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The house next door to Prince William and Kate Middleton is currently available to rent for $315 per week, according to Metro — but no, we’re not talking about Kensington Palace. The royal family of five also have a residence in Norfolk, called Anmer Hall, about two hours drive north from London which the Queen gave them as a wedding gift — and which they renovated to the tune of $2.7 million.

The Duchess of Cambridge with Prince Louis at the Chelsea Flower Show, 20 May 2019. Image credit: Matt Porteous for Kensington Palace

Anmer Hall is on the Queen’s Sandringham Estate, which is where she always spends Christmas with the family (and records her famous televised Christmas message). It is where the Duke and Duchess retreated after the birth of Princess Charlotte and where the photo for their 2018 Christmas card was taken. If they’re not in Kensington Palace, there’s a good chance Will and Kate are at Anmer Hall.

Prince Louis brandishes a stick while running away from his dad at the Chelsea Flower Show, 20 May 2019. Image credit: Matt Porteous for Kensington Palace

The rental is opposite Will and Kate’s place and is also part of the Sandringham Estate, which comprises 29 houses and 63 residents – almost all of whom work for the royals. The rental agents letting the cottage specialise in properties that neighbour royalty and list some stringent criteria for applicants on their website. For example, no cats. Ever. Don’t even think about it. Though, “Dogs will be considered on a house by house basis.” Presumably, Corgies are fine.

Prince George and Princess Charlotte dip their feet in a stream at the Chelsea Flower Show, 20 May 2019. Image credit: Matt Porteous for Kensington Palace

The rental agents will also not going be letting in any riff raff or royal gawkers, as “Properties are not let on a first come, first served basis, but rather on which prospective tenant is best suited to the property.” So that self-appointed town crier who rang a bell and yelled out the front of the hospital each time Kate gave birth is probably out.

The Duke and Duchess of Cambridge, Prince George and Prince Louis playing in the RHS Back to Nature Garden at the Chelsea Flower Show, 20 May 2019. Image credit: Matt Porteous for Kensington Palace

Not much is known about the cottage listed for rent, except that is has two bedrooms, steep stairs and the landlords would prefer to let it to someone who “lives and works locally” (ahem, for the royals). If interested, you can farewell your cat and fill out an application form here.

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7th Aug 2019

This issue is intended to be a celebration of happiness — anything and everything that, in the words of Marie Kondo, can “spark joy”. We wanted to create a special edition that was light-hearted, filled with beautiful design, playful art and dreamy destinations — and I’m extremely proud of my talented team as we have achieved exactly what we set out to do.

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I do say this with a heavy heart as upon sending this issue to print we received the heartbreaking news that one of our beloved team members had tragically passed away. To her friends, family and colleagues, Bonnie Vaughan will forever be remembered as one of the kindest, most generous of people. Her smile, fierce intellect and her ability to charm everyone she touched will be her lasting legacy so, as a tribute to her, we dedicate this issue to our dear friend, closing with a piece she penned.

Be it through hard times or any sadness, we hope you can find something in these pages that sparks a little joy and cause for happiness — for yourselves and your loved ones.

For Bonnie.

The Last Presidential Salmon

August 7, 2019 | News | No Comments

For almost a century, the first Atlantic salmon caught each season was delivered to the President of the United States. The first of these fish, an eleven-pound silver, was sent by Karl Andersen, a Norwegian house painter in Bangor, Maine, to President William Howard Taft, in 1912. Andersen had caught the fish in the Kenduskeag Stream, on April 1st, when the water would have been flush with ice, and cold enough to numb his legs. He used a pliant bamboo rod, and sent the fish as a gift from Bangor; he hoped it would “contribute to the city’s need of honor and respect.” (His bet didn’t pay off: Bangor is now best known as the model for Stephen King’s Derry—a fictional town populated by cannibalistic clowns and reanimated zombie pets.) On April 12th, he packed the salmon with straw and ice and placed it on an overnight train to the capital. Taft ate it poached whole, with cream sauce and a garnish of parsley.

