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Before heading off for a break at his Trump-branded golf course in Ireland, President Trump this week attacked the mayor of London as a “stone cold loser,” called an American-born British princess “nasty” and then denied he said it, bragged about nonexistent large crowds of admirers greeting him and blamed the “totally Corrupt Media” when he was called on it, labelled the actress Bette Midler a “washed up psycho,” and pushed a trade war with Mexico opposed by both political parties in the U.S. All this, of course, was in between a lavish state visit with the British Royal Family and somber commemoration ceremonies, on both sides of the English Channel, to mark the seventy-fifth anniversary of D Day.

At any other moment in American history, this exhausting drama would have seemed unthinkable, nutty, and deeply mortifying for a country that still counts itself a global superpower. In the future, it may very well seem so again. But, for now, this is what counts as a good week in the Trump Presidency. Trump himself certainly appeared to think so, and no wonder: the celebrity-obsessed leader was visibly delighted at his grand Buckingham Palace reception from the Queen and seemed appropriately awed by the sacrifices of the American soldiers who hit the beaches, two years before he was born, to begin the liberation of Europe. In his speech Thursday, at what he called “freedom’s altar,” in Normandy, Trump offered well-received platitudes about the fighters who “ran through the fires of hell” to storm the French coast. MSNBC’s Joe Scarborough called it “the strongest speech of his Presidency.” CNN’s Jim Acosta called it “the most on-message moment of Donald Trump’s Presidency.” “Hell freezes over,” the pro-Trump Fox News said in a story recounting their praise.

Hell, however, has not actually frozen over. Trump has neither suddenly turned into a statesman nor embraced the lost political art of message discipline. He is the same petty name-caller and truth-denying conspiracy theorist. Minutes before Trump delivered his solemn speech, with the crowd of nonagenarian veterans already in their seats, he taped an interview with the Fox host Laura Ingraham on the hallowed ground of the American cemetery. With rows of white headstones of the D Day fallen visible in the background, the President called the special counsel Robert Mueller a “fool,” and the Speaker of the House, Nancy Pelosi, a “disaster.” He was typically garbled and incoherent (claiming, for example, that Mueller had to “straighten out his testimony because his testimony was wrong,” though Mueller, in fact, has never given any testimony, never mind taken it back). He was blustery. He was defiant. “Nervous Nancy” Pelosi can “do what she wants,” Trump said, when asked about Mueller testifying before Congress. “You know what? I think they’re in big trouble.” In short, he was Trump.

When the excerpts from his interview with Ingraham were released later on Thursday, the inflammatory quotes from the President underscored how unusual the Normandy speech was. Trump had seemed oddly un-Trump-like as he praised D Day veterans and recounted stories of their heroism. It just didn’t sound like him, and the reason is that he so rarely praises others or even speaks much about anyone other than himself. The speech had none of his usual braggadocio. It was perhaps the only major Trump address since he has entered public life without a single use of the President’s favorite word: “I,” to refer to himself.

Trump’s ability to dominate is one of his signature attributes as a politician. He dominates news headlines. He creates controversies and manufactures fights—anything to stay in the center of attention. Nowhere has he dominated more thoroughly and perhaps more surprisingly than with the Republican elected officials on Capitol Hill, who largely opposed Trump’s candidacy in 2016 and have been trying to make it up to him ever since.

Even while he was in Europe this week, gushing about the “fantastic” royal family and the “tremendous crowds of well-wishers,” Trump was pushing his fellow-Republicans to agree to a course that virtually none of them supports as a matter of policy or principle. Trump is threatening to impose a series of punitive tariffs on Mexico unless it does the impossible and somehow halts the escalating flow of drugs and migrants across the border. Trump announced his tariff threat in a tweet a few days before heading to Europe, leaving Vice-President Mike Pence and various advisers behind in Washington to deal with the fallout. High-level Mexican officials rushed to the U.S. capital to try to negotiate a way out before Trump’s self-imposed Monday deadline, while a larger-than-usual group of Republican senators tried, sounding almost desperate at times, to signal their opposition to the tariffs without enraging the President. Words like “revolt” and “rebellion” were thrown around in the coverage.

But Trump, thousands of miles away, didn’t mind. In fact, he seemed delighted by the fuss his tariff plan had kicked up. “Tariffs are a beautiful thing,” he told Ingraham in that same Fox News interview, at the American cemetery in Normandy. “It’s a beautiful word if you know how to use them properly.” And no, he said, he wasn’t really worried about his party either. “Republicans should love what I’m doing,” he told her, while admitting that even he wasn’t sure where this is all going to lead.

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There are plenty of reasons that Trump need not be overly concerned about a rebellion by his fellow Party members, even as the Mexican negotiators appear to have proposed a deal for sending six thousand troops to their own border, and other new measures that may or may not assuage the President in advance of the Monday deadline. Congress has the power to stop the move with legislation, and, on paper, there ought to be a veto-proof number of votes in both houses to do so. But skeptics—and there are plenty of them—are not at all convinced that the Trump-manufactured Mexico fight will result in the “apocalyptic shoot-out-at-high-noon sort of confrontation,” as the Republican strategist Michael Steel called it, between the President and Hill Republicans. “There are too many off ramps and too little upside,” Steel pointed out to me, which means that, even if no one, including Trump, knows exactly what will happen, some sort of compromise that buys time is likely.

For Trump, the outcome could be the sort of easy political win that he’s become accustomed to on a variety of fronts, whether it’s pushing European nations to contribute more to NATO’s defense or bargaining with Congress. The play is familiar because he’s run it so many times: make threats, secure concessions (whether real or not), declare victory, and do it all over again. At the least, he’ll have distracted from the growing debate over the Mueller report and whether he should be impeached for having obstructed justice. He’ll have changed the conversation back to his two favorite subjects: trade and immigration (even better, he’ll have merged his two favorite subjects into one). And, very likely, he’ll have proven, once again, that, when it comes to a conflict between their principles and their President, Republicans on Capitol Hill will almost always choose their President.

In that regard, I found interviews in the Miami Herald with Florida’s two senators, both Republicans and both ostensibly staunch proponents of free trade, particularly instructive about the political domination Trump has, for now, over his party. “Everything has been tried, every carrot available has been tried,” Marco Rubio, the senator who ran against Trump in 2016 as a fervent free-trader, and who first became nationally famous for trying to negotiate a bipartisan agreement on immigration reform during the Obama Administration, told the Herald. “I’m not a tariff fan in terms of a normal course of policy but I know of no other method to get [Mexico’s] attention.” Florida’s other senator, the newly elected former governor Rick Scott, offered a similar rationale. “I don’t like tariffs but I’m going to support the president because I believe Mexico could be a better partner,” Scott told the newspaper. “They need to figure out how to reduce the number of people who are being apprehended at the border.”

