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One of the most useful developments in streaming has been the launch of Kanopy, which makes a wide variety of movies available to many holders of library cards or student I.D.s. But, as Chris Cagle explained in Film Quarterly in May, there’s no such thing as a free movie, and the pricing structure of Kanopy (which charges libraries for their patrons’ viewing) turns out to be onerous for many institutions. Some have placed restrictions on the use of the service; last week, the New York Public Library announced that, as of July 1st, Kanopy would no longer be available to its members. So this weekend is the last call in the city, and it’s worth mentioning a few favorites that aren’t easy to find elsewhere:

Time Regained,” Raúl Ruiz’s 1999 adaptation of chunks of Marcel Proust’s masterwork, is one of the rare adaptations of a great novel that doesn’t feel like cinematic taxidermy. Ruiz, who’s one of the great directorial fantasists, relies on hallucinatory effects to evoke shifts in time, intimate imaginings, and literary creation. He makes the aged Proust a character and embeds the writing of the novel into the action that it describes—and the inner life that it captures. With a mighty cast that includes Catherine Deneuve, her daughter Chiara Mastroianni, John Malkovich, Emmanuelle Béart, and Édith Scob (who died on Wednesday, at the age of eighty-one), and a dazzlingly elaborate and intricately detailed array of sets and costumes, Ruiz pulls decades of history into the present tense.

It’s depressing to note that “Old Boyfriends,” from 1979, is the only feature film directed by Joan Tewkesbury, who went on to direct TV movies and episodes. Written by the brothers Paul and Leonard Schrader, it is an extraordinary début, a drama of pain and bitter memory that’s nonetheless perched uneasily on the edge of comedy. Talia Shire plays Dianne Cruise, a professor whose husband committed suicide; living alone now, she travels the country to track down former lovers (the cast includes John Belushi and Keith Carradine) and re-seduce them as a part of her planned emotional revenge. Tewkesbury lends the action a mournful tone and a sly pace, yet doesn’t stint on behavioral peculiarities and absurdities; the film’s blend of present and past, of forthright calculation and grief-stricken reminiscence, has a Hitchcockian depth of melodramatic mystery.

Bill Gunn, the director of “Ganja and Hess,” made another feature, “Personal Problems,” in 1980, which wasn’t released in his lifetime. (He died in 1989.) Using the format of a soap opera (and shot on videotape), the film is centered on the intertwined romantic, financial, professional, and familial complications of a wide-ranging group of middle-class black people in New York. Gunn, working with the writer Ishmael Reed, imbues the details of their lives with the force of history and a wide, awful spectrum of political and legal dangers; the copious and free-flowing dialogue meshes with cityscapes to invoke a depth of black American experience that the cinema had hardly begun to face.

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If I had to pick one movie to display the grandeur, complexity, and vast imaginative scope of the silent cinema, it would be F. W. Murnau’s “The Last Laugh,” from 1924. It stars a titanic yet exquisitely subtle actor, Emil Jannings, as the proud and pompous head doorman at a luxurious Berlin hotel. He’s showing signs of age—he now struggles with heavy trunks—and is unceremoniously demoted to bathroom attendant, but he can’t admit as much to his family and his neighbors. Murnau develops broad and complex views of the luminous city by way of wondrous technical trickery; his camera roves far and wide with the emotionally shattered working man as he roams the streets and the hotel corridors. The housing complex where he lives is as much a web of torment and fantasy as is his workplace; Murnau gets into his mind, into his very soul, while at the same time evoking the web of social codes and formalities that shape and deform behavior. The movie also has one of the most politically defiant, riotously revolutionary of endings.

When Film Forum reopened last summer, with a retrospective of the films of Jacques Becker, New York viewers were treated to a new set of instantly recognized classics, one of which, “Touchez Pas au Grisbi,” from 1954, is among the most original and romantic of gangster movies. The title means “Hands Off the Loot,” which belongs to a pair of longtime partners in crime, Max (Jean Gabin) and Riton (René Dary), whose recent haul of gold ingots is meant to finance their retirement. The movie’s melancholy tone is centered on the signs of aging; unlike the doorman in “The Last Laugh,” Max knows well that he’s past his prime and is happy to bow out gracefully; but, when others get hold of the loot, he and Riton have to pull one last job, with doom in the air. Becker, a deeply rooted Parisian, revels in the fine points and grim demands of the underworld; his complex and brutal vision of crime is matched by an aching tenderness for the friendships that it forges.

