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26th Jul 2019

Are Bughead still a couple? This is the burning question on Hollywood and the internet’s minds right now as a new cover story featuring the Riverdale actors, Lili Reinhart and Cole Sprouse, together published by W Magazine has added a confusing are they?/aren’t they? twist into the rumoured split tale.

Read on as we lay out what we know about this confusing state of affairs.

The Riverdale co-stars and on-screen love interests were reported to have gotten together in 2017, meeting and falling in love on the set of their popular teen noir show. The couple’s appearance at Comic-Con in 2017 was the first time the public became aware that they were more than just co-stars.

However, since then, the couple have kept their relationship relatively private, attending the occasional red carpet event such as the 2019 Met Gala together and intermittently sharing references to each other on Instagram, but in the majority, keeping their feelings for each other and status of their relationship out of the public domain.

On Monday, July 22, various US outlets including and reported sources had revealed that the couple had called it quits. “Lili and Cole broke up earlier this summer,” reported a source revealed. 

further reported “multiple sources” had shared the news of the couple’s split with the publication and that Sprouse had been “overheard telling a pal” at 2019 Comic-Con — which was held over the weekend — that he and Reinhart had broken up.

As far as the internet knows, they did not confirm the split when the news broke. Neither actor commented until the cover interview with the couple came out on Thursday, July 25.

The interview reportedly took place back in late May, when the couple were thought to still be together. However, the journalist, David Amsden, who interviewed the couple reports they asked to be interviewed separately, and when asked if the individual interviews were related to their relationship status, Sprouse reportedly gave a very cryptic answer: “I’m so glad we’re making your job more difficult.”

Sprouse did expand on this later, saying they want to be seen as individuals with their own careers, rather than just as a package deal. “We’re acknowledging that we’re in a relationship, but it’s a small part of who we are as people. We want our own separate identities.” Sprouse said, adding, “Lili is an incredibly talented individual who speaks for herself and deserves her own voice box in every single way.”

But despite Sprouse’s explanation about the individual interviews, Amsden writes that the separate interviews seemed “a bit calculated” and his “suspicions that the separate interviews might have been connected to the two of them being uncertain about their future together,” have since been confirmed.

While Reinhart and Sprouse didn’t initially respond to the split rumours published earlier in the week, they have both responded — with fighting words — to what was written in the interview.

Reinhart posted one of the images from the article of herself and Cole together to her Instagram account with the caption: “BREAKING: A reliable source has confirmed that none of you know shit.”

 

Sprouse too posted the image to his Instagram account with the caption: “UNPRECEDENTED: Cole Sprouse and Lili Reinhart consume the flesh of ‘reliable sources’ to fuel their bacchanalian sex cult.”

 

Only Reinhart, 22, and Sprouse, 26, know for sure. But we do know neither is happy with what was written in the article and they’re not going to stay quiet about it.

Check back here, we’ll update this story with any new Bughead developments.

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26th Jul 2019

New York label Les Rêveries, which translates to “the musings”, captured the fashion set’s attention via Net-A-Porter’s emerging talent platform, The Vanguard, when it launched last year. Sisters Wayne Lee and Ai Ly have come a long way since then. Upon Net-A-Porter’s encouragement, the siblings have expanded their line of romantic floral separates – each inspired by art, poetry, music and nature – to include bridal wear. The edit of jacquard, silk and Victorian lace wedding dresses are as dreamy as the slips and camisoles that kickstarted the brand.

“We wanted to make the perfect wedding gown, which is easy to wear, travel with, affordable, unconventional and also flirty and fun,” Wayne tells Vogue of the five-month-long process of nailing the offering. “This is hard to find in the retail market at the moment.”

The eight-piece line, which is priced from approximately $1115 to $2500, was inspired by Carolyn Bessette Kennedy’s wedding dress, as well as the duo’s usual ruminations. “It was so her,” smiles Wayne. “The Les Rêveries bride knows what she likes and she’s not afraid to try to new things – she’s bold, charismatic and free.”

A look from the Les Rêveries bridal collection. Image credit: supplied by Net-A-Porter

Scanning Net-A-Porter’s virtual shelves doesn’t do the detail on the pieces justice. “One of my favourite dresses is the hand-corded lace gown with a silk charmeuse mini slip – it has a three-dimensional effect,” shares Wayne. The 100 per cent silk jacquard pieces are also custom fabrications with floral motifs sourced from far and wide but manufactured in the US.