In other words, they are against tariffs—except when Trump imposes them. Which strikes me as a perfect rationale for this political moment. They are also presumably against stonewalling investigators, refusing to comply with congressional subpoenas, shutting down the government, running up the national debt, labelling close American allies national-security threats, and praising dictators—except when Trump does it. So far, this has been the story of the Republican Senate in the Trump era and, indeed, of the national G.O.P. At a time when no one is really sure anymore just what constitutes Republican ideology, you could do worse than to call it the Except-When-Trump-Does-It Party.

For Republicans, Trump now trumps all. Even D Day, said the Party’s national chairwoman, Ronna McDaniel, should be an occasion to praise and acclaim the President. Appearing on Fox Business, McDaniel said Wednesday that the commemorations in Europe were a “time where we should be celebrating our President” and avoiding all the usual “negativity.” McDaniel is such a Trump loyalist that she even recently stopped using her maiden name, “Romney,” because it might remind Trump of her uncle, the 2012 Republican nominee, Mitt Romney, who had been one of Trump’s fiercest critics. As for Romney, he is now a newly elected senator from Utah with a restrained view of what constitutes Presidential criticism. Asked about the Mexico tariffs this week, he told reporters that he would prefer that Trump not impose them on a “friend.” The previously outspoken opponent of tariffs didn’t, however, even commit to voting against them. If this is the rebellion, no wonder Trump seems so confident.

The armies of America continue to pour into Europe, June after June—armies of tourists, that is. Europe is the most visited region in the world, and the American presence there remains overwhelming, at least in numbers, which continue to go up. Many Old World places—Venice, most painfully—have been largely despoiled by this mass tourism, no longer American alone but for so long American-led. The paradox is that a good impulse—the desire to see a famous place—can lead to a bad result: a famous place becomes largely emptied of everyone except the people who come to see it. The collision of an obscenely overlarge cruise ship with a tourist boat at a Venetian pier this week was a wildly vivid symbol of this overstuffed and perhaps unsustainable order.

It’s not just Americans who are arriving—Germans lead the march into Italy, as they have done since Goethe’s time—but Americans stand out because we have so much farther to go to get there. Language is an unstoppable flood, too, and, just as the Gospels were written in Greek because Hellenistic literature was the dominant force in the ancient world, so American English has become, to a degree that was not true even forty years ago, the Continent’s lingua franca, to use that term ironically. All this is, in a sense, the inevitable consequence of the great armed Allied invasion that occurred seventy-five years ago this week. D Day began the liberation of Europe from Nazi control. It also, as a result, opened up Europe for the first time to Americans beyond the ranks of Jamesian travellers and Hemingwayesque expatriates. Americans, for the most part, were kept down on the farm after seeing Paris during the First World War. But the end of the Second World War led Americans to Europe on a scale never before seen.

This was fitting, in a way: military invasions open a path for invasions of other kinds. Greek civilization went east in the wake of Alexander the Great’s conquests, and the American kind did in the wake of the Allied liberation of the Continent. Now, though, looking around Europe, one might almost propose to alter Harold Macmillan’s famous wartime statement that England would play Athens to America’s Rome, meaning that the Old Country would spread liberal culture and learning to support the younger country’s liberal arms. Now it is more as if America itself plays Athens to America’s Rome: our soft power and cultural reach remain in place—the music the street musicians play outside the Pantheon, in Rome, are the themes from “Twilight” and “Titanic”—even if so much of our harder power seems in relative decline.

Judging from headlines and conversations, that’s how Europeans see it. The grotesque spectacle of Donald Trump in London this week seems, far from disquieting the Europeans, to have left them largely indifferent; they’ve mostly accepted the absence of an American model. Besides, every country on the Continent is suffering its own crisis in which some form of irrational nationalism, at war with the liberal cosmopolitan experiment, has taken hold. The experiment is failing. Even in solidly republican France, President Emmanuel Macron is battling the far-right movement of Marine Le Pen—a less vulgar Le Pen than her father, but still a Le Pen. In Britain, the madness of Brexit continues long after its folly has been made plain, while in Italy and Greece bizarre populist coalitions continue in place—though the recent elections for the European Parliament, however narrowly symbolic they are in terms of the actual power they carry within each nation, augur a return of saner politicians to power.

Nevertheless, Trump’s assault not on the mere norms but on the very principles and practices of liberal democracy remains frightening, the only thing more alarming being the ease with which his actions have been normalized and treated as eccentricities rather than the affronts to liberal democratic values that, for all their seeming triviality, they are. Principles are built out of many bricks; even the loss of one weakens the whole. The reason no leader of a democratic country in modern times has previously engaged in raging at, say, a “washed up psycho” during a state visit is not because they all followed country-club norms of good behavior but because they understood that power carries with it. That is why in Portsmouth, on Wednesday, when participating in the ritual salutes to D Day, attended by a small remnant of the event’s survivors, Trump seemed reduced to a parody of a democratic leader, as he stiffly read from Franklin Delano Roosevelt’s D Day prayer. The gaffes, or stolen bricks, included insults to various British leaders (and a royal), false statements about trade, Brexit, and Ireland, and then all that time spent insulting Bette Midler, who had misattributed a quote to him. The buffoonery even extended to the ill-fitting white-tie suit he donned for the state banquet, which made him look like a waiter in a silent comedy. Should one criticize a man for badly fitting clothes? Perhaps not, but to be that indifferent to how we look is to be unaware of how others see us.

Those of us who retain an inalterable appetite for books about the seventy-five-year-old date, and the military history relating to it—there’s a fine recent one by Antony Beevor, to supplement his earlier work, as well as histories by John Keegan and Cornelius Ryan, whose “The Longest Day” has been republished by the Library of America—read those accounts with a note of nostalgia as much as enlightenment. We may still be absorbed in the details of the battle: Was the American near-disaster on Omaha Beach a consequence of bad luck, and its ultimate outcome one of sheer bravery? Or was the easier landing of the Canadian and British forces on other beaches due to their readiness to rely on Hobart’s Funnies, the specially designed floatable tanks whose development Churchill had encouraged and the Americans had disdained? Could the subsequent battle in Normandy have been more efficiently fought? How much did the rivalry among the Allied leaders—Field Marshal Montgomery, Generals Omar Bradley and George Patton, and the rest—warp the progress of the battle? And was General de Gaulle’s insistence on claiming a French share of the fight, despite the absence of French troops, a mad act of vanity or a sage realization of the necessity of keeping a battle fought in France at least symbolically French?

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Yet all of these questions seem, increasingly, merely nostalgic, nugatory, in the face of the dissolution of the common solidarity of principles that once made the liberation happen. Trump’s contempt for the principles that led to the war on Hitler is manifest every day, and the speech that he read in Normandy, on Thursday morning, despite the seemingly conciliatory rhetoric it employed, was thus an exercise in transparent insincerity. The alacrity of those who, desperate for a sign of decency, maintain that these words were significant, is in itself depressing.

