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The design-centric boutique hotel? That’s Ian Schrager’s doing.

Given Schrager’s professional origins launching Manhattan’s legendary Studio 54, it makes sense that the brand new West Hollywood Edition hotel and residences continue this cultural legacy in some key respects while offering an evolved, grown-up experience in others.

“I get an instinctive feel for a place,” Schrager said while nursing a Coke at the Roof pavilion restaurant and bar that caps his latest project. Located at 9040 W. Sunset Blvd., at the southeast corner of Doheny Drive, the quietly dramatic property with commanding views of the L.A. basin and beyond comprises 190 rooms — including 50 suites — and 20 luxury residence units.

As with other Schrager efforts, the Edition both blends seamlessly with the streetscape and makes a statement of its own. And as to be expected, the 10th location of the brand is already making its mark as the L.A. hotspot to see and be seen.

The Edition boasts an intimate subterranean club simply called Sunset, for instance, where singer Janelle Monáe performed at the preview bash last month. Other hotel facilities include meeting and event spaces, a spa and Ardor restaurant, helmed by chef John Fraser, the dining room of which is lined with enough lush potted greenery to keep interior plantscapers consistently occupied.

The opening festivities kicked off earlier this month and continued for five days, with a parade of boldfaced names — from Lenny Kravitz to Demi Moore to RuPaul — attending events at Sunset, Ardor and the Roof.
Schrager made his mark wi

th then-business partner Steve Rubell at Studio 54 until 1980 before pivoting to hotels with properties such as Morgans and Royalton Hotel. L.A.’s hospitality scene felt Schrager’s impact when in 1995 he purchased the Mondrian on the Sunset Strip and subsequently tapped Philippe Starck to transform the venue with the French designer’s inimitable whimsy.

Everywhere you look, there are design world marvels, from the meticulously selected and matched travertine slabs to the soothing Siberian larch wood in the spa. That rooftop pavilion, for example, is all clean lines, filled in with bursts of royal blue seating cushions. Classic Pierre Jeanneret teakwood Chandigarh chairs are juxtaposed with furniture upholstered with white linen that would seem to tempt fate, given the placement at a buzzing hotel bar perched above the Sunset Strip.

It’s a big step in the evolution of the Sunset Strip’s brash rock ‘n’ roll reputation, this time complete with an original Sterling Ruby mobile called “The Scale” installed in the Edition lobby.

The West Hollywood Edition’s unveiling also introduces a wider West Coast audience to the work of London-based architect John Pawson, who is known for his mastery of space and rigorously pared sensibility.

At the West Hollywood Edition, which is operated in partnership with Marriott International, “I think the materials that John chose are very appropriate,” Schrager said.

“I just love his aesthetic,” Schrager added. “It’s a good envelope for me to take what he does and add layers onto it. I’m not interested in things being categorized.” (Schrager is quick to note that the Edition, with its expanses of unadorned surfaces and open volumes, is not simply “minimalist.”)

The 20 units of the Residences at the West Hollywood Edition, developed by the New York City-based Witkoff Group with New Valley, were almost entirely sold upon completion. Apartments range from approximately 1,600 to a lavish 6,400 square feet, and all showcase Pawson’s preference for calming palettes and meticulous geometry, with elements such as Molteni kitchens, sliding glass walls with louvered teak shades, and interior teak details that carefully conceal outlets and systems.

“I tend to design what I personally would like for my family,” the architect explained. “A lot of love has gone in.” Amenities include a full-time concierge, high-tech smart features galore, and lobby, fitness and pool areas separate from the hotel, as well as art curatorial services from the Residence Concierge Art Program by Creative Art Partners.

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Until now, Pawson’s sole Los Angeles undertaking was a private residence in Bel-Air. The positioning of the tower and floor-to-ceiling windows, plus the outdoor spaces, achieve the goal of maximizing this storied setting.

“We all dream of it,” Pawson said via telephone from his London offices about his relationship to this quasi-mythical area of Los Angeles. “We’ve seen the movies and been along Sunset Strip — for the good and the bad,” he said drolly. To a European, Sunset is “so intimate, because you can walk.”

During the final days leading up to the Edition’s soft opening, Schrager recalled how his interior design team swept through to make select tweaks in the public spaces. Changes meant sumptuous green drapery, furniture and accessory switches, and incorporating discerning pops of color into Pawson’s exactingly proportioned, travertine-clad lobby.

“It’s like making a soup. You adjust the process. You don’t know where you’re going to end up,” Schrager opines. “I know how people react to a space. I know what creates the sparks, and that’s what I’m out for.”

The Roof at the West Hollywood Edition

Where: 9040 W. Sunset Blvd., West Hollywood

Hours: 7 a.m. to 2 a.m., with an all-day menu

Info: editionhotels.com


Cynthia Bello says she had no idea skipping breakfast would make her feel so fantastic.

The 40-year-old Los Angeles Police Department detective and mother of two from Placentia started intermittent fasting in March to lose weight after becoming a self-professed “junk food vegan.”

“I was not happy with what I saw in the mirror,” she says. “I had tried other weight-loss programs, and nothing ever worked.”

But, Bello says, when she restricted her eating to a nine-hour window each day, the weight finally started coming off — about 15 pounds. She has lost 4 inches from her waist, 2 from her bust and an inch off each thigh.

“I was super scared of it because I don’t do well when I’m hungry,” she said. “But it was easier than I thought it would be.” Bello now eats only between 11 a.m. and 8 p.m. and says it has helped her sleep better, given her more energy, and, surprisingly, resulted in fewer problems with seasonal allergies and irregular menstrual periods.

Military wife Colleen Taylor, 52, who splits her time among a home in Huntington Beach, the Joint Forces Training Base Los Alamitos and Great Falls, Mont., said intermittent fasting helped her achieve similar success. Taylor lost 11 pounds the first month of an eight-hour-window eating plan outlined in the Clean & Lean diet by Dr. Ian K. Smith.

