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After a warm, dry day on Monday, the first winter storm of the season is expected to arrive in Southern California on Tuesday night through Thursday, the National Weather Service said.

Cool ocean breezes will return on Tuesday, replacing the warm, dry flow from the inland deserts that came with the Santa Ana winds over the weekend.

Skies will turn mostly cloudy, and moisture from the remnants of Tropical Storm Raymond will be pulled northward from Baja California with the passage of a cutoff low. Light showers will probably develop in Southern California, but thunderstorms can’t be ruled out in the southern part of the area, particularly in San Diego County.

Then, a winter storm will slide into the region from the north, and chances of rain will increase Tuesday night. The majority of the precipitation from this storm will fall on Wednesday into early Thursday morning, then showers will linger on Thursday.

Snow levels will start at 10,000 feet on Tuesday evening, but then are expected to lower to 6,000 feet by Wednesday evening. Elevations above 7,000 feet could get 6 to 10 inches, and elevations from 6,000 to 6,500 feet could get 1 to 2 inches.

The weather service expects rainfall to be widespread and “beneficial,” with a low risk of flash flooding. If thunderstorms develop, locally heavier rain is possible, however.

Rainfall of this kind can wet down tinder-dry vegetation, making wildfires a little less likely in coming weeks.

Dry weather and gradually rising temperatures will return late in the week.


Thousands of Santa Clarita residents gathered for a candlelight vigil Sunday night — an evening of memories, music and worship — to honor the two students killed in the shooting at Saugus High School.

Community members converged on Central Park after sunset to console each other as they mourned the deaths of 15-year-old Gracie Anne Muehlberger and 14-year-old Dominic Blackwell, who were memorialized by their friends.

Mourners crowded on sidewalks, many wearing “Saugus strong” jackets and shirts and carrying blue glow-stick like candles. The neighborhood streets were jammed for about a mile around the 130-acre park, a popular community gathering spot just down the street from the high school. The evening opened much like a church service with prayer and a band playing and singing contemporary Christian songs.

Saugus High School Principal Vincent Ferry choked up as he spoke of the heroism of the staff and students, and the two short lives of Gracie and Dominic.

“They are being prayed for by the world,” Ferry said.

He called on the Saugus community to “grieve together” and insisted that it’s no time to be stoic.

To be “strong is the ability to welcome our tears in the midst of our pain,” Ferry said.

Addison Koegle, a student injured in the shooting, addressed the crowd through an audio message. “I’m doing well and I’m home with my family,” she said. “Gracie was my best friend.”

Addison recalled running a lemonade stand with Gracie when they were younger. She remembered the school field trips and the private jokes. She had only known Dominic for a few months, she said, but “he never failed to make me smile.”

One of Dominic’s ROTC comrades described him as “the kindest person I know.” He was always willing to help cadets who were struggling.

At home, Dominic was the oldest of four boys, and “never minded changing diapers,” a relative said.

Last Thursday, student Nathaniel Berhow pulled a .45-caliber handgun from his backpack and opened fire in the school’s quad, killing Gracie and Dominic and wounding three others, authorities said. He died a day later of a self-inflicted gunshot wound.

Berhow carried out the attack on his 16th birthday after being dropped off at school by his mother, authorities said. A motive for the shootings has not been determined.

Saugus High School will remain closed until Dec. 2.


Good morning, and welcome to the Essential California newsletter. It’s Monday, Nov. 18, and I’m writing from Los Angeles.

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A shooting at a party in Fresno on Sunday night left at least four people dead and six others wounded. Police told the Fresno Bee that friends and family were watching football in a backyard “when unknown suspects approached the residence, snuck into the backyard and opened fire.” About 35 people were gathered at the southeast Fresno home at the time, including several children.

[See also: “Shooting at Fresno backyard party kills four, wounds six others, police say” in the Los Angeles Times]

Police said three of the victims were found dead in the backyard and a fourth died after being taken to a hospital. No suspect was in custody as of late Sunday night. The backyard attack was at least the second fatal shooting Sunday in southeast Fresno, according to the Bee.

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And now, here’s a quick look at the week ahead:

Public impeachment hearings will continue Tuesday, Wednesday and Thursday. Gordon D. Sondland, the United States ambassador to the European Union, will testify Wednesday morning and former National Security Council Senior Director for Europe and Russia Fiona Hill is scheduled to testify Thursday.

The 62nd Grammy Awards nominations will be announced Wednesday.

Also Wednesday: The fifth 2020 Democratic presidential candidate debate will be held in Atlanta.

Twitter’s global ban on political advertising will go into effect Friday. Your move, Facebook.

If you have a child in your life, prepare to have some new songs stuck in your head: The sequel to “Frozen” will be released widely on Friday.