The Kenduskeag, which in the language of the local Penobscot Nation means “eel weir place,” had long been famous for its salmon runs. But by the time Andersen landed his fish the salmon population was already in freefall. Hundreds of dams were installed on New England’s rivers during the industrial revolution, presenting unnavigable walls for the migratory fish. As early as the nineteenth century, the Penobscot begged the governor of Maine to address the falling salmon numbers, but the condition of the waterways only worsened. A 1960 report by the city’s health department claimed that Bangor was using “the same sewage treatment facilities as that given to the crewmen of Samuel de Champlain’s ship in 1604.” It described “sewage solids” accumulating on the Kenduskeag’s banks, children and animals playing in a mixture of feces and “thick green scum,” and, strangest of all, a city program that drew water from a particularly sewage-heavy section and sprayed it on I-95—apparently in an effort to control dust.

Andersen, whether wittingly or not, enshrined a local tradition. President Franklin Roosevelt accepted thirteen salmon—a record that no other President has come close to matching. The annual gifting continued through to Dwight Eisenhower’s Presidency, when the Penobscot River, which the Kenduskeag flows into, became so polluted that all fishing in the region paused for some years. In 1964, after fishing resumed, President Lyndon Johnson ate a fish from the Narraguagus River that had been sliced into steaks and poached in a French style. (For culinarily-inclined readers, the science writer Catherine Schmitt has catalogued almost all Presidential salmon meals in her book, “The President’s Salmon.”) But the salmon population continued to dwindle. Since 1986, no commercial fisherman has reported landing a wild Atlantic salmon.

In 1992, the final Presidential salmon, weighing nine and a half pounds, was caught by Claude Z. Westfall, a sixty-four-year-old fisherman, in the Penobscot River. (The following year, Westfall’s son caught what would have been the last salmon, but due to what Westfall cryptically called “politics” the fish was never delivered.) As the president of the Veazie Salmon Club, Westfall kept tabs on who fished on opening day and what they caught, so he knew that he was the first person to land a salmon that year. He kept the fish cool while he fished out the rest of the morning. When he got home, he slit its belly from gill to vent, reached inside, and pulled out its organs. Then he packed its cavity with ice and placed it in his freezer. Once frozen, a fish can be thawed only once before being eaten.

Most Presidential salmon were shipped to the White House, or occasionally hand-delivered by Maine politicians hoping to get a special audience. But Westfall refused to let anyone else deliver his fish. On May 25th, he and his wife, Rosemae, placed it in a cooler in the back seat of their car and drove three hours to the compound of President George H. W. Bush, in Kennebunkport. Security guards checked their car, their bodies, and finally disappeared into a shed with the fish. “I don’t know what they did with it,” Westfall said. Five minutes later, they returned with the fish and waved the couple through.

Claude and Rosemae spent the afternoon with the President and the First Lady. Bush was an avid Atlantic salmon angler himself and particularly loved fishing up north in Canada. While they spoke, Bush pointed out the Coast Guard cutters by the bay and the photos of state leaders that sat framed on his walls. After the visit, they kept in touch. At one point, Westfall—who had spent around sixty years fishing the rivers and streams of the northeastern U.S.—invited the President to join him on a trip in Maine. Bush, citing a busy schedule, respectfully declined. Today, one of Westfall’s most prized possessions is a photo of the four of them. In it, Westfall displays the glistening fish while the President and the First Lady smile at the camera. Rosemae points—mouth open in delight—at the Bush family’s two dogs, who are leaping at the salmon. “Not too many people get an opportunity like that,” Westfall said.

Bush was the last person to receive a Presidential fish. Eight years later, in 2000, Atlantic salmon were listed as endangered.

Fishermen call salmon “leapers” because, when they spawn, they leap out of the water and flash in the sun. I learned this in 2014, when I moved to Alaska. I sold salmon for a nonprofit and occasionally went out with the fishermen to catch the fish myself. I spent most of the trips throwing up over the side of the boat, but I learned to scan the horizon for jumping fish, because the sight of one would almost always mean many more below. Salmon are anadromous. They are born in freshwater; migrate hundreds of miles within the ocean, quickly adapting to salt water; and then return to their natal streams to spawn. They are muscled, powerful fish, and, if you’re lucky enough to see one at the start of its journey, the way it swims through rushing water takes your breath away. Salmon expend all of their energy on their upstream migration—they don’t eat—and the transition from cool salt water to warm freshwater physically stresses their system. Atlantic salmon can survive two or three spawning seasons, though many die after just one. Pacific salmon literally disintegrate in the water at the end of their journey.