Sticking to black coffee in the morning and skipping a late-night glass of wine narrowed her eating window, she said.
“It was really hard … but if I buy good coffee, it’s OK,” she says. “I also add a little bit of cinnamon.”

But the sacrifice, she says, has been worth it. She’s down 19 pounds on her 4-foot-11 frame just by maintaining a slightly relaxed, but still healthy diet in the eight-hour window. Her husband, Reginald, has lost weight too, just by eating in the same window.

Intermittent fasting has become somewhat of a darling in the wellness world, as a glance at Instagram can attest.

Adherents bill it as the right tool to bust through weight-loss plateaus and stave off a host of chronic diseases and conditions, including diabetes, rheumatoid arthritis and high blood pressure.

It sounds scary and potentially painful — after all, “fasting” is in the name. But proponents say it’s a simple hack for curbing the endless snacking and nibbling and nighttime eating that can pack on calories.

At its most basic approach, you create a limited window for eating and stick to it. Bello, who eats her first meal at 11 a.m. and her last by 8 p.m., keeps her eating to a nine-hour window, and fasts 15 hours a day. (She followed an online program, the FASTer Way to Fat Loss, and was so taken with it, she now does coaching on the side.) Some followers take it to an extreme: Magician Penn Jillette says fasting 23 hours a day has helped him maintain his 100-pound weight loss.

Ashley Koff, a Los Angeles-based registered dietician who coaches clients on the finer points of intermittent fasting through her website, the Better Nutrition Program, says her followers love it because they don’t have to think about counting protein, carbs and fat calories.

Intermittent fasting is a helpful approach for clients who do too much “back-loaded eating,” getting the majority of their calories in the hours before bed, which makes weight loss and digestion more difficult, she said.

Results from dozens of clinical studies on intermittent fasting, taking a more rigorous look at its impact on disease as well as side effects, are expected to come out in 2020. In the meantime, we talked to fasting experts to come up with a list of eight things you should know if you want to give intermittent fasting a try.

1. You don’t have to limit eating to an eight-hour window to reap the benefits. While many fasting plans advocate an eight-hour window, for many that can be problematic and tough to stick to over the long haul. And an eight-hour window is not necessary to obtain many of the obesity and disease-fighting benefits, says Satchin Panda, a professor at the Salk Institute and author of “The Circadian Code,” an approach to weight loss that revolves around one’s natural body clock.

“Ten is a good entry point” for weight loss, Panda says. That would mean having your first meal of the day at 8 a.m., for example, and making your last caloric intake of the day by 6 p.m. That alone could reduce overall calorie intake, especially since his research shows many Americans eat off and on for around 15 hours a day. A 12-hour eating window still confers many of the benefits to blood pressure and reduced gut inflammation, he said, and appears to be safe for people of all ages.

2. A shorter window, however, appears to confer more benefits for weight loss, and a reduction in disease markers.

In research published last year, Courtney Peterson, an assistant professor at the University of Alabama at Birmingham, conducted a time-restricted eating study with pre-diabetic men, giving them an identical meal plan over two time frames — six hours or 12 hours. On the six-hour plan, the men had lower levels of insulin and oxidative stress, less nighttime hunger and significantly lower blood pressure. While it didn’t significantly affect the number of calories participants burned, it did lower levels of the hunger hormone ghrelin and increased fat-burning over the 24-hour day, the researcher found.

3. But … very restrictive intermittent fasting might not be a good long-term strategy. One concern is that eating in windows of six to eight hours could eventually slow your metabolic rate and cause you to regain even more weight when you return to a regular schedule, says Valter Longo, director of the USC Longevity Institute and author of “The Longevity Diet.”

Moreover, there’s some indication that tighter feeding windows over the long term might have an adverse effect on cardiovascular health, Longo said. However, more research is needed. “We don’t want to get rid of a problem [such as weight] and give you another in the long run,” he said. Once you lose the weight, it’s a good idea, he said, to slowly broaden your eating window closer to the “very safe sweet spot” of 12 hours.

4. It’s OK to mess up occasionally. Life can be unpredictable, and with dinners out or vacations, a tight eating window can be difficult to adhere to. Intermittent fasting for five or six days a week confers many of the benefits, such as reduced body fat, reduced cholesterol, better glucose control, and improved endurance, experts say.

5. It could be an important tool in the fight against cancer. Studies show that fasting can help prevent malignancies, reduce tumor growth and increase the efficacy of cancer treatment such as chemotherapy. A 2015 analysis of data from the Women’s Healthy Eating and Living Study found that breast cancer survivors who didn’t eat for at least 13 hours overnight had a 36% reduction in the risk of recurrence and were 21% less likely to die from breast cancer.

6. Beverages with calories will break your fast. One of the biggest problems people have getting started with intermittent fasting is accidentally breaking their fast too early in the morning with cream in their coffee or caloric beverages at night, says Smithauthor of “Clean & Lean,” which advocates whole foods and time-restricted eating.

“Calories count,” Smith says. “You want [to consume] no more than 25 calories during your fasting window” or you can consider your fast broken.

7. The old adage “Eat breakfast like a king, lunch like a prince and dinner like a pauper” still holds. Even if you’re cutting off your eating earlier in the evening, it’s still better to eat your bigger meals earlier in the day, Panda says, because your body can digest them more efficiently. Israeli researchers found in studies that overweight women lost more weight and had greater improvement in blood sugar, insulin and other markers of cardiovascular disease when they ate a large first meal, modest lunch and small dinner compared with the reverse.

8. It’s not for everyone. Pregnant or breastfeeding women, or those who are underweight or have a history of eating disorders shouldn’t undertake a very restrictive intermittent fasting program, our experts said. Diabetics or anyone on medication should consult their doctor before starting any program.