And, here’s what’s happening across California:

TOP STORIES

PG&E has warned of potential power shut-offs in Northern California this week. The utility said there was an “elevated” risk of power being shut off Wednesday and Thursday in North Bay counties and the Sierra foothills amid warmer temperatures and gusty winds. San Francisco Chronicle

Meanwhile, red flag conditions will taper off in Southern California. Temperatures across L.A. County are expected to drop Monday and Tuesday, with rain forecast for Wednesday. Los Angeles Times

The range of quick actions by students and staff when gunfire erupted at Saugus High School reveals not only how detailed active shooter training has become at schools across the country, but also highlights a growing debate among school safety experts, some who are alarmed that increasingly aggressive drills have gone too far and risk becoming trauma-inducing events of their own. Los Angeles Times

L.A. STORIES

Columnist Steve Lopez has a new three-part series about what happened when a homeless encampment rose in a Hollywood neighborhood. Los Angeles Times (The second and third parts are here)

Plus: A new poll shows that a broad majority of voters think the city and county have been ineffective in spending money on homelessness and that new policies are needed to address a crisis that they now equate with a natural disaster. Los Angeles Times

A $1-billion plan for Metro’s North Hollywood station takes shape: Developers and transit officials are set to apply Monday for city permission to build a $1-billion mixed-use complex that would surround the subway entrance and adjacent hub for connecting bus routes, including the well-traveled Orange Line. Los Angeles Times

Father Gregory Boyle’s “Barking to the Choir” is the L.A. Times Book Club’s next read. Boyle is the founder of Homeboy Industries. Los Angeles Times

Glendale’s busiest areas may soon be off limits to sidewalk vendors. Although Glendale is far from a hotbed of vending activity, the proposed ordinance could preclude vendors from setting up mobile shop there in the future. Glendale News-Press

How to hail a ride at ever-changing LAX during the holidays (or any other time). Los Angeles Times

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POLITICS AND GOVERNMENT

The shifting Democratic 2020 field was on display at the California party convention in Long Beach. Los Angeles Times

Joe Biden and Elizabeth Warren’s absence at the convention irked some party leaders. San Francisco Chronicle

Major California endorsements for Sens. Bernie Sanders and Kamala Harris: California’s high-profile farmworkers union endorsed Harris for president on Saturday, soon after Sanders had won the support of the national nurses labor group and Los Angeles teachers. Los Angeles Times

Mayor Pete is winning the Palm Springs primary. “Palm Springs has more LGBTQ couples per household than any city in California … and as the first openly gay candidate to launch a competitive bid for president, Buttigieg has garnered support from a wide swath of the desert resort town’s residents.” Desert Sun

Can you help govern a Northern California city from your second home in South America? A Santa Rosa City Council member is drawing sharp questions about her ability to fulfill her duties, as she splits time between the North Bay city and another home in Ecuador. The councilwoman plans to phone in to a council meeting from her part-time home in Ecuador for a third time this coming week. A spotty international telephone connection stymied her attempt to participate in a vote last week. Santa Rosa Press-Democrat

CRIME AND COURTS

A 3-year-old boy was in critical condition after five family members, including two children, died in a domestic dispute in San Diego. San Diego Union-Tribune

To curb racial bias, Oakland police are pulling fewer people over. Will it work? San Francisco Chronicle

HEALTH AND THE ENVIRONMENT

A nearly monthlong fire at a recycling center in the eastern Coachella Valley created intense smoke that sickened students. Residents of the unincorporated community of Thermal, where more than a third of residents live below the poverty line and more than 99% are Latino, say the mulch fires would not have been tolerated in wealthier, white cities. Desert Sun

Sirens, texts, even church bells: Without a statewide standard, California wildfire alerts and evacuations remain ad hoc. CalMatters

CALIFORNIA CULTURE

Hearst Castle is decked out in all its holiday finery. Here’s how you can see it. San Luis Obispo Tribune

Remembering Sammy Davis Jr.’s car accident in San Bernardino, 65 years later. Inland Daily Bulletin

How a spearfishing, freediving club creates community outside the water: OC Spearos boasts a membership of 200 spearfishers and freedivers from the South Bay to San Diego and beyond. It’s the largest club of its kind in the country. Orange County Register

Big festivals produce lots of garbage. But the “Trash Pirates” are here to take on one of the unpleasant byproducts of festival culture. New York Times

Local socialists called for a public takeover of PG&E at a Santa Rosa rally on Saturday. Santa Rosa Press-Democrat

CALIFORNIA ALMANAC

Los Angeles: sunny, 90. San Diego: partly sunny, 84. San Francisco: sunny, 67. San Jose: sunny, 75. Sacramento: sunny, 76. More weather is here.

AND FINALLY

This week’s birthdays for those who made a mark in California:

Twitter co-founder and CEO Jack Dorsey (Nov. 19, 1976), actor-director Jodie Foster (Nov. 19, 1962), Nobel chemistry laureate and USC professor Arieh Warshel (Nov. 20, 1940), tennis legend and Dodgers part-owner Billie Jean King (Nov. 22, 1943), and the late former congressman and Oakland mayor Ron Dellums (Nov. 24, 1935).

If you have a memory or story about the Golden State, share it with us. (Please keep your story to 100 words.)