Signing with Net-A-Porter has allowed the sister act to grow the 2018-born business under the guidance of the e-tail giant, and, according to global buying director Elizabeth von der Goltz, Les Rêveries has flourished. It was a no-brainer for her team to encourage the platform’s rising star to translate the label’s effortless silhouettes into an all-white capsule. “The collection includes options for the entire wedding party, from the cool girl bride to the bridesmaid and the guest,” she explains of the thought process. “The flutter sleeves and lace speak to our bohemian bride, while also providing a great option for summer occasion dressing.” Could it tick anymore boxes?

This story originally appeared on Vogue.co.uk.

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There’s make-up, and then there’s red carpet make-up. Celebrities tend to know a thing or two about looking good, but when they’re walking out to face a bank of photographers, posing for hundreds of pictures with other exceptionally good-looking people competing just a few metres behind them – nailing the perfect beauty look becomes absolutely crucial.

And there’s certainly an art to creating a look that makes an impact. Make-up artists typically spend at least two hours working on a celebrity’s face before a major event, with outfit styling and the lighting of the event factored into every decision. The goal is to create a strong and flawless image, but one element that can make the difference between beautiful and memorable is a bold lipstick.

Here, being adventurous often pays off. Gigi Hadid’s dark maroon lip for the New York premiere of
turned the fresh-faced model into a vamp. On the red carpet for
, Rihanna chose a dramatic eggplant shade that matched her Givenchy dress. Lupita Nyong’o’s metallic blue for the London premiere of
was thanks to a clever innovation by her make-up artist Nick Barose, who blended a Lancome eyeshadow and eyeliner with lip balm to get the perfect hue. “Think outside the box,” he advised.

Then there’s the winning formula that actresses (and the rest of us) have tapped into since the golden age of Hollywood: the power of the perfect red. Lipsticks in this spectrum are not all made equal, of course, and any good make-up artist knows that identifying the right red for a particular client’s colouring can transform their entire face. Witness Sienna Miller wearing an elegant merlot to an Oscar party; Rose Byrne matching her citrussy orange-red lipstick to her Ralph Lauren gown at the 2017 Met Gala; and Joan Smalls in a classic cherry shade at this year’s Cannes festival.

Very few of us may walk red carpets, but the lesson of using colour-saturated lips to make an unforgettable impression is one that can work for anyone. In honour of #InternationalLipstickDay,
rounds up the very best red carpet lipstick moments.Click Here: Liverpool FC T Shirts

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25th Jul 2019

“It’s not for a movie…⁣⁣” wrote Anne Hathaway alongside a black-and-white snap of herself smiling with a visible baby bump on Instagram earlier today.

But while Hathway’s announcement that she and husband Adam Shulman are expecting their second child began on a lighter note, it took an especially poignant turn at the end. “All kidding aside, for everyone going through infertility and conception hell, please know it was not a straight line to either of my pregnancies,” she continued.

Opening up for the first time publicly about the fertility struggles she and Shulman encountered while having their first child—they welcomed a son, Jonathan Rosebanks, in 2016—as well as on their most recent journey to conception, the 36-year-old actress continues to be refreshingly candid about many of the challenging facets of motherhood. Not to mention, she admirably joins stars like Chrissy Teigen, Kim Kardashian West, and Gabrielle Union in being transparent about their personal fertility hurdles.

Infertility is becoming more and more widely acknowledged as an acute health issue—according to the Centers for Disease Control and Prevention, about 12 in 100 couples in the U.S. have difficulty becoming pregnant—and Hathaway’s revelation goes a long way. She continues to be unafraid to use her platform to address issues close to her heart.

This article originally appeared on Vogue.com.

It’s so nice to see everyone—what a crowd. I know that if Sarah were still single, and not currently at her boyfriend’s place redecorating his living room, she would have loved to be here today.

A lot of people didn’t see this coming. It feels like just the other day, we were doing a round of tequila shots to mourn her last boyfriend, Greg, a man with a back tattoo that read, “The only constant is change.” And after they broke up, it seemed like things would be different. I thought Sarah was finally free.

But as we all know too well—Greg most of all—life changes constantly. Still, who could have predicted that Josh would be at the bar that same night for a karaoke birthday party, waiting patiently for his turn to sing “Baby Got Back”?

