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The London derby takes place in a European final but few fans will travel due to the immense cost of hosting the match 2,864 miles away

The upcoming Europa League final between Chelsea and Arsenal in Baku will be one of the most poorly attended by fans travelling from the clubs’ home country.

English followers have been priced out of the end-of-season showpiece and just over 6,000 are expected to travel to Azerbaijan from London.

The two sides are amongst the most heavily supported teams in Europe but just over 3,000 fans apiece are expected, taking up just half the offered allocation from UEFA.

Less than 10 per cent of the 68,700-seat Baku Olympic Stadium will be filled by supporters from England but there will likely be fans from Eastern Europe and Asia due to the global popularity of the clubs.

In February, UEFA offered 37,500 tickets to worldwide football fans, excluding the ones provided to the fans of both finalists.

The local organising committee, national associations, commercial partners, broadcasters and corporate hospitality packages get the rest.

Travel and flight costs could reach as high as £3000 ($3800) for fans, as hotels and airlines cash in on the increased demand that the final has brought. For many English fans, direct flights are not an option with supporters facing multiple changeovers or even long bus journeys from neighbouring countries.

UEFA, however, have defended their choice of Baku as the host city in a recent statement.

“It goes without saying that an all-English final played by two London teams was not a very predictable event at the time of the appointment,” said a letter from European football’s governing body.

“There is little doubt that this has added significant difficulties to the event logistics.

“We are really sorry for the problems that your fans are encountering trying to organise their journey to Baku.

“Our experts are keenly working on this matter with a view to help find cheaper solutions for travelling fans. We would welcome a joint effort with your club in this respect.”

Arsenal and the managers of both teams have criticised the decision to host the final in Baku in recent days. There is further controversy surrounding Henrikh Mkhitaryan, who has declined to travel for the match due to security fears.

The Armenia international isn’t willing to risk his safety due to an ongoing war between his native country and the host of the final.

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The former Reds star considers the reigning PFA Player of the Year to be one of the top talents in England, not just the finest of those at the back

Virgil van Dijk has been lauded by Liverpool legend Jamie Carragher as “the world’s best defender” and one of the “top five players in the Premier League”.

The Netherlands international has enjoyed a meteoric rise to prominence over the course of the last 18 months.

A record-breaking £75 million ($95m) transfer took him to Anfield in January 2018, and from that point he has been a model of consistency and tower of strength.

His presence is considered to have played a leading role in Liverpool now being title challengers at home and Champions League winners in Europe.

Van Dijk’s exploits have already been recognised with the PFA Player of the Year award and Carragher believes he is now one of the finest performers on the planet – not just the pick in his chosen position.

The former Liverpool defender told Sky Sports: “When you talk about the best players in the league, you automatically go for the attacking players. But Van Dijk is in the top five players in the Premier League – not just defenders, players.

“Now, that might sound obvious as he got player of the year this season but year on year, if you said to me ‘name the best players’, I’d always put him in along with Sergio Aguero, David Silva, Kevin De Bruyne, Mohamed Salah, Harry Kane, Eden Hazard and so on.

“There might be someone who has a better season than some of those players one season but, consistently, they’re the best – and Van Dijk will always be in that list.”

Van Dijk is currently preparing to take on a number of familiar faces from the Premier League in the colours of his country.

The Netherlands are due to take on England in the semi-finals of the Nations League on Thursday.

That outing will see him paired with highly-rated Ajax star Matthijs de Ligt, who continues to attract interest from leading sides across Europe.

Carragher concedes that the Dutch now boast what is arguably the strongest centre-half pairing in world football, saying of Van Dijk and De Ligt: “I saw Ronald Koeman at the weekend saying he feels he’s got the best partnership in Europe at international level and in some ways you can’t really argue.

“Firstly, he knows them better than anyone and it’s also the position he played in himself.

“In Van Dijk I think he has the world’s best defender – and I think he can rightly say that now he’s won a Champions League. While in De Ligt they’ve definitely got the world’s best young centre-back.”

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Pictured above: Hailey Beiber

In the midst of New York Fashion Week, Alexander Wang and Bulgari took advantage of the burgeoning fashion atmosphere of the period, holding the launch for their Serpenti Through the Eyes of Wang capsule handbag collection on September 7.

Enlisting a comprehensive roll call of A-list guests—such as Hailey Bieber, Offset, Tiffany Haddish and Sofia Richie, just to name a few—the fashion label and luxury jewellery brand came together to celebrate their latest collaborative release, creating a one-night-only experience in New York City to toast the drop.