Please let us know what we can do to make this newsletter more useful to you. Send comments, complaints, ideas and unrelated book recommendations to Julia Wick. Follow her on Twitter @Sherlyholmes.


PARADISE, Calif. — 

At 74 years old, Nicki Jones has worn many hats. She’s been an accountant and a stepmother, a caretaker for her late husband and the owner of a women’s clothing store.

But what did she know about running a restaurant? Close to nothing, she is the first to admit.

What she was certain of is food’s ability to bring people together. And God knows that’s what Paradise needs.

The Camp fire laid waste to Jones’ pine-cloaked home in the Feather River Canyon and her store, Bobbi’s Boutique. But she’s not one to dwell on that dark November day.

“I drove through the flames like everybody else did,” Jones says, her voice gravelly as she recounts her escape. “What are you going to do? You keep driving.”

This sense of momentum led her to buy, just two months after the fire, one of the few commercial buildings still standing in Paradise. The plan was to reopen Bobbi’s, which was named after her husband, Bob, who died of cancer in 2012. But the small complex on Skyway, Paradise’s Main Street, had room for a second business. She imagined something warm and inviting, a place that was more about the experience than the product.

This is how Jones in September came to open Nic’s, a sandwich shop by day and a wine and beer bar by night — and, let’s be real, sometimes in the afternoon. It’s the first new restaurant to come to Paradise since the fire destroyed almost the entire town.

In a community where most open businesses service a Paradise in flux and in pain, such as storage facilities and real estate offices and Hootch Hut Liquor, Nic’s offers something else: A place to just be.

Nic’s is filled with light and lots of places to sit. Construction workers and townies belly up to the bar and watch baseball, and country music streams through the speakers. Sepia-toned photographs of Paradise in the 1950s and ‘60s line the walls. There is a turkey sandwich named the Cal Fire Chipotle Club, a tribute to the first responders who fought to save the town.

Word-of-mouth is king in a tight-knit community like Paradise, and residents tend to rave about Nic’s. But there are days when the eatery sees few customers. The town’s population has plummeted from 27,000 to somewhere around 2,000, so the restaurant hosts events to bring people in, such as Wine Wednesdays and beer-and-cheese pairing dinners.

The restaurant, Jones acknowledges, is a gamble.

“If a year from now you see a sign here that says ‘What Was I Thinking? Cafe,’” she quips, “you know it’s time to buy a sandwich.”

When Nic’s opened, burned-out cars and the ruins of Paradise’s business district surrounded the restaurant. The apocalyptic landscape couldn’t have been more different than the Paradise Jones first fell in love with.

Jones and her husband, Bob, were living in the Bay Area suburb of Walnut Creek in the late 1990s, but knew they wanted to retire elsewhere. They would scope out properties in random towns in Northern California on the weekends. If you ask her why they chose Paradise out of all those dreamy mountain communities, she can’t tell you. It was just a feeling.

“From the day that I moved here,” Jones says, “it was the first time I ever felt totally home.”

There’s something special about the people here, Jones notes, made even more special to her through their grim collective experience. It’s why she spends most of her time on her feet, catching up with customers. She waves to everyone who walks in.

“I have a Triple-A personality,” Jones says. “I have one speed. It’s nonstop.”

Jones needed that kind of gusto to power through 2019. She bought a little house in Orland, 35 miles west of Paradise, and then moved back in August after a serious bout of homesickness. She reopened Bobbi’s Boutique, which by some miracle has sold more clothing in the last three months than it did over the previous two years. Then she threw herself into the diner business.

On the morning before Halloween, Jones flutters from one side of the restaurant to the other. Paradise was five days into a PG&E blackout, and Nic’s, outfitted with a generator, was one of the few places in town that had power.

“Who did you get the generator from?” one patron asks Jones as she delivered his sandwich.

“I got it from Egan Electric in Chico,” Jones says, her cornflower blue eyes lighting up. “He did electric on my house 22 years ago. A good guy.”

For Michaela Hughes, Nic’s has restored a much-needed sense of community. On a recent day, she sat at the window with her 8-year-old daughter, Grace, looking out onto Skyway as she nibbled her breakfast panini.

Like almost everyone who wines and dines at Nic’s, Hughes lost her home in the fire. She fled with her dogs, family pictures, a few of Grace’s toys and some guns. The 42-year-old used her insurance payout to buy a standing home in Paradise, making her family one of the relatively few to come back.

“My husband and I ask more and more now, ‘Why did we make this decision?’” Hughes says. Now that most of the rubble has been cleared, Paradise feels like a healing wound, tender to the touch. Every plot of scorched land speaks of what had been there before.

But at Nic’s, Hughes says, it’s like a spark of life has returned to Paradise. To see the lights on at night, the silhouettes of people laughing and drinking, is a great comfort.

“We don’t have baby sitters like we did before the fire,” Hughes says. “But if we did, we’d come here for date night.”