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Hamilton has no problem with Rosberg’s start

November 30, 2019 | News | No Comments

Lewis Hamilton says he has no problem with Nico Rosberg’s positioning during the start to the Australian Grand Prix.

Rosberg was on the inside of Turn 1 behind Sebastian Vettel with team-mate Hamilton on the outside, and the two Mercedes had very slight contact as Hamilton was forced wide on to the kerb on the exit of the corner. The close battle saw the defending champion lose two further spots, though he recovered to finish second behind his team-mate in the race.

When it was put to him that he was unhappy with Rosberg at Turn 1, Hamilton replied: “Absolutely not, I never said that at all.

“I just said that I got ran wide at turn one. I couldn’t really recollect what exactly went on, I assume he had someone up the inside and it was the case that Nico braked late whilst he was battling with Vettel.

“[Rosberg went] really deep, he locked up and I wasn’t really anticipating coming over so far to the outside and I took evasive action to avoid him. It was nothing intentional from him and either of us.”

Hamilton had referenced Rosberg’s start during the post-race press conference, during which Rosberg apologised. Both Mercedes’ were beaten off the line by the two Ferraris and Hamilton says it is an area his team must investigate.

“I just got wheel spin. No particular real issues, Ferrari’s are very, very strong. My initial phase was just the same as Nico’s but the second part where you release the clutch fully I just had extra wheel spin and didn’t recover from it so it wasn’t a major issue.

“It’s always an ongoing change, even when my starts have been amazing. It’s always moving, targets are always shifting so it is something for sure… We were just talking now and it’s one of our priorities. The Ferraris got an incredibly good start, so we’re going to try and figure out how we can do better.”

Australian Grand Prix – Driver ratings

REPORT: Rosberg beats Hamilton after huge Alonso crash

AS IT HAPPENED: 2016 Australian Grand Prix 

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AMMAN, Jordan — 

In Iraq’s bloody path to democracy following the U.S.-led invasion in 2003, Grand Ayatollah Ali Sistani, the leading authority for Shiite Muslims worldwide, held an unparalleled position of moral authority but rarely intervened in matters of governing.

On Friday, in the wake of weeks of protests that have left more than 400 people dead, Sistani broke his customary silence and called on parliament to select a new leader. Hours later, Prime Minister Adel Abdul Mahdi acquiesced to Sistani’s counsel and announced he would present his resignation to parliament.

Moments after Abdul Mahdi issued his statement, celebrations broke out in Baghdad, the Iraqi capital, with protesters in Tahrir Square cheering to cries of “Long live Iraq; long live the revolution” while others shot off fireworks.

Despite the jubilation, few believe the premier’s departure will mollify protesters’ anger. Since Oct. 1, demonstrations have bloomed in Baghdad and across the country’s south against what many say is corruption and grotesque ineptitude on the part of the ruling elite.

Protesters, most of them young and from the country’s Shiite majority, have braved bullets, tear gas canisters, internet shutdowns and curfews. They have demanded a full dismantling of the political class that emerged in the wake of the U.S. invasion and which they blame for dismal living conditions despite Iraq’s oil wealth.

This week, Iraqi security services shot 40 protesters to death in a 24-hour period ending Thursday evening.

In his statement, Abdul Mahdi said he had listened with “great concern” to Sistani’s call and would heed it by submitting an official request to leave his position as the head of the current government.

It came in the aftermath of what was considered to be one of the bloodiest days since the anti-government protests began, with scores of mostly unarmed protesters cut down in the southern Iraqi city of Nasiriyah by “rapid response” units, an elite force that has received U.S. training and support. Human rights watchdog Amnesty International condemned the violence there, saying it was a “bloodbath” that had the city looking like a “war zone.”

It was that fighting that pushed Sistani — a figure who in the past had been derisively called the “silent authority” for his reticence in commenting on political matters — to speak out and call for parliament to change leaders. In a sermon delivered during Friday prayers, Sistani called on parliament to “reconsider its options” in the wake of the government’s “clear inability” to deal with the unrest.

Iraqi political leaders, including Muqtada Sadr, the populist cleric who has styled himself as a supporter of the demonstrators’ call for reform, moved to capitalize on Abdul Mahdi’s statement. On Friday, Sadr released a statement saying the resignation was the “first fruits of the revolution” and called for a new government to be formed.

The carnage continued Friday in Nasiriyah, prompting U.N. Secretary-General António Guterres to issue a statement saying he was “deeply concerned over reports of the continued use of live ammunition against demonstrators in Iraq.”

He called on authorities “to exercise maximum restraint, protect the lives of demonstrators, respect the rights to freedom of expression and assembly, and swiftly to investigate all acts of violence.”

On Friday, a State Department spokesman said the U.S. shared “the protesters’ legitimate concerns.”

“We continue to urge the government of Iraq to advance the reforms demanded by the people, including those that address unemployment, corruption, and electoral reform,” the spokesman said.

Abdul Mahdi had previously offered to leave his post Oct. 31 if parliament could find another successor. Parliament refused.

His resignation request Friday does not mean he has left his post; he remains the head of a fully operational government until parliament ratifies a majority vote of no confidence. If it passes, he would remain as caretaker.

It would then fall on parliament, a deeply fractured body that is hostage to the country’s sectarian divide, to choose his replacement from the largest bloc. Yet members of parliament have tussled for months about which bloc that would be; Abdul Mahdi, lackluster but independent, was chosen as a compromise candidate after months of paralysis because he was acceptable to the top groups.

Even if parliament could overcome its fractiousness to actually select a replacement, it’s unlikely to be enough. Like the demonstrations in Algeria and Sudan this year, and the wide protest parades in Lebanon that began last month and toppled the government there, those on the streets are seeking the uprooting of a political order they accuse of siphoning off their country’s resources while beggaring much of the population.