He seemed harmless enough, at first. I certainly never thought this romance would last beyond a single night. None of us did. But the next morning, Sarah wasn’t answering any of my texts asking her how it went, and I sensed something was amiss. Even though I was obviously still tracking her on Find My Friends, I knew that Sarah was gone.

It began slowly. She would miss Sunday brunch, or take several days to respond to a hilarious meme I sent her. I mean, the dog was passed out on a couch, insisting that he would start his diet the following day. How could she not find that funny? None of it made sense.

I know that if Sarah were here like she’d said she would be, she’d want us to remember the good times, which is why I’ve prepared this photo montage. If some of you aren’t included in it, please remember that this day isn’t about you. It’s about my loss. It’s also about remembering those moments from when my hair looked really good after that new haircut last month.

Sarah’s parents, Rob and Sharon, were asked to say a few words, but they refused because they “actually really like Josh” and “think this event is a huge waste of money.” It’s times like these when you realize who is really there for you, which is why I’d like to thank all the friends and family who have been so supportive during this difficult period, particularly old college pals whom I’d forgotten lived nearby and agreed to meet for drinks. You guys are great, and I’m thrilled to be joining your amateur bowling league.

Well, I guess I should start wrapping this up. I don’t want to cut into anyone else’s time, especially Andrei, our kind landlord, who gave Sarah a four-dollar Starbucks gift card once for Christmas, or Mr. Davis, Sarah’s high-school English teacher, who congratulates her on work anniversaries on LinkedIn, year after year, without fail.

It still just feels so surreal. Do I miss her sometimes? Of course. Ever since she told me it looked like she and Josh were “probably together,” a week ago, I’ve been a wreck. But I console myself with the knowledge that everything is going to be O.K. because she’s in a better place now. A place where she doesn’t have to worry about making ironic Valentine’s Day plans or thinking of clever Hinge answers. I know it’s time to move on. But occasionally, when she likes one of my Instagram posts, it’s almost like I can feel her smiling down at me.

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Garret Graves is a forty-seven-year-old Republican congressman from Louisiana who, earlier this year, bet his considerable political future on the proposition that the age of conservative climate denial is over. Graves had come to the point of view, he told me recently, “that those who were denying were taking an unsustainable position. That the science was going to further and further sink the island that they were standing on, and that eventually they would be inundated.” When the Speaker of the House, Nancy Pelosi, announced a new Select Committee on the Climate Crisis this winter, after teen-aged activists staged a sit-in at her office, Graves visited the Republican leader in the House, Kevin McCarthy, to argue that the new committee gave Republicans a chance to take a less obstinate position on climate change, if they were nimble enough to see it.

Graves, who is medium height and athletic, with a strong chin and a loud voice, came with a PowerPoint presentation, laying out for McCarthy “everything from the disasters to our progress on emissions, without blowing up the economy, to the strategic resources of the United States and those of other countries.” There was, he argued to McCarthy, “a better way to apply Republican principles to this issue of climate change”—an insistence that the challenge of climate change can be met by scientific innovation, by the application of our remarkable instruments and brains. In February, McCarthy named Graves to serve as the ranking member on the committee. And, just like that, the Republicans chose as their spokesman on climate change a gregarious, outdoorsy young man who liked to say that not only was sea-level rise real but that he had measured it with his own yardstick.

Environmentalists regarded this mainly as a stunt. Republicans had correctly interpreted the polling on climate change to mean that they had to change their public image on the issue. But they were not willing to break with the energy industry. Graves seemed sincere enough when he acknowledged a human role in changing the climate, but that hardly made him green. Graves’s lifetime rating from the League of Conservation Voters was just three per cent; in the last election cycle, he received almost twice as many campaign contributions from the oil-and-gas industry as from any other industry. “I’d love to see more Republicans get on board with climate action, but it’s not enough to change how they talk about this issue. They need to change how they vote,” Representative Kathy Castor, the Florida Democrat who chairs the Climate Crisis Committee, told me.

In the months since Republicans lost control of the House of Representatives in the midterm elections, there have been signs of a shift in their view of the environmental crisis, changes which may turn out to be meaningful, or may prove to be as ephemeral as a branding campaign.

In May, Senator John Cornyn, a powerful Texas conservative, announced “a growing consensus [that] the days of ignoring this issue are over.” The Republican pollster Frank Luntz then circulated a memo insisting that voters “believe the U.S. must change direction on climate policy.” Democrats and climate activists received these statements with some cynicism, because of Cornyn’s long-standing ties to the oil-and-gas industry, and Luntz’s infamous memo to George W. Bush, in 2002, advising the President that there was “still a window of opportunity to challenge the science” of climate change. It was hard to believe that the Republicans had found a new church if Luntz and Cornyn were still at the pulpit.