As the first Democratic debates of the 2020 campaign ended Thursday night, in a Miami theatre, President Donald Trump walked into the official photograph of the G-20 summit of world leaders, in Osaka, Japan. Strolling alongside him was the Russian President, Vladimir Putin, who, hours earlier, had declared Western-style liberalism dead and “no longer tenable” in an interview released by the Financial Times. They were smiling and chatting. Soon Trump took his place in the front row, where he stood in between Prince Mohammed bin Salman, of Saudi Arabia, who was beaming, and a more sober-looking President Recep Tayyip Erdoğan, of Turkey. On Friday and Saturday, the President was scheduled to have private sessions with all three of them, and also with the tough-guy nationalist leaders of Brazil, China, and India.

For previous American Presidents, this would have been an opportunity to act on the world stage as its leader, to project superpower might and stand up for human rights and international ideals, all while exposing the domestic rivals back home as petty partisans. Not for Trump. The President who delights in tweaking allies while admiring adversaries, who sucks up to dictators as he demeans partners, seemed to want to insure that his summit in Japan would emphasize not statesmanship so much as in-your-facemanship.

Trump went out of his way to display his particular brand of undiplomatic diplomacy as he left for Osaka and embarked on a long night of tweeting over the Pacific. Speaking to reporters as he left for Air Force One, the President let loose at an array of those who angered him at that moment, including: his Japanese hosts (it’s so unfair, he told reporters, that Americans should have to defend Japan if it’s attacked and suffers through “World War Three,” while the Japanese would do nothing for Americans in a war except watch “on a Sony television”); his German allies (that NATO defense-spending again); the chairman of the Federal Reserve (I can fire him, Trump asserted); and even the U.S. women’s soccer team (one of whose stars said that there was no bleeping way she was going to the White House to meet Trump).

The President had no such harsh words for Putin or Erdoğan or the Saudi prince known as M.B.S., despite the fact that a U.N. report had just found credible evidence of his involvement in the gruesome killing and dismemberment of Jamal Khashoggi, a Washington Post columnist. Quite the opposite, in fact. When a reporter asked Trump what he planned to discuss with Putin in their first meeting since the Mueller report found that Moscow had interfered in the 2016 U.S. elections on Trump’s behalf in a “sweeping and systematic fashion,” the President retorted that it was “none of your business.” On Friday, when Trump finally met Putin, he began the meeting in Osaka by joking with Putin about the 2016 election hacking. When asked if he would tell the Russian President not to interfere again in 2020, Trump seemed almost playful, wagging his finger at Putin. “Don’t meddle in the election, please,” Trump said. The rest of the exchange was all pleasantries, including a mutual laugh about “fake news” as reporters were ushered out of the room. Later, Russian news outlets reported that Trump had responded “positively” to Putin’s invitation to come to Moscow next year for a parade. It was left to Donald Tusk, the president of the European Council, to issue a stern rebuttal to Putin, defending Western liberalism and tweeting that it was Putin-style “authoritarianism, personality cults, and the rule of oligarchs” that was “really obsolete.”

The President’s outing in Osaka did not go unnoticed in Miami, where Democrats saw the split-screen news coverage of Trump being Trump overseas during their debate as a possibly winning moment. Senator Michael Bennet, of Colorado, made a point of mentioning the President’s pre-Osaka rant in answering the sole question in Thursday night’s debate that was devoted to foreign policy, a question to which he, like most of the others who answered it, responded by promising to “restore the relationships that he’s destroyed with our allies.” In the course of two nights and four hours of debate among the twenty Democratic candidates, there was certainly consensus about the damage Trump has done to America’s standing in the world. There was, however, little sense of how these candidates might exercise renewed American leadership at a time of Trumpian disruption and emboldened autocrats.

Two candidates, Senator Kamala Harris, of California, on Thursday night, and Governor Jay Inslee, of Washington, on Wednesday night, made a point of calling Trump the greatest national-security threat that America faces. But if that is actually the case, then Democrats as a group had little specific to say about it, nor were they pressed to do so by the five NBC moderators. Sure, they professed concern about global climate change and (with the exception of Senator Cory Booker) promised to return to the Iran nuclear deal that Trump unilaterally withdrew from. It was hard to discern, however, what kind of world view the candidates were offering, or how they would differentiate themselves from a President who has chosen a course of “America First,” America alone.