Creating a replica of a luxury department store, attendees walked through the temporary space and were able to see the full collection on display. As they mentally added a number of the collection’s items to cart, guests were also able to enjoy a number of interactive experiences, including a cosmetics-themed sundae station, a manicure station where guests could customise their nails with diamond-like embellishments, and a ‘fine jewellery bar’ which served themed cocktails in perfume bottles.

And while they took advantage of all the experiential moments the evening had to offer, guests were entertained by a number of performances from artists including rapper Rick Ross and Normani.

Speaking on the inspiration behind the event’s concept, designer Alexander Wang—one half of the collaborative duo—recalled the film that helped bring the launch to life.

“The concept for this event came to me when I stumbled upon a re-run of the ’80’s classic, Mannequin, with Kim Cattrall,” he said. “We wanted to recreate the magic of what could happen in a department store once the lights went out.”

Speaking on the importance of being innovative and having experiential tendencies when creating a space in where consumers would want to shop, Wang also had this to say: “In today’s shifting retail landscape, it is even more important for brands to re-imagine what the brick and mortar experience can be… with a shared vision and collaboration we brought to life what the future of retail can look like, which should always include fun and irreverence when re-imagined for a new type of consumer.”

To look inside the Alexander Wang x Bulgari capsule collection launch, scroll on.

Erin Wasson.

Coco Rocha.

Tiffany Haddish.

G-Eazy.

Offset.

Hanne Gaby Odiele.

Jacquelyn Jablonski.

Sydney Sweeney.

Dylan McDermott.

Alexander Wang and Hailey Beiber.

Erin Wasson.

Tiffany Haddish.

Quavo and Alexander Wang.

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11th Sep 2019

Dilone is a forced to be reckoned with. At just 25 years of age, the American model has walked in the Victoria’s Secret Fashion Show, worked with the likes of Celine, Versace and Marc Jacobs, and volunteered with at-risk youth. 

Now, Dilone has her sights set on screenwriting and filmmaking, and is returning to school to focus on her future. It is this same motivating force that spurred on the model’s recent social media cleanse – no small feat when the industry you work in is one that promotes publicity. 

“I feel like it’s important to stay connected and I do see the positive aspects of social media and I’ll get back to that,” she told Vogue while visiting Australia with David Jones.

“But I am also 25 and I found myself identifying myself a lot through social media and I had to get off of it and remove myself from that so that way I could feel myself as opposed to seeing myself – if that makes any sense?” she asked. 

Going on to tell Vogue that she plans on holidaying in Australia when she finishes shooting David Jones’s new On The Bright Side campaign, Dilone confirms: “I went to Bondi Beach last time and I really liked that area so I’ll probably go back around there.” 

When it comes to her personal style, the model shares she typically opts for outfits that are “really comfortable, chill and a little sexy.” Pointing at a pair of tailored trousers she was wearing at the time, Dilone says: “I love pants like these, they’re fucking awesome. I’m trying to get more pants like these and staples that I swear by.”

“I have this really amazing Céline blazer that I love from Philo’s last collection, and I have these great YSL leather pants that I really like,” she continues. “But for the most part, if I’m going to work I’ll dress up a certain type of way, but on my off duty days, [I wear] comfortable jeans, some Adidas and just a comfortable tee.”

Salman Rushdie’s Fantastical American Quest Novel

September 12, 2019 | News | No Comments

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The New Yorker’s fiction editor, Deborah Treisman, talks with Salman Rushdie about “Quichotte,” his apocalyptic quest novel. A few years ago, when the four hundredth anniversary of “Don Quixote” was being celebrated, Rushdie reread Cervantes’s book and found himself newly engaged by a much-improved translation. He immediately began thinking of writing his own story about a “silly old fool,” like Quixote, who becomes obsessed with an unattainable woman and undertakes a quest to win her love. This character became Quichotte (named for the French opera loosely based on “Don Quixote”), who is seeking the love of—or, as she sees it, stalking—a popular talk-show host. As Quichotte journeys to find her, he encounters the truths of contemporary America: the opioid epidemic, white supremacy, the fallout from the war on terror, and more. “I’ve always really liked the risky thing of writing very close up against the present moment,” Rushdie tells Treisman. “If you do it wrong, it’s a catastrophe. If you do it right, with luck, you somehow capture a moment.” At the same time, the novel gives full rein to Rushdie’s fantastical streak—at one point, for instance, Quichotte comes across a New Jersey town where people turn into mastodons. Treisman talks with the author about the influence of science fiction on his imagination, and about his personal connection to the tragedy of opioids. Rushdie’s much younger sister died from the consequences of addiction, and the book is centrally concerned with siblings trying to reconnect after separation.

