but the depths of power and vulnerability she reaches as Ally are remarkable. So is the music, much of which she co-wrote and all of which she (and Cooper) sang live during filming. It's Gaga at her best, raw and fearless—and there’s nothing more all-consuming than watching her rise.

It's the end of summer, which means things are quiet, but not that quiet. This week, we've got Xbox rentals, the ongoing problem of sexy games on Steam, and some card-swiping royalty gameplay in the Game of Thrones universe. ? Come with me, and you'll be in a world of pure gamification …. ?

We've Got More Details on Microsoft's Xbox Subscription Service

Like everyone in the games industry, Microsoft has been working to figure out most successful ways to distribute their games and systems to the masses. Does the traditional model still work in 2018? Or is there a better way? Game streaming is one option a lot of people have tried, or are interested in—Microsoft included—but a recent report by The Verge suggests they're opting for another route, too: console subscriptions.

Remember when you could rent, like, a whole Dreamcast from Blockbuster for a week? It seems like it'll work like that: according to early sources, the subscription from Microsoft Stores will include an Xbox One (either the S or the fancy X version), Xbox Live Gold, and the Xbox Game Pass, which offers various games for download on a subscription basis, for $34.99 a month. It's an interesting deal, though I'm not sure how many people want to go to a physical location to rent a console. Still, alternatives to the current method—i.e., buying another big videogame-running brick every five years—are always welcome.

The Situation for Sexy Steam Games is Supremely Sticky

Steam's problems with content regulation are old hat to anyone who is familiar with games by now, but this story still is pretty jarring: with a new content moderation system in progress, Steam has seemingly halted the approval process for some adult games until the new system is finished. According to a report by Kotaku, several developers have found themselves stuck in release purgatory for months, with no clear answers and no end in sight.

It's understandable for Steam to not want certain content on its platform—that's its prerogative. But withholding both approval and clarity from developers isn't particularly good for anyone.

The Mobile Hit Reigns is Coming to Westeros

Reigns is an immensely clever game, a mash-up of the mind-numbing minutiae of ruling a kingdom with the mind-numbing habit of swiping right or left to run your dating life. Sassy and artistic, Reigns and its sequel have been a mobile smash hit;—and now their creators, alongside publisher Devolver Digital, have done the natural thing, and teamed up with the folks who made Game of Thrones. Introducing, uh, Reigns: Game of Thrones, due out in October in Android, iOS, and PC.

When it comes out, you'll be able to take on the roles of various royal types from the universe, beginning as Daenerys and unlocking more as you go along, die, and try again. Can you get to the Iron Throne? Or at least survive the winter? I probably can't; I'm terrible at these sorts of games.

Recommendation of the Week: Shenmue 1 & 2

In this current age of the remaster, this is no doubt one of the big ones. The Shenmue games, first released for the Dreamcast in 1999 and 2001, respectively, were epochal in so many ways. Their DNA is all over modern-day open-world games, slice-of-life role-playing games, and the entire genre of modern, peaceful indies. A fascinating soap operatic story of seeking a father's killer mixed with bits of brawling, romance, and regular life simulation make Shenmue and its sequel two of the most distinct, and fondly remembered, games of their time. Now, they're on modern consoles and PC. Check 'em out.

The Napa Fire Is a Perfectly Normal Apocalypse

March 20, 2019 | Story | No Comments

Blame the wind, if you want. In Southern California they call it the Santa Ana; in the north, the Diablos. Every autumn, from 4,000 feet up in the Great Basin deserts of Nevada and Utah, air drops down over the mountains and through the canyons. By the time it gets near the coast it’s hot, dry, and can gust as fast as a hurricane.

Or blame lightning, or carelessness, or downed power lines. No one yet knows the cause of the more than a dozen fires ablaze around California, but fires start where humans meet the wild forests, where people build for solitude or space or beauty. Things go wrong in those liminal spaces, at the interface between the wilds and the built.

So blame sprawl, or civilization’s cycling of wilderness into rural into exurban into suburban—urban agglomerations with an ever-expanding wavefront.

Blame all of it. There’s a reason the great Californian writer Raymond Chandler called it the Red Wind—winds “that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch.” Those winds blast down from the mountains and fan small fires into infernos, and sometimes those infernos maim or kill a city. In 1991 it was in the hills of Oakland. And this past weekend it was Napa and Sonoma, and the town of Santa Rosa. At least 15 people are dead. More than 1,500 houses are gone. The skies of the West are full of dust and ash.

Pushed by the wind, fires can throw burning embers a mile and a half ahead. The fire front starts moving faster than anyone can respond, jumping from ridgeline to ridgeline.