The contrast is especially galling in Iraq. Though the country is awash with 148.8 billion barrels of proven oil reserves, amounting to 9% of the world’s oil supply, it doesn’t even have 24-hour electricity, and a full quarter of the country’s youth are unemployed, according to the World Bank.

Besides, few see parliament as representative; some 40% of the population was reported to have voted in parliamentary elections held last year, the lowest turnout since 2003 but a figure that many nevertheless believe is inflated. (The elections were plagued by accusations of fraud as well as malfunctioning voting machines.)

Many of those politicians are also seen as beholden to external powers, including the U.S. and especially Iran, Iraq’s onetime enemy (the two countries engaged in an almost eight-year war during the rule of Iraqi strongman Saddam Hussein). Iran has since integrated itself into the top echelons of power in Baghdad.

Sistani also called on parliament to speed up preparations for “free and fair elections whose results truly express the will of the Iraqi people.”

Meanwhile, many fear the escalating violence would plunge the country into renewed fighting even as it had just begun to recover from years of combating Islamic State.

During the Sunni jihadist group’s blitzkrieg toward Baghdad in 2014, it was Sistani who issued the call to arms that mobilized hundreds of thousands of mostly Shiite youth overnight to fight the extremists and repel their assault. On Friday, he warned of a new danger to Iraq, one that could lead, he said, to a “cyclone of violence” that would reverse what little progress the country had made.

“The enemies and their pawns are planning … to spread chaos and destruction and drag the country towards infighting and then restore the era of reviled dictatorship,” Sistani said, adding that protesters should make sure there were no “saboteurs” within their ranks.

“All must cooperate to not make them miss the opportunity to do so.”


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LONDON — 

A man wearing a fake explosive vest stabbed several people Friday in London, killing two of them in what police are treating as a terrorist attack. The assailant was tackled by members of the public and then fatally shot by officers on London Bridge, officials said.

Police identified the attacker as a 28-year-old who was released on probation last year after serving six years for terrorism offenses.

Hours later, an attacker stabbed three people in a busy shopping district in the Netherlands, and police were searching for the suspect, authorities said. There was no immediate indication of any link between the two incidents. A Dutch police spokeswoman said it was too early to say whether a terror motive was to blame for the attack in The Hague.

In London, Metropolitan Police Chief Cressida Dick said two stabbing victims had died and three injured people were being treated in hospitals. Health officials said one of the injured was in critical but stable condition, one was stable and the third had less serious injuries.

Police said the attacker, Usman Khan, was convicted in 2012 of terrorism offenses and released in December 2018 “on license,” which means he had to meet certain conditions or face recall to prison. Several British media outlets reported that he was wearing an electronic ankle bracelet.

Neil Basu, the London police counterterrorism head, said Khan was attending a London event hosted by Learning Together — a Cambridge University-backed program that works to educate prisoners — when he launched the attack, killing a man and a woman and injuring three others.

The attacker’s history will raise difficult questions for Britain’s government and security services. Basu said police were not actively looking for any other suspects.

Prime Minister Boris Johnson said he had “long argued” that it was a “mistake to allow serious and violent criminals to come out of prison early.”

“It is very important that we get out of that habit and that we enforce the appropriate sentences for dangerous criminals, especially for terrorists, that I think the public will want to see,” he said.

The violence erupted 2 ½ years after a van and knife attack in the same area killed eight people and less than two weeks before Britain holds a national election. The main political parties temporarily suspended campaigning in London as a mark of respect.

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Basu said that the suspect appeared to be wearing a bomb vest but that it turned out to be “a hoax explosive device.”

He said officers were keeping “an open mind as to any motive.”

Dick, the police chief, said officers were called just before 2 p.m. to Fishmongers’ Hall, a conference venue at the north end of London Bridge. The pedestrian and vehicle bridge links the city’s business district with the south bank of the River Thames.

Minutes after the stabbings report, witnesses saw a man with a knife being wrestled to the ground by members of the public on the bridge before armed-response officers shot him dead.

One video posted on social media showed two men struggling on the bridge before police pulled a man in civilian clothes off a black-clad man on the ground. Gunshots followed. Another depicted a man in suit and overcoat holding a long knife that apparently had been taken from the attacker.

Other images showed police, guns drawn, pointing at a figure on the ground in the distance.

Karen Bosch, who was on a bus crossing the bridge, said she saw police “wrestling with one tall, bearded man” and then heard “gunshots, two loud pops.”

She said the man “pulled his coat back which showed that he had some sort of vest underneath, whether it’s a stab vest, or some sort of explosive vest, the police then really quickly moved backwards, away.”

Another bus passenger, Amanda Hunter, told the BBC that the vehicle “all of a sudden stopped and there was commotion and I looked out the window and I just saw these three police officers going over to a man.”

“It seemed like there was something in his hand, I’m not 100% sure, but then one of the police officers shot him.”

Police confirmed that Khan died at the scene.

London Mayor Sadiq Khan praised the “breathtaking heroism of members of the public who literally ran towards danger not knowing what confronted him.”

“They are the best of us,” Khan said.

The prime minister also praised the bystanders and said anyone who was involved in the attack “will be hunted down and will be brought to justice.”

Cars and buses on the busy bridge stood abandoned after the shooting, with a white truck stopped diagonally across the lanes. Video footage showed police pointing guns at the truck before moving to check its container.

London Bridge station, one of the city’s busiest rail hubs, was closed for several hours after the attack.

Scores of police, some armed with submachine guns, ushered office workers and tourists out of the area packed with office buildings, banks, restaurants and bars. Staff in nearby office blocks were told to stay inside.

As police cleared the streets, workers in shops and restaurants ushered customers into storerooms and basements. Some had been through similar traumatic events in June 2017, when eight people died in the van and knife attack launched by three people inspired by the Islamic State group. The attackers ran down people on the bridge, killing two, before fatally stabbing several people in nearby Borough Market.

That fatal attack took place days before a general election. Britons are due to go to the polls again Dec. 12.