Former Vice-President Joe Biden’s message was restoration; others presented themselves as the incarnation of generational renewal (Pete Buttigieg), American-style socialism (Bernie Sanders), or, in the case of Thursday’s hands-down winner, the former California Attorney General Harris, prosecutorial cleansing. Uniting these different pitches was the idea of American democracy itself in need of restoration and renewal. The crisis that the debates were speaking to is the one inside the United States. The world, perhaps for understandable reasons, will have to wait for its moment on the American debate stage. Vladimir Putin, meanwhile, is proclaiming that Western liberalism and decadent “multiculturalism” have had their day. On this, for now, official America is silent.

At least the candidates were talking about Trump on Thursday, even if they were not entirely clear on how they would handle him. During the first night of the Democratic debates, Trump was, as the Washington Post’s Eugene Robinson put it on MSNBC, the Lord Voldemort of the debate, not spoken of, although his shadowy presence loomed large. All told, Trump was only mentioned about twenty times over the course of the first two-hour debate, much to the dismay of anti-Trump independents and Democratic moderates looking for a candidate who will prioritize defeating the President over inter-party policy squabbles. Polls have shown, as a recent Gallup survey did, that fifty-eight per cent of Democrats would prefer to focus on electability over ideology.

On Wednesday, the candidates seemed to believe that the debate was an either/or proposition: either take on Trump or talk about policy. Given that they were onstage with Senator Elizabeth (I Have a Plan for That) Warren, they opted for wonkery that seemed at times oddly disconnected from the President who has generated, or exacerbated, so many of the crises they described. On Thursday, the candidates looked and sounded much more sure of themselves, and virtually all of them had no trouble talking both Trump and policy. The Democrats skewed just as left, but they did so in a way that better acknowledged this strange moment of migrant children locked up in cages and Presidential love letters to the keeper of the North Korean gulag.

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Even the most out-there candidate, the wellness guru Marianne Williamson, proclaimed that the overriding goal was defeating Trump. Sanders, the most ideological of the twenty, was coldly realistic when he noted that even he, the self-proclaimed socialist, is leading Trump in polls by ten points. “The American people understand,” Sanders said, that Trump is a “phony,” “a pathological liar,” and a “racist” who “lied to the American people” during the last campaign. “That’s how we beat Trump,” Sanders said. “We expose him for the fraud that he is.”

Trump and his Republicans, though, think that the debates were good news for the President. First of all, Biden, the Democrats’ rabidly anti-Trump front-runner, faltered, was taken down by a combination of his failure to respond sharply and a withering and highly personal attack by Harris, who castigated the former Vice-President for his failures in the desegregation fights of the nineteen-seventies that she lived through, as a young African-American child who was forced onto a school bus. Other candidates piled on, too, pointing out Biden’s vote for the 2003 Iraq War and making him squirm to defend the former President Barack Obama’s immigration policy. “Harris,” the Biden campaign said, in a statement after the debate, “is doing exactly what Trump wants.”

Even more than Biden’s perhaps predictable stumbles, however, the Republicans were focussed on the leftward tilt of the Democratic-policy proposals that was evident in both nights’ debates. Tom Cotton, the Republican senator from Arkansas, summed up their analysis in a tweet on Friday morning: “Democrats will take away your health insurance yet make you pay for health care for illegal aliens, whose illegal border crossing they will decriminalize, all while not deporting anyone (no matter how recently arrived) unless convicted of a serious felony.” Expect to see versions of this soon on television attack ads.

Trump appeared delighted with this, as well, interrupting one of his meetings in Osaka to chime in. Sitting with Brazil’s controversial new right-wing populist President, Jair Bolsonaro (who opened his own statement by supporting Trump’s reëlection), Trump switched the subject to the Democrats. “There’s a rumor the Democrats are going to change the name of the party from the ‘Democrat Party’ to the ‘Socialist Party,’ ” he said. “I’m hearing that.”

Trump, of course, will not be so lucky, but it won’t be for lack of Republicans trying. The G.O.P. has already decided to run against Democrats in 2020, not by defending Trump’s often indefensible conduct but by labelling his opponent, whoever he or she is, as a socialist. During two nights in Miami, there was plenty to feed that narrative. Politically unrealistic ideas, such as universal government-funded health care, a dream that the American left has held for decades, received plenty of airtime in the first debates of possibly the most consequential election of our lifetimes. The crisis of the West, not so much, which is too bad, because America’s crisis is a global one, too.