Around noon, Alexa Voyer drops off gluten-free pumpkin muffins and chocolate chip cookies at the front counter. She bakes the sweets out of her home in Chico, where she’s living with her husband and three kids while they rebuild their house in Paradise.

As the 45-year-old spears spongy lemon cake with toothpicks and arranges samples, she explains that she comes to Nic’s every day, even when she’s not supplying Jones with baked goods.

“Life is heavy,” Voyer says. “When you’re not here, you’re tracking down your contractor, looking for the logger. Doing things for your friends to make sure their mental health is in check.”

But at Nic’s, she can enjoy a cup of coffee and just sit and breathe. She can space out without having to explain herself. The people here get it.

They, too, are rebuilding their homes and battling insurance companies. They trade tips on the best local contractors to work with. They speculate over when, or if, the water in town will be safe to drink again. They gossip about who’s coming back and who isn’t.

April Kelly, Jones’ general manager, is well-attuned to conversation centered on recovery. Every single member of her immediate family lost their homes.

Born and raised in Paradise, Kelly jetted off to Hawaii when she was 21. She opened several restaurants there and was a caterer to the stars, coordinating wine-tasting dinners for the likes of Goldie Hawn and Paris Hilton.

Despite those successes, Hawaii wasn’t home. She moved back to Paradise in 2016. She fell in love, had a baby, and then the fire happened. That night, she hosted 17 family members, now with very few possessions to their names, in her Chico home.

Jones, a family friend, called Kelly not long after that and told her she was going to open a restaurant.

“I want to do a wine bar and have somebody make sandwiches and bring them in,” Jones said.

“That’s not gonna work,” Kelly replied. Here’s what will, she said.

Kelly wrote the menu, bringing to it sophisticated touches like charcuterie boards and a Nicoise salad, and helped do the hiring: 16 part-time employees, all but one from Paradise.

It’s late afternoon when Jones finally sits down to eat half a turkey sandwich. She sees a couple sitting together at one of the high tables, silent as they look at their phone screens, but smiling. She hears the whoops at the bar as the Washington Nationals ramp up to beat the Houston Astros in the World Series.

They feel OK. She can see it in their faces. For the moment, that’s all that matters.


Netflix. Disney+. HBO Max. Apple TV+. For anyone getting tired of all the mounting number of streaming sites charging a monthly fee for shows and movies, a lesser-known service is targeting you.

Tubi, a free San Francisco-based streaming site, is hoping to raise its profile with a new advertising campaign starting Monday with cheeky commercials appealing to viewers with subscription fatigue.

Unlike its better-known rivals, such as CBS All Access, Amazon Prime Video or Hulu, Tubi does not produce original programs and readily admits it lacks the top 1% of licensed shows, such as “Friends” or “The Office.” But it’s betting that its biggest selling point — the service is free, with commercials — and the availability of popular comfort TV shows such as the 2017 season of “The Bachelorette” will gain converts.

“This ad campaign is really about positioning Tubi as that prescription for your subscription fatigue,” said Emily Jordan, Tubi’s vice president of marketing in an interview.

In one ad, actor Chris Noth, who portrays Mr. Big in the HBO series “Sex and the City,” talks about how HBO was his first love and now he’s feeling guilty. “It’s so confusing — the Max, the Go,” Noth complains. But then, he discovers Tubi where he can watch programs for free, including ones that are not on Netflix.

Tubi in June said it has more than 20 million monthly active users and more than 15,000 movies and TV series in its library.

On its service, there is a category called “Not on Netflix” that highlights programs that aren’t on Netflix. Those movies include “Dances with Wolves” and the drama “Side Effects.”

Part of Tubi’s campaign will feature billboards in places including Los Angeles and New York City, directing people to “NotonNetflix.com,” along with the words, “All’s Fair in Love & Streaming.” The website features the commercials and ways for consumers and advertisers to learn more about Tubi.

The videos featuring Noth and other celebrities will be on YouTube, Facebook and other sites. Tubi declined to say how much it is spending on the ads.

Ira Kalb, an assistant professor of clinical marketing at USC’s Marshall School of Business, said he believes it could be a mistake for Tubi to mention other streaming brands.

“You’re giving them free advertising,” Kalb said.

But Tubi said that it does not see Netflix as a direct competitor. The thinking is that consumers will use more than one streaming service and will be attracted to its free price. Nearly 70% of Tubi’s customers also watch Netflix.

A spokesman said the company mentioned Netflix and HBO Max in the ads as examples of the streaming wars and that it’s fine if the ads are viewed as free advertising for them because Tubi sees itself as complementary to those subscription services.


Olivia Wilde is already known to audiences for her acting and her uncanny beauty. But it’s her newly discovered skill behind the camera that makes “Booksmart,” her feature film directorial debut, such a thorough delight.

The movie centers on two best friends, Molly (Beanie Feldstein) and Amy (Kaitlyn Dever), who’ve reached the last day of high school so driven to succeed that they never took a break for fun, so they try to make up for it in one night. As silly as that gets, the film is also a sincere celebration of female friendship, featuring believable characters instead of the stereotypes that have crowded teen movies for decades.