Salmon are an indicator species: in a fracturing ecosystem, they’re among the first to die off. States across New England have spent the past half century trying to bring back the fish. They’ve dismantled dams, stocked fry, and instituted fishing regulations. Connecticut alone spent eight and a half million dollars over the past thirty-two years on restoring salmon, largely without success. The last significant wild population left in the continental United States is in Maine. (There are still scattered populations across North America—mostly in Canada.) Each year, Maine’s Department of Marine Resources and United States Fish and Wildlife Service stocks the rivers and streams with millions of salmon eggs and fry and thousands of parr and smolts. In 2018, only about a thousand seafaring salmon returned home.

Last spring, I visited Rory Saunders, a fisheries biologist for the National Oceanic and Atmospheric Administration (NOAA), who grew up in Bangor and now works on restoring Atlantic salmon in Maine. When Saunders was growing up, several paper mills dumped polluted wastewater directly into rivers. Through the sixties, “paper mill sludge rafts” (floating collections of mill pollution and trash) regularly drifted down the Penobscot. He’d fish the stream and catch yellow perch or smallmouth bass—fish that, as he delicately put it, “aren’t very demanding of water quality.” He still remembers his parents scolding him for playing by the water. “We’d come back smelling like a sewer,” he told me. “Of course, things are a lot better now.” During the seventies, Bangor began cleaning up the Kenduskeag because of the Clean Water Act. The mills surrounding the city were prevented from dumping waste directly into the water, the city built a sewage-treatment plant, in 1968, and the river began to recover.

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The Kenduskeag is now a swift-running stream that flows through the city to the Penobscot. Some fish have started to reappear. In 2015 and then again in 2017, a single, lonely salmon redd, or nest, was spotted in the gravel. Saunders tells me that he’s hopeful. Right now, he said, the federal government plans to delist Maine’s Atlantic salmon population in about seventy-five years, providing that “everything remains steady.”

That “everything” refers to fishing regulation off the coast of Greenland, water temperatures, ocean pH levels, and, notably, federal funding for NOAA. Global warming makes the Atlantic salmon’s future uncertain. The increased acidification in the ocean that comes from rising atmospheric carbon dioxide levels, for example, has the potential to interfere with salmon’s ability to smell, which makes it difficult to sense predators, find food, and navigate to spawning grounds. Shallow streams are more vulnerable to both daily and extreme temperature swings than oceans, and, as freshwater temperatures soar, traditional runs in the South won’t support salmon populations. Developmental stages—the transitions between the eggs, fry, parr, smolt, and returning salmon—are governed by changes in water temperature, and warmer waters can disrupt the salmon’s life cycle by triggering stunted growth or premature hatching. Over the next thirty years, we will see mass extinctions on a scale that humans have never witnessed before. A recent U.N. report predicted that a million species—about an eighth of the estimated species alive today—are likely to vanish unless something changes drastically. When I see salmon running, it feels like I’m watching something that will soon disappear.

On the same day that I went to see Saunders, I visited Westfall at his home, in Orono. I’d spent nearly seven hours in the car that day, and, when I arrived at our interview five minutes early, I parked in the driveway and closed my eyes to stretch. When I opened them, Westfall, now ninety-one, wearing a plaid shirt and a cell-phone holster and holding a large black cat, was standing next to my door. “Well, come in when you’re ready,” he said.

Inside, the house was neat and orderly. Rosemae had died seven years earlier, and these days, Westfall told me, it was just him and the cat. He took me into his basement, where the walls are covered with exquisite, framed fishing flies. Periodically during our interview, Westfall pointed to one of the frames and asked me to guess how much each was worth. (Between five hundred and three thousand a fly, apparently.) At one point, he rifled through boxes, pulled something out, and pressed it into the palm of my hand: a hand-tied foxfire fly, made of dyed squirrel fur and black ostrich herl, ribbed with silver tinsel—perfect for catching salmon.