A fire’s progress through the forests and wildlands of North America isn’t exactly formulaic, but scientists understand it reasonably well. In the city, though? “Most wildland firefighters are not trained in structural protection, but the urban fire departments are not trained to deal with dozens or hundreds of houses burning at the same time,” says Volker Radeloff, a forestry researcher at the University of Wisconsin. “When these areas with lots of houses burn, the fires become very unpredictable.”

Buildings, the material bits of cities, don’t burn like woodlands. “A wildfire typically doesn’t last in one spot more than a minute or two. In grass it can be like 10 seconds,” says Mark Finney, a US Forest Service researcher at the Missoula Fire Sciences Laboratory. “But structures can burn for a long time. That means they have a long time to be able to spread the fire, to be able to ignite adjacent structures.” They throw off embers as they decompose, and those wide walls emit and transfer heat.

In Southern California, Santa Ana fires push into populated areas more frequently. They kill more people and destroy more buildings. Diablo-powered fires aren't as common in the state's northern half, but they're not unknown.

Fires happen without Santa Anas too, of course, but “they typically don’t grow bigger,” says Yufang Jin, an ecosystem dynamics researcher at UC Davis and lead author on a 2015 paper about the difference. “During summertime in southern California, the typical wind pattern blows from the ocean to inland. The wind speed is usually not that strong, and the relative humidity is usually high.” That can tamp a fire down.

During Santa Ana season, conditions are the opposite. And the particularly bad Diablo winds in the north this year come after the end of a drought that left plenty of fuel. Fire researchers sometimes fight about whether meteorology or fuel conditions are more important to wildfires; this past weekend had both—the perfect firestorm. Cal Fire, the agency responsible for wildfires in the state, has issued another Red Flag Warning for the same conditions later this week. According to a spokesperson, roughly 4,000 firefighters are already deployed.

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California housing policies are more likely to push single-family houses out into the edges of communities than encourage the construction of dense city centers. Climate change makes wet seasons wetter and hot seasons hotter—which builds fuel. “Based on analysis using climate model projections, the frequency of Santa Ana events is uncertain,” Jin says. “But all the models agree that the intensity of Santa Ana events is going to be much stronger.”

Models say the same thing about sea level rise and hurricanes. A continent away from the fires in California, cities along the Gulf of Mexico and in the Caribbean have been battered by tropical cyclones, one after the other. This year, ocean water heated by a warming climate, unusually wet weather, and a lack of the vertical wind shear that can tame a big storm combined to produce an anomalous season. It has already been a fire season and a hurricane season that are, as researchers say, consistent with models of a changing climate.

Cities are not immortal. Economics and wars can kill them, but so can storms and fires. That’s especially true if cities aren’t built to resist—if cities are built in ways that make the change worse instead of fighting it.

So keep thinking about blame as northern California rebuilds—if regulations get brave enough to insist on denser cities, less flammable materials, different ornamental vegetation, underground power lines. The risk of fire will never be zero, but everyone knows what would knock a few points off. Whether anyone will make those changes—well, the red wind makes people do crazy things.

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Over the weekend, someone I kind of know posted something from someone I don’t know at all on Facebook. “Wow,” it read. “I can’t believe this is why Ariana Grande and Pete Davidson split up.” It included a picture of the couple as well as a link—to the registration form on Vote.org. I shared it. It quickly became one of my most popular posts.

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The post didn't originate with Grande, but it could have. Grande, along with uncountable scores of celebrities, brands, and apps, were working overtime to encourage people to vote, or at least insert themselves in the political conversation on Tuesday as people in the US headed to the polls. Google, of course, got in on the action, turning the day’s doodle into a “Go Vote” message rendered in the company’s signature colors and font. So, naturally, did Facebook, posting “It’s Election Day!” messages and giving users the ability to share that they voted.

If the 2016 election taught us anything, it’s that a celebrity endorsement doesn’t necessarily clinch an election for one candidate or another. But the overall hum of voices saying “Go vote!” can motivate—or at least remind—people to get to the polls. (Peer pressure!) And as these midterms loomed, it seemed the cacophony of digital Get Out the Vote efforts was getting out of hand. Here are some of the best and worst we saw—from Tinder to Torchy’s Tacos.

22. Tinder

Before I’d even finished my first cup of coffee this morning, I got a message from Tinder. (Not exactly the East Coast's prime time for Tinder notifications.) “It’s time to get your vote on, because every single vote counts!” Yes, the app that has been encouraging us to make bad decisions and judge folks on the least valuable information available would like you to decide the future of America. ¯\_(ツ)_/¯

21. James Woods

Fresh out of Twitter Jail for a misleading tweet about the midterms, actor and butt of Entourage jokes James Woods posted the above message asking people to not just vote, but to #VoteRed.