The ingenious comedy has already earned Wilde a number of awards and nominations. Reached by phone the day after receiving the Gotham Awards’ Bingham Ray Breakthrough Director nomination, Wilde considered the relationships she created on screen and off.

The “Booksmart” script had been written and rewritten by the time Wilde came on board to direct it for Annapurna Pictures in 2016. “I really wanted to take the friendship and blow it out of the water, and give them more of an adventure,” she recalls. She brought on writer Katie Silberman to attack the material anew.

Wilde wanted the film to look at the way people judge themselves and one another, to everyone’s detriment. “I asked Katie, ‘How would you bring that into the story?’ And she said, ‘What if all the other students were smart?’” If those kids, whom Molly and Amy looked down upon for seeming to only care about having a good time, turned out to be as intelligent as our heroines, “that would be like a stick of dynamite in their perspective of what makes someone valuable, and that would force them to think about how they’d isolated themselves.”

In assembling her student body, Wilde deliberately cast against type. “I always felt like high school movies didn’t represent the kids I knew or the kid I was, and I wanted to give these actors the chance to play roles that maybe they wouldn’t be expected to play in other films.” They repaid her with portrayals as funny as they are realistic. Even when the scenes weren’t realistic at all.

The movie takes surreal leaps with an interpretive dance fantasy, an underwater sequence and a bad trip that takes a turn into animated Barbie territory. She was warned away from such magical realism.

“When people told me, ‘Don’t be too heavy-handed with style because comedy is best left very simple,’ I thought, ‘Tell that to the Coen brothers.’ ‘The Big Lebowski’ is one of the greatest films of all time. I’d say it’s pretty stylish and wacky and totally bonkers, and it’s brilliant. I want to have fun with this medium, otherwise we should make documentaries or be novelists.”

Wilde directs with the assuredness of a veteran, while working with a number of actors in their first roles. She cites director Amy Heckerling (“Fast Times at Ridgemont High,” “Clueless”) as an influence; “she not only presented a very authentic high school experience, but she has a way of allowing her actors to completely own and embody these characters.” Cameron Crowe’s writing style, use of music and “empathetic eye” also inspired her.

At the center of “Booksmart’s” action, Feldstein and Dever are so convincing as longtime best friends, it’s not surprising to learn that the two lived together during rehearsal and filming to get to know each other better. The actors suggested the move-in as a joke to Wilde when they all met for the first time, over lunch. “And then when I didn’t laugh, they said, ‘Wait, do you think we could do it?’ I was furiously texting under the table to Annapurna, ‘You need to facilitate this immediately.’”

They may not have even needed to be roomies to make the chemistry happen. Wilde notes that when the two met, “the moment they spotted each other, they hugged for what truly felt like five full minutes, and then sat holding hands throughout the meal.” She saw it as their recognition that, beyond the roles, “as two women who truly value their female friendships so greatly, they felt that there was a real purpose in this film, and that they were having a chance to tell a love story that rarely gets told.”

Wilde notes that the bond she forged with Silberman is equally strong. The actors, writer and director still meet up at every opportunity — and during the awards season, they’ve had plenty of opportunities. Wilde and Silberman continue to work together as well; they’re currently writing a feminist thriller called “Don’t Worry Darling,” which Wilde will direct and star in; she and Silberman will produce.

“It’s amazing that ‘Booksmart,’ for me, will always be about acknowledging the value of those friendships while creating a new one.”


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Lulu Wang’s “The Farewell” may have premiered at the Sundance Film Festival almost 10 months ago and arrived in theaters in the U.S. this past summer, but one of its breakout stars somehow didn’t catch her own critically acclaimed performance until very recently. Granted, Zhao Shuzhen, who plays the central character of Nai Nai, insists she was busy with other projects. All she heard was the constant buzz her friends in America were conveying to her across the Pacific about how it was resonating within the Chinese American community.

“I only saw it yesterday, so the fact that it came out the way it did, that was really a surprise to me,” Shuzhen says through a translator. “Now, I’m finally interacting with my fans in America for the first time. The reception that I’ve received, that’s been a real shock to me. I really had no idea. For me, this was just a nice movie that I did a year ago. So, to be here in person, to receive their affection and admiration, to hear their stories, that’s been just nothing I could have ever imagined or expected.”

A veteran of the Chinese stage as well as local television programs such as “Love in the Family” and “Left Hand Family, Right Hand Love,” Shuzhen has seemingly found international fame at the young age of 76. In “The Farewell” she plays the grandmother to Billi, a 30-something Chinese American immigrant played by Awkwafina who has not seen her beloved Nai Nai in years. Billi surprises her parents by returning with them to China to attend a cousin’s wedding ceremony which is doubling for a family reunion.

The “wedding” is a chance for the entire extended family to be with her together, potentially one last time. Unknown to Nai Nai, her lingering illness has been diagnosed as lung cancer and she has only months to live. Billi, who was raised in the U.S., has to come to grips with her family’s decision to follow the Chinese custom of keeping such news from their ill loved ones. The film is based on Wang’s own grandmother who, miraculously, is still alive years after her own terminal diagnosis.