But it was tempting to think that if there was to be a genuine Republican conversion, it would come from someone like Graves. Before he was elected to office, Graves had made his name by leading the recovery and rebuilding work in Louisiana after Hurricane Katrina. He had led the state’s efforts to recover billions of dollars from BP after the Deepwater Horizon oil spill. His view, which he made clear to Castor, was that the parties should be able to agree immediately on projects that would help local communities adapt to and prepare for changes in the environment. Graves told me, “There is built up momentum in the atmosphere right now where adaptation is the thing you’ve got to do no matter what, right out of the gate.”

Earlier this summer, before Hurricane Barry had crashed into New Orleans but with the Mississippi swollen to a degree that made everyone nervous, I went to Baton Rouge to spend a day with Graves. A day earlier, there had been a tremendous storm: eight inches of water had poured onto the city’s downtown in eight hours. The state has not so much encountered the reality of the changing climate as been inundated by it. Storms have so constantly battered the Louisiana coast during the past decade that historical benchmarks have lost their meaning. As Graves put it to me, “We had a thousand-year flood in August of 2016. In March of that year, we had a five-hundred-year flood. One state over, in Texas, they had a thousand-year flood—Harvey. All of a sudden, you’re, like, I’m in my forties. Something’s wrong with the statistics.”

If Louisianans were beginning to see why there was always so much water everywhere, then Graves had done his part to coax that understanding along. Having spent his twenties as a staffer in Washington, he moved back to his home town of Baton Rouge in the months after Hurricane Katrina, to help work on the disaster’s aftermath for Governor Bobby Jindal. By 2008, Jindal had appointed Graves to lead the new Coastal Protection and Restoration Authority, whose mandate was to coördinate the environmental response to coastal erosion. In Louisiana, where a football field of land is lost to the sea every ninety minutes, the scale of that work is heroic. At the Center for River Studies, a state-funded research and public-education initiative in Baton Rouge, Graves showed me a wall-size map of Louisiana, with the many spots where land was being lost glowing red and the few where it was being replenished lit up in green. Graves pointed out the barrier islands he had helped to rebuild, the few places where engineers had helped resist a saltwater intrusion. Such projects cost hundreds of millions of dollars, required incredible ingenuity, and succeeded only in keeping tiny dots on the map from turning red.

It had taken a while after Katrina, as Graves explained over breakfast, for him to realize the extent of the permanent changes to Louisiana’s coast, but, in 2011, when he and his staff were revising the state’s coastal master plan, he started to see it clearly. One partial tally of projects reached two hundred and fifty billion dollars. “We were never going to get two hundred and fifty billion dollars,” Graves said. The agency changed its approach. The coastal master plan eventually included a line that ran across Louisiana, indicating which communities would be protected from the rising seas. North of the line was safe. South of it, Graves recalled, “We said, ‘Look, we don’t have the resources or the technical expertise to protect you.’ It was the first time we had told them the truth.” The reaction, in the small, conservative communities along the coast, was often furious. Graves said he got death threats. He and his staff held town halls on the coast, where, he recalled, “We would explain to people, ‘You don’t deserve this. This is unjust. But this is how we got here.’ ”

Those conversations seemed to have imprinted on Graves a certain caginess in how to talk about environmental change. “People are awakening,” he said, but the awakening was slow and partial enough that a certain care needed to be taken. “Raise the words ‘climate change’ or ‘global warming,’ and everyone goes to their corners.” Sounding a little exercised, Graves added, “I mean, the phrase ‘climate change,’ what does that even mean?” When Graves launched his first campaign for Congress, in 2014, he criticized a more conservative challenger who called climate change a hoax, but he also ran in part on funds from the oil-and-gas industry, whom he supported in what might have been a damaging coastal-erosion lawsuit, brought by a local flood board. “In my first campaign, the Environmental Defense Fund [PAC] maxed out their contributions to support us,” Graves told me. He was smiling, enjoying the irony. “So did the Koch brothers.”