Political leaders expressed shock and sorrow at Friday’s attack.

“We will not be cowed by those who threaten us,” Labour Party leader Jeremy Corbyn said. “We must and we will stand together to reject hatred and division.”

Both Labour and the Conservatives suspended campaigning in the city after the attack, and the prime minister was also canceling political events for Saturday.

Security officials this month had downgraded Britain’s terrorism threat level from “severe” to “substantial,” which means an attack is seen as “likely” rather than “highly likely.” The assessment was made by the Joint Terrorism Analysis Center, an independent expert body that evaluates intelligence, terrorist capability and intentions.

The U.K.’s terror threat was last listed as “substantial” in August 2014; since then it has held steady at “severe,” briefly rising to “critical” in May and September 2017.

The Hague attack happened about 7:45 p.m Friday, when a man stabbed several people on the street. Authorities offered no immediate motive.

“We are keeping every scenario open,” police spokeswoman Marije Kuiper said.

The stabbing happened in an area teeming with shoppers. Supermarket chains and luxury shops were lighted up with early Christmas decorations.

Police sealed off a wide perimeter behind which onlookers were kept at bay.

The Netherlands was shocked by a similar stabbing in Amsterdam a year ago, when two Americans were wounded in a knife attack that prosecutors say had a “terrorist motive.”


SEATTLE — 

Nancy Haque worried about the conditions in sweatshops around the world. For Lynne Dodson, it was the possibility of attacks on public education. The plight of imperiled sea turtles got Lisa Wathne.

An array of issues brought tens of thousands of protesters to Seattle 20 years ago Saturday, with one unifying theme: concern that the World Trade Organization, a then-little-known body charged with regulating international trade, threatened them all.

With their message amplified not just by their numbers, but by the response of overwhelmed police who fired tear gas and plastic bullets, the protesters delayed the WTO’s conference and raised awareness of the international trading system and its implications for the environment, labor standards and human rights.

While many of the problems they identified are unsolved two decades later, some still credit the protest with restoring a sense that mass demonstrations and civil disobedience can effect change.

Demonstrators’ criticisms of economic inequality, rapacious capitalism, environmental degradation and worker exploitation are at home in the platforms of progressive Democratic presidential candidates such as Elizabeth Warren and Bernie Sanders.

“There was a real feeling among students in the ’90s that it doesn’t matter, that nothing we do is going to change anything,” said Dodson, a longtime teacher and labor organizer. “The WTO protests changed that.”

Officials from 135 nations gathered in Seattle for a conference intended to launch a new round of talks to reduce trade barriers, but a months-long leadership tussle within the WTO hobbled advance preparations, making it unlikely the meeting would succeed.

Seattle had lobbied to host the conference because Washington was — and still is — one of the nation’s most trade-dependent states, with Boeing planes, Microsoft software and agricultural products such as apples and cherries making up significant exports.

During more than a year of planning, the city failed to heed signs of a massive disruption, neglecting to ensure it had enough police to handle the influx of protesters.

A WTO meeting in Geneva the year before had drawn protests, and protesters surrounded and rocked a bus carrying the WTO’s new director general during an October 1999 appearance at the University of Washington.

The day before the conference, Mayor Paul Schell insisted he wanted to honor the right to protest and pleaded with the demonstrators: “Be firm in your message but be gentle with my city.”

As the conference opened on Nov. 30, 1999, thousands of demonstrators chained themselves together in downtown intersections. They locked arms outside a convention center, preventing dignitaries, including U.S. Secretary of State Madeleine Albright and U.N. Secretary-General Kofi Annan, from entering.

Tens of thousands of drumming and chanting steelworkers, machinists, teachers and other union members marched. Many of the union members’ jobs depended on trade, but they worried reducing trade barriers without requiring labor standards would allow companies to ship their jobs to developing countries.

To the dismay of many activists, a small number of black-clad anarchists rampaged, breaking windows, vandalizing stores with graffiti and looting a Starbucks. The start of the conference was delayed, leaving the assembled nations less time to reach agreement on key issues.

Understaffed police stood by at first, but by midmorning began using tear gas to try to disperse the protesters. With then-President Clinton due to arrive, the mayor declared a downtown curfew and no-protest zone — restrictions not seen in Seattle since World War II.

The next day, police began making mass arrests. Nearly 600 people were arrested, some of whom had nothing to do with the protests. A federal jury later ruled the city was liable for arresting protesters without probable cause, and the city settled lawsuits.

Dodson first became concerned about the WTO because she feared it might consider public funding of education to be an unfair trade practice. That didn’t materialize.

She remembers walking with her 11-year-old daughter after a WTO-related event when police reached out of their vehicle and tried to pepper-spray them. Her daughter grew up to be a labor activist.

“It radicalized her,” Dodson said. “What were they thinking when they leaned out and pepper-sprayed this little girl and her mom as they were walking down the street?”

For Haque, who worked in Portland, Ore., as a labor activist, she had become concerned about major corporations relying on sweatshop labor to make apparel and soon had other worries about the WTO.

She lay down in an intersection on a rainy morning, while others dressed as butterflies drew attention to Monsanto Corp., saying its pesticides were killing butterflies.

Haque was overwhelmed by tear gas, but she returned the next morning and blocked a sidewalk. She was arrested and spent five days in jail.

“We were anti-exploitation,” she said. “Twenty years later, I think more people are aware of the effects of the way capitalism is working, the way it’s destroying the planet and exploiting people.”

Among the most enduring images from the protest were demonstrators in sea-turtle costumes. The WTO had invalidated American restrictions that required shrimp fishermen overseas to use devices that would allow turtles to escape from nets if they wanted to sell their product in the U.S.

The WTO has always insisted that ruling was misunderstood: The U.S. lost the case not because it sought to protect the turtles, but because it helped Caribbean countries comply but didn’t do the same for Asian nations. That was discriminatory, the WTO said.