The invasion, as historians recall, worked because, at that moment, there was a genuine impulse, however scarred by national rivalries, to intervene on behalf of humanity against bestiality. Eisenhower talked of a crusade in Europe, and, though the end results, with Stalin’s armies entrenched in Eastern Europe and America soon enlisting the help of Nazi scientists to keep the U.S. in military parity with him, were more painful and ambivalent than one might have wanted, still, the crusade took place. The important distinctions that reigned then reign now. “America First” was a slogan then, as now, but in 1940, the crucial year of choosing, as well as in 1944, the crucial choosing year of fighting, isolationism in the face of authoritarianism lost out.

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Why does the Atlantic alliance now seem on the brink of coming apart? The pains of Europe now are not strictly economic—as many have argued recently, the actual economic picture in the member countries of the Organization for Economic Coöperation and Development is generally robust. But the puzzle shouldn’t really be a puzzle. The struggle between open and closed visions of society is not a narrow historical one but a permanent and—there’s no other word for it—spiritual one, with the desire to retreat into a shell in constant battle (no other word for that, either) with the understanding that others have their stories, and that only a common effort bridging nations can help humanity survive tyranny.

Once everything else is boiled off—American national ambitions, Canadian ambivalence about its colonial role, British desires to maintain empire, the French need for self-absolution through symbolism—the basic, deep underlying urge of seventy-five years ago was sound: to remake a continent that has catastrophically lost its way in the image of something better, even at the cost of immense sacrifice. Behind the common action that fateful morning were common principles. We can still name some: a subordination of military to civilian rule, with an efficient, not a fetishized, military the ideal; a belief in educated, democratic armies, and with that a sense that actions have to be articulated and never seem arbitrary. (Eisenhower’s order of the day to the “sailors, soldiers, and airmen” going into battle is still worth reading for its clarity of aim: “The elimination of Nazi tyranny over the oppressed peoples of Europe.”) Also, a readiness of those in power to take responsibility for their actions. (Eisenhower’s other statement, written in case of the invasion’s failure, is worth reading, too: “If any blame or fault attaches to the attempt it is mine alone.”) Common action rooted in a common hatred of arbitrary power worked then. Could it still?

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Other journalists had searched for her already, but I’d looked harder. I’d called people in her home town and at the local high schools, public and private. I’d consulted the yearbooks of the colleges she’d supposedly attended, and their alumni offices. I’d canvassed aging former volunteers for the Presidential campaign of Senator Eugene McCarthy, for whom she was volunteering that night, fifty-one years ago, when she challenged Robert F. Kennedy in a sleepy airport diner in Indianapolis.

From their two-hour conversation, an eighteen-year-old undergraduate named Pat Sylvester came to embody, for Bobby Kennedy, a whole generation of idealistic young Americans, the ones who, he hoped, would help make him President. And, ever since, people have tried tracking her down. But, as my own quest to find her fizzled, I came to doubt that she’d ever actually existed. Then, suddenly, not long ago, she materialized.

It began in the wee hours of May 8, 1968. Kennedy, then a junior senator from New York, had just survived a crucial challenge to his fledging, fragile candidacy, beating back a determined McCarthy, along with Indiana’s governor, who was a stand-in for Vice-President Hubert Humphrey, in the Indiana Presidential primary. Now he could go on to fight in Oregon and California.

But, amid all the excitement that evening, Kennedy had forgotten to eat, and finding food at that hour wasn’t easy. “The only place in Indianapolis where you can get even a glass of water after 1 a.m. is the airport,” the New York Post writer Jimmy Breslin, who was there covering the campaign, groused. So out to the airport they all went: the candidate, a few aides, and some intrepid reporters who’d learned in Dallas never to leave a Kennedy unattended.

That’s where they found Sylvester, a student at the University of Massachusetts, Breslin later wrote. With her was a second McCarthy volunteer, whom she’d met just minutes earlier, a twenty-one-year-old senior at the University of North Carolina named Taylor Branch. Years later, he’d win a Pulitzer Prize for the first of three books he wrote on Dr. Martin Luther King, Jr.

Sylvester was wearing a straw hat with a McCarthy ribbon wrapped around it, and Branch sported two McCarthy pins on his tan jacket. They’d missed their respective flights out that night, to Providence by way of Pittsburgh for her, to Atlanta for him. Both sat, exhausted and dejected, by their suitcases.

Kennedy had won the primary that night, but something still gnawed at him: he considered McCarthy’s volunteers superior to his own. Just the night before, at a local restaurant called Sam’s Attic, when someone had told Kennedy that McCarthy’s kids were “brighter, more radical, more committed” than his, Kennedy had shaken “his drooping head affirmatively,” according to Jack Newfield, of the Village Voice. “I wish I had some of them,” Kennedy lamented.

Mary McGrory, of the Washington Star, who had studied the Kennedys for twenty years, spotted that same envy. “He does not need them, but he wants them,” she wrote. “They would bring luster and spontaneity to what is a dazzling but mechanical effort.” But those very kids hated him, Kennedy knew. They considered him a coward for equivocating on Vietnam and an opportunist both for bigfooting their candidate and for jumping into the race belatedly.

Now, making his way through the empty terminal, Kennedy spotted Sylvester and Branch, walked over to them, smiling, and invited them to join him for a bite to eat. “All right,” Sylvester replied, before trying to place her McCarthy hat on Kennedy’s head. They seated themselves in a booth across from Kennedy, while a knot of reporters hovered nearby. Kennedy was smaller than Branch had imagined, but something else about him made a bigger impression: his intense blue eyes.

Then, for the next couple of hours, Kennedy probed and proselytized, trying to understand why the two preferred McCarthy to him and seeing if he could change their minds. Breslin got at least some of it down and, alone among the reporters, wrote it up. The others were, as reporters like to say, just “gathering string.”

Though Bobby Kennedy was one of the most famous men in the world, Sylvester wasn’t cowed. Instead, she let him have it, criticizing his inconsistent stance on Vietnam, lambasting his ineffectual campaign workers, and complaining about the unfair advantage Kennedy enjoyed simply by dint of his famous name. When Kennedy asked the two what they now planned to do following their candidate’s setback in this most recent primary, she didn’t mince words. “We’re going to stay,” she answered. “Most of them will. The ones who like McCarthy don’t want you.”

The more Kennedy pressed, depicting McCarthy as a racially insensitive dilettante who didn’t really want to be President, a man who was taking advantage of his volunteers, the more Sylvester and Branch dug in. And the deeper they dug in, the more Kennedy admired, and coveted, them. “I remember him complaining that McCarthy got the A students and he got the gentlemen’s-C frat boys,” Branch told me. Meanwhile, according to Breslin, two female Kennedy campaign workers sitting at the table squirmed. “What I wouldn’t give for that girl,” one told the other.

“He had won in Indiana, but he couldn’t win over those kids, and they really got to him,” a key Kennedy aide, Fred Dutton, later recalled. “For days afterward, he talked about that boy and girl in the airport coffee shop—how great they were, in their idealism and determination.” Kennedy never forgot the pair; it’s pretty fair to say, though, that that understates the impact they’d had on him, for he was to live only four more weeks.