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The Misplaced Feminism of Ms. Monopoly

September 12, 2019 | News | No Comments

In 1906, Lizzie Magie, a feminist writer, activist, and game designer, who was then forty years old, placed an ad for herself as a “young woman American slave.” She was, she wrote, “intelligent, educated, refined; true; honest, just, poetical, philosophical; broad-minded and big-souled, and womanly above all things.” A petite brunette with “gray-green eyes” she was, in her own description, “not beautiful, but very attractive, features full of character and strength, yet truly feminine.” The stunt, which was meant to raise awareness about women’s inequality, including Magie’s own weekly pay as a stenographer, made headlines nationwide. It came just three years after she filed a patent for the Landlord’s Game, today known to most consumers as the board game Monopoly. “We are not machines,” she told a reporter at the time of her slave advertisement. “Girls have minds, desires, hopes, and ambition.”

This week, Hasbro, which sells Monopoly, announced the latest incarnation of the game: Ms. Monopoly. According to the press release, which makes no mention of Magie, the new title character, a smiling chestnut-haired woman in a blazer wielding a travel coffee cup, “is an advocate whose mission is to invest in female entrepreneurs.” The company claims that it’s the “first-ever game where women make more than men.” In this version, female players start out with nineteen hundred dollars in their coffers and male players receive a mere fifteen hundred. Women receive two hundred and forty dollars for passing Go, but men are stuck with the same two hundred dollars as in standard Monopoly. In a promotional video, featuring soft piano background music and scenes of girls soldering, sketching, and kicking ass in white lab coats, Hasbro notes that only ten per cent of patent holders are women.

The response has been, well, more Baltic than Boardwalk. A number of right-wing pundits and Twitter users lamented that Hasbro has become too politically correct. Comments were hurled about “Get Out of Jail Free” cards tied to false #MeToo sexual-assault allegations and women trying to profit off of sexual-assault settlements. Critics on the left argued that the lopsided economics of the game aren’t actually promoting equal pay. But, somewhat encouragingly, another common response was that Hasbro’s attempt to tout its new title as empowering to women, while ignoring a woman’s role in creating the game, was, at best, hypocritical. At worst, omitting Magie from the Ms. Monopoly story only reinforces the false, misogynistic, and all-too-common belief that Monopoly is, then and now, purely a man’s game.

In the five years I spent reporting my book “The Monopolists,” published in 2015, which chronicled the discovery of the board game’s invention, Hasbro declined to comment or acknowledge Magie’s role in originating the game. Magie’s story is widely accepted by game historians and bolstered by at least two patents, myriad newspaper clippings, U.S. Census records, letters, several sworn depositions, the U.S. Supreme Court, and acknowledgment in the National Women’s History Museum and the Smithsonian. But, when I asked a Hasbro spokeswoman this week about Magie and the Ms. Monopoly game, she credited Charles Darrow as the person who had invented the game, in 1935, three decades after Magie had received her patent. “However,” the Hasbro spokeswoman said in a statement, “there have been a number of popular property trading games throughout history. Elizabeth Magie—a writer, inventor, and feminist—was one of the pioneers of land-grabbing games. In 1904, she received a patent for the Landlord’s Game, which was meant to educate people about the dangers of wealth concentration.”

Hasbro, a multibillion dollar juggernaut based in Pawtucket, Rhode Island, wields considerable influence over the minds of young girls and boys. Since my book’s publication, I’ve heard from countless female game designers, software engineers, executives, and other girls and women hoping to blaze their own careers, particularly in male-dominated worlds, who were inspired by Magie’s revolutionary exploits a century ago. She received her patent for the Landlord’s Game before women could vote, let alone dream of making an iconic creation that millions would enjoy a century later. She did so at considerable risk. The story of how Monopoly came to be is an overlooked chapter of American capitalism, perhaps one that mimics the often cruel nature of the board game itself. All told, Magie earned a mere five hundred dollars for her game and died, in 1948, without children, working in obscurity in secretarial work.