“Our number one goal was the sea turtle issue. We helped bring that to the forefront,” said Wathne, who lives in the Seattle suburb of Lake Forest Park and works for the Humane Society. “But on a personal level, it was heartening to see people who cared about so many different issues coming together.”

Such misperceptions about the organization were common, said WTO spokesman Keith Rockwell, who was in Seattle at the time. Many protesters thought they were helping people in the developing world by insisting on higher labor standards, but those countries opposed them, fearing it would hurt their competitive advantage — cheap labor — to the detriment of their economies.

After four days, the trade talks collapsed.

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Afterward, the WTO took steps to better explain itself, opening its dispute resolution process, releasing documents and launching a regular forum where people could air concerns.

“A lot of important things happened as a result of Seattle, in terms of the way the organization functioned and in terms of transparency,” Rockwell said.

James Gregory, a University of Washington history professor who specializes in labor issues, said the most lingering effects of the WTO protests might be the connection of the labor and environmental movements and a reawakening of progressivism.

In Seattle, a vast campus for Amazon — a poster child for global capitalism — has emerged. But Gregory noted the city retains a strong progressive streak that has made it a national leader on workers’ rights, including a $15 minimum wage and paid leave requirements.

The legacy of the WTO protests may be partly to thank, he said.

“The electrifying images and stories built excitement among labor people and environmentalists and activists of every kind,” he said. “Had there not been that kind of clash and publicity, we wouldn’t be talking about Seattle.”

Johnson writes for the Associated Press.


AUSTIN, Texas — 

Officials lifted evacuation orders Friday for about 50,000 people on the Texas Gulf Coast, determining a massive fire was finally under control at a chemical plant rocked by two major explosions two days earlier.

“We are in a position to say it’s contained. We feel comfortable with the efforts that have been made by our firefighters,” Jefferson County Judge Jeff Branick said at a news conference in Port Neches, about 80 miles east of Houston.

But the area around the TPC Group plant remained dangerous. Several isolated fires were still blazing and visible at the facility, which makes chemical and petroleum-based products. Officials said they could not predict when those would be fully extinguished.

The explosions began early Wednesday morning and were so big that nearby homes captured the bright balls of fire on front-porch security cameras. The blasts shattered windows and ripped doors off hinges. Three workers were injured, and when a second blast erupted 13 hours after the initial overnight explosion, evacuation orders took effect in a four-mile radius around the plant.

Debris thrown across Port Neches — and potentially neighboring towns — by the magnitude of Wednesday’s explosions also posed risks to families returning home. Branick, the top county official, cautioned that construction on the plant began in the 1940s and that asbestos may have been hurled into people’s yards. He urged homeowners to steer clear of any “white, chalky substance” and to call health officials if any were found.

Branick said it may be several months before the cause of the explosions is known. He said the air quality posed no threat to residents.

“There’s still going to be smoke in the air. There’s still going to be flames visible at night,” said Troy Monk, the director of health safety and security for the TPC Group. “I would love to tell you we’re going to be done by the end of the day. I would not be telling you the truth if I made that statement. It’s very difficult for us to quantify in days how long this is going to take.”

The explosion was the latest in a series of high-profile accidents this year up and down the Texas Gulf Coast, which is home to the highest concentration of oil refineries in the U.S. In July, an explosion at an ExxonMobil refinery in Baytown left more than dozen people with minor injuries and put nearby residents under a shelter-in-place order for three hours.

Toby Baker, the head of the Texas Commission on Environmental Quality, called it an “unacceptable trend of significant incidents” this week and said the petroleum industry must be accountable.

But environmental groups for years have accused Baker’s agency of being a toothless watchdog that provides inadequate oversight and slaps highly profitable corporations with only meager penalties. The TPC Group plant had been labeled a “high priority” violator by the U.S. Environmental Protection Agency after its last inspection in 2017 and had been cited multiple times in recent years for clean air violations.

Environmentalists were also quick to point out that the TPC Group explosion occurred just a week after the Trump administration scaled back chemical safety plant measures that had been prompted by a 2013 explosion at a Texas fertilizer storage facility that killed 15 people. The rollback included eliminating a required public access to information about dangerous chemicals companies keep on site.

Officials have said the first blast occurred around 1 a.m. Wednesday in an area of the plant that makes butadiene, a chemical used to make synthetic rubber and other products. It sent a large plume of smoke stretching for miles and started a fire. The second blast ripped through the plant about 2 p.m., sending a steel reactor tower rocketing high into the air.

The plant has 175 full-time employees and 50 contract workers.


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Mercedes race engineer Pete Bonnington, the man who guides Lewis Hamilton on Grand Prix weekends, will miss the Mexican and US races to undergo a personal medical procedure in the UK.

Bonninton – or “Bono” – is the instantly recognizable voice on Hamilton’s radio and the valuable strategist who has helped the Briton secure his four titles with Mercedes.

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“Bono is not in Mexico this weekend and will not be in Austin either owing to a medical procedure back in the UK,” said a spokesman for Mercedes.

“Lewis will be engineered by Marcus Dudley, usually his performance engineer standing to Bono’s right in the garage.

“Performance engineer for the two weekends will be Dom Riefstahl, who usually runs our race support operations in Brackley.”

Hamilton has a reasonable shot of clinching his sixth world title in Mexico City, but if the 34-year-old secures the crown on Sunday it will be the first time Bonnington won’t be present for the coronation.

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Le 2e volet des “Animaux fantastiques”, la nouvelle saga de J.K. Rowling, fait moins bien que le précédent opus, mais prend la tête du box-office américain avec 62,2 millions de dollars de recettes.