For Branch, too, Sylvester was a revelation. The undergraduate school in Chapel Hill was still nearly all male; there, and in his native Atlanta, he’d met few young women like her, so audacious and politically engaged. “We communed,” he recalled. He told her so, and it stuck with her. “He said that he was surprised to be able to communicate so well with a girl,” Sylvester wrote to a friend, shortly afterward.

Breslin’s account ends on a happy note, with Branch and Sylvester leaving the airport with Kennedy after he offered to get hotel rooms for them. To Breslin’s eye, Kennedy’s wooing was working; it marked his second triumph of the evening. “It was, last night in Indianapolis, a very good night for Robert Kennedy,” he wrote.

In fact, the two had spurned Kennedy’s offer—“we said we’d be fine,” she later wrote—and opted to spend what was left of the night in the deserted terminal. But, rather than trying to catch some sleep, they decided to write Kennedy a letter. Taking turns on a yellow legal pad, they worked on it until dawn, composing what Branch called “a frenzied, sleepy-eyed rehashing” of their discussion, letting him know that, while he hadn’t won them over, he’d impressed them anyway.

As day broke, they walked to a nearby motel where they thought Kennedy was staying and slipped their manifesto—“a treatise, really,” Branch said—under what they believed to be his door. “For all I know, they gave us the wrong room number, or they threw it in the trash,” Branch recalled. Then the two separated, without exchanging phone numbers. After all, Branch had other things on his mind; his draft physical was coming up, he was graduating soon, and getting married after that.

According to Leon Fink, her boyfriend at the time and now a retired history professor from the University of Illinois, Sylvester was “bemused” by Breslin’s article, which appeared the next day. (It was only from reading it that Sylvester’s politically conservative parents, from whom she was largely estranged, learned that Pat had even been in Indiana.) And, for the next half century, Breslin’s account of that evening, and of Pat Sylvester, was all that history had.

But Branch didn’t forget her, and at one point he tried tracking her down—to learn, as he put it, how their shared experience “had settled” with her afterward. He would ask after her whenever he ran into former McCarthy volunteers or women who had gone to Pembroke, a women’s college, later swallowed up by Brown, to which he believed she’d gone. He reached out to Brown as well. No one knew anything. And, unsure whether he and Breslin even had her name right, he’d simply given up.

Tom Shea, a journalist with the Springfield Republican, also looked for her. He had learned of Sylvester in 1973, from reading a biography of Kennedy by Jack Newfield, a Village Voice reporter. He met Newfield sixteen years later and asked him about her. Every year on the anniversary of R.F.K.’s assassination—this Thursday is the fifty-first—Shea wrote a column about Bobby Kennedy, and he had devoted the 2011 edition to her. It marked one last attempt of his to find her—“a message in a bottle,” he said.

A few years ago, determined to track her down for a biography he was writing of Kennedy, Larry Tye turned to Accurint, a search engine connected, it boasts, to more than sixty-five billion public records. No dice. I searched twice, in 2017 and last year, while researching and then publicizing a book I wrote on Kennedy and King. I, too, had grown curious about Pat Sylvester. Who was she? What brought her to Indianapolis that night? And what had become of her since? How well had her idealism served her? Or, more likely, what had been the depth of her disappointment?

I contacted various Sylvesters in Milton, Massachusetts—her home town, Breslin had written. And Milton High School. And Milton Academy. And the University of Massachusetts. And Brown, which was more than ready for me. “We have received this same request a number of times in the past year, so I know the back story and we have an answer already on hand,” Brian Clark, the school’s director of news and editorial development, wrote back. And veterans of the McCarthy campaign in Massachusetts, New Hampshire, Indiana, and Washington, D.C., all the way up to Sam Brown, McCarthy’s youth coördinator. And the curator of the Eugene McCarthy papers, at the University of Minnesota, who scoured the roster of campaign volunteers for me.

There was no trace of her anywhere. Nor did a short online piece I wrote for Time produce her or anyone who had known her. In the Google era, it’s pretty hard for anyone to vanish, but, somehow, Pat Sylvester had managed to. One New York newsman mocked my persistence, and naïveté. “You’ve now learned what many of us knew throughout his career: Breslin made stuff up,” he said to me, in an e-mail.

Then, in March of this year, a Milton Academy graduate named Reva Seybolt, now a life coach in Vermont, stumbled upon a note I’d sent her via Facebook in December, 2017. What she wrote me was thrilling, then crushing, then intriguing. “I just saw your message,” she said, adding, “patsy died of breast cancer a long, long time ago. If you still need info, I can get you in touch with her daughter.”

And she did. With breathtaking speed, I was in touch with people who’d known and loved her, and reading the letters she’d written around the time of her meeting with Kennedy. Patsy—she was never Pat to her friends—had died, but now some part of her had come back to life. I wrote to Branch, saying simply that I’d cracked the story. “Is she alive?” he quickly e-mailed back. “If so, might she speak with me?”

Patsy had attended Milton Academy, but only through the ninth grade. She’d then moved to the Westtown School, a Quaker institution in West Chester, Pennsylvania, where she became politically active and, in June, 1966, was elected co-president of the student body. A picture on the front page of the school paper, Brown and White, showing her with a pixie haircut and pearls, captured her free spirit, though not her uncertainties or her flaming red hair. She graduated in June, 1967, shortly after taking a bus to New York to march in the Spring Mobilization against the Vietnam war.

She had indeed been at the University of Massachusetts in 1968, just as Breslin claimed. But, even before Indianapolis, she’d shown a penchant for fateful airport encounters, the by-product of a probing, improvisational life style. It was in a second such rendezvous that she’d met Leon Fink (she’d been reading Sartre when he struck up a conversation), and it was during another chance encounter that a Harvard boy had invited her to campaign for McCarthy in Indiana.

And, as far away as Indiana then seemed, she up and went. As her letters make clear, she was at loose ends at the time, quoting Rod McKuen and W. H. Auden, subsisting on cigarettes and coffee, careening between nihilism, activism, and radicalism. (Two nights before the balloting in Indiana, she’d experimented with pot and Scotch, and her stomach had gone haywire.) With his detached and cynical mien—he didn’t seem to take either himself or politics too seriously—McCarthy appealed to her; Kennedy was all gung ho in a way she found off-putting.

“This is so damn exciting,” she wrote to her Westtown roommate, Margy Frysinger. “I’m a politician at heart when I became involved, and I am involved. Right to the roots of my hair. We all live, breathe, eat McCarthy.” Naturally, she said, she was “anti-Kennedy, but not anti his workers. They’re just misguided.” To her, by contrast, McCarthy’s volunteers were unbelievably dedicated, putting their grades and even their lives (the men had jeopardized their draft exemptions by dropping out to work for him)—on the line.“We are mentally prepared for defeat—but won’t accept it easily,” she wrote on the eve of the vote. “For McCarthy we pray.”

Kennedy may have “neutralized” Branch that night, as he later put it, impressing him in particular with his sensitivity to racial issues, but he didn’t have the same effect on Sylvester. “In the airport at 1:00 a.m., a guy and I were sitting with our McCarthy stuff in the middle of the hall,” she wrote. “We were discussing our anti-Kennedy feelings, when, lo, along comes a group of Kennedyophiles. In the second wave of them, the Senator walked toward us. He smiled, shook our hands (and put his arm on my shoulder) and invited us for breakfast.