The annual TV Week Logie Awards are back for another year, with the awards set to take place on June 30 at The Star Gold Coast.

As one of Australia’s most important long-running red carpet events, it has a history of glamorous women walking down the red carpet in iconic looks. Actresses such as Oscar-nominated Margot Robbie and Sophie Monk have both graced the crimson carpet in dresses we will never forget.

Ahead of this year’s red carpet, we take a look back at what the A-list Australian celebrities and a number of international names have worn over the years so we can re-live those memorable moments. Every year we have been wowed by the different looks on the red carpet and it’s important to be ready for this year’s red carpet.

Rewinding back to 2002, Sophie Monk rocked the red carpet in classic noughties style, wearing low-rise white flares and a handkerchief-tie top.

In 2005, Bec Hewitt stunned the crowd in a multi-coloured halterneck maxi dress which showed off her Aussie beach babe look to the crowd.

Before she was an Oscar nominee, Margot Robbie wowed the crowd with her 2009 TV Week Logies red carpet appearance. The actress donned an iconic strapless black and orange dress with an asymmetrical hemline (see above) paired with black stilettos.

In the same year, , Ruby Rose, appeared in a black edgy textured dress that swept the floor with a long feathered train.

In 2011, an iconic moment to remember was when American singer, Katy Perry, took to the stage to perform . Her red carpet outfit was also one to remember, the singer wore a green Jean-Charles de Castelbajac dress with puff sleeves. Katy paired this with black tights, a bold red lip and electric blue pumps.

Australian beauty queen, Jennifer Hawkins, strutted down the red carpet in 2013 in a gorgeous black sparkly halterneck and beautifully tamed high bun, marking a truly memorable moment.

The Minogue sisters have attended the event on numerous occasions but two appearances stand out; in 2014 Kylie wore a show-stopping strapless cream Roberto Cavalli gown which left everyone speechless. Three years after, in 2017, Dannii stole the spotlight in a one-shoulder purple shimmering gown with thigh-high slit.

In a fairy tale bridal moment, Delta Goodrem took to the red carpet in 2016 in a white lace dress replete with long mesh sleeves and a train, leaving fans speechless.

Destiny Child’s Kelly Rowland made her way down the carpet in 2018 and definitely made a statement in a strapless silver gown.

Scroll down to see the most iconic looks from the TV Week Logie Awards.

Sophie Monk, 2002

Bec Hewitt, 2005

Ruby Rose, 2009

Katy Perry, 2011

Jennifer Hawkins, 2013

Kylie Minogue, 2014

Dannii Minogue, 2017

Delta Goodrem, 2016

Kelly Rowland, 2018Click Here: kanken mini cheap

One of the main weaknesses of the standard Presidential-debate format in American politics is that it can be extraordinarily hard to delve deeply into any particular issue. Format aside, of course, it is often not in the interest of the candidates to do so. Yet, Thursday night’s debate featured a surprisingly robust discussion of the policy at the heart of the divide within the Democratic Party today: Medicare for All. It began with a question from Savannah Guthrie to Bernie Sanders, about whether he would raise taxes on the middle class to pay for his policy agenda, which of course includes Medicare for All.

“We have a new vision for America,” he responded. “And, at a time when we have three people in this country owning more wealth than the bottom half of America, while five hundred thousand are sleeping out on the streets today, we think it is time for a change. Real change. And, by that, I mean that health care, in my view, is a human right, and we have got to pass a Medicare for All, single-payer system. Under that system, by the way, the vast majority of the people in this country will be paying significantly less for health care than they are right now.”

Guthrie repeated her initial question: Would he increase taxes on the middle class or not?

“People who have health care under Medicare for All will have no premiums, no deductibles, no co-pays, no out-of-pocket expenses,” he explained. “Yes, they will pay more in taxes but less in health care for what they get.”

For some time now, surveys have shown strong support for Medicare for All, not just among Democrats but among the general electorate. But a recent survey from the Kaiser Family Foundation found considerable confusion about what the policy entails. They found that, although fifty-six per cent of Americans were supportive of “a national health plan, sometimes called Medicare-for-all, in which all Americans would get their insurance from a single government plan,” sixty per cent would oppose such a plan if it raised taxes for most Americans. Kaiser also found that fifty-eight per cent of Americans would oppose Medicare for All if it eliminated most private insurance, which Sanders’s plan would essentially ban. In fact, sixty-seven per cent of those who said they supported Medicare for All also said they believed that such a plan would allow them to keep their current insurance, which would not be the case for those with private insurance under Sanders’s plan.