Westfall is one of the greatest Atlantic salmon anglers left alive. In addition to serving as the president of the Veazie Salmon Club, he was a founding member of the Maine Council of the Atlantic Salmon Federation. But now most of his days follow a more familiar pattern: he has lunch with one of his friends at the senior center and then spends the afternoon in his basement, puttering around his collection of salmon memorabilia. (He also has a giant model tractor in his basement that he built out of discarded beer cans.) He still goes out to fish, and, when I spoke with him, he was planning a summer camping trip up north, near the border. He told me that he didn’t expect to catch much. I’d spent the past two weeks reporting on efforts to bring back wild Atlantic salmon and had spoken to scientists, fishermen, and conservationists, most of whom had mustered some optimism about the future of the fish. Westfall was the only person to tell me that he thought the salmon were never coming back. He gestured around his basement and at the artifacts on the walls. “But that’s why all this matters,” he said.

Toni Morrison in The New Yorker

August 7, 2019 | News | No Comments

Toni Morrison died on Monday evening, at the age of eighty-eight. A professor emeritus at Princeton University, Morrison won the Pulitzer Prize, in 1988, for her novel “Beloved,” and the Nobel Prize for Literature, in 1993. She published seven novels, including “Song of Solomon” and “The Bluest Eye,” before she began contributing to The New Yorker, in 1998. Her nonfiction, as much as her novels, had an ability to illuminate hidden truths, both personal and political. Her first piece for the magazine was a Comment about Bill Clinton and the conclusions of the Starr report, in which she famously called Clinton “our first black President.” Morrison contributed four more pieces to the magazine, including a short story, “Sweetness,” about the relationship between a mother and daughter during the civil-rights era. In 2016, she published an essay in the magazine about the election of Donald Trump. “So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength,” she wrote. “These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” Morrison’s prose has the effect of ripping the blinds off the wall and letting the sunlight in. In an email exchange with a New Yorker editor, the day after Trump’s election, she wrote, “Re the future: I am intellectually weapon-ized.” Here are the pieces that she has contributed to the magazine in the course of nearly two decades.

Comment
Thanks to the papers, we know what the columnists think. Thanks to the polls, we know what “the American people” think. But what about the experts on human folly? Read more.

Sweetness
“With that skin, there was no point in being tough or sassy, even when you were right.” Read more.

Making America White Again
The choices made by white men, who are prepared to abandon their humanity out of fear of black men and women, suggest the true horror of lost status. Read more.

The Work You Do, the Person You Are
The pleasure of being necessary to my parents was profound. I was not like the children in folktales: burdensome mouths to feed. Read more.

The Color Fetish
Of constant fascination for me are the ways in which literature employs skin color to reveal character or drive narrative. Read more.

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Toni Morrison, the Teacher

August 7, 2019 | News | No Comments

Whenever I think about Toni Morrison, I think about my favorite teacher, Deborah Stanford, a black woman who, when I was in high school, helped me to understand that to read seriously was a discipline and a privilege, and that an author who helps us to do it is a kind of hero. Her brand of stern, fertile New Criticism (I’m pretty sure I learned that term from her) was rooted in the completeness of her respect for writers and their intentions. Why stray from the text when it had been so painstakingly prepared? Ms. Stanford instigated my lifelong relationships with Flannery O’Connor and Adrienne Rich, among many others, but it always felt obvious that the truest joy of her job was to teach Morrison. (Uncannily, she even looked—to me, at least—a bit like Morrison in her early dust-jacket photos: fair-skinned, with a shortish, feathery Afro; wide-mouthed and fiercely funny around the eyes.) I took her classes in my sophomore and senior years, and, during those years, read “The Bluest Eye,” “Song of Solomon,” and “Beloved,” revelling in how long we could linger on just one line, or image, or passage, tossing it around to shake loose (and, at Ms. Stanford’s insistence, to support) new meanings. Maybe the first great symbol of my life as a reader was the riddle of Pilate’s nonexistent navel, from “Song of Solomon,” still my favorite of Morrison’s novels. We talked about that uninterrupted tummy for an hour straight, scraping at the idea until my head felt oddly clean.

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Toni Morrison’s writing in The New Yorker.