“For an hour + 45 mins we talked with him directly and openly,” she went on. “We learned a lot of stuff from him. Accordingly we told him a lot of stuff. We were open in our criticism of Kennedy’s workers—how dumb they were and how they couldn’t satisfactorily explain why they were for Kennedy over McCarthy.” To her, even the Republican governor from New York, Nelson Rockefeller, may have been preferable to Kennedy. “We now have some serious thinking to do before we decide for whom we really are,” she wrote. “And it may end up being Rockefeller. One cannot be a-political. I was not involved before, and now I am immeshed in everything that’s going on.”

To her friends, the encounter with Bobby Kennedy—and particularly her attempt to place a McCarthy hat on his head—was not just the product of an anti-authoritarian Quaker education; it was pure, vintage Patsy. “She would do outrageous things every now and then, for someone who would act pretty proper and reserved most of the time,” Frysinger, now a retired administrator in Pennsylvania, said. “She was very feisty,” Nina Brown, a landscape architect in Boston, said. “She had the ability to tell you a difficult truth about yourself and make you laugh.”

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During the despondent summer of 1968, with both Kennedy and King now dead, Sylvester had forsworn waiting tables—“I just cannot push $300 worth of pots + pans in people’s faces when they should use the money for something else”—and worked full time for McCarthy. Branch slowly soured on McCarthy, but the candidate remained “imbedded in my bones,” Sylvester wrote. Unbeknownst to either of them, they both attended the Democratic Convention, in Chicago, that August: he was inside, as a McCarthy volunteer; she was outside, getting tear-gassed.

When she returned to college, it was to McGill; it wasn’t only draft-age men who fled to Canada in those days. After graduating, she remained in Montreal, married briefly, raised a daughter by herself, forsook politics and subsisted (barely) on freelance writing and editing. She died in August, 1990, ten days after turning forty-one.

Her daughter, now Nicole Fournier-Sylvester, an education manager for the Global Centre for Pluralism, in Ottawa, was fourteen at the time. Though she remembers how apoplectic her mother grew upon learning that her parents had voted for Ronald Reagan, she never heard her talk about meeting Bobby Kennedy. She’d learned of that only after happening upon Breslin’s column among her grandmother’s personal effects, and from picking up a Kennedy biography at a book fair in Martha’s Vineyard.

All these years later, she told me, her mother’s life in politics remains elusive to her. But did she recognize the firebrand Breslin described? “One hundred and fifty per cent,” she replied. She recalled her mother chastising her for wearing earrings shaped like peace signs without bothering to learn what they represented. “She had no patience for frivolity and wanted me to understand the importance of taking clear and informed positions,” she said. “For better or worse, she was frank. Some people didn’t experience it in a positive way. But, luckily, Robert Kennedy did.”

Held at Atlantic Group’s Maia in Docklands, the Vogue Codes 2019 Melbourne Summit saw a huge mix of tech innovators take to the stage, talking through their various insights and predictions. Below, see the best images of the day, including speaker panels, the incredible venue, refreshments courtesy of Frank Green and Icelandic Water, along with a healthy dose of street style. For more coverage and the best speaker quotes to come out of the day, head to vogue.com.au/vogue-codes. Photography by Lucas Dawson.

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

Vogue Codes 2019 Melbourne Summit

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On June 2, First Lady Melania Trump and her husband Donald Trump, the President of the United States, embarked on a rather controversial three-day state visit to the UK. Over the course of their stay, the pair had lunch with Queen Elizabeth II, attended a state banquet at Buckingham Palace, met with British Prime Minister Theresa May, and travelled to Portsmouth for an event that served to commemorate the 75th anniversary of the D-Day landings.

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On each of these occasions, the meanings behind the outfits worn by The Queen, Kate Middleton and the Duchess of Cornwall were explored. For example, the internet theorised that these three royals sent a very subtle message to their guests on the night of the state banquet when they opted to wear white – a colour known to be associated with female political resistance. Another instance that was highlighted was The Queen’s decision to wear the Burmese Ruby Tiara. Per Burmese culture, the rubies that adorn the piece reportedly protect the wearer from illness and evil.

The question is, did the First Lady attempt to communicate any subtle messages via her sartorial choices? Upon her departure from the White House, Trump stepped out wearing a Gucci shirt dress that featured a print complete with images of London landmarks (above). She followed this with a navy skirt and Burberry blouse as she arrived at Stansted Airport on June 3.

To meet with Camilla, Duchess of Cornwall at Buckingham Palace, after joining The Queen for lunch, Trump changed into a white two-piece Dolce & Gabbana suit complete with a belt and boater hat. Following lunch, she and her husband joined the royal family for a state banquet in the ballroom at Buckingham Palace, where she chose to wear a custom Christian Dior haute couture dress featuring a jagged neckline that gave way to a mesh panel.

On the second day of her visit, Trump joined British Prime Minister Theresa May at a garden party in a Celine trench coat, before dining at Winfield House – the residence of the US Ambassador, where she and her husband are staying while in London – wearing a bright red Givenchy cape dress. To conclude her visit, the First Lady attended an event marking the 75th anniversary of the D-Day landings wear an outfit designed by The Row, which she paired with a Philip Treacy hat. To see each ensemble for yourself, scroll on.

Melania Trump arrives at Stansted Airport in London wearing Burberry on June 3, 2019.

Melania Trump wearing Dolce & Gabbana with Camilla, Duchess of Cornwall at Buckingham Palace on June 3, 2019.

Melania Trump wearing custom Christian Dior haute couture with Prince Charles in the East Gallery during a state banquet in the ballroom at Buckingham Palace on June 3, 2019.

Melania Trump wearing Celine with Philip May at a garden party at Downing Street in London on June 4, 2019.

Melania Trump wearing Givenchy with Camilla, Duchess of Cornwall and Suzanne Ircha at a dinner at Winfield House in London on June 4, 2019.

Melania Trump attends an event to commemorate the 75th anniversary of the D-Day landings, in Portsmouth, southern England wearing The Row and a Philip Treacy hat on June 5, 2019.

There are a number of ways you can experience Vivid, the luminous annual Sydney harbourside festival, and most of them require navigating blocked roads, crowd barriers and heaving foot traffic in the uncharitably cold night air, as more than two million people flock to the event this year.

Another way is to book yourself into a Dream Igloo Suite at Pier One Sydney Harbour. With rates starting at $1299, you can get a package that includes overnight accommodation in a luxurious balcony suite overlooking Walsh Bay; a lavish cheese and charcuterie board for two served with a bottle of Champagne; and, for the cherry on top, your own private igloo. And by igloo we mean a super-cosy transparent bubble set under a canopy of twinkling fairy lights that’s decked out like a stylish trapper’s cabin, lined with furry rugs, cushions, blankets and poufs all surrounding a velvet chaise longue that practically begs you to lie back and indulge.