The plan that most Americans appear to actually support is an optional Medicare or Medicaid buy-in, which, according to the Kaiser Family Foundation, is about twenty points more popular than Medicare for All among Americans. These are the options favored by the candidates who are looking to establish themselves as moderates in the Democratic race, including Michael Bennet, who was also on the debate stage last night.

“Health care is a right,” he said. “We need to get to universal health care. I believe the way to do that is to finish what we started with Obamacare,” by creating a public option that families can choose over private offerings. For those who choose the public option, Bennet said, it “would be like Medicare for All.”

A bit later, Pete Buttigieg agreed. “Look, everybody who says ‘Medicare for All,’ every person in politics who allows that phrase to escape their lips, has a responsibility to explain how you’re actually supposed to get from here to there,” he said to applause. “Here’s how I would do it. I would call it Medicare for All who want it. You take something like Medicare, a flavor of that, and make it available on the exchanges. People can buy in, and then, if people like us are right, then that will be not only be a more inclusive plan but a more efficient plan than any of the corporate answers out there.”

The debate stage also included Joe Biden, a representative of the Administration that built the health-care exchanges. “The fact of the matter is that the quickest, fastest way to do it is build on Obamacare, to build on what we did,” Biden said. “And, secondly, to make sure that everyone does have an option. Everyone, whether they have private insurance or employer insurance, or no insurance, they could, in fact, buy into the exchange to a Medicare-like plan.”

Sanders wasn’t having any of this. “I find it hard to believe,” he said, “that every major country on earth, including my neighbor fifty miles north of me, Canada, somehow has figured out a way to provide health care to every man and woman and child, and in most cases they’re spending fifty per cent per capita what we are spending. Let’s be clear—let us be very clear—the function of health care today, from the insurance and drug company perspective, is not to provide quality care to all in a cost-effective way. The function of the health-care system today is to make billions in profits for the insurance companies.”

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Sanders’s case for his maximalist vision of universal health care—an insurance system unlike any other in the world, that is totally public, totally free of premiums, free of deductibles, and free at the point of service—has always been primarily a moral case. It might be less expensive to implement a buy-in plan that retains private insurance. But Sanders firmly believes and argues that health insurance should not be a for-profit business at all. And he is betting that Americans will be willing to trade their current insurance plans for the security of knowing that their health care will be entirely free and that they won’t ever have to switch plans again.

It’s unclear if, after several more months of public discussion about the details of his plan, voters will see things as simply Sanders does. But his persistence, and the resonance that his vision has had with Party progressives and activists, have already moved the Party and the rest of the field in his direction, both substantively and rhetorically. Even those who don’t support Sanders’s plan in full have taken to calling their positions Medicare for All or something similar. During Wednesday’s debate, Elizabeth Warren said straightforwardly for the first time that she, like Sanders, would eliminate private insurance to establish Medicare for All.

During Thursday night’s debate, Lester Holt asked all the candidates whether they would do the same. Only two raised their hands—Sanders and, surprisingly, Kamala Harris, who expressed support for eliminating private insurance in a CNN town hall, in January, only to walk back her comments shortly afterward. In her remarks Thursday, however, she seemed to give a stirring defense of Sanders’s position.

“The reality of how this affects real people is captured in a story that many of us have heard and that I will paraphrase,” she said. “Any night in America, a parent who’s seeing that their child has a temperature that is out of control calls 911—‘What should I do?’ And they say, ‘Take the child to the emergency room.’ And so they get in their car, and they drive, and they’re sitting in the parking lot outside of the emergency room looking at those sliding glass doors, while they have the hand on the forehead of their child, knowing that if they walk through those sliding glass doors, even though they have insurance, they will be out a five-thousand-dollar deductible, five thousand dollars if they walk through those doors. That’s what insurance companies are doing!”

But, after the debate, Harris and her team told reporters that she did not support eliminating private insurance, and that she had believed Holt was asking whether candidates would support, in their own personal lives, trading private insurance for government insurance—a bizarre misreading of a straightforward and important question that had been asked of the candidates the night before, and repeatedly on the campaign trail. Harris’s vacillations seem indicative of the risks for candidates who are looking to match Sanders’s clarity of rhetoric, without a full commitment to substance. It is another example, too, of how Sanders has forced the candidates to establish policy distinctions among themselves in a race that could have easily been focussed entirely on the evils of Donald Trump. Democratic voters clearly expect more. Whether they will come to demand as much as Sanders is offering remains to be seen.