“You know here it’s considered very unusual that there would be this lie, this deception put on by the family,” Shuzhen remarks. “If you do this kind of story in China, that’s just so commonplace. People wouldn’t think there’s anything too extraordinary about the story. That’s why I personally didn’t realize it would make such a big impact.”

Wang went through a long search to find the right person to play Nai Nai and had even considered using a nonprofessional actress. When she saw Shuzhen’s work, however, she had a gut feeling that she was “the one.” She notes, “Her energy was that perfect balance of strength and warmth that I was looking for.”

Unfortunately, it initially appeared that the independent production couldn’t afford her. According to Wang, there is no real equivalent to SAG indie waivers for Chinese actors. It’s simply not commonplace. Since Shuzhen was Wang’s first choice, the writer-director decided to try to convince her to do the film for less.

“I called her directly and basically begged her and explained the situation of our budget [and] that I absolutely would not do the film without her,” Wang says. “It was based on my real grandmother and she was the only one. And so, she said, ‘How can I say no? I have grandchildren of my own, and you’re a young female director and it’s so personal for you.’ And so, she did it.”

Shuzhen met the real Nai Nai during filming, but Wang’s grandmother was unaware of which role the actress was playing. That casual interaction was a benefit to Shuzhen as their personalities off-screen turned out to be quite dissimilar.

“In real life, I’m a softer person. You know, I’m very easygoing,” Shuzhen says. “But Lulu’s grandma, she can be very approachable, very accessible, very happy, but she can also turn on her fierce side. And when she’s fierce, it’s like she’s super assertive. It’s either my way or the highway. Very decisive, bosses people around. She has that side to her.”

She adds, “I would say in that respect, it was just not as easy as I initially thought the role would be. I had to really study her, and make sure that I’m portraying her authentically and realistically.”

A few days into her trip to Los Angeles, the awards prospects of her performance are becoming abundantly clear. And despite the insistence of such chatter from those around her over the last few months, including Wang’s own great aunt who plays a role in the film, she never thought any sort of accolades were remotely possible.

“My reaction is the Oscar, the Academy Award? That’s just way out there,” Shuzhen says. “That’s way above my pay grade, so to speak. That’s almost like a sacred temple for a lot of actors. So, I think all I could say is I guess as an actor, you know, one longs for it. I long for it. I think about it, I dream about it. Maybe, who knows?”


“Knives Out” is an attempt to combine an Agatha Christie-style whodunit with a Hitchcock-style thriller. Which was an interesting challenge, because Hitchcock hated whodunits.

For the master of suspense, a whodunit’s pleasures are built on the cheapest of coins — surprise. Two hours of clue gathering for one big wet fart of a surprise at the end. Can you guess whodunit? Probably not, but even if you can, it’s more likely to be from picking a horse rather than actually following the detective’s path of reason, and how satisfying is that?

My problem has always been this: I fundamentally agree with Hitchcock about the dangers of the genre, and yet I love it. I love the musty mansions and haughty patriarchs and matriarchs; I love the rogues’ gallery of snooty suspects getting caught in their lies by eccentric detectives; I love the library denouements and, yes, I love the surprises at the end. I’m a whodunit junkie.

On our last evening in London after we finished shooting “The Last Jedi,” I dragged a big group to St Martin’s Theatre for Christie’s “The Mousetrap,” the longest-running play in West End history, a hoary old whodunit whose dust motes are dusty. And yet … the actors were game and having a blast, and I had a smile plastered on my face the entire time. I loved it.

So the challenge is to reconcile Hitchcock and Christie. For all of Hitchcock’s grumpy dismissiveness of locked room whodunits, if we really examine what sets them apart from his tales of suspense, it’s not that far a leap.

It’s even been done successfully before, “Columbo” being the most obvious example of taking a whodunit and flipping the engine into suspense mode. For those not familiar, every “Columbo” episode begins with the killer committing the crime in plain sight of the audience. We then typically stick with the killer for most of the episode, and Columbo becomes a bit like the shark in “Jaws,” circling and vanishing, then popping up with “one more question.” We wait in suspense to see how Columbo will swoop in for the kill, but we see it through the eyes of the killer, which creates a deliciously twisty game of where our empathy lies. Hitch would approve.

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But you don’t even have to go that far afield. Look at Hitchcock’s work. Remove one crucial scene in “Vertigo” (I won’t spoil the scene, but you know what I’m talking about — and if you don’t, stop reading and go watch “Vertigo”), and it becomes a surprise-based mystery. There’s not much difference in terms of plot mechanics between a whodunit and a suspense film; it’s mostly a matter of perspective and whose eyes you see the story through.