You’ll not only have a front-row seat to Sydney Harbour — always the best show in town — you can get there in time to catch the sunset, chill out with your bubbles as you gaze out at Luna Park and the Harbour Bridge while a stream of illuminated boats and ferries burble by. Then you need only take a short walk to easily beat the crowd to Vivid by 7pm sharp, when the lights come on and the fun begins.

Take advantage of some of Vivid’s top highlights while you’re already in the hood. Book a table at the multi-sensory, dining-in-the-dark adventure of the 12-Micron x Perrier-Jouët at Barangaroo. Catch the legendary Herbie Hancock performing at the Sydney Opera House on 10 June for Vivid Live. Or feed your brain and fuel your passion at one of the inspirational talks, experiential workshops and panel discussions held at the Vivid Ideas Exchange at the Museum of Contemporary Art.

Best of all: it’s an easy stroll back to your spacious room, where an impossibly comfortable kingsize bed piled with downy pillows awaits. It’s not called a Dream Suite for nothing.

The Pier One Sydney Harbour Dream Igloo Suite package is available through 15 July. Visit pieronesydneyharbour.com.au.
For the full Vivid Sydney 2019 event schedule, visit vividsydney.com.

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Exploring Australia’s most iconic road with Kelvin Ho and Ferrari Portofino60075

Thanks to his innate understanding of form and function, Kelvin Ho salutes his passion for luxury motor vehicles by taking an epic drive with Ferrari Portofino.

  • 05 Jun 2019

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If there’s anyone who understands the power of incredible design, it’s interior architect and designer Kelvin Ho. One of Australia’s leading creatives, his portfolio under Akin Atelier spans an array of stunning and carefully considered hospitality, retail and residential spaces in both local and overseas markets. And while his work is well documented in the design industry, it’s a little-known fact that he also harbours a long-time love of high-performance luxury cars.

“The visceral experience of driving and how this is shaped by design is part of what defines my passion for cars,” explains Ho. “It’s also what makes it my obsession! I focus entirely on the integrity of design, quality of the craftsmanship, and distinct design language that emotionally connects the driver with the brand.” When asked which brand best represents this, Ho has only one answer.  “Ferrari represents the pinnacle of high-performance, luxury motoring and timeless design,” he says. “The Ferrari Portofino mirrors this, takes it across the pure performance threshold and into the everyday through clever design and masterful engineering.”

Fittingly, this made Ho an ideal subject for Ferrari’s new video series, My Ferrari Portofino, which is directed by award-winning director Ben Gartland. “As an interior architect and designer, Kelvin Ho has an acute appreciation of form, function and environment,” explains Gartland. It’s also an observation backed by Ho. “The Ferrari Portotfino is a true embodiment of my design values. Ferrari balances design and engineering with a rich overlay of history and emotional connection,” he says. “My father instilled an appreciation for fast cars in me from a young age. As a child, I spent countless hours drawing them, and trying to perfect the lines of the iconic Ferrari F40.”

Of course, growing up in a country where freedom and the great outdoors are intrinsically linked, Ho and Gartland were keen to find a location that balances Ferrari’s Italian heritage with an Australian sensibility. “There’s certainly a connection between the Ferrari Portofino vehicle and the Italian seaside town. They’re both gorgeous, dramatic and unforgettable,” says Gartland. “Whether you’re on the Italian Riviera or anywhere in the world, driving the Ferrari Portofino is about freedom and lifestyle. And of course, everyone’s experience is different.”

Choosing one of Australia’s truly stunning stretches of road – the Great Ocean Road in Victoria – as backdrop, Gartland and Ho take us on a journey through the scenic coastal landscape. “With the Great Ocean Road having such dramatic shape, Kelvin was a natural fit to connect the Ferrari Portofino’s design language with the driving experience. As a film maker, it was about putting the audience in the front seat to create a feeling of spirit, elegance and pure Ferrari power.” 

And luckily for Ho, it ticked off one of his long-held bucket list experiences. “The Great Ocean Road is a part of Australia that I’ve always wanted to experience. The drive was exceptional and gave me the opportunity to explore this unique and dramatic part of Australia. Spending a few days with the Ferrari Portofino on this stretch of road gave me a chance to understand and explore the dynamics of the car by progressively pushing the car into each corner and straight.”

But that’s just the tip of the iceberg for Ho. When asked to name his fantasy Ferrari drive, he’s quick to name the famous Strada della Forra, in northern Italy as his top choice. “This scenic drive was described by Winston Churchill as the eighth wonder of the world, and it was the location for an epic car chase in the 007 film, Quantum of Solace,” he smiles. “The twisting, narrow road burrows through a mountain which was carved out by the river Brasa. It’s a dream drive that I would love to experience in the Ferrari Portofino.”

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6th Jun 2019

The 72nd edition of the Cannes Film Festival may be over (it ran from May 14-25 this year), but we’re still talking about the festival’s red carpet fashion. This year, the festival played host to one of the most exceptional and memorable red carpets not only in the history of the film festival — which has become renowned for noteworthy fashion moments — but in the history of all red carpet events. From Selena Gomez in Louis Vuitton to Elle Fanning in Gucci it was a red carpet to remember.

Actress and model Camila Morrone, 21, attended the festival with her boyfriend of over a year, Oscar-winning actor Leonardo DiCaprio, 44, stepping out on the Cannes red carpet in two striking looks; a strapless cream Miu Miu dress with feathered detailing for the premiere of DiCaprio’s Once Upon a Time In Hollywood, and a metallic floor-length Miu Miu gown with a plunging neckline and pink bow for the premiere of Les plus belles années d’une vie. Morrone also attended the Once Upon a Time in Hollywood after party in an eye-catching red dress which continued the feathered detailing theme from earlier in the day.

Camila Morrone attends the screening of Once Upon A Time In Hollywood at the Cannes Film Festival, 2019. Image credit: Getty Images

Hollywood stylist Micah Schifman worked with Morrone on her Cannes red carpet looks and here, he shares with Vogue exactly how Morrone’s red carpet style came together.

What was the inspiration behind Morrone’s Cannes looks?

“We wanted to keep it simple, yet glamorous. The Cannes red carpet has a built-in sense of drama so we didn’t need to go for an overly dramatic gown. The colour and silhouette were perfectly feminine and powerful at the same time [for the cream Miu Miu dress]. The feathers at the bottom of the gown gave the illusion that she was almost floating just above the carpet. For her after party look, I thought the feathers [on the red dress] continued the story from earlier in the evening.”

Camila Morrone at the Once Upon A Time In Hollywood after party, 2019 in Cannes, France. Image credit: Getty Images

“Both [Morrone’s red carpet] dresses were custom Miu Miu with Bulgari jewelry. We paired the dresses with Miu Miu shoes too.”

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“We fell in love with the [metallic Miu Miu] dress because of its Art Deco feel. The rose gold and silver paillettes were such a strong material that juxtaposed beautifully with the softness of the pink bow at the waist. The detailing on the dress was just the right amount of bold, yet tasteful.”