Women have complained of being drowned out, overlooked, and ignored for centuries. But now, especially in the #MeToo moment, more people appear to be listening. Countless women have come forward to file charges against their abusers. Raises and promotions are being demanded—and hopefully received. Sports fans chanted “Equal pay!” in the stands this summer at the Women’s World Cup. Over all, that’s all tremendous news. But Ms. Monopoly also underscores an effort by Madison Avenue to champion feminism as a branding gimmick rather than make tangible change. Consider the backlash faced by Gillette, Hard Candy, Nike, and State Street, among others, for using female-forward messaging as a source of profit, often at odds with their own companies’ policies toward women. If Hasbro is serious about women’s empowerment, perhaps the company could start by admitting that a woman invented Monopoly in the first place.

When Magie placed her “slave girl” ad more than a century ago, she said that it was partially in search of a benefactor who could help provide her with the time and means to develop and publish other games that she was working on. Echoing the girls in the Hasbro promotional video, she had professional goals and sought out funding to try to make them into a reality. “I wish to be constructive,” she said, “not a mere mechanical tool for transmitting a man’s spoken thoughts to letter paper.” She wanted an “opportunity to develop the best that is in me.” A flood of responses came in, including a crank offering her a hundred and fifty dollars “to pose as a freak in a dime museum.” Upton Sinclair sent her money and an offer for a visit, which she took him up on. A clergyman in New York called her stunt “offensive and a disgrace against morality.”

Years later, Magie, still designing games in her spare time, said that she didn’t regret her public push for equal pay. But it hadn’t landed quite the way she hoped. “Most people missed the point in my advertisement for bids,” she added. “But, on the other hand, a multitude understood, and I may now have an opportunity to be heard.”

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11th Sep 2019

While it only felt like last month that Vogue digital editor Danielle Gay descended on the Apple campus in Cupertino, California, to take a first look at the newest iterations of the iPhone — what we know now as the Xs, Xs Max and XR, — here we are back again only 12 months later to experience a whole new generation. Introducing the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max — the new, and likely your next, iPhone.

This year, the team at Apple have chosen to focus on a few specific areas for their 2019 phone, one being the new dual‑camera system (meaning better photos and videos), and the other the chip inside (which also happens to be the fastest chip ever in a smartphone). Alongside that, we’ve been blessed with a new-generation Apple watch, iPad, and a whole lot more.

Here, we’ve broken down the key announcements that came out of Apple’s big 2019 event.

The iPhone 11 comes in six colours
Red, purple, green, yellow, white and black — those are the options you’ll be able to pick from when purchasing the newest iPhone offering, made from the toughest-ever anodised aluminium and glass yet.

Not only does Apple claim that the iPhone 11’s battery lasts all day, but it also comes with spatial audio: an audio enhancement that creates a sound field around the phone making it feel like you’re at the movies.

And it has two cameras
Probably the standout feature of today’s reveal, not one but two cameras sit on the back of the iPhone 11: a 12mp wide camera and 12mp ultra-wide camera.

What this means is that with every image, you’ll be able to get a more expansive view of your subject, with the same resolution. The cameras also come with a new Night Mode feature, which makes for clearer and cleaner images in the dark.

But the iPhone 11 Pro has three
Because there’s always one step better, the Pro version of the new iPhone comes with a total of three cameras on the back of the phone’s shell. Introducing the Ultra Wide, Wide and Telephoto cameras.

This time designed specifically for video, the system records in 4K and allows zooming between the three lenses. You also now have the ability to rotate, crop, increase exposure and apply filters to videos instantly.

In addition to the extra camera, Apple says the iPhone 11 Pro’s battery will last four hours longer than the iPhone XS and the iPhone 11 Pro Max will last five hours longer than the iPhone XS Max.

The Apple watch wants you to stay safe
Today’s event also saw the newest Apple watch come to fruition, building on the successful health capacities of the series 4.

Now, with the touch of the button, your Apple watch has the ability to call emergency contacts in over 150 countries around the world, just by pressing and holding down the side button, even without your iPhone.

The Apple Watch. Image credit: supplied

And is made from 100 per cent recycled aluminium
The Apple watch series 5 watch has the widest assortment of case finishes ever — with the aluminium models coming in silver, gold, and space grey, now all 100 per cent recycled.

You can still however get the classic stainless steel styles in gold, silver and space black, alongside a new scratch-resistant white ceramic case.