20. Tomi Lahren

…And now a word from conservative commentator Tomi Lahren.

19. Torchy’s Tacos

Honestly, this one is a bit confusing. Is salsa Republican? Is guac a Democrat thing? (Yes, we know, those are types of tacos at Torchy's.) Regardless, get munchies after the polls.

18. Twitter

Never one to miss out on a Moment or an opportunity to get involved in democracy, the official Twitter account on Twitter posted “thank you, vote.” The message was a riff on Grande’s new single “Thank u, next,” which…

17. Ariana Grande, Retweeting Twitter

For those who missed the tweetstorm about it, pop’s premiere shade-thrower Ariana Grande dropped her latest single late Saturday night—about 30 minutes before her ex-fianc´e Pete Davidson’s show, Saturday Night Live, hit the air. The song, in which Grande thanks her former lovers (including Davidson) for their service, was, in the singer’s own words, “a smash,” and quickly took over streaming services and Twitter. Not too long after the social media service used her song to encourage folks to hit the polls, Grande herself did the same.

16. Lucky Charms

Seriously? Have we not learned that luck has nothing to do with who wins elections??

15. The Rock

While many celebs just used words to encourage voting, Dwayne Johnson opted for a thirst trap. Well, a thirst trap that also doubled as a dig at his buddy Kevin Hart, but a trap nonetheless.

14. Kevin Hart

Speaking of Kevin Hart, he also voted (very early, from the looks of it), and would like you all to do the same.

13. Idris Elba

Speaking of thirst traps, People’s new Sexiest Man Alive, Idris Elba, also used the announcement of his new title to motivate the masses—an especially civic-minded overture, considering he's a Brit. Always a class act, that Idris.

12. Isiah Whitlock Jr.

The Wire star Isiah Whitlock Jr. wasn’t about to let Elba’s tweet stand, though. In addition to his famous Clay Davis rejoinder, he also had this to say: #GoVote.

11. The Milwaukee Bucks

Yes, even NBA teams are asking that you participate in something besides your fantasy league. Small forward Khris Middleton, at least, seems to be on board; his teammate Giannis Antetokounmpo may not be, but his Greek citizenship gives him a pass.

10. Kate Walsh

Lots of folks did some variation on the “Me Voting in 2016 vs. Me Voting in 2018” meme. Grey’s Anatomy and Private Practice star Kate Walsh’s just happens to be our personal fave. (Though WIRED contributer Jenn Wood had a doozy too.)

9. Will Ferrell, via Funny or Die

You know what this election cycle hasn’t had enough of? Dance routines. Thank the East Lake High Spartan cheer squad, then, that Will Ferrell and Funny or Die are here to rectify that.

8. Ice Cube

There are worse ways to announce you’re about to drop new music.

7. William Barton

Ice Cube not enough of a motivator? Maybe this rallying cry from pro Hearthstone player William Barton will work?

6. Every Outfit on Sex and the City

The Instagram account Every Outfit on Sex and the City, which, yes, posts about all of the fashion on HBO’s iconic single ladies show, became something of an unofficial get-out-the-vote campaign during SATC star Cynthia Nixon’s gubernatorial run in New York earlier this year. Miranda didn’t make the ballot, but the folks behind the feed would still like you not to be a Samantha and instead vote for someone. (You’re welcome to be a Sam in other ways, though, of course.)

5. Frank Ocean, via Beats 1 Radio

It’s been a while since we’ve heard anything from R&B wunderkind Frank Ocean’s Blonded Radio on Beats 1. But he brought it back Tuesday morning with an only-kinda-cryptic image of a voting booth—and then promised merch to fans in select cities who could prove they'd voted. Thanks, Frank.

4. Demi Lovato

Singer and actress Demi Lovato has been nearly radio silent on social media since July when she entered rehab following an overdose. But she got on Instagram today to say she's "so grateful to be home in time to vote!" She went on to say "One vote can make a difference, so make sure your voice is heard!"

3. RuPaul

Much like the fine crew behind Every Outfit on Sex and the City, RuPaul would like you to get a squirrel friend to the polls. SISSY THAT VOTE.

2. Beyoncé

Beyoncé, who sent out a plea to her fans to vote via email in the 24 hours before the midterms, took to Instagram to announce support for Beto O’Rourke, who is challenging Republican Senator Ted Cruz in her home state of Texas. If anyone can get people to the polls, it’s Beyoncé. The queen has spoken.

1. Steak-umm

We’ll leave you with this—just in case you do need a frozen meat company to tell you what to do.