Graves’s plans for bipartisan compromise do not include a carbon tax, which most environmental economists consider essential to staving off the worst possible futures. I asked him where he saw common ground with Democrats, beyond spending on adaptation and resilience. “Step two is emissions reductions,” Graves said. “We’ve got to reduce our emissions in the United States. So we need to be moving toward renewables, updating our grid system, investing in energy-storage technologies, and figuring out how we can do a better job providing energy-storage solutions. If you’re a liberal, that’s my pitch to you.” Graves said that he supported President Trump’s decision to withdraw the United States from the Paris accords, because the agreement gave China, classified as a developing country, more lenient targets for emissions reductions. But he thought America might just innovate its way to those same reductions. “I think we can actually hit Paris targets without doing damage to the American economy—I really do.”

What he planned to do with his new public role on the Climate Crisis Committee, he said, was to talk about climate change in other terms—more local and less threatening. To a liberal, he might talk about the need to invest in renewable energy or alter emissions standards, he said, but to a Tea Party conservative he’d take a different tack. “Hey, I have an idea that can lower your electricity bills. Or, I have an idea that can complement what you and President Trump have done, to improve the competitiveness of the U.S. economy,” Graves said. “I’m talking about the same thing in that liberal conversation and that conservative conversation. But it’s approaching it differently and meeting people where they are.”

As we spoke, Graves kept dropping hints that, though he was a conservative politician from a conservative place, he saw the world from other angles. When we met in Baton Rouge, he was riding a funny little bespoke electric motorbike that looked like the kind of thing you’d find charging in the parking lot of the Ben & Jerry’s corporate headquarters. He mentioned that he had led white-water rafting tours in West Virginia, while working in Washington as a Senate aide, and that he had met his wife, a longtime science teacher, “who is, candidly, to my left,” while they were both teaching a mountaineering course in California. He was a vegan for a while, and is now a pescatarian, because he doesn’t want to miss out on Louisiana seafood.

Graves recalled, slightly bashfully, that he had introduced an amendment to have Cajuns declared an endangered species. The tone was tongue-in-cheek—“If being an endangered species means the federal government works with you instead of against you, then let’s do it,” he said—and he pulled the amendment almost immediately. “You know, James Carville says it’s a war,” Graves told me. “He makes a really good point. He says,”—here Graves did a respectably fervid impression of the Cajun pundit—“ ‘Look, man, your land’s being taken. Your future’s being threatened. It’s a war, man. It’s a war.’ ” At this, Graves grew slightly self-conscious. Carville is a Democrat, and the riff about war suggested a desperate view of the climate situation that Graves did not share—publicly, at least. He seemed unsure whether or not to distance himself from Carville. In the end, Graves just said, “He’s so funny.”

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In recent years, the rhetoric around climate change has grown more radical and more urgent. The latest reports of the U.N.’s Intergovernmental Panel on Climate Change have imagined bleaker futures; scientists have grown more outspoken; youth movements have blossomed, here and in Europe, devoted to the declaration of a climate emergency; and Democrats have mostly endorsed the idea that the planet is confronting an existential crisis. In this context, a stance like Graves’s can seem at once tragically shortsighted and, against the backdrop of his party, heroic. “Republicans have gone in three years from ‘I’m not a scientist’ to ‘We need innovation. We need adaptation,’ ” Joseph Majkut, who directs the climate-policy program at the Niskanen Center, a moderate think tank, said. “It’s a pretty profound top-level rhetorical shift.”

Some climate activists whom I spoke with suggested that adaptation and mitigation could serve as a “gateway drug” for the Republican Party, but it seemed to me that Graves was clear about how far he and his voters could go. Graves has worked with Jared Huffman, a Democrat from Northern California, on fisheries legislation. I asked Huffman, who chairs the Water, Oceans, and Wildlife Subcommittee, whether he thought that bipartisan progress on climate legislation with Republicans like Graves was realistic. Graves seemed enthusiastic, I said, about making major investments in renewable-energy sources like wind and solar. “In theory,” Huffman said. But Republicans were still boxed in by their alignment with the oil-and-gas industry. “I think, for Garret to get out of that box, he’s got to reimagine what the Louisiana economy is.”

This isn’t climate denial so much as resignation. “There’s a huge danger that we pitch from denial to complete despair where the only option becomes adaptation,” Huffman said. He pondered the implications for a second. “It’s like hospice for the planet.”