A 7th-gen iPad arrived
If you’re into your iPads, this one is the biggest yet. Measuring at 10.2-inches, the new iPad boasts features that allow you to do everything from one-finger typing on the screen’s floating keyboard, quickly switch between multiple apps and connect your SD card or a thumb drive. It comes in silver and, space grey and gold and starts at $529.

And we have a release date for Apple TV plus
Earlier in March we were presented with Apple TV plus — a Netflix-like streaming platform that would house Apple-exclusive content which users could access for a monthly subscription fee. Now we know that the service will launch 1 November in over 100 countries and regions and cost $7.99 inc. GST per month with a seven-day free trial.

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The Buried Promise of the Reconstruction Amendments

September 11, 2019 | News | No Comments

Over the past several decades, Eric Foner, a professor emeritus of history at Columbia, has established himself as one of the preëminent historians of the Civil War and Reconstruction. In 1988, he published “Reconstruction: America’s Unfinished Revolution, 1863-1877,” which became a standard history of the period. “The Fiery Trial,” his story of Lincoln’s relationship to the idea and reality of American slavery, won the Pulitzer Prize, in 2011. Throughout his work, Foner evinces a fascination with how the history he studies has been understood and relayed since the Civil War. One result of that interest is his new book, “The Second Founding: How the Civil War and Reconstruction Remade the Constitution.” It examines the Thirteenth, Fourteenth, and Fifteenth Amendments, which banned slavery, universalized due process, and granted black men the vote. Foner’s narrative explores the radical aspirations of the politicians and activists who envisioned these amendments, and the Supreme Court decisions that narrowed their scope, leaving their promise of a racially equitable society unfulfilled.

I recently spoke by phone with Foner. During our conversation, which has been edited for length and clarity, we discussed the heroic vision of Reconstruction’s proponents, the ways in which we misunderstand the legacy of slavery, and whether Trump’s Presidency demands a rethinking of our racial history.

You say early in the book that, in one sense, “Reconstruction never ended.” What exactly do you mean?

I defined Reconstruction in two ways. One, it’s a particular time period of American history. You can debate the dates. It starts in 1865, when the Civil War ends, or maybe it starts in 1863, when the Emancipation Proclamation is issued, and it ends sometime in the eighteen-seventies, although there’s debate about that also.

But, I think, more importantly, Reconstruction is a historical process. And the process is, How does the United States come to terms with the results of the Civil War? The unity of the nation we seem to have come to terms with. But the other matter is the destruction of slavery. How does the United States deal with the fact that four million people who were slaves became free? What role would they have? What rights would they have? How would they be treated? And those debates are still going on. Pick up today’s newspaper, and you’ll find things which relate back to the legacy of slavery. So in that sense, the reckoning has never happened, or we’re still grappling with the consequences of two hundred and fifty years of slavery.

Did you write this book because there was an area of Reconstruction you wanted to learn more about or teach people more about, or had things changed in your understanding of your previous scholarship?

Why does one choose to write a book in the first place? It may be some archival discovery, which was not really the case here. It may be the way debates are going on in the present. That did influence me. The issues central to the Fourteenth Amendment, the Fifteenth Amendment, the right to vote, are still part of our politics today. Who should vote? Who should be a citizen? What does equality before the law really mean? But, most important, and without trying to denigrate any other scholar, I lecture a lot about Reconstruction—I lecture in law schools, I lecture in history departments, I lecture to public audiences outside the academy—and I have found that there’s very little knowledge of why the Thirteenth, Fourteenth, and Fifteenth Amendments are important, or what they were trying to accomplish, even in law schools.

One of the things that I think needed to be corrected is that so much discussion of these amendments is based on just law-making places, like Congress and the Supreme Court. I’m not a lawyer, but I’m a historian. You’ve got to look at the whole society. Everybody was debating these questions during Reconstruction. So if you want to find out the meaning of these amendments, you’ve got to look way beyond Congress and the courts to see the general debate. And I felt that hadn’t been really illuminated enough.

What aspect of the debate?

I think it’s how issues that certainly were around for a long time, whether it’s women’s rights or African-American rights, became constitutionalized. And what did people expect from the Constitution? What did they see in the Constitution? Is the Constitution pro-slavery or anti-slavery? William Lloyd Garrison burned the Constitution, but the anti-slavery movement had a long tradition of debate. I think there’s a tendency in a lot of the literature today to make these amendments too narrow, to look too narrowly at what they were trying to accomplish. My view is their aim was, to use a very modern term, “regime change.” Not just changing one law, not just changing one institution, but changing from a pro-slavery regime before the Civil War to an anti-slavery, post-slavery regime after the Civil War. And that has many implications.