Even better, take a close look at Christie’s novels. In her best books she always found a way to inject another driving narrative force beyond clue gathering, be it the proto-slasher movie suspense of “And Then There Were None” or the serial killer stalking of “The ABC Murders.” These Hitchcockian narrative engines also made the eventual obligatory twist more satisfying. Instead of an awaited and unguessable reveal, the mystery’s denouement is just the last swooping hill in an ongoing roller coaster ride.

There’s one other way in which Hitch and Christie are more alike than not. In the traditional Christie whodunit, the first “act” sets the table with a rogues’ gallery of suspects, and one very powerful person who each of them has a reason to hate, who will obviously be the victim. What’s interesting is this: Christie never (or very rarely) draws our sympathies to the victim. The victim is usually a rich or powerful jerk, or at the very least an annoying person.

In that first act, we’re identifying with the potential killers. Does this sound familiar? Their motives have to resonate with us, their predicaments seem desperate and dire enough that if we were in their spot … well, who knows? Christie bends us into identifying with the potential killers. There is nothing more Hitchcock than that.

Hopefully, all of this genre-wonk talk will make a little more sense after you see “Knives Out.” It’s my attempt to join Dame Agatha and Sir Alfred as conspirators in crime. Let’s hope for a successful marriage. Though if I’m wrong and they end up killing each other … well, hell, I’d watch that movie.


I read Catherine Watson’s article on Cuba (“The Cuba Conundrum,” Nov. 10) with interest. I found the comments on Cuba’s healthcare and its healthy children naive and misinformed. I visited Cuba for the first time last year to connect with my roots. Some of the most important items I took with me were medications: a Costco-sized bottle of Advil for a relative who has arthritis; prescription meds for another with prostate cancer; compression stockings for someone else.

While I was in Cuba, people described how doctors must be bribed so you have a chance to obtain the medications you need. One told me of a newborn with several health issues, and the Cuban doctor’s recommended course of action was to collect rainwater for her to drink.

Cuba has many charms — warm and friendly people, lively music, beautiful landscapes — but its healthcare is not one of them.

Elizabeth Gough
La Crescenta

Too bad, Americans

In re: “New Rules for Cuba Travel,” On the Spot, by Catharine Hamm, Nov. 10: Good day from Canada. It’s a real shame y’all can’t spend a lot of time on the beaches in Cuba. I’ve been visiting Cuba for almost 20 years and look forward to discovering a new beach every time.

We’re even surprised by the cuisine now and again because one does not go there for a gastronomic adventure.

The pleasant weather, beautiful people and the sugary soft white sand lapped by turquoise waters….

Nothing wrong with their beer and rum either.

Chuck Rigelhof

Calabogie, Ontario

Czech Republic, unplugged

The delightful article about global electrical outlets and converters (“Staying Plugged In,” by Terry Gardner, Nov. 10) reminded us of our experience in Prague, Czech Republic. We discovered our converter worked in outlets in one part of the room, but not in the other. The desk staff explained to us that the hotel, built during Soviet rule, indeed had different outlets throughout, some of them “north Europe” and the others “south Europe.”

Apparently the demarcation line between north and south ran through our room, pitting the entry vestibule and bathroom against the bedroom.

The converter we packed had several adaptations, so we were able to keep cameras and phones charged and bring back a story to share with the L. A. Times Travel section.

Dave Middleton and Kathy Hudgins

Rancho Mirage

Wrong on the round-up

I was sorry to see in the Nov. 10 Tipsheet (“Time to Get Along, Little Dogies,” by Mike Morris) a recommendation for the Sweetwater, Texas, rattlesnake roundup.

The mass slaughter of rattlesnakes is nothing to be proud of. Rattlesnakes inhabited what is now Texas long before humans arrived on the scene.

Rattlesnakes have an ecological role in nature just as birds, rabbits, deer or any other species. It’s bad enough that people demonize snakes, but why does a usually reasonable paper like The Times support and promote it? Get educated.

Henry Hespenheide
Emeritus professor of ecology and evolutionary biology, UCLA
Hermosa Beach

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It’s taxing

Reader Glen Mowrer writes in the Nov. 10 Letters column that gasoline prices are “higher in California in large part because California oil companies have a choke-hold in the state.”

But Mowrer ignores that fact that California has the nation’s highest state tax on gasoline at 61.2 cents a gallon, which is more than double the national average (excluding California).

A typical fill-up of 15 gallons in California carries a tax of $4.68 more than the national average. It’s long been fashionable to blame oil companies for this and other ills, but the facts say otherwise.

Yet another example of business being blamed for problems caused by government regulation.

Mike Berliner

Los Angeles

Double standard?

Recently, while perusing the website of a hotel in Dublin, Ireland, I came upon a document aimed at solo female guests who were traveling for work. In it was a list of ways the hotel could cater to their needs.

The list included putting women in rooms beside elevators, not reading their room numbers aloud upon check-in, providing full-length mirrors and offering low-calorie meals. We should be able to check into a hotel without the assumption that we are in some way responsible for the behavior that may harm us.

To assume these are the needs of women is a reflection on how society view us as a collective.