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28th Jun 2019

Following hot on the heels of collaborations with H&M and Nike, the team behind are at it again with a capsule collection with Levi’s. For season three of the show, Levi’s worked directly with the wardrobe team behind to give the cast their quintessential ‘80s-style looks. 

The capsule collection gives fans an opportunity to wear some of the same throwback looks they’ll see on the show. An Aztec print shirt worn by Eleven and a graphic “Camp Know Where” ringer tee with matching trucker cap worn by Dustin are among the looks available for purchase. Other standouts from the collection are the signature college-inspired crewneck jumpers branded with “Eleven” and “Stranger Things”. The entire collection is an homage to 1985, the year season three is set, and will include items for both men and women.  [ inbox]

L’Oréal Paris have announced an exclusive collaboration with the late fashion designer Karl Lagerfeld. The two powerhouse brands have connected to create a collection of products that infuse the late designer’s iconic style with Parisian elegance. With the passing of Lagerfeld in February, this collection will honour his memory by dropping a global release during Paris Fashion Week and the campaign will feature some of Lagerfeld’s most iconic quotes. The Karl Lagerfeld x L’Oréal Paris make-up collection will be available in Australia and launch at Priceline. [ inbox]

Net-A-Porter launches an invitation-only online luxury shopping event, EIP Prive. EIP Prive gives Net-A-Porter customers the opportunity to peruse the world’s most exclusive jewellery and watch collections including Boehmer et Bassange, Piaget and Giampiero Bodino. With the help of a personal shopper to inspire and delight, Net-A-Porter customers will be taken on a one-of-a-kind shopping experience. Further expansions into watches and men’s collections are planned for later this year. [ inbox]

L’Officine Universelle Buly has collaborated with The Louvre in Paris to invite eight of the world’s leading perfumers to develop fragrances inspired by famous works of art. The fragrances will be infused in perfumes, candles and soaps and the entire collaboration will be presented in a beautiful 19th century travel kiosk within the museum. The products curated for this limited-edition collection will be sold exclusively through The Louvre, either at the museum or online, and at L’Officine Universelle Buly boutiques. [ inbox]

Ralph Lauren will open its first Polo Ralph Lauren women’s store in Sydney this July. The new location will be in the iconic Queen Victoria Building, an elegant location for the classic American brand. This will be the first store location dedicated to Polo womenswear collections, and will be the first of five new store openings for Ralph Lauren scheduled for Australia this year. Queensland, Victoria, and Canberra will all host new Ralph Lauren stores. The new locations mark a continuance of Ralph Lauren’s expansion around the world. [ inbox]

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27th Jun 2019

In a time where the boundaries between our personal and professional lives are increasingly blurred, our places of work are more important than ever. We’re also becoming increasingly globalised, expected to do our jobs from anywhere in the world. Co-working is an idea born out of this movement: the idea that flexibility and a strong sense of community are paramount when it comes to launching and building a business.

The Wing is the perfect example: a female-only community, known for its incredible co-working spaces complete with showers, in-house cafes, speedy wifi, pump rooms for breastfeeding mothers, and even libraries in some instances. But what’s more is the support on offer in the form of women’s circles, mentoring, and networking opportunities galore.

In Australia, we don’t have The Wing right now, but there is a bunch of incredible co-working communities popping up perfect for anyone running their own business, or building something incredible – perfect for when working in isolation from the lounge gets intolerable. See a few of our favourites below.

Wotso

Wotso is actually a subsidiary of BlackWall Limited – a funds management business that’s long been in the office real estate space. The idea of co-working spaces was originally rolled out in businesses owned by the parent company, but they now occupy locations across Australia and Malaysia. The focus is on suburban and regional locations as opposed to CBD-exclusivity, or where the work is, and is all about growing medium-sized businesses in a collaborative and innovative way.

Depending on your circumstances, you can hot desk, rent a permanent space, or take out a serviced office – all come with flexibility agreements (no lock in contracts) and access to the Wotso Passport for those that travel often. Wotso spaces are equipped with wifi, printing facilities, meeting rooms, wine (naturally), and are pet-friendly. The aesthetic is minimal and modern, too. 