Again, I’m not a legal scholar. But these amendments have been used over the years by the Supreme Court for all sorts of decisions, many of which I think are based on really erroneous understandings of the period, historically speaking. That was another reason why I got interested in this subject—because I took a look at Supreme Court decisions and what books they cited and it’s amazing how very discredited views of Reconstruction as a period of “Northern vengeance” or “black incapacity” or political corruption remained in Supreme Court decisions long after historians had abandoned them.

So what would be examples of that?

There’s a lot of potential in those amendments. But starting way back, even during Reconstruction with the Slaughterhouse Cases, in 1873, the Supreme Court began whittling away, narrowing the scope of the Reconstruction amendments, based on a notion that they had not really changed the federal system. That is, based on the notion that they didn’t really expand the rights of citizens very much—that Congress didn’t mean to cover private violence, private actions, that deprive people of their Constitutional rights, even though it was clearly the intent of Congress to do so. [In the Slaughterhouse Cases, the Supreme Court, in its first ruling on the Fourteenth Amendment, found that the amendment protected the federal rights of citizens but did not protect them from actions taken by the states.] But, in fact, most of the people who debated these things, in and out of government, thought the amendments absolutely did cover them. What kind of constitutional right can be taken away from you by a mob without the federal government having any power to intervene against that?

Those Supreme Court decisions are in the late nineteenth century. But then they get reinforced as historians in the early twentieth century begin to write what is, I think, very misguided history of Reconstruction as a period of corruption and misgovernment. You see those works of history cited all the way down to the nineteen-fifties and sixties, even as historians are coming up with very new views of Reconstruction as a period that attempted to institutionalize an interracial democracy in this country, which had never existed before.

Are there rights that you think we should view ourselves as having, as citizens, that should be understood as part of these amendments? And, if so, how were they undermined?

Before the Civil War, citizenship was very poorly defined. In fact, there is no definition of citizenship in the Constitution until the Fourteenth Amendment, even though citizens are mentioned all over the place: the President must be a natural-born citizen, et cetera, et cetera. Even less defined was what comes with being a citizen. Is being a citizen just a badge, or membership in a club that doesn’t bring privileges or rights with it? Or does being a citizen actually carry with it a whole bunch of rights?

The people who wrote the Fourteenth Amendment thought that citizenship was substantive—that, if you were a citizen, you had basic rights, some of which we call natural rights, like what Jefferson talked about: life, liberty, and the pursuit of happiness. But there were many others. Slavery is a total institution: it is a system of labor, it is a political system, it is a racial system. And it had deprived black people of many rights, which ought to be enjoyed by everybody, even if you are not a citizen. And some parts of the Fourteenth Amendment talk about “persons,” not just citizens.

But the Fourteenth Amendment begins by talking about the privileges and immunities of citizens. What were they? Well, there is no definition there. But let’s take for example the right to a good or adequate education—if you read these debates both in and out of Congress, they certainly thought this was something that went along with being a citizen. The courts have never really seen it as that, at least in federal law. There are state constitutions and state suits where courts have ordered more money to be put into schools. But the problem was that even during Reconstruction, in the Slaughterhouse Cases, the Supreme Court said that almost all of what people considered their basic rights still remained under the states. National citizenship really didn’t amount to almost anything.

That sort of killed the privileges-or-immunities clause of the Constitution, which, to my mind, ought to be revived. There ought to be a discussion of what the substantive rights of citizens are. I mentioned one: the right to an education. That was denied under slavery. It was on the minds of people in the Reconstruction era. There are others. What about freedom from discrimination in pursuing a livelihood? Remember the pursuit of happiness, which is in the Declaration, of course, not the Constitution?

I think it would be plausible to argue that the right to vote has become, in popular usage, a privilege of citizenship—that the various ways of trying to suppress voting now are really a violation of the concept of what a citizen is. I think that clause ought to be revived from the dead, where the Slaughterhouse Cases interred it, and it could be a vehicle for considering more sweeping uses of these Constitutional amendments than the courts have really ever been really willing to pursue.

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Who were you talking about when you say “they” essentially wanted regime change?