“The second Miu Miu gown was also love at first sight. It reminded us of something Ginger Rogers might have worn as she glided across a dance floor. Camila looked as if she was floating just above the red carpet.”

Had you worked with Morrone before Cannes?

“Camila and I began working together about eight months ago. Our first event together was the LACMA event in Los Angeles. We worked so well together, and shared very similar aesthetics.”

When styling a client for an event, what would you say is the key element to pulling a look together?

“The first thing I consider when dressing a client for an event is the event itself. Is it a premiere? A charity event? A press screening?  You never want your client feeling over or under dressed. For film premieres, I love dressing my client a bit differently than what their character in the film would wear. For instance, if the film role is an unglamorous one, I like to up the glam factor. I find it fun to show that the actress can bounce between sartorial genres effortlessly.”

What’s your pro-tip for keeping a gown looking impeccable?

“Steamers are a stylist’s most important tool!”

In a dark corner of my house, where a built-in bookshelf curves out of sight and out of reach, near the ceiling, I keep a couple dozen books that I haven’t brought myself to get rid of but don’t want anyone to see. It’s a connoisseur’s collection of the writing of Ayn Rand and her disciples, assembled by teen-age me a long, long time ago. My first girlfriend, an older woman in her early twenties, introduced me to Rand. I had recently immigrated to the United States from Russia, come out, and dropped out of high school, and somehow Rand’s writing spoke to me, made the world appear simple and conquerable. My Rand phase was relatively brief, but, before it ended, I bluffed my way into my first job in publishing by talking Rand with my future boss, a trailblazing gay publisher who was similarly obsessed with her.

According to a new book, this is normal, sort of. In “Mean Girl: Ayn Rand and the Culture of Greed,” Lisa Duggan, a professor of social and cultural analysis at New York University, notes that, although Rand’s brand of sexual liberation didn’t extend to homosexuality, her female heroines refuse to conform to feminine norms, and her male heroes are all in love with one another. I was certainly not the only queer teen-ager who was seduced by these books, which Duggan calls “conversion machines that run on lust.” The therapeutic value of Duggan’s book goes well beyond freeing me from shame for my teen-age lack of literary taste and political discernment; it also provides an explanation for our current cultural and political moment.

Part of American Studies Now, a series of slim volumes published by the University of California Press, Duggan’s book sums up Rand’s life and philosophy in under ninety pages—an affront to a novelist whose magnum opus, “Atlas Shrugged,” came in at more than ten times that length. “How could a thousand-plus-page novel, featuring cartoonish characters moving through a melodramatic plot peppered with long didactic speeches, attract so many readers and so much attention?” Duggan asks. “Clearly, the fantasies animating the novel struck a deep chord.”

Rand’s novels promised to liberate the reader from everything that he had been taught was right and good. She invited her readers to rejoice in cruelty. Her heroes were superior beings certain of their superiority. They claimed their right to triumph by destroying those who were not as smart, creative, productive, ambitious, physically perfect, selfish, and ruthless as they were. Duggan calls the mood of the books “optimistic cruelty.” They are mean, and they have a happy ending—that is, the superior beings are happy in the end. The novels reverse morality. In them, there is no duty to God or one’s fellow-man, only to self. Sex is plentiful, free of consequence, and rough. Money and other good things come to those who take them. Rand’s plots legitimize the worst effects of capitalism, creating what Duggan calls “a moral economy of inequality to infuse her softly pornographic romance fiction with the political eros that would captivate a mass readership.”

Duggan traces Rand’s influence, both direct and indirect, on American politics and culture. Rand’s fiction was a vehicle for her philosophy, known as Objectivism, which consecrated an extreme form of laissez-faire capitalism and what she called “rational egoism,” or the moral and logical duty of following one’s own self-interest. Later in life, Rand promoted Objectivism through nonfiction books, articles, lectures, and courses offered through an institute that she established, called the Foundation for the New Intellectual. She was closely allied with Ludwig von Mises, an economist and historian who helped shape neoliberal thinking. When Rand was actively publishing fiction—from the nineteen-thirties until 1957, when “Atlas Shrugged” came out—hers was a marginal political perspective. Critics panned her novels, which gained their immense popularity gradually, by word of mouth. Mid-century American political culture was dominated by New Deal thinking, which prized everything that Rand despised: the welfare state, empathy, interdependence. By the nineteen-eighties, however, neoliberal thinking had come to dominate politics. The economist Alan Greenspan, for example, was a disciple of Rand’s who brought her philosophy to his role as chairman of the Council of Economic Advisers under President Gerald Ford and, from 1987 until 2006, as the chairman of the Federal Reserve.

Duggan doesn’t blame Rand for neoliberalism, exactly, but she spotlights the Randian spirit of what she calls the “Neoliberal Theater of Cruelty.” This theatre would include players we don’t necessarily describe as neoliberal. Paul Ryan, the former House Speaker, is a Rand evangelist who gave out copies of “Atlas Shrugged” as Christmas presents to his staff and said that she “did the best job of anybody to build a moral case of capitalism.” When the Tea Party came out in force against the Affordable Care Act, in 2009, some of them carried signs reading “Who Is John Galt?,” a reference to “Atlas Shrugged.” Rand’s spirit is prominent in Silicon Valley, too: the billionaires Peter Thiel, Elon Musk, Travis Kalanick, and others have credited Rand with inspiring them. The image of the American tech entrepreneur could have come from one of her novels. If she were alive today, she would probably adopt the word “disruption.”

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The collapse of the subprime mortgage market and the financial crisis of 2007 and 2008 should have brought about the death of neoliberalism by making plain the human cost of deregulation and privatization; instead, writes Duggan, “zombie neoliberalism” is now stalking the land. And, of course, the spirit of Ayn Rand haunts the White House. Many of Donald Trump’s associates, including the Secretary of State, Mike Pompeo, and his predecessor, Rex Tillerson, have paid homage to her ideas, and the President himself has praised her novel “The Fountainhead.” (Trump apparently identifies with its architect hero, Howard Roark, who blows up a housing project he has designed for being insufficiently perfect.) Their version of Randism is stripped of all the elements that might account for my inability to throw out those books: the pretense of intellectualism, the militant atheism, and the explicit advocacy of sexual freedom. From all that Rand offered, these men have taken only the worst: the cruelty. They are not even optimistic. They are just plain mean.

The line for which the Supreme Court Justice Oliver Wendell Holmes, Jr., is best known is also his ugliest: “Three generations of imbeciles are enough.” He was referring to a woman named Carrie Buck, her mother, and her daughter, in the case of Buck v. Bell, from 1927, which held that it was constitutional for a state to forcibly sterilize Carrie, a poor white woman who was deemed “feeble-minded,” for the greater good of promoting social welfare. Summing up the views of the eugenics movement, an avid cause of progressive reformers and intellectual élites at the time, Holmes explained, “It is better for all the world if, instead of waiting to execute degenerate offspring for crime or to let them starve for their imbecility, society can prevent those who are manifestly unfit from continuing their kind.” The opinion was joined by all of the Justices save for one, Pierce Butler, who was the Court’s lone Catholic at the time. Catholics, a population that many Protestants wished would reproduce less, vocally opposed eugenic sterilization as being an unnatural interference with procreation.