The weather meant that Graves and I could not go up in an airplane to view the Louisiana coast, as planned—our efforts to see the effects of climate change rendered impossible because of climate change, on some level—so Graves decided that we should drive toward the coast, to catch a few glimpses of the storm. It was all easy enough to see. Parking lots were swamped. Trees stuck out of what looked like lakes. The Mississippi—formally in flood stage since January, the longest such stretch since 1927—bobbed up to the lip of the levee. Graves pointed out all the trees that were being killed by saltwater, intruding where freshwater had once been. “It’s crazy that the river is so high,” Graves said. “We’re going to go up on the levee, and the comparison of the height of the water relative to where River Road is—‘scary’ may come to mind.”

On the way down the Mississippi, we could see the infrastructure of that economy—bulbous, white, featureless refineries and plants. Graves pointed out that the international politics of climate change mirrored the domestic: the places with abundant energy resources were slow-walking action, while those without were urging for the action to be sped up. “You’ve got to look at your strengths and weaknesses, and you know what we’ve got a lot of? Oil and gas,” Graves said. “You think all you see are the smokestacks—you think that’s a polluter. But these are the ones that are manufacturing the lighter materials that allow cars to get more miles per gallon in a safer manner. These are the ones that are innovating lower emissions.” Graves pointed to Valero, which has a refinery on the Mississippi. (Like other producers, it invests in alternative fuels, while remaining a national leader in carbon emissions.) The United States, Graves said, was spending more money on climate-change research than any country in the world, and liberals were sure that those innovators were the villains. He gestured again at the smokestacks. “People are thinking they’re the bad folks, but they’re not.”

We got out of the car on the west bank of the Mississippi, just a few miles upriver from the New Orleans airport. Graves wanted to show me a diversion basin called Davis Pond, which had been built so that, when the gate opened, the river and its voluminous sediment, which was otherwise bound for the deep ocean of the Gulf, emptied into the marshes, replenishing the freshwater ecosystem and the land lost, in part, to rising seas. “There is so much huge land-making capacity in this that is being wasted,” Graves said. A dozen alligators were idling by the gate, waiting for it to open and for fish to come flooding through from the Mississippi. Graves pointed at them and grinned. “Healthy freshwater ecosystem!” he said. He started to throw pieces of bread near the biggest alligator. “You can look at it two different ways,” he said. “I actually don’t think that it’s all that our ideology is wrong, and I don’t think it’s all that people are being miseducated. I think it’s a combination of the two.”

Graves’s position depends on his ability to persuade people in both parties of two ideas that are generally thought to be contradictory: that the environment urgently needs to be saved, and that the fossil-fuel industry can ultimately be a hero of our climate story, rather than the villain. So he talks in a liberal way about ends and a conservative way about means, making it seem that he wants to change the world by allowing it to stay exactly as it is. The more idealistic he is about both causes, the more credible, and therefore the more useful, he is. Once we had walked back down the levee, I asked Graves why he didn’t seem spooked by the increasingly catastrophic predictions of the U.N.’s climate panel, the I.P.C.C. “Those predictions are accurate based on our understanding of science, with all its caveats and brackets—if our technology remains static,” Graves said. With great confidence, he added, “And there’s zero-per-cent chance that happens.”

Meet the kettle inspired by haute couture

July 25, 2019 | News | No Comments

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24th Jul 2019

Italian design house Alessi is renowned for bringing its sophisticated creative nous to ordinary objects in daily use. What it’s already done for the juicer, the bottle opener and the eggcup, it’s about to do for the electric kettle with the arrival of the Plissé Electric Kettle into Australia.

Available in classic shades of black and white, the functional elements of the Plissé are simple: it boils water, sits on a discreet hidden base, features thermal insulation (so you can place it on a bench straight after boiling), and is equipped with an anti-limescale filter. Where it most excels though, is in its design.

Made from sculptural thermoplastic resin the Plissé Electric Kettle takes its inspiration from fashion. Delicate pleats have long been a signature of fashion designers. Japanese maestro Issey Miyake began experimenting with pleating in the 1980s. For the autumn/winter 2019 season, pleated skirts once again fluttered down runways across the globe — glistening and metallic at Alberta Ferretti and Emilio Pucci, and in leather and sheer silk at Fendi. Pleats move with a fluid femininity, and the crisp lines articulate a refined strength. It’s a paradox that translates beautifully to the everyday object designed to transcend seasonal trends.

“With the skillful and creative use of pleating, fashion designers shape fabrics and create clothes like sculptural works of art,” says Plissé designer Michele De Lucchi. “The Plissé was shaped starting from a folded sheet of paper, then developed and produced by Alessi as if it were a beautiful sartorial object. The folds give form to the shape — they structure it — because a form without folds is only a volume without form. The folds transform simple two-dimensional sheets into three-dimensional objects.”