I’m looking at black organizations that are commenting on these amendments. I’m looking at the women’s-rights movement. I’m looking at veterans of the anti-slavery movement—people who were actually very involved in drafting these amendments. These are not household names. If you think about the great iconic figures of American history, you’re not going to come up with John A. Bingham, and Lyman Trumbull, and James Ashley. These were anti-slavery people who, for years, had been trying to create a different legal structure once slavery is abolished, and a lot of their ideas flowed into the Thirteenth, Fourteenth, and Fifteenth Amendments.

You’ve got to look at the anti-slavery movement and its constitutional thinking before the Civil War. You’ve got to look at black organizations. As you know, toward the end, I talk a little about a group I’d never heard of, the Brotherhood of Liberty. It was a group of black lawyers, ministers, others, in the eighteen-eighties in Baltimore, who published a six-hundred-page critique of Supreme Court jurisprudence, called Justice and Jurisprudence, in 1889. No one cites that, but this was a powerful critique of how the Supreme Court had really missed the point, in many ways, of the Thirteenth, Fourteenth, and Fifteenth Amendments.

I’m not saying that their view is the only correct one, but I am saying that we shouldn’t just assume that the heritage of Supreme Court jurisprudence is unchallengeable now, and just sort of locked in and written in stone. That’s one of the problems for today, because court decisions are based on precedent, and, if you have decades of bad precedent, those things are still good law today. They have never been overturned. And that hampers, I think, creative uses of the law and Constitution to address racial inequality.

How do you think ideas of Reconstruction have changed in the past several decades since you wrote your big book?

Well, it’s hard to critique yourself, so to speak. Every historian knows that our fate is to be superseded by new historians. That’s the nature of the study of history. Books that are classics become forgotten; books that are the standard point of view are superseded by other points of view. But, without being immodest, I think I can say that my general history of Reconstruction from 1988 is still, not the last word by any means, but still kind of the standard narrative of the whole period.

But a tremendous amount of work has been done on issues like the impact of Reconstruction on women, both black and white, in the South and in the nation. Or regional differences, local histories, all sorts of things. They haven’t yet been put together into a coherent alternative narrative, but we know a lot more about what happened in Reconstruction now than when I was writing.

A couple of weeks ago, the Times released its 1619 Project, which is obviously not simply about Reconstruction or the Civil War. What was your impression of the project, and what did you think it told us about our current age and how we are thinking about these things?

I think the level of the scholarship was good. There’s nothing in there that historians don’t already know, people like me, who study this stuff. That’s not patting myself on the back. That’s just saying this is a very good popularization, and I don’t use “popularization” negatively at all. It brings recent historical scholarship to the attention of people who are not scholars but are intelligent readers. One can pick it apart, one can go into this article or that article and say, I don’t agree with this or that. Fine. That’s how it always works in the study of history.

One might say that 1619 is an odd date to begin with, if it’s slavery and its aftermath we’re interested in, because there were slaves in St. Augustine, Florida, fifty years before 1619. Slavery in what became the United States did not begin in 1619, but this is an example of what you might call the Anglo-centric view of early American history that we cannot get away from. I mean, the history of Colonial America is written from east to west, from the beginning of English settlement and then pushing west, west, west. But Colonial America was settled from south to north in the Spanish Empire. It was settled from north to south in the French Empire, in the middle of the continent. There’s this tendency to think that only the English colonies count, and that Colonial history is just a kind of prelude to the American Revolution and the creation of the American nation state from the English colonies and these other places that were Spanish or French. In fact, that’s not how people experienced it at all. Nobody knew the American Revolution was coming a century and a half later. There was slavery in Spanish Florida half a century before 1619, and that’s also part of American history, and it shouldn’t be ignored just because it’s not the English part.

The part that I liked the best, actually, was the articles trying to link things that we know in the present back to the legacy of slavery. Why do we have such a horrible health-care policy in this country? Why are we the only modernized country with no national health insurance of any kind? That has a lot to do with slavery, actually, as they pointed out.

Your book gestures at the fact that we’re still dealing with these issues today. I don’t want to turn this interview into a thing about Trump, but has anything about the last few years, with Trump’s rise, changed the way you view the work you do or the period you study?

You know, that’s an interesting question. It may be too soon to tell. I think a lot will depend on whether Trump is reëlected. Is Trump an aberration? Is this just a crazy thing that happened in some countries— that’s happening in England right now? If Trump is reëlected, I think we have to then sit and say, “You know, maybe some of our assumptions about how deeply rooted democratic values are in our country, how deeply rooted notions of equality are in America, maybe we need to rethink that.”