WeWork

WeWork is an international co-working chain with multiple locations around Sydney, Perth, Brisbane and Melbourne. You pay a monthly membership, either for desk space, up to private offices if you’re planning to bring your team. The interiors are bright, cheery, and host all the common charms of a co-working space: excellent internet facilities, printers, meetings rooms, breakout spaces, coffee, bike storage, craft beer and postage handling. There’s also a great opportunity to network with entrepreneurial neighbours.

Lol Space

Lol Space is a relatively new venture happening in Fitzroy, Melbourne not dissimilar to traditional co-working, but with a few interesting features. Founded by Savannah Anand-Sobti and Sally Tabart, it’s part of their business, Ladies of Leisure; a creative collective that works to publish zines and films, run workshops, and create imagery and essay content.

Lol Space is essentially a physical workshop and studio that hosts all of the above, plus events like friendship speed dating, mentoring sessions, and honest talks from industry leaders. Also, the décor is incredible – think shades of tangerine, stunning floral arrangements, and millennial pink velvet furnishings. 

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28th Jun 2019

Some 10 years ago, at the height of her modelling career, Miranda Kerr took on the task of shaping the rather fickle world of beauty. Fast forward a decade, and the 36-year-old mother of two, who is currently expecting her third child, has done just that.

With the launch of her skincare label, Kora Organics, Kerr undeniably paved the way for A-beauty; a homegrown trend now sweeping the industry, both at home and abroad. Certified organic and cruelty-free, the model’s range of products continue to set the tone for the standard of Australian skincare.

“Australians are quite active, they’re quite health conscious, and they’re very much ahead of the game when it comes to clean beauty,” Kerr told Vogue. “[But] Kora is so much more than clean beauty,” she continued, explaining that the term certified organic means her products are made from a range of antioxidant-rich ingredients grown in nutrient-dense soil.

Cue Kora’s latest launch: the Noni Bright Vitamin C Serum. Enlisting the help of Kakadu plum, acerola cherry, and orange peel, Kerr has created what is set to be your new go-to product from a superfruit complex that promises to help even skin tone, while simultaneously brightening your complexion.

Unable to find a certified organic vitamin C serum to use on her skin during the course of her previous two pregnancies, Kerr took it upon herself to create her very own. “It is so gentle but so potent and effective, it works on all the concerns I have while being pregnant, including pigmentation,” she shared.

According to the model, who applies the formula after cleansing, but before moisturising, the Noni Bright Vitamin C Serum also helps her “combat fine lines and wrinkles, while maintaining the elasticity of my skin.”

Considering that after all these years, Kerr’s products have the same cut through they did when they first hit the market a total of 10 years ago, it’s safe to say the model knows a thing or two about beauty. As such, we decided to quiz her on her skincare routine, top beauty tips, and whether or not there are any treatments she would never try. Hint: there aren’t.

Sharing that her beauty habits haven’t changed since she fell pregnant, Kerr confessed: “I love my little morning and night routine, because I feel like it really helps my skin be the best that it can be.”

It should come as no surprise that Kerr found it rather difficult to name her favourite Kora products. From the flexible two-in-one turmeric mask, and the body balm she uses on one-year-old Hart and eight-year-old Flynn, to her luxurious face oil and the must-have sleeping mask she hates to go without – each one works to complement the other.

As for her most important beauty rule? “Definitely consistency,” Kerr told Vogue. “Because that’s when you notice the best results.”

“For me, making sure I cleanse, mist and moisturise morning and night no matter what, no matter how tired I am, that’s what’s really important,” she explained. On top of that, Kerr also ensures that each of the products she uses are certified organic.

“What you put on your skin soaks directly into your bloodstream, so I think it is important that people really read the ingredients and understand what they’re putting on their skin,” she said. “Healthy skin is the most beautiful skin and if you give your skin the nutrients it needs, it’s going to be glowing, it’s going to be plump, and it’s going to be hydrated.”

Finally, Kerr shared that she follows an “80 per cent healthy, and 20 per cent indulgent” rule, that she extends across all aspects of her life. “Like, I’m 80 per cent good girl and 20 per cent wild child,” she laughed.

“I think it’s important to have that balance, [considering] there are so many things that we can’t control,” she reasoned. “I don’t believe in being super strict, I just believe in making a conscious decision.”

So there you have it. Go forth and make like Miranda Kerr.

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