De Lucchi is an architect and designer who has been creating magic for Alessi since 2014. For the last five years he has been responsible for neo-classic hits like the Pulcina espresso coffee maker and the Raggiante wall clock. In Plissé, you can’t help but see his powerful architectural vision and personal passion for sculpture. His respect for artisanal skills is clear too. “The Plissé kettle’s shape is defined by its folds, a technique that is quite old but still very much in use today,” he says. 

As with all Alessi designs, the Plissé Electric Kettle is too special to store away behind cupboard doors. The sculptural folds add a subtle sophistication, a softness and a feminine curve to kitchens of all kinds.

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24th Jul 2019

Even if you’re one of the few who don’t know the name, you would have seen Hollywood celebrity hairstylist, beauty entrepreneur and soon-to-be author, Jen Atkin’s, stellar work at some point when scrolling through your Instagram feed. Atkin is one of the most in-demand, multi-talented stylists working today and has the type of successful career any stylist or beauty entrepreneur would dream of.

Not only does she jet around the world for fashion shoots (including to Sydney with Kendall Jenner for Vogue’s June 2019 cover) and tend to the tresses of some of Hollywood’s biggest names and most famous families — specifically the Kardashian/Jenners — she also has a haircare brand, Ouai, pronounced “way” (“In French, you’d say, ‘oui’ if you were being proper, but like, the cool kids in Paris would say, ‘way’,” Atkin told Vogue), is the ambassador for silk brand, Slip, and is currently writing a “big sister” business advice book. A book which is set to be a must-read for any budding stylists and beauty entrepreneurs out there.

On a recent visit to Sydney as part of her ambassadorship for Slip, among other responsibilities, Atkin shared with Vogue what it really takes to build a brand, the career advice she ignored and the down-to-earth ethos she believes is the secret to her success.

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You have made your success look effortless, is that the case?
“I really just want to paint a clear picture and what it means to really like build yourself as a brand. I think it’s important for people out there, who are like, ‘Oh, it’s easy, you just put everything on Instagram. And then it’s [success] done.’ It’s so much work. It’s so difficult. It’s almost harder now, because the world is just moving so fast. It’s moving as quickly as we scroll in Instagram.

But I also want to paint a picture that’s realistic too, because there’s days where it’s really hard and I sacrificed a lot. I think it’s important to kind of paint that full picture of what it is like.”

What qualities do you think have been instrumental in your success as a celebrity stylist?
“I think it just comes down to being nurturing. I think as a woman it was a little intimidating when I started out, because there were no female hairstylists really to look up to.

It’s different here in Australia. You have Renya [Xydis], you guys have female hairdressers, but back in 2006 when if first started it was just Sally Hershberger. So, that was a little discouraging to me, but I also realised that from a woman’s perspective, I knew on an emotional basis, that like, yes, these are celebrities, but they also are women that are working really hard and they have the same struggles that we do. And, I think, I’ve never lost the sense that I’m in a service industry and in there to take care of them.

And, it’s not really about me, when I’m with my clients. That’s something that’s really important, to just know that if you want to be in the service industry, don’t forget that you’re in the service industry. With Instagram, I think, people tend to like, you know, get a little caught up and forget that.”

What is the best and worst career advice you’ve received?
“The worst career advice I’ve ever was given, was by my old agent who said not to work with the Kardashians. And then the best advice I’ve ever gotten is by Serge Normant, the hairstylist. He actually wrote this in a magazine and I remember putting it in my locker at the salon. It said, ‘Don’t be jealous of your peers, be inspired by them.’

And that was pre-Instagram, so it was before the movement of just like, everyone supporting each other. It was very forward thinking of him.”

You’ve been working with the Kardashians for nearly a decade now and they all achieved phenomenal success, what has it been like being around that?
“Honestly, Kylie Skin’s moisturizer, I was so shocked. I tried it on camera actually for a YouTube episode I was doing, and my reaction was… I just couldn’t believe… the formula feels so thick, like La Mer. It’s so nice. She works so hard. She’s amazing. That whole family, I just think, they’re so hard working.

So many of my friends are doing such incredible products and, coming out with so many amazing brands and it’s just a really, it’s really fun. It’s like a revolution happening. We call it the democratising of beauty and I think it’s definitely happening.”