People who are roughly my age, lucky to have entered high school when Morrison was already a legendary figure, will disproportionately, I’d bet, think of Morrison’s work as an early exegetical playground. From her, we learned what it could mean to be alienated from the past, or traumatized into new and freakish modes of sight, and we learned just how total an experience a haunting—a memory or “re-memory”—really is. We were reading her even when we weren’t, because we read everything else with her somewhere in mind. Such was, and is, her importance. I have learned to read in other ways since high school—“Beloved” is a structural marvel, a kind of medieval cathedral, and it’s hard to see that as a kid—but I will always, on the deepest level, think of Morrison in terms of moments and images: huge, generous, quickly multiplying trees, offering endlessly parsable fruit. She shared with O’Connor a Catholicism whose tradition of rigorous, many-tiered scriptural reading, detailed in “Christ and Apollo,” one of O’Connor’s favorite books, parallels the tough process of reading Morrison with sufficiently satisfying depth.

It’s only right, then, that Morrison was an editor and exhaustive curator of black writers—what’s an editor but a friendly pedagogue?—and that her classic literary-critical study, “Playing in the Dark: Whiteness and the Literary Imagination,” has become an unfailing guide to all kinds of American phenomena. There she goes, teaching us Cather and Melville just as we were once taught Morrison herself. I can think of no other writer whose work, and the cult of its consumption—still, surely, in its very first stages—embodies the ideal of writing and reading as a community practice, meant more for the enrichment of a people than for any individual’s private therapy or entertainment. “We don’t need any more writers as solitary heroes,” she once said. “We need a heroic writer’s movement: assertive, militant, pugnacious.” Her writing opens up into other writing, richness into richness, in a way that will help such solidarity come to pass. But two things can be true. Our teacher is our hero, too.

Though Newton-John will no longer be the “keeper of the forest,” as she previously put it, the four-time Grammy winner will still be taking up residence just 30 miles away, at Gaia, the retreat and spa she cofounded in 2005. “When we first came up with the concept of Gaia, it was to be a place where our close group of friends could gather together and spend our golden years together—all in one place,” she said in a statement in February. “Now those years are upon us and we are loving it.”

Image credits: McGrath

After roughly 40 years, Olivia Newton-John is finally letting go of her sprawling 187-acre farm located in New South Wales, Australia. According to Mansion Global, the Grease star recently sold the property, though the final price is currently “undisclosed,” according to her sales agent and longtime friend Jillian McGrath. When she first listed the property in February of this year, Newton-John was seeking approximately US$3.42 million for the estate.

The idyllic farm is perfect for nature lovers, with more than 10,000 trees, two dams, a natural waterfall, a creek, and a stream running through the property. “The expansive view from the farm is breathtaking and captured my heart all those years ago,” Newton-John previously said in a statement. “It’s a magical spot that is the home for many different species of wildlife.” Among them are a number of bird species that bring “glorious morning birdsongs” to the property, said the actress and singer.

The main house features three bedrooms and a spacious eat-in kitchen, with rustic details like timber floors and fossil-like walls with bits of embedded shells and pebbles. It also includes an attached but self-contained four-room guest suite with yet another bedroom as well as its own separate entrance. Newton-John rebuilt the main house in 2002.

This story was first published by ArchitecturalDigest.com

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Following the cancellation of both Stockholm Fashion Week and Oslo Runway – the former taking a pause to focus on launching a more sustainable alternative – Copenhagen Fashion Week (CPHFW) finds itself the only fashion week in Scandinavia for the SS20 season. Running 6 to 9 August, the platform and biannual event has environmental goals of its own. 

In January 2019, CPHFW established a sustainability advisory board of international fashion industry representatives and, shortly after, it initiated a strategy focusing on four United Nations Sustainable Development Goals (10, 12, 13 and 17), resulting in, among other things, the ban of single-use plastic bottles and the development of a guide to producing more responsible fashion shows. “Later this year,” says CPHFW CEO Cecilie Thorsmark, “we’ll reveal our three-year plan where we will dedicate our platform to accelerate the sustainable development of the industry by introducing standards for brands who wish to showcase at Copenhagen Fashion Week.”

Although nascent, these steps feed into Copenhagen’s grander scheme to be a carbon neutral city by 2025, and the government of Denmark’s recent announcement of one of the most ambitious climate policies in the world that includes a 70 per cent reduction in greenhouse gas emissions by 2030. 

“While we are not in a position to directly influence brands’ every-day decision making,” Thorsmark adds. “We wish to use our role and our voice to make sustainability more attractive and are dedicated to speeding up the industry’s transition.” With that in mind, spoke to three Scandinavian brands heading to the Danish capital this week to hear about their latest collections and what they are doing to reduce their environmental impact.