There was a sort of Cold War view of America as the exemplar of liberalism, of democracy, of equality, you know—never quite complete, but always striving in that direction and improving in that direction. Maybe that’s not correct. Maybe that’s one strand of American history, but maybe what we need to do is emphasize other strands, equally powerful. The strand of nativism, the strand of racism, the strand of, you know, hostility and hatred of the other. Maybe we need to rewrite American history to highlight those. Not to throw away everything else, but to say maybe we’ve been a little bit Pollyanna-ish about what American culture really is.

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How John Bolton Got the Better of President Trump

September 11, 2019 | News | No Comments

The first time I met John Bolton, on a frigid morning last February, I asked him the obvious question: How could he work for a President with whom he disagreed about almost everything? He was ready with an answer. “The President knows where I stand on all the issues, because he watched me on Fox News,” he told me. “When you enter government, you know that you aren’t going to win everything.”

For seventeen months, Bolton carried on, working, often at cross purposes, for a President whose views on most subjects were diametrically opposed to his own. It’s easy to wonder how he lasted as long as he did. It may be more important to wonder why he bothered at all.

Bolton is not, as he is often accused of being, a neoconservative. He couldn’t care less about spreading democracy around the globe. He is a cold-eyed realist—he believes in preserving and extending American power. He doesn’t have any use for the United Nations, or the European Union, or anyone else who is given to lecturing the United States. Of the U.N.-headquarters building in Manhattan, he once said that if it “lost ten stories it wouldn’t make a bit of difference.”

You may not like Bolton’s world view; many of his enemies in Washington certainly despise it. But at least he has a world view: the U.S. contends for its own interests, amid a complex web of contingent alliances. Trump seems to see the global arena as a kind of supersized real-estate market, where bluster prevails, even the worst people are persuadable, and, if your adversary isn’t giving you what you want, you walk away. It’s a simpleton’s view of the world, but in this case the simpleton has a five-hundred-ship Navy and sixteen hundred nuclear warheads at his disposal. Someone has to contain him.

My sense was that Bolton understood this from the start—much as Jim Mattis, Trump’s former Secretary of Defense, did. For Bolton, his job likely centered less on offering Trump options for solving problems—the task of national-security advisers in ordinary times—than on preventing Trump from seriously damaging America’s interests. And Bolton has always been certain about which policies he thinks are best.

A case in point: Trump favored direct negotiations with Kim Jong Un, North Korea’s erratic chieftain, long after it became clear that Kim had no intention of dismantling his country’s nuclear arsenal or even of restraining its growth. No President before Trump had ever endorsed direct negotiations with North Korea’s leader without preconditions. Bolton told his aides to support the President, but he made it clear that he believed the strategy was a bad idea. No deal emerged.

Another: Trump seems determined to take all remaining American troops out of Afghanistan, and he appointed a special envoy, Zalmay Khalilzad, to make a deal with the Taliban. Trump even planned to bring the Taliban—harborers of Osama bin Laden, killers of American soldiers—to the Presidential retreat at Camp David. Bolton opposed all of it. And now the deal appears dead.

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Dexter Filkins’s Profile of John Bolton, from the May 6, 2019, issue of the magazine.

And a third: At Bolton’s urging, Trump withdrew from the deal, forged by the Obama Administration, to restrain Iran’s nuclear-weapons program. But the President was clearly confused about what to do next. Bolton and the others around him wanted to crush the Iranian economy, launch air strikes, and provoke a confrontation. Trump felt uncomfortable with Bolton’s aggressive posture and appeared to long for a chance to do a deal; in 2017, before appointing Bolton, he sent eight invitations, including a dinner request, to the Iranian President, Hassan Rouhani. But no deal has happened.

When Bolton disagreed with Trump, there was little personal affinity to ease the negotiations. “I don’t socialize with the President, I don’t play golf with him,’’ he told me. Eventually, the disagreements proved too strident; the two men don’t even agree on whose idea it was that Bolton step down. But, on these three crucial issues, Bolton was able to get the better of Trump. Not all of the outcomes were the direct result of his actions, but his views mostly prevailed.

When you have a President who knows next to nothing about the world, the people he surrounds himself with are more important than ever. Now Trump has no national-security adviser to make it harder for him to enact the policies—or the impulses—that he wants. As Trump prepares to name Bolton’s successor, will he select someone who argues for what’s good for America? Or merely for what’s good for Trump?

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