A man traveling for work would never be handed a similar document. It is assumed that his mind is busy thinking about deadlines and closing deals, because his appearance and personal safety are not things he needs to worry about.

Women should not have to sneak around a hotel whispering their room number and triple locking the door of their room near an elevator as they eat low-calorie food.

It is time that society shines a light on the people we are trying to protect women from and shame them into altering their behavior.

I’d like to make the radical suggestion that women’s lives are more than avoiding attacks and being slim.

Holly Meade

Dublin, Ireland

Short but salient

I have been reading the Los Angeles Times for more than 60 years and have always turned to the Travel section first on Sundays. I find Christopher Reynolds’ articles to be informative and interesting enough to provoke me into taking a trip or two through the years.

I’m writing less about the trip and more about the photography advice Reynolds offers on his trip to San Miguel de Allende, Mexico (“Tips for Better Pictures,” Oct. 27). I have attended lectures and read photo magazines and their advice columns but never have I received information as compact as that which Reynolds espoused: “If the picture is not good enough, get closer.” So simple, yet so informative.

James Ruebsamen
Palos Verdes Estates


Here’s the thing about driving yourself to LAX to catch your holiday flight: What happens if you can’t find a place to park?

It could happen. It has happened. And as more people take to the skies — airline travel set a record last Thanksgiving and likely will do so again this year — it probably will happen

Although we can’t do much to ease the chaos of the airport during the holidays, we can provide you with a road map to alleviate your parking woes and car concerns.

LAX parking

LAX lots don’t offer reservations. The spots are available on a first-come, first-served basis.

LAX’s website provides real-time information on parking. Besides availability, it can estimate the cost of parking, depending on when you drop off and pick up your car. Info: flylax.com/en/parking-at-lax

For those with more money than time: Park at one of the eight garages in the central terminal area. The parking structures are opposite the passenger terminals and have nearly 8,000 spaces. These lots charge a maximum of $40 for 24 hours. If you were to enter the P7 lot about 11 a.m. Nov. 27 and retrieve your car about 5 p.m. Dec. 1, you’d pay about $200, the website estimates.

For those with more time than money, there’s Economy Parking Lot E. Parking Lot E , which opened in March at 5455 W. 111th St., is probably the cheapest LAX option, which also makes it much more likely to fill up first. The lot charges $4 an hour and a maximum of $12 per day for its 2,000 spaces. If you were to park in Lot E on the same schedule as above, you would pay $60, according to the LAX estimator. Parking is available on a first-come, first-served basis. Free shuttle transportation between Lot E and the Central Terminal Area, making stops at each terminal, operates 24/7.

• You can charge your vehicle at some LAX lots. Free charging stations are available for electric vehicles on the first levels of parking structures 1, 6 and 7 and in Economy Parking Lot E.

Off-site parking

• Several private companies offer self-park or valet parking. There are at least 10 private parking lots within a mile of LAX. They provide shuttle services to the terminals 24/7.

• Many private lots near LAX do offer reservations. If you’re not a roll-the-dice kind of traveler, this may be your parking security blanket. You may get a discount if you use the lot’s app.

• You can compare prices. Websites Airport Parking Reservations, SpotHero and ParkOn allow you to search multiple private lots and compare prices before making a reservation.

Here are some of the lots and prices per day:

QuikPark LAX, 9821 Vicksburg Ave.; from $26.95 daily for self-parking.

Sunrise LAX Parking, 6155 W. 98th St.; from $14.91. Prices may increase depending on vehicle size; $5 reservation fee online.

WallyPark, 9600 S. Sepulveda Blvd. and 9700 Bellanca Ave.; prices start at $18.30. The private lot offers covered and uncovered parking spots at two locations.

The Park at LAX, 9800 S. Sepulveda Blvd.; from $11.95 daily (excluding tax).

The Parking Spot Century, 5701 W. Century Blvd., and the Parking Spot Sepulveda, 9101 S. Sepulveda Blvd.; from $22 daily. Charging stations available for electric cars.

Airport Center Parking, 5959 W. Century Blvd.; offers covered self-parking from $15.

Joe’s Airport Parking, 6151 W. Century Blvd.; from $17.95.

You can also park in one of the hotel lots near LAX. Much like the other parking sites, most hotels provide free shuttle service to the airport. Lots may sell out; check and reserve as soon as you can.

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The Westin Los Angeles Airport, 5400 W. Century Blvd.; from $44 daily.

Four Points by Sheraton, 9750 Airport Blvd.; from $10.95 daily.

Los Angeles Airport Marriott, 5855 W. Century Blvd.; from $12 daily.

Renaissance Los Angeles Airport, 9620 Airport Blvd.; from $46.20 daily.

Hilton Los Angeles Airport, 5711 W. Century Blvd.; from $11.95 daily. Minimum two-day stay required.

Other ideas

You can take a cab or use a ride-hailing service, which you can reserve in advance. You also might consider the FlyAway bus, which drops you at the airport. The Metro Green Line will take you within two miles of LAX and you can take the G shuttle to the airport. Shuttle is free with proof of transit.