Holzweiler, Norway

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Founded by brother and sister, creative director Susanne and CEO Andreas, and swiftly joined by Andreas’s wife Maria as head of design, in seven years Holzweiler has gone from the go-to scarf maker (their “scarf on a roll” concept allows customers to buy scarves by the metre) into one of the largest and most popular brands in Scandinavia. Spring/summer 2020 will be Holzweiler’s fifth time showing at CPHFW.

“When we start designing a collection we take a theme that has been engaging us for the last few months and kick off with a few days outside our office. Sometimes we travel, but often we stay in Norway and find inspiration close by. For spring/summer 2020 we have been super inspired by generation Z, namely [the Swedish climate activist] Gretha Thunberg. And, as always, by architecture – so we went on a tour of the Snøhetta office in Oslo to see how they created everything, from the Norwegian National Opera and Ballet to the Holzweiler flagship store.”

“Corporate social responsibility is a priority for Holzweiler, in the same way as design and quality. We won’t work with anyone who doesn’t comply with our code of conduct set out with the Ethical Trading Initiative Norway. It’s easier to achieve our goals if we create long term relationships with suppliers and factories that share our outlook when it comes to the environment. 

“In terms of fabrication, we are continuously working to improve our practices. For example, our lambswool scarves are made from up to 60 per cent recycled wool, while our swimwear is made using recycled polyester and we are in the process of changing our denim products to organic and recycled materials, without compromising durability. For spring/summer 2020, we have changed almost all the cotton we use to Better Cotton Initiative cotton and we use natural fibres wherever possible. Our goal is to be able to track all our garments down to the fibres and components such as buttons and zippers – which we avoid using unless they fulfil a function – and map out our whole production chain. 

“Our next step is a non-plastic policy for samples in our office, which means that all garments sent to our office before production won’t be wrapped in plastic. For production in Europe, we currently use biodegradable wrapping to protect our garments and we are aiming for all production to be done using biodegradable bags.

“To minimise waste product, this season we have made small phone bags out of leftover lambswool scarves to give away to the audience and they will be sold in our online store too. Backstage we are going plastic-free – everyone will receive a reusable water bottle and coffee cup with their name on it and they will need to use them for drinking for the whole day.”

Rodebjer, Sweden

Carin Rodebjer is returning to the CPHFW schedule for the third time since establishing her eponymous line in 1999. Rodebjer’s signature slouchy suits and draped kaftans have been seen on the likes of Meryl Streep, Alicia Vikander and Victoria, Crown Princess of Sweden, and are stocked in over 250 stores worldwide. 

“I referenced photographs of Yves Saint Laurent in Marrakech in the 1960s and 1970s, as well as Gloria Steinem in her offices of – the magazine she co-founded. The silhouettes are long and slouchy with fringing and to add movement. I had a feeling that the clothes should reach for the earth; to listen and connect to it. ”

“When I started my business 20 years ago I took a sustainable approach, even though most people thought I was being naive. I decided at that point to never work with fur or use leather in clothes; we are looking at finding good alternatives for shoes and bags as well and every season we offer styles suitable for vegans. When it comes to fabrics we use a lot of organic and recycled materials and avoid garment washes and bleaches where possible. Having worked with the same manufacturers for quite some time now, we have a close connection, and this helps to ensure our garments are being made as sustainably as possible. I think Copenhagen is unique and forward-looking when it comes to finding better and more conscious ways of living and producing.”

Stand Studio, Sweden

Returning to CPHFW for the second time, Nellie Kamras’s Stockholm-based label’s debut last season was critically acclaimed and saw her garner a raft of international stockists including My Theresa, Le Bon Marché and Barneys.

“This collection is based on the idea of endless city summer and seaside resorts. With leather as the foundation of the collection, we worked with different kinds of materials and treatments like tie-dye and silver foils. The joy of summer is also present in marine rope details, long linen fringe trims and patent outerwear inspired by inflatable sun beds. For this collection we wanted to push the idea of contrasting colours to the maximum, by experimenting with psychedelic snake prints and more subdued pastels.”