Buck v. Bell has never been overturned. In fact, the case was cited approvingly in Roe v. Wade, in 1973, for the proposition that one does not have “an unlimited right to do with one’s body as one pleases,” which meant that a state was constitutionally permitted to put some limits on the right to abortion announced in Roe. For some, the history of states’ forced sterilization of women—and the Supreme Court’s role in permitting it—might seem a sinister precursor to contemporary efforts to control women’s sexual and reproductive freedom by restricting access to abortion. For others, the history of eugenics in America might instead provoke a very different fear: that progressives today, much as in the past, may wish to prevent the unfortunate and disfavored from being born—this time by allowing individuals to abort certain fetuses, and doing so with a discriminatory tilt.

Concurring in an abortion case in May, Justice Clarence Thomas penned a lengthy and lurid polemic, warning that abortion rights are a form of racist eugenics revivalism. The statute at issue, passed in Indiana and signed into law, in 2016, by Mike Pence, the governor at the time, prohibited providers from performing an abortion if they know that it is sought solely because of the fetus’s race, sex, or disability. The Seventh Circuit invalidated the law as unconstitutional, under the Supreme Court’s precedents, because it was an “undue burden” on the abortion right. The Supreme Court declined to take up the case, expressing no view on its merits, and decided instead to wait until other courts of appeals weigh in on a handful of similar laws from other states. Thomas agreed with the Court’s denial of the petition, but he wrote separately to make clear that laws like Indiana’s “promote a State’s compelling interest in preventing abortion from becoming a tool of modern-day eugenics.”

Thomas connected a series of real dots: the “scientific” belief in black inferiority that informed the early-twentieth-century eugenics movement; the eugenicism espoused by Margaret Sanger, the founder of Planned Parenthood; and Sanger’s promotion of birth control in poor black neighborhoods. Some mid-century arguments for legalizing abortion—including those made by Alan Guttmacher, who went on to succeed Sanger as president of Planned Parenthood—made eugenic appeals, saying that abortion was important to controlling the “quality” of the population. Thomas linked those facts to contemporary statistics on abortion. According to the New York Department of Health, in some areas of New York City, “black children are more likely to be aborted than they are to be born alive—and are up to eight times more likely to aborted than white children in the same area.” Thomas even called up the contested assertion, made by the journalist Stephen Dubner and the economist Steven Levitt in their book “Freakonomics,” that Roe v. Wade led, a generation later, to a massive decline in crime, because the availability of legal abortion meant that many people did not have the unwanted babies whose poor circumstances would have led them to grow up to commit crimes. Thomas discerned in all of this an echo of eugenicists’ racially inflected wish for society to be rid of the “unfit.”

While the eugenics and abortion movements may have disquieting intersections, the notion that abortion rights are the direct heir to our history of eugenic sterilization is unfounded. Nobody is advocating forcible abortion, for eugenic or any other reason. A state forcibly sterilizing women from disfavored groups bears little similarity to a state allowing individuals to make decisions to terminate their own pregnancies—even in cases in which they may do so because of the fetus’s race, sex, or disability. The former eliminated a person’s ability to decide whether to reproduce, whereas the latter enables it.

But it is important to understand that the alarm over abortion as eugenics is a decoy of sorts. A deeper, more troubling argument that is now gathering force is tucked more quietly into Thomas’s invocation of legal anti-discrimination norms. If the right to be free of discrimination on the basis of race, sex, or disability can be made relevant to a fetus, then fetuses are figured as entities with anti-discrimination rights—like people. This move imbues the fetus with rights that the pregnant person—and, by extension, the abortion provider—might violate. What is really at stake is an idea of fetal personhood.

It is not coincidental that in the same case, last month, the Court upheld part of the Indiana law, which prohibited abortion providers from disposing of fetal remains as they would surgical waste. Keeping the law in place, the Court reasoned that how fetal remains are disposed of after abortion doesn’t affect access to the abortion itself. But it does transform cultural practices surrounding the treatment of fetuses, through gestures that suggest they are person-like entities, and point at their rights. Indeed, in defending the law, Indiana asserted an interest in the “humane and dignified disposal of human remains.”

Writing in 1990, the constitutional scholar Laurence Tribe called abortion “the clash of absolutes,” referring to the clash between the fetus’s development and the pregnant person’s liberty. On one side, the belief that a fetus is a human being would mean that abortion is a form of murder, which makes the idea that it is a woman’s “choice” callous or nonsensical. On the other side, the belief that the abortion decision belongs in the domain of individual autonomy rests on the assumption that, whatever it is, abortion is not the killing of a human being. Tribe observed that “solutions that split the difference—denying some fetuses life and some women liberty—hardly offer a solution.” But splitting that difference has been our legal solution for half a century. During this time, the interest of neither the fetus nor the pregnant woman has been treated as absolute.

In Roe v. Wade, the Supreme Court explicitly refused to “resolve the difficult question of when life begins.” From there, over multiple decisions a scheme emerged of weighing the state’s interest in protecting the fetus against the woman’s limited right to abortion, which lessens through the pregnancy in relation to the fetus’s increasing age. In holding, at different times, that states may not act on the belief that human life begins at conception or plant a “substantial obstacle” in the path of someone who wishes to abort a fetus before “viability”—a line that is constantly shifting along with improvements in medical technology—the Court has discreetly drawn its own limits around the big question it said it wasn’t resolving.

The abortion fight we are gearing up for departs from the realm of uneasy compromise and reëngages the clash of absolutes. For decades, conservatives have sought to overturn Roe. Yet simply getting rid of Roe would leave each state legislature free to choose its own approach to abortion, from liberal abortion access in Northeast states to outright or near-total bans like the “fetal heartbeat” bills recently passed in several states, which ban abortion as early as the sixth week of pregnancy. But, for anti-abortion activists, that goal may no longer be enough. Last month, when the Alabama legislature passed an extreme, near-total ban on abortion, Republican lawmakers explicitly rejected exceptions for victims of rape or incest. If you truly believe that a fetus is a person, then it shouldn’t matter how the fetus was conceived. Its rights as a human being are the same.

When Republican lawmakers consider the fact of rape or incest irrelevant to a decision to terminate a pregnancy, and when Thomas invokes the spectre of discrimination against a fetus, they are making the same point—that every “unborn child” is entitled to the same dignity as you or me. And, if fetuses are thought to have basic rights as persons do, then a future ruling might reach beyond overturning Roe. It might hold that it is unconstitutional for any state to allow abortions at all. This position—the constitutionalization of abortion abolition—would go far beyond what either liberals and conservatives have imagined possible, but it is where the ambitions of fetal personhood now entering the legal mainstream are headed.

A previous version of this piece incorrectly described the abortion legislation in Alabama.