1. N°5 – Les Veuves : 12,3 millions de dollars de recettes
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© Twentieth Century Fox

Sans surprise, Les Animaux fantastiques : Les Crimes de Grindelwald prend la tête du box-office américain pour son premier week-end d’exploitation. Avec 62,2* millions de dollars de recettes, il réalise toutefois un score moins impressionnant que le premier volet de la saga qui avait engrangé près de 75 millions de dollars en un week-end, mais fait mieux que le premier opus à l’international. Le Grinch, en haut de classement la semaine dernière, reste en bonne position avec 38* millions, suivi par Bohemian Rhapsody et ses 15,7* millions de dollars.

Box-office américain du 16 au 18 novembre 2018 : le Top 10

Rang (Rang précédent) Film Recettes (en dollars) Total US (en dollars)

1 (Nouveauté)
Les Animaux fantastiques : Les crimes de Grindelwald
62 200 000
62 200 000
2 (1er)
Le Grinch
38 165 000
126 544 000
3 (2e)
Bohemian Rhapsody
15 700 000
127 886 000 
4 (Nouveauté)
Apprentis parents
14 700 000
14 700 000
5 (Nouveauté)
Les Veuves
12 300 000
12 300 000
6 (4e)
Casse-Noisette et les quatre royaumes
4 678 000
43 871 000
7 (6e)
A Star is Born
4 350 000
185 841 000
8 (3e)
Overlord
3 850 000
17 743 000
9 (5e)
Millenium : Ce qui ne me tue pas
2 500 000
13 291 000
10 (7e)
Nobody’s Fool
2 260 000
28 888 000

Deux autres nouveautés se retrouvent directement dans le top 5, la comédie Apprentis parents, avec Rose Byrne et Mark Wahlberg, qui sortira en France le 27 février prochain et flirte avec les 15* millions, et Les Veuves, le nouveau film de Steve McQueen que l’on devrait retrouver dans la course aux Oscars et qui sortira chez nous le 28 novembre. 

Les Animaux Fantastiques : mais au fait, Grindelwald, c’est qui ?

Dans le reste du classement, on retrouve Casse-Noisette, qui perd deux places ; Overlord, troisième la semaine dernière, et Millenium, qui était 5e, qui chutent respectivement à la huitième et neuvième place. En septième semaine, A Star is Born parvient à rester dans le top 10 et dépasse les 185 millions de dollars de recettes cumulées.

La bande-annonce des “Animaux fantastiques 2 : Les crimes de Grindelwald” :

Les Animaux fantastiques : Les crimes de Grindelwald Bande-annonce VO

* Les chiffres mentionnés dans l’article sont des estimations, publiées dimanche soir par la société spécialisée Exhibitor Relations et annoncés par le Film français.

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Jeudi dernier, le légendaire compositeur italien Ennio Morricone donnait une masterclass à la cinémathèque française. Le Maestro âgé de 90 ans y a longuement expliqué ce qu’était pour lui la musique de film. Morceaux choisis.

Les admirateurs du compositeur italien Ennio Morricone, légende de la musique de film, étaient rassemblés en nombre jeudi dernier à la cinémathèque française pour assister à une masterclass donnée par le Maestro. Au terme d’une émouvante standing ovation, Morricone, à qui l’on doit des centaines de bandes originales – Le Bon, la brute et le truand, Le Clan des Siciliens, Il était une fois en Amérique, Mission ou encore Les Huit salopards – a tenu à lire un petit discours préparé pour l’occasion, dans lequel il explique ce qu’est pour lui la musique de film, avant de revenir sur quelques moments clés de sa carrière. Morceaux choisis. 

« Je vais lire quelques notes qui expliquent ce qu’est la musique de film »

« La musique d’un film peut être imaginée avant même le tournage, tout comme on imagine les visages des personnages, le cadre, quelques idées de montage, mais c’est seulement lorsqu’elle est matériellement appliquée au film qu’elle naît en tant que musique de film, car la rencontre et l’éventuel amalgame entre musique et image ont des caractéristiques essentiellement poétiques. Je dis que la musique est appliquée au film et c’est la vérité car dans la salle de montage, c’est exactement ce que l’on fait.

Cette application peut se faire de différentes manières selon les différentes fonctions. La fonction principale de la musique est en général de rendre explicite et clair le thème ou le fil conducteur du film. Ce thème peut être soit de type conceptuel, soit de type sentimental. Quant à la musique, ça n’a aucune importance car une trame musicale possède le même pathos, qu’elle soit appliquée à un thème conceptuel ou sentimental. Mais encore, sa véritable fonction est peut-être de conceptualiser les sentiments ou de mettre du sentiment dans les concepts. Dès lors, la musique a une fonction ambiguë qui ne se révèle que dans l’acte concret et cette ambiguïté s’explique par le fait qu’elle est à la fois didactique et émotionnelle.

Ce que la musique ajoute aux images – ou, encore mieux, la transformation qu’elle opère sur les images – reste un mystère très difficile à définir. Je peux dire empiriquement qu’il y a deux manières d’appliquer la musique à la séquence d’images et par conséquent de lui attacher d’autres valeurs. On parle d’application horizontale et d’application verticale.

Le cinéma est plat et la profondeur d’une route qui va vers l’horizon est illusoire

L’application horizontale concerne la surface et a à voir avec les images qui défilent sur l’écran. Il s’agit donc d’une linéarité et d’un enchaînement qui s’appliquent à une autre linéarité et à un autre enchaînement. Dans ce cas, les valeurs ajoutées sont des valeurs rythmiques qui apportent quelque chose de nouveau, d’inestimable et d’étrangement expressif aux valeurs rythmiques muettes des images montées.

L’application verticale, qui techniquement, se fait de la même manière en suivant elle aussi la linéarité et l’enchaînement des images, trouve sa source ailleurs, c’est-à-dire dans la profondeur, et elle agit donc sur le son plutôt que sur le rythme. Les valeurs qu’elle ajoute aux valeurs rythmiques du montage sont impossibles à définir parce qu’elles vont au delà du cinéma et ramènent le cinéma à la réalité, là où la source des sons a une profondeur réelle et non pas illusoire comme sur l’écran. En d’autres termes, les images de cinéma filmées à partir de la réalité, au moment où elles sont imprimées sur le film et projetées sur l’écran, perdent leur profondeur réelle et prennent une profondeur illusoire : ce qu’on appelle en peinture la perspective, même si elle est infiniment plus parfaite.

Le cinéma est plat et la profondeur d’une route qui va vers l’horizon est illusoire. Plus le film est poétique, plus cette illusion est parfaite. Sa poésie consiste à donner au spectateur l’impression d’être à l’intérieur des choses, dans une profondeur réelle. La source musicale, de par sa nature profonde, perce les images plates ou illusoirement profondes de l’écran en les ouvrant vers les profondeurs confuses et sans limites de la vie. »

La collaboration entre le compositeur et le réalisateur

« Lorsque je commence à travailler avec un réalisateur, la plus grande difficulté est de lui faire comprendre ce que je veux faire. Certains cinéastes ont déjà dans la tête des musiques, peuvent avoir des attentes et c’est un obstacle important à dépasser. Il me faut composer une musique qui va servir le film, mais doit aussi m’appartenir, qui respecte mes valeurs. C’est très difficile de trouver le ton adéquat avec un réalisateur, surtout lorsque c’est la première fois qu’on travaille ensemble. Après deux ou trois films, cela devient plus facile.

Quand j’étais plus jeune, j’avais tendance à tout accepter, je travaillais avec tous les cinéastes et puis j’ai compris que parfois, nos attentes étaient trop différentes et qu’il valait mieux laisser tomber. Il y a une période pendant laquelle j’avais tellement de requêtes que j’ai dû refuser des films. J’ai dû faire des choix, mais j’ai manqué de temps pour ma famille et je le regrette. Chaque fois que je commençais à écrire, je cherchais à être original, en changeant les intervalles entre les notes pour ne pas tomber dans la répétition. C’était un petit truc pour éviter de retomber dans les clichés des mélodies classiques et donner aux réalisateurs quelque chose de nouveau.

Il faut savoir que lorsque le réalisateur me demande de faire commencer la musique au début d’une séquence, je ne suis pas content. Je commence à mettre de la musique moins importante, pour que les spectateurs soient préparés à cette musique. »

Tarantino et la séquence d’ouverture des Huit salopards

 

« La collaboration avec Quentin Tarantino s’est très bien passée, je n’ai jamais eu de problème, j’ai pu travailler calmement. Il ne m’a rien demandé, il m’a laissé complètement libre. Il m’a seulement appelé une fois des Etats-Unis pour me dire : “Tu sais, il y a une séquence dans la neige, c’est une séquence très importante.” Je lui ai demandé combien de temps ça durait et il m’a répondu : “De vingt à quarante minutes.” J’ai écrit une séquence de douze minutes et j’ai enregistré. Pendant l’enregistrement, il n’a jamais fait de remarque. Il n’a rien dit, peut-être parce qu’il n’avait aucune attente : il voulait ma musique, quelle qu’elle soit et il était très content de ce que j’ai produit. »

Sergio Leone, Il était une fois en Amérique et la flûte de pan

 

« Parfois, c’est moi qui propose les instruments, parfois, c’est le réalisateur. C’était le cas de Sergio Leone. A un moment de ma carrière, je me suis dit que je pouvais aider les spectateurs à comprendre la musique en leur offrant des instruments atypiques qui nourrissent la mémoire. Au début d’Il était une fois dans l’Ouest, le son de l’harmonica reste dans la mémoire, même quand on ne le voit plus à l’écran. C’est la même chose ici avec la flûte de pan. Si on donne au public quelque chose de simple, des objets moins sophistiqués, il comprend mieux.

Il y a un moment dans ma carrière où j’étais las d’écrire de la musique et je voulais faire des expériences contemporaines, avec des amalgames harmoniques. C’est ce que j’ai fait sur les films de Dario Argento. On m’a dit que personne n’allait plus m’appeler pour écrire de la musique de film. Après cinq ou six remarques de ce genre, j’ai décidé de revenir à quelque chose de plus classique.

Je n’ai pas de regret quant aux films que je n’ai pas réalisés, j’ai travaillé dans tous les genres. Le seul que je n’ai pas assez fréquenté est peut-être la science-fiction. Je n’ai fait qu’un seul film, L’Humanoïde d’Aldo Lado, qui n’a pas très bien marché, qui avait un budget trop faible, mais dans ce film, j’ai cherché à faire quelque chose d’original, car je n’aimais pas la manière dont les compositeurs américains faisaient la musique des films de science-fiction, avec ces marches. J’ai voulu faire une fugue en six parties pour orgue et orchestre, qui selon moi accompagnait parfaitement la course du vaisseau spatial dans le ciel. »

Elio Petri et Enquête sur un citoyen au-dessus de tout soupçon

Elio Petri a accepté toutes mes propositions musicales. La première fois qu’on s’est rencontrés pour la musique d’un film, il m’a dit : « Tu sais, je ne travaille qu’une seule fois avec le compositeur de chaque film. » Après le premier, Un coin tranquille à la campagne, il m’a toujours rappelé, donc il devait bien aimer ma musique.

Pour le précédent, qui n’avait pas vraiment marché, j’avais composé une musique assez compliquée avec un groupe de musique contemporaine. Pour Enquête sur un citoyen au-dessus de tout soupçon, je voulais quelque chose de simple, élégant et précis en même temps. Il y a cet arpège en la mineur, cette espèce de dissonance dans la variation des niveaux de tons de la musique… Le film a eu un incroyable succès, mais le mérite ne me revient pas du tout, car c’est une oeuvre extraordinaire. »

La masterclass était suivie de la projection d’Enquête sur un citoyen au-dessus de tout soupçon :

 

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