“Stand is still a young company, and we are focused on creating high quality products in good materials for a long lifespan. A big part of that has meant creating close relationships with suppliers and manufacturers. These relationships are part of ensuring responsibility throughout the production chain, but they also help us develop our products in a more sustainable way, through ensuring good craftsmanship and constantly introducing innovative materials. For the spring/summer 2020 collection we are offering a capsule collection with material made from pineapple leaves, for example, and for autumn/winter ’19/’20 we will be offering faux furs made from recycled plastics from the sea as well as fabrics made from corn.”

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6th Aug 2019

It may seem like a small thing to hit “follow” on an account on social media, it takes a mere second after all and it’s just as easy to “unfollow” an account if they post content that you decide isn’t for you after all. 

However, for high profile celebrities, royals and social media power players, choosing who to follow is a powerful tool that can be used to highlight different causes that might otherwise struggle to reach an audience.

The Duke and Duchess of Sussex appear to be well aware of this and last week made a momentous social media move towards utilising this powerful tool on their official Instagram account, @sussexroyal, by unfollowing everyone. 

In a post explaining their decision to unfollow everyone — which was a picture of a blue tile with the question “Who is your Force for Change?”, a reference to the British Vogue September issue which Meghan Markle guest-edited — the Sussexes requested their followers suggest accounts for them to follow that “highlight various causes, people or organisations doing amazing things for their communities and the world at large”. 

Followers of the account immediately took up the call and flooded the comments section with causes they deemed worthy of being highlighted on Instagram by the couple.

Overnight, the Sussexes have unveiled which causes they have selected to highlight and follow this month, including Australian mental health organisation, Beyond Blue. The couple posted a collage of nine images from the 15 accounts they’re now following with a caption thanking their followers for their suggestions and detailing why they have chosen these particular organisations.

“Many of you have suggested that we use this month as an opportunity to highlight lesser known organisations and shine a light on those working hard behind the scenes that may not get the level of attention that they so rightly deserve. These accounts showcase those persevering at the grassroots level, connecting our global community through a shared lens of giving back and helping one another,” the couple wrote on the post.

Mere hours after the couple posted about their selected accounts to follow, the post has already garnered over 171k likes and the accounts they’ve highlighted have posted their delight and thanks at being chosen. Talk about being a “force for change”.

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6th Aug 2019

Since splitting from her on again/off again flame, former One Direction singer Zayn Malik, for possibly the final time earlier this year, model Gigi Hadid has either managed to keep her dating life under wraps or has been living her best single life and not dating at all. Until now that is.

According to E! News, Hadid has recently been spotted with a new gent, who fans of the US series of The Bachelorette are very familiar with. The publication reports the 24-year-old model was seen “hanging out” with season 15’s Bachelorette runner-up, fellow model Tyler Cameron, on Sunday night in New York. 

Per E! News Hadid and Cameron reportedly connected over Instagram, but what we don’t know is if that was a result of Hadid watching the show and finding Cameron on the ‘Gram (see one of his posts below) or Cameron using his higher profile post-The Bachelorette to connect with Hadid, who he could very conceivably have been crushing on from afar previously. 

 

Hadid isn’t the first celebrity to be linked to a contestant from The Bachelorette, Modern Family’s Sarah Hyland is engaged to Bachelorette alum, Wells Adams. And if you think about it, unsuccessful contestants from the show are ideal potential dates — they went on the show with the intention of finding love and if that doesn’t happen on the show, presumably that hope of falling in love is still there. That seems to be the logic of the producers for candidates for The Bachelorette and The Bachelor, given that often a runner-up or contestant from a previous season then becomes the next Bachelorette or Bachelor.

However, if it turns out that Tyler and Hadid are dating, then his chances of being the next Bachelor on the US series are low-to-zero, but on the other hand, if he finds love with Hadid then he won’t need TV producers to find him a love match.

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According to E! News, after Cameron and Hadid reportedly hung out at Brooklyn’s Dumbo House before heading back to Hadid’s apartment for a nightcap on Sunday night, the publication reports they followed up with a second date on Monday night. E! News reports the models spent the evening bowling with a group of friends at New York’s Frames Bowling Lounge, and a source told the publication that they’re interested in each other but are taking things slow. 

“They are both taking things slow but have both made it clear they are interested in each other,” the source told E! News. Roses for Cameron and Hadid from each other